Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ( Wanderlust ), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ( River of Shadows ), Rebecca Solnit has emerged as an inventive and original writer whose min...
Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ( Wanderlust ), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ( River of Shadows ), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit’s own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery. BACKCOVER: “A meditation on the pleasures and terrors of getting lost”
— The New Yorker
“This indispensable California writer’s most personal book yet.”
— San Francisco Chronicle
“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism . . . a book to set you wandering down strangely fruitful trails of thought.”
How will go about finding that thing the nature of which is totally unknown to you?
The question she carried struck you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?
certainly for artist of all strips, the unknown are the place that works come out from. (查看原文)
在《A Field Guide to Getting Lost》中,作者 Rebecca Solnit 采访深山中的援救队伍,资深救援人员说:“孩子是擅长迷路的,因为生存的关键就是知道自己迷路了。他们不会走远,晚上会蜷缩在某个遮蔽的地方,他们知道自己需要帮助。”而深陷迷途的人往往没有注意到自己已经走丢了,“或当意识到回不去的时候不知道该怎么办;或者不承认自己不知道。”原来希望并非源自一切安全。或许...在《A Field Guide to Getting Lost》中,作者 Rebecca Solnit 采访深山中的援救队伍,资深救援人员说:“孩子是擅长迷路的,因为生存的关键就是知道自己迷路了。他们不会走远,晚上会蜷缩在某个遮蔽的地方,他们知道自己需要帮助。”而深陷迷途的人往往没有注意到自己已经走丢了,“或当意识到回不去的时候不知道该怎么办;或者不承认自己不知道。”原来希望并非源自一切安全。或许我们忘记了,早在儿时,已经见过希望的模样——就算前路未知,又或一片废墟,也知道这不可怕、并定能得到救援。(展开)
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在《A Field Guide to Getting Lost》中,作者 Rebecca Solnit 采访深山中的援救队伍,资深救援人员说:“孩子是擅长迷路的,因为生存的关键就是知道自己迷路了。他们不会走远,晚上会蜷缩在某个遮蔽的地方,他们知道自己需要帮助。”而深陷迷途的人往往没有注意到自己已经走丢了,“或当意识到回不去的时候不知道该怎么办;或者不承认自己不知道。”原来希望并非源自一切安全。或许... 在《A Field Guide to Getting Lost》中,作者 Rebecca Solnit 采访深山中的援救队伍,资深救援人员说:“孩子是擅长迷路的,因为生存的关键就是知道自己迷路了。他们不会走远,晚上会蜷缩在某个遮蔽的地方,他们知道自己需要帮助。”而深陷迷途的人往往没有注意到自己已经走丢了,“或当意识到回不去的时候不知道该怎么办;或者不承认自己不知道。”原来希望并非源自一切安全。或许我们忘记了,早在儿时,已经见过希望的模样——就算前路未知,又或一片废墟,也知道这不可怕、并定能得到救援。 (展开)
1 有用 maymcdull 2021-06-15 01:13:26
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