Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.
For Adrian Younge and Ali Shaheed Muhammad, collaborating with music icons and personal heroes is a dream come true. As Younge notes, “with Series 1, we established the sonic foundation of the Jazz Is Dead label. It’s that experimental jazz/funk that we would always search for while digging through records. With Series 2, we expanded upon this approach spending more time with our ideas and the nuances of our sound. But with Series 3, we hit a new level we never thought we could attain with the legends. The tears, the laughs and the disbelief at what we’ve accomplished is astounding. For some of these artists, these albums can be viewed as some of their best recordings to date proving that they still have a lot to say.”
At 88 years of age, the Ghanian highlife and afrobeat pioneer, Ebo Taylor, traveled to the US for the very first time to perform at the now iconic, Jazz Is Dead Concert Series, selling out venues across the country. It was during this time he recorded a psychedelic afrobeat album alongside Jazz Is Dead producers Adrian Younge & Ali Shaheed Muhammad. The swirling horns and gritty guitars are reminiscent of his seminal seventies recordings that made him one of Africa’s (and the worlds) most prolific and revolutionary artists.
In 1970s Brazil, the Black Rio Movement redefined what soul music meant for black pride in Rio de Janeiro (and Brazil). Afro-Brazilians came together and developed a funk and dance scene that challenged Brazil’s military dictatorship and the systemic racism that plagued their people. Dom Salvador, Hyldon and Carlos Dafé were all instrumental in establishing the voice of Black Rio. It was during our concert series with these maestros that we were able to identify the throughline connecting each of their individual stories to the seminal Black Rio Movement.
From Brazilian jazz to samba funk, Dom Salvador is the grand master of the Black Rio movement who later became the musical director for Harry Belafonte. Salvador is one of Brazil’s most recorded pianists and producers with over 1000 recordings to his credit. On his forthcoming release with Jazz Is Dead, producers Adrian Younge and Ali Shaheed Muhammad highlight Salvador’s unique fusion of jazz, funk and samba.
Hyldon is recognized worldwide as a torchbearer of Brazil’s psychedelic soul. In the 1970’s, Hyldon worked with Jazz Is Dead alumni Azymuth, to produce some of Brazil’s most coveted albums. On his forthcoming release with Jazz Is Dead, Adrian Younge partners with Hyldon to create a new album that echoes the sentiments of his 1975 classic “Na Rua, Na Chuva, Na Fazenda.” In addition, this new album is one of the last recordings of the late Ivan “Mamão” Conti, drummer of Azymuth.
With his sultry voice, Carlos Dafé is notoriously known as Brazil’s Prince of Soul. He is also a voice heard on Arthur Verocai’s holy grail self-titled, debut album. On his forthcoming Jazz Is Dead release, Dafé meets Adrian Younge’s world of psychedelic and orchestral soul: a perfect harmony reminiscent of the Brazilian greats Tim Maia and Cassiano.
Antonio Carlos e Jocafi made some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia. The duo emerged out of Brazil’s competitive music festivals mixing funky grooves, acid-rock guitars and sophisticated harmonies. Nearly 50 years after their initial release, Jazz Is Dead brought the pair to perform in the US for their very first time. It was during this trip they recorded their forthcoming Jazz Is Dead album in collaboration with Adrian Younge and Ali Shaheed Muhammad. Together they created a delightful, anthemic album mirroring their classic Bahian sound.
The dynamic voice of singer/composer Joyce combined with the syncopated rhythms of her husband, the legendary drummer Tutty Moreno, forged a new trajectory in Brazilian music. This sound also inspired the acid jazz movement of the 1990s when DJs like Gilles Peterson discovered classic hits such as “Feminina” and “Aldeia De Ogum”. Jazz Is Dead brought the couple to Los Angeles to perform a special concert and record a new album. With Adrian Younge’s beautiful string arrangements and Joyce and Tutty’s experimental samba-jazz, their synergy reverberates on the forthcoming Jazz Is Dead album.
In 2016, Adrian Younge and Ali Shaheed Muhammad came together to create a new group, The Midnight Hour. With the fusion of hip hop, jazz and breaks the album continues the conversations started by yesterday’s jazz and funk pioneers; those that created the bedrock of samples for hip hop’s golden era. On their forthcoming Jazz Is Dead album, The Midnight Hour: Lost Tapes, Younge and Muhammad dig deep into their vault of analog tapes to share music previously unreleased.
