Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America.
In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.
1 有用 Penumbra 2022-05-02 19:28:08
5.1 读了引言 - 6.8 读了第一章 比引言(画饼)好太多!批判性地拿起又放下了the burden of connectivity,讲typographical style尤其是grid那部分让人眼前一亮,让我想到福柯的词与物里的隐喻——“It is both a map of the avant-garde print world and a ticket intended to affi... 5.1 读了引言 - 6.8 读了第一章 比引言(画饼)好太多!批判性地拿起又放下了the burden of connectivity,讲typographical style尤其是grid那部分让人眼前一亮,让我想到福柯的词与物里的隐喻——“It is both a map of the avant-garde print world and a ticket intended to affirm inclusion.”,将日本的部分应该是对研究最有借鉴的部分,恨自己还是日语渣 (展开)
1 有用 月面的成色 2025-10-14 01:59:01 美国
对把world literature视作world market的spatial dynamic的现成研究的反驳非常有力,同时无需诉诸worldliness(即便这个project转向了些许temporality)。