Introduction
1. The life and work in historical context
2. Early short stories, journalism and the first (modernist) novel, Leaf Storm (1947–1955)
3. The neo-realist turn: No One Writes to the Colonel, In Evil Hour and Big Mama's Funeral (1956–1962)
4. One Hundred Years of Solitude (1967): the global village
5. The Autumn of the Patriarch (1975): the love of power
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Introduction
1. The life and work in historical context
2. Early short stories, journalism and the first (modernist) novel, Leaf Storm (1947–1955)
3. The neo-realist turn: No One Writes to the Colonel, In Evil Hour and Big Mama's Funeral (1956–1962)
4. One Hundred Years of Solitude (1967): the global village
5. The Autumn of the Patriarch (1975): the love of power
6. Chronicle of a Death Foretold (1981): postmodernism and Hispanic literature
7. Love in the Time of Cholera (1985): the power of love
8. More about power: The General in His Labyrinth (1989) and News of a Kidnapping (1996)
9. More about love: Of Love and Other Demons (1994) and Memories of My Melancholy Whores (2004)
10. A memoir: Living to Tell the Tale (2002)
Conclusion: the achievement of the universal Colombian.
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0 有用 安提戈涅 2024-10-11 11:00:15 云南
非常基础、入门,但是还是了解到了一些“奇怪的知识”:比如说马尔克斯在《先驱报》做记者时用的笔名是赛普蒂默斯——伍尔夫《达洛维夫人》中的男主角的名字。以前只知道伍尔夫的时间技巧对老马影响甚大,这点他在《番石榴飘香》里也谈过。巧合的是,赛普蒂默斯被赋予了某种预言或者预见的能力,就像老马相信他自己也有的这样能力。