Essentially, Jazz Is Dead 021 is a selection of unreleased songs from Jazz Is Dead Series 3 and more. This will be a very limited offering. Once the initial pressing of 1,000 units of black vinyl and 1,000 units of color vinyl are sold out, they will go out of print. Expect international tours and other limited memorabilia to accompany each individual release within Series 3. “We plan to give all of these maestros their flowers while they can still smell them and share all of the vibrant music with fans for decades to come,” says co-founder Andrew Lojero.
Includes unlimited streaming of Jazz Is Dead 021
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.
For Adrian Younge and Ali Shaheed Muhammad, collaborating with music icons and personal heroes is a dream come true. As Younge notes, “with Series 1, we established the sonic foundation of the Jazz Is Dead label. It’s that experimental jazz/funk that we would always search for while digging through records. With Series 2, we expanded upon this approach spending more time with our ideas and the nuances of our sound. But with Series 3, we hit a new level we never thought we could attain with the legends. The tears, the laughs and the disbelief at what we’ve accomplished is astounding. For some of these artists, these albums can be viewed as some of their best recordings to date proving that they still have a lot to say.”
At 88 years of age, the Ghanian highlife and afrobeat pioneer, Ebo Taylor, traveled to the US for the very first time to perform at the now iconic, Jazz Is Dead Concert Series, selling out venues across the country. It was during this time he recorded a psychedelic afrobeat album alongside Jazz Is Dead producers Adrian Younge & Ali Shaheed Muhammad. The swirling horns and gritty guitars are reminiscent of his seminal seventies recordings that made him one of Africa’s (and the worlds) most prolific and revolutionary artists.
In 1970s Brazil, the Black Rio Movement redefined what soul music meant for black pride in Rio de Janeiro (and Brazil). Afro-Brazilians came together and developed a funk and dance scene that challenged Brazil’s military dictatorship and the systemic racism that plagued their people. Dom Salvador, Hyldon and Carlos Dafé were all instrumental in establishing the voice of Black Rio. It was during our concert series with these maestros that we were able to identify the throughline connecting each of their individual stories to the seminal Black Rio Movement.
From Brazilian jazz to samba funk, Dom Salvador is the grand master of the Black Rio movement who later became the musical director for Harry Belafonte. Salvador is one of Brazil’s most recorded pianists and producers with over 1000 recordings to his credit. On his forthcoming release with Jazz Is Dead, producers Adrian Younge and Ali Shaheed Muhammad highlight Salvador’s unique fusion of jazz, funk and samba.
Hyldon is recognized worldwide as a torchbearer of Brazil’s psychedelic soul. In the 1970’s, Hyldon worked with Jazz Is Dead alumni Azymuth, to produce some of Brazil’s most coveted albums. On his forthcoming release with Jazz Is Dead, Adrian Younge partners with Hyldon to create a new album that echoes the sentiments of his 1975 classic “Na Rua, Na Chuva, Na Fazenda.” In addition, this new album is one of the last recordings of the late Ivan “Mamão” Conti, drummer of Azymuth.
With his sultry voice, Carlos Dafé is notoriously known as Brazil’s Prince of Soul. He is also a voice heard on Arthur Verocai’s holy grail self-titled, debut album. On his forthcoming Jazz Is Dead release, Dafé meets Adrian Younge’s world of psychedelic and orchestral soul: a perfect harmony reminiscent of the Brazilian greats Tim Maia and Cassiano.
Antonio Carlos e Jocafi made some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia. The duo emerged out of Brazil’s competitive music festivals mixing funky grooves, acid-rock guitars and sophisticated harmonies. Nearly 50 years after their initial release, Jazz Is Dead brought the pair to perform in the US for their very first time. It was during this trip they recorded their forthcoming Jazz Is Dead album in collaboration with Adrian Younge and Ali Shaheed Muhammad. Together they created a delightful, anthemic album mirroring their classic Bahian sound.
