Bright Dog Red Albany, New York
Bright Dog Red, celebrated for “sublimely marrying jazz with hip-hop, funk, and electronic music" (JazzTimes), has long been “a fixture on the NYC jazz and improvisation scene” (Jazz Journal). The group’s "proudly unanchored improvisation" (Downbeat) has been described as “part Ornette Coleman and Prime Time, part Lounge Lizards, part A Tribe Called Quest” (JazzTimes). ... more
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"I'm interested in other textures and how they can manifest themselves on my instrument. I think it's difficult to get a good sound on this instrument. It's an easy instrument to learn—you're learning how to put fingers down and press buttons, very easy—but to get a good sound on it is really tough. Sound is number one for me—sound, time, rhythm, creativity." Check out our interview with Caroline Davis on The Tonearm ✨→ https://www.thetonearm.com/ghost-notes-from-wyoming-caroline-davis-fallows/
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ESQUEMA DE LOCALIZACIÓN
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Isocaos, from Lima, Peru, contrasts broken IDM geometry with ambient-inflected punk for a maddening, mesmerizing listening experience.
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Like the Grass
by Stacey Juritz Ravens Keller
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Even Quiet Embers Carry Fire
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The Australian trio conduct a naturalistic free-improv exercise driven by steeled patience, unflinching trust, and unbound experimentation.
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supported by 5 fans who also own “Null and Void”
Relaxing and exhilarating music at the same time. It takes me with it to a different place. The 6 pieces complement (and add to) each other while speaking the same language. They induce a happiness in me but not in a lazy Way; give an urge to act in beauty, like in Navajo philosophy. Stimulating.
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