作者:
Elena Ferrante 出版社: Europa Editions 副标题: Neapolitan Novels, Book Two 原作名: Storia del nuovo cognome 译者:
Ann Goldstein 出版年: 2013-9-3 页数: 480 定价: USD 10.72 装帧: Paperback ISBN: 9781609451349
The second book, following 2012’s acclaimed My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each ...
The second book, following 2012’s acclaimed My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.
Elena Ferrante is a pseudonymous Italian novelist.
Ferrante is the author of a half dozen novels, including The Lost Daughter (originally published as La figlia oscura, 2006).
In 2012, Europa Editions began publication of English translations of Ferrante's "Neapolitan Novels", a series about two perceptive and intelligent girls from Naples who try to create lives for themselves...
Elena Ferrante is a pseudonymous Italian novelist.
Ferrante is the author of a half dozen novels, including The Lost Daughter (originally published as La figlia oscura, 2006).
In 2012, Europa Editions began publication of English translations of Ferrante's "Neapolitan Novels", a series about two perceptive and intelligent girls from Naples who try to create lives for themselves within a violent and stultifying culture.
Critics have praised her for her "devastating power as a novelist" and for a style that is "pleasingly rigorous and sharply forthright."
Ferrante holds that "books, once they are written, have no need of their authors."
10th March 2016, The Story of the Lost Child was longlisted for the 2016 Man Booker International prize, celebrating the finest in global fiction translated to English.
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3 有用 鹿的蓝眼睛 2017-02-05 12:07:14
这套书主要靠人物引人入胜。非常喜欢第一本，然而这本当中人物不再有魅力。第一本是多线索的，童年视角，成人世界，每个人都有故事，这一本却只有两条不归路，一条沿着学霸玛丽苏方向，另一条沿着狗血苦情方向。除了自私的女主、乱七八糟的恋爱和渣男百科全书，我看不到别的。
6 有用 光明小卖部🐵 2019-01-06 00:26:46
人生都是大杂烩。当你以为你用百分百的理智做了决定，但在日后你开始为自己的选择找合理性，就说明 你后悔了
3 有用 EP 2019-04-28 23:24:56
海德格尔（1889-1976）他在《德国大学的自我主张》中写道：希腊人中流传着一个古老的传说：普罗米修斯是第一个哲人。埃斯库罗斯借普罗米修斯之口道出了一句格言，表达了知识的本质：”但知识远不如命运有力量。“这意味着，一切关于事物的知识都预先受到命运的主宰，在命运面前无能为力。 在自己阳台，自己家中，看到三点中，或者半夜醒来看到天亮。我想我不太可能去看第三部，第四部，虽然我搜了那几个人名，试图知道... 海德格尔（1889-1976）他在《德国大学的自我主张》中写道：希腊人中流传着一个古老的传说：普罗米修斯是第一个哲人。埃斯库罗斯借普罗米修斯之口道出了一句格言，表达了知识的本质：”但知识远不如命运有力量。“这意味着，一切关于事物的知识都预先受到命运的主宰，在命运面前无能为力。 在自己阳台，自己家中，看到三点中，或者半夜醒来看到天亮。我想我不太可能去看第三部，第四部，虽然我搜了那几个人名，试图知道她们后来怎么样了，但是我越来越害怕，因为她再也没有给她真正发光的机会。我想看Lila发光，我失败了。 (展开)
4 有用 七亩田 2019-01-27 12:31:40
有的人注定是你一辈子的毒药
13 有用 潜入深水的鬼魂 2017-12-02 00:26:02
第一部讲童年和少女时期，孩子们发誓不要成为自己的父母，这部讲青年时期，Elena和Lila却逐渐发现周围的人都成为了自己的父母，在这样的世界里逃不出自己的过去。有一点值得注意：这里面女性对彼此再坏也比不上男人的暴戾扭曲甚至冷漠，比如说Ada和Lila的对峙那段（很高兴她们最后喝上了洋甘菊茶ry）。以及我觉得Elena有非常严重的imposter syndrome（。