The dynamic voice of singer/composer Joyce combined with the syncopated rhythms of her husband, the legendary drummer Tutty Moreno, forged a new trajectory in Brazilian music. This sound also inspired the acid jazz movement of the 1990s when DJs like Gilles Peterson discovered classic hits such as “Feminina” and “Aldeia De Ogum”. Jazz Is Dead brought the couple to Los Angeles to perform a special concert and record a new album. With Adrian Younge’s beautiful string arrangements and Joyce and Tutty’s experimental samba-jazz, their synergy reverberates on the forthcoming Jazz Is Dead album.
In 2016, Adrian Younge and Ali Shaheed Muhammad came together to create a new group, The Midnight Hour. With the fusion of hip hop, jazz and breaks the album continues the conversations started by yesterday’s jazz and funk pioneers; those that created the bedrock of samples for hip hop’s golden era. On their forthcoming Jazz Is Dead album, The Midnight Hour: Lost Tapes, Younge and Muhammad dig deep into their vault of analog tapes to share music previously unreleased.
Essentially, Jazz Is Dead 021 is a selection of unreleased songs from Jazz Is Dead Series 3 and more. This will be a very limited offering. Once the initial pressing of 1,000 units of black vinyl and 1,000 units of color vinyl are sold out, they will go out of print. Expect international tours and other limited memorabilia to accompany each individual release within Series 3. “We plan to give all of these maestros their flowers while they can still smell them and share all of the vibrant music with fans for decades to come,” says co-founder Andrew Lojero.
Includes unlimited streaming of Jazz Is Dead 021
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
Download available in 16-bit/44.1kHz.
$9.99USD or more
Jazz Is Dead 021 Vinyl TEST PRESS
Record/Vinyl + Digital Album
Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.
For Adrian Younge and Ali Shaheed Muhammad, collaborating with music icons and personal heroes is a dream come true. As Younge notes, “with Series 1, we established the sonic foundation of the Jazz Is Dead label. It’s that experimental jazz/funk that we would always search for while digging through records. With Series 2, we expanded upon this approach spending more time with our ideas and the nuances of our sound. But with Series 3, we hit a new level we never thought we could attain with the legends. The tears, the laughs and the disbelief at what we’ve accomplished is astounding. For some of these artists, these albums can be viewed as some of their best recordings to date proving that they still have a lot to say.”
At 88 years of age, the Ghanian highlife and afrobeat pioneer, Ebo Taylor, traveled to the US for the very first time to perform at the now iconic, Jazz Is Dead Concert Series, selling out venues across the country. It was during this time he recorded a psychedelic afrobeat album alongside Jazz Is Dead producers Adrian Younge & Ali Shaheed Muhammad. The swirling horns and gritty guitars are reminiscent of his seminal seventies recordings that made him one of Africa’s (and the worlds) most prolific and revolutionary artists.
In 1970s Brazil, the Black Rio Movement redefined what soul music meant for black pride in Rio de Janeiro (and Brazil). Afro-Brazilians came together and developed a funk and dance scene that challenged Brazil’s military dictatorship and the systemic racism that plagued their people. Dom Salvador, Hyldon and Carlos Dafé were all instrumental in establishing the voice of Black Rio. It was during our concert series with these maestros that we were able to identify the throughline connecting each of their individual stories to the seminal Black Rio Movement.
From Brazilian jazz to samba funk, Dom Salvador is the grand master of the Black Rio movement who later became the musical director for Harry Belafonte. Salvador is one of Brazil’s most recorded pianists and producers with over 1000 recordings to his credit. On his forthcoming release with Jazz Is Dead, producers Adrian Younge and Ali Shaheed Muhammad highlight Salvador’s unique fusion of jazz, funk and samba.
Hyldon is recognized worldwide as a torchbearer of Brazil’s psychedelic soul. In the 1970’s, Hyldon worked with Jazz Is Dead alumni Azymuth, to produce some of Brazil’s most coveted albums. On his forthcoming release with Jazz Is Dead, Adrian Younge partners with Hyldon to create a new album that echoes the sentiments of his 1975 classic “Na Rua, Na Chuva, Na Fazenda.” In addition, this new album is one of the last recordings of the late Ivan “Mamão” Conti, drummer of Azymuth.
