the Obssesion with Shakespeare is more than often intolerable and so are omnipresent gnostic references. I guess the number of readers who truly understand what he is talking about is severely limite...the Obssesion with Shakespeare is more than often intolerable and so are omnipresent gnostic references. I guess the number of readers who truly understand what he is talking about is severely limited. Harold Bloom provides fire, with which we'd better walk our own way instead of following.(展开)
P. S. In case anyone is wondering why he didn’t mention Chinese literature, this serves: The immense wealth of ancient Chinese literature is mostly a sphere apart from Western literary tradition and ...P. S. In case anyone is wondering why he didn’t mention Chinese literature, this serves: The immense wealth of ancient Chinese literature is mostly a sphere apart from Western literary tradition and is rarely conveyed adequately in the translations available to us. (from the Appendix)(展开)
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哈罗德·布鲁姆 作者
嘎嘣嘎嘣脆
译林出版社2011版
曾园
译林出版社2005版
0 有用 momo 2012-01-27 19:56:00
the Obssesion with Shakespeare is more than often intolerable and so are omnipresent gnostic references. I guess the number of readers who truly understand what he is talking about is severely limite... the Obssesion with Shakespeare is more than often intolerable and so are omnipresent gnostic references. I guess the number of readers who truly understand what he is talking about is severely limited. Harold Bloom provides fire, with which we'd better walk our own way instead of following. (展开)
0 有用 YannieY 2010-03-15 20:48:37
considered as a reference book; should accompany the reading throughout the st john's seminar reading list.
0 有用 / 2023-06-03 07:38:27 浙江
力排众怨，只取文学的感性价值。评论精当，如老吏断狱。
0 有用 轻 2024-08-08 00:20:06 重庆
看到中译介绍如下：“在女性主义、多元化主义、文化唯物主义、新历史主义、非洲中心论等各种新潮理论引领风骚之际，哈罗德·布鲁姆逆流而立，力拒文学批评的意识形态化，重申智识与审美标准的不可或缺。在本书中，布鲁姆高扬“审美自律性”的主张，一仍其“影响的焦虑”理论，以莎士比亚为西方经典的中心，并在与莎氏的比照中，考察了从但丁、乔叟、塞万提斯一直到乔伊斯、卡夫卡、博尔赫斯、贝克特等的二十多位西方一流作家，揭示... 看到中译介绍如下：“在女性主义、多元化主义、文化唯物主义、新历史主义、非洲中心论等各种新潮理论引领风骚之际，哈罗德·布鲁姆逆流而立，力拒文学批评的意识形态化，重申智识与审美标准的不可或缺。在本书中，布鲁姆高扬“审美自律性”的主张，一仍其“影响的焦虑”理论，以莎士比亚为西方经典的中心，并在与莎氏的比照中，考察了从但丁、乔叟、塞万提斯一直到乔伊斯、卡夫卡、博尔赫斯、贝克特等的二十多位西方一流作家，揭示出文学经典的奥秘所在：经典作品都源于传统与原创的巧妙融合。”ok (展开)
0 有用 Eli 2021-06-27 14:49:10
P. S. In case anyone is wondering why he didn’t mention Chinese literature, this serves: The immense wealth of ancient Chinese literature is mostly a sphere apart from Western literary tradition and ... P. S. In case anyone is wondering why he didn’t mention Chinese literature, this serves: The immense wealth of ancient Chinese literature is mostly a sphere apart from Western literary tradition and is rarely conveyed adequately in the translations available to us. (from the Appendix) (展开)