“How can I describe loving Brenda? It was so sweet, as though I'd finally scored that twenty-first point.” “ but suddenly I was sure that when I left the water Brenda would be gone. I'd be alone in this damn place. I started for the side and pulled mysel...
(展开)
The diaphragm finally drives them apart, or is it really about the diaphragm? Neil is obsessed with the idea that someday Brenda is destined to leave him, thus every signal is acutely observed, and his emotion is forever reserved, in case he might really ge...
(展开)
From the way Julie and Mr. Patimkin were laughing now, out on the court, no problem could ever have seemed less universal; but, of course, it was universal for Brenda, more than that, cosmic—it made every cashmere sweater a battle with her mother, and her ...
(展开)
Love: “ but suddenly I was sure that when I left the water Brenda would be gone. I'd be alone in this damn place. I started for the side and pulled myself up and ran to the chairs and Brenda was there and I kissed her.” “That's it, Brenda. Please, no mor...
(展开)
"Religion was a lie that he had recognized early in life, and he found all religions offensive, considered their superstitious folderol meaningless, childish, couldn't stand the complete unadaultness -- the baby talk and the righteousness and the sheep, the...
(展开)
5 有用 AL288-1 2021-08-27 13:50:15
五十多载岁月,三十多部作品,罗斯塑造了一个个精神痛苦的主人公:尼尔·克鲁格曼、祖克曼、凯普什、罗斯……他们渴求美式成功但又无法摆脱犹太传统限制——活在旧血缘身份与新文化抗争的矛盾里。罗斯的每一个主角都在建构身份:他们在迷茫中妥协;在现实与理想的冲突中寻找平衡;在困惑中重新定位自我。 《再见,哥伦布》正是这一切的发端。菲利普·罗斯真实交织虚构的文学旅途于此展开。
0 有用 废柴白 2024-12-28 17:19:07 江苏
3.5
0 有用 木越 2024-09-17 23:34:05 山西
【6.0】《再见,哥伦布》《狂热者艾利》 ——26岁的罗斯居然如此青涩,结构设计如此传统,与以后大胆的性描写以及后现代写法形成强烈对比。可见写作是会,也是应该要进步的。
0 有用 衎 2024-03-10 18:42:46 吉林
同名篇
0 有用 思郁 2022-06-04 17:28:38
最后一篇《狂热者艾利》是一个惊喜。