With his sultry voice, Carlos Dafé is notoriously known as Brazil’s Prince of Soul. He is also a voice heard on Arthur Verocai’s holy grail self-titled, debut album. On his forthcoming Jazz Is Dead release, Dafé meets Adrian Younge’s world of psychedelic and orchestral soul: a perfect harmony reminiscent of the Brazilian greats Tim Maia and Cassiano.
Antonio Carlos e Jocafi made some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia. The duo emerged out of Brazil’s competitive music festivals mixing funky grooves, acid-rock guitars and sophisticated harmonies. Nearly 50 years after their initial release, Jazz Is Dead brought the pair to perform in the US for their very first time. It was during this trip they recorded their forthcoming Jazz Is Dead album in collaboration with Adrian Younge and Ali Shaheed Muhammad. Together they created a delightful, anthemic album mirroring their classic Bahian sound.
The dynamic voice of singer/composer Joyce combined with the syncopated rhythms of her husband, the legendary drummer Tutty Moreno, forged a new trajectory in Brazilian music. This sound also inspired the acid jazz movement of the 1990s when DJs like Gilles Peterson discovered classic hits such as “Feminina” and “Aldeia De Ogum”. Jazz Is Dead brought the couple to Los Angeles to perform a special concert and record a new album. With Adrian Younge’s beautiful string arrangements and Joyce and Tutty’s experimental samba-jazz, their synergy reverberates on the forthcoming Jazz Is Dead album.
In 2016, Adrian Younge and Ali Shaheed Muhammad came together to create a new group, The Midnight Hour. With the fusion of hip hop, jazz and breaks the album continues the conversations started by yesterday’s jazz and funk pioneers; those that created the bedrock of samples for hip hop’s golden era. On their forthcoming Jazz Is Dead album, The Midnight Hour: Lost Tapes, Younge and Muhammad dig deep into their vault of analog tapes to share music previously unreleased.
Essentially, Jazz Is Dead 021 is a selection of unreleased songs from Jazz Is Dead Series 3 and more. This will be a very limited offering. Once the initial pressing of 1,000 units of black vinyl and 1,000 units of color vinyl are sold out, they will go out of print. Expect international tours and other limited memorabilia to accompany each individual release within Series 3. “We plan to give all of these maestros their flowers while they can still smell them and share all of the vibrant music with fans for decades to come,” says co-founder Andrew Lojero.
Includes unlimited streaming of Jazz Is Dead 021
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.
For Adrian Younge and Ali Shaheed Muhammad, collaborating with music icons and personal heroes is a dream come true. As Younge notes, “with Series 1, we established the sonic foundation of the Jazz Is Dead label. It’s that experimental jazz/funk that we would always search for while digging through records. With Series 2, we expanded upon this approach spending more time with our ideas and the nuances of our sound. But with Series 3, we hit a new level we never thought we could attain with the legends. The tears, the laughs and the disbelief at what we’ve accomplished is astounding. For some of these artists, these albums can be viewed as some of their best recordings to date proving that they still have a lot to say.”
At 88 years of age, the Ghanian highlife and afrobeat pioneer, Ebo Taylor, traveled to the US for the very first time to perform at the now iconic, Jazz Is Dead Concert Series, selling out venues across the country. It was during this time he recorded a psychedelic afrobeat album alongside Jazz Is Dead producers Adrian Younge & Ali Shaheed Muhammad. The swirling horns and gritty guitars are reminiscent of his seminal seventies recordings that made him one of Africa’s (and the worlds) most prolific and revolutionary artists.
In 1970s Brazil, the Black Rio Movement redefined what soul music meant for black pride in Rio de Janeiro (and Brazil). Afro-Brazilians came together and developed a funk and dance scene that challenged Brazil’s military dictatorship and the systemic racism that plagued their people. Dom Salvador, Hyldon and Carlos Dafé were all instrumental in establishing the voice of Black Rio. It was during our concert series with these maestros that we were able to identify the throughline connecting each of their individual stories to the seminal Black Rio Movement.
From Brazilian jazz to samba funk, Dom Salvador is the grand master of the Black Rio movement who later became the musical director for Harry Belafonte. Salvador is one of Brazil’s most recorded pianists and producers with over 1000 recordings to his credit. On his forthcoming release with Jazz Is Dead, producers Adrian Younge and Ali Shaheed Muhammad highlight Salvador’s unique fusion of jazz, funk and samba.
