出发点是如何reconcile Plato and Pliny's diverging stances on shadow which is the central figure in the origin of western theories of philosophical/artistic representation。作者给出的回答就是这是个shadow stage被压制、遗忘并转向mirror stage/narcissism/image of the self/frontal portrait的过程。摄影让被压制的阴影重新浮现，再现必须冲破这层黑雾才能显现，"the zenith of mimesis kills the mimesis."在尤伦斯看见封面图才意识到出自沃霍尔
1 有用 L 2021-07-06 18:03:10
出发点是如何reconcile Plato and Pliny's diverging stances on shadow which is the central figure in the origin of western theories of philosophical/artistic representation。作者给出的回答就是这是个shadow stage被压制、遗忘并转向mirror stage/narcissism/image of the self/frontal portrait的过程。摄影让被压制的阴影重新浮现，再现必须冲破这层黑雾才能显现，"the zenith of mimesis kills the mimesis."在尤伦斯看见封面图才意识到出自沃霍尔
0 有用 6+7 2014-06-09 00:38:58
嗯...嗯?
0 有用 YU 2021-12-03 22:43:45
真的认为把影子与物体主体轮廓相混淆是可以接受的吗？影子就是影子，主体轮廓就是主体轮廓啊，主体轮廓经过投射得来影子，如此简单的物理原理，怎么就光明正大被混淆也还是可以接受的呢？以及，轮廓线就等同于轮廓了吗？
0 有用 身不在场 2009-06-01 22:07:20
从墙上爱人阴影的传说开始……