Hyldon is recognized worldwide as a torchbearer of Brazil’s psychedelic soul. In the 1970’s, Hyldon worked with Jazz Is Dead alumni Azymuth, to produce some of Brazil’s most coveted albums. On his forthcoming release with Jazz Is Dead, Adrian Younge partners with Hyldon to create a new album that echoes the sentiments of his 1975 classic “Na Rua, Na Chuva, Na Fazenda.” In addition, this new album is one of the last recordings of the late Ivan “Mamão” Conti, drummer of Azymuth.
With his sultry voice, Carlos Dafé is notoriously known as Brazil’s Prince of Soul. He is also a voice heard on Arthur Verocai’s holy grail self-titled, debut album. On his forthcoming Jazz Is Dead release, Dafé meets Adrian Younge’s world of psychedelic and orchestral soul: a perfect harmony reminiscent of the Brazilian greats Tim Maia and Cassiano.
Antonio Carlos e Jocafi made some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia. The duo emerged out of Brazil’s competitive music festivals mixing funky grooves, acid-rock guitars and sophisticated harmonies. Nearly 50 years after their initial release, Jazz Is Dead brought the pair to perform in the US for their very first time. It was during this trip they recorded their forthcoming Jazz Is Dead album in collaboration with Adrian Younge and Ali Shaheed Muhammad. Together they created a delightful, anthemic album mirroring their classic Bahian sound.
The dynamic voice of singer/composer Joyce combined with the syncopated rhythms of her husband, the legendary drummer Tutty Moreno, forged a new trajectory in Brazilian music. This sound also inspired the acid jazz movement of the 1990s when DJs like Gilles Peterson discovered classic hits such as “Feminina” and “Aldeia De Ogum”. Jazz Is Dead brought the couple to Los Angeles to perform a special concert and record a new album. With Adrian Younge’s beautiful string arrangements and Joyce and Tutty’s experimental samba-jazz, their synergy reverberates on the forthcoming Jazz Is Dead album.
In 2016, Adrian Younge and Ali Shaheed Muhammad came together to create a new group, The Midnight Hour. With the fusion of hip hop, jazz and breaks the album
On their forthcoming Jazz Is Dead album, The Midnight Hour: Lost Tapes, Younge and Muhammad dig deep into their vault of analog tapes to share music previously unreleased.
Essentially, Jazz Is Dead 021 is a selection of unreleased songs from Jazz Is Dead Series 3 and more. This will be a very limited offering. Once the initial pressing of 1,000 units of black vinyl and 1,000 units of color vinyl are sold out, they will go out of print. Expect international tours and other limited memorabilia to accompany each individual release within Series 3. “We plan to give all of these maestros their flowers while they can still smell them and share all of the vibrant music with fans for decades to come,” says co-founder Andrew Lojero.
credits
released October 4, 2024
All music composed by Adrian Younge unless otherwise noted; produced, recorded and mixed by Adrian Younge at Linear Labs Studios, Los Angeles, CA. Mastered by Dave Cooley for Elysian Masters. Executive Produced by Andrew Lojero. Associate Produced by Adam Block. All songs published by Linear Labs Crew/Sony Music Publishing (GMR). Graphic Design by Julian Montague. Photography by Linear Labs.
1) Moreno
a. Musicians:
i. Adrian Younge: Fender Rhodes piano, Percussion
ii. Ali Shaheed Muhammad: Electric bass guitar, Percussion
iii. Malachi Morehead: Drums
b. Linear Labs Orchestra: Arranged and conducted by Adrian Younge
c. Written by Adrian Younge and Ali Shaheed Muhammad
2) Os Ancestrais
a. Musicians:
i. Adrian Younge: Electric guitar, Electric sitar, Marimba
ii. Ali Shaheed Muhammad: Electric Bass guitar
iii. Dom Salvador: Fender Rhodes piano
iv. Leo Costa: Drums
v. Gibi dos Santos: Percussion
vi. David Urquidi – Baritone saxophone
vii. Danny Janklow – Baritone saxophone
viii. Scott Mayo – Alto saxophone
ix. Katisse Buckingham – Flute
x. Ashley Jarmack – Flute
xi. Khristian Foreman – Trombone
xii. Tatiana Tate – Trumpet
b. Linear Labs Orchestra: Arranged and conducted by Adrian Younge
c. Vocals: Performed by Dom Salvador
d. Written by Adrian Younge, Dom Salvador and Ali Shaheed Muhammad
3) Amor Enfeitiçado
a. Musicians:
i. Adrian Younge: Electric bass guitar, Electric guitars, Percussion
ii. Bryan Velasco: Fender Rhodes piano
iii. Ana Barreiro: Drums
iv. Krishna Booker: Percussion
v. Cameron Johnson: Trumpet
vi. Lasim Richards: Trombone
vii. Danny Janklow: Baritone saxophone
viii. Phillip Whack: Alto saxophone
ix. David Urquidi: Baritone saxophone
b. Linear Labs Orchestra: Arranged and conducted by Adrian Younge
c. Lyrics: Written by Carlos Dafé, Gabriel Moura and BID; performed by Carlos Dafé
4) Obi Do Wa (If Someone Loves You)
a. Musicians:
i. Adrian Younge: Electric guitars, Organ, Monophonic synthesizer, Percussion
ii. Henry Taylor: Fender Rhodes piano
iii. Philip Andy Biney: Drums
iv. Samson Olawe: Congas
v. Emmanuel Ackone: Electric bass guitar
vi. Jay Flat – Baritone saxophone
vii. Danny Janklow – Baritone saxophone
viii. Scott Mayo – Alto saxophone
ix. Katisse Buckingham – Flute
x. Erm Navarro – Trombone
xi. Tatiana Tate – Trumpet
b. Lead Vocal: Ebo Taylor
c. Background Vocals: Henry Taylor, Philip Andy Biney, Yeko Ladzekpo-Cole, Beatrice Lawluvi, Mikaela Elson and Erinn Horton
d. Written by Adrian Younge, Ali Shaheed Muhammad, Ebo Taylor and Henry Taylor
5) Menina Do Tororó
a. Musicians:
i. Adrian Younge: Electric bass guitar, Fender Rhodes piano, Sopranino and Alto saxophones, Flutes, Piccolo, Percussion
ii. Jocafi: Nylon guitar
iii. Leo Costa: Drums
iv. Gibi Dos Santos Percussion
b. Lyrics: Written and performed by Antonio Carlos e Jocafi
c. Background vocals: Letícia dos Santos Pedroza, Nayana Araujo Duarte, Leonardo Bruno Baptista and Murilo Oliveira dos Santos
d. Written by Adrian Younge and Antonio Carlos e Jocafi
6) Uaná Eté
a. Musicians:
i. Adrian Younge: Electric bass guitar, Hammond B3 organ, Vibraphone, Electric guitars, Percussion
ii. Joyce Moreno: Nylon guitar
iii. Tutty Moreno: Drums
iv. Bryan Velasco: Fender Rhodes piano
v. Gibi Dos Santos: Percussion
b. Lyrics: Written and performed by Joyce Moreno
c. Written by Joyce Moreno
7) Viajante de Planeta Azul
a. Musicians:
i. Adrian Younge: Electric bass guitar, Fender Rhodes piano, Electric sitar, Hammond B3 organ, Electric guitars, Nylon guitar, Monophonic synthesizers, Flutes, Sopranino and Alto saxophones, Percussion
ii. Ivan “Mamão” Conti: Drums
b. Lyrics: Written and performed by Hyldon
c. Background vocals: Letícia dos Santos Pedroza, Nayana Araujo Duarte, Leonardo Bruno Baptista, Murilo Oliveira dos Santos
d. Written by Hyldon and Adrian Younge
8) Atlas
a. Musicians:
i. Adrian Younge: Acoustic piano, Electric guitar, Tubular bells, Alto saxophone, Bass clarinet
ii. Malachi Morehead: Drums
b. Written by Adrian Younge
Founded in 2017 by music producers Adrian Younge, Ali
Shaheed Muhammad (A Tribe Called Quest), concert producer Andrew Lojero and industry veteran Adam Block, Jazz Is Dead is a global movement experienced through community and culture. We travel the world searching for rare records and the artists that created them....more
