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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 16-bit/44.1kHz.

      $1.50 USD  or more

     

  • Record/Vinyl + Digital Album

    Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration: Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. “The first time we met, it was like family,” they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot—an intuitive, improvisatory process that defines the Jazz Is Dead ethos.

    The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! introduced Brasil to a sound that was both rooted in Bahia’s folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.

    Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation: Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil’s cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador’s streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.

    Now, with Jazz Is Dead 026, Antônio Carlos & Jocafi reaffirm their creative vitality while introducing their timeless Bahian spirit to a new generation. “Adrian’s love for Brasil is greater than that of many Brasilians,” they say, noting how deeply he listens, studies, and channels the rhythms, stories, and feelings of their culture. The result is an album that bridges Salvador’s Mercado Modelo with the global stage, weaving Bahia’s folkloric traditions into Jazz Is Dead’s analog soul.

    This collaboration stands not only as a continuation of their journey but also as a testament to the enduring power of Bahia’s music—a sound that carries history, resistance, and joy in every beat. From Você Abusou to Jazz Is Dead 026, Antônio Carlos & Jocafi remain essential voices in the evolving story of Brasilian music.

    Includes unlimited streaming of Antonio Carlos & Jocafi JID026 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ... more
    ships out within 3 days
    Purchasable with gift card

      $26.99 USD or more 

     

  • Record/Vinyl + Digital Album

    Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration: Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. “The first time we met, it was like family,” they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot—an intuitive, improvisatory process that defines the Jazz Is Dead ethos.

    The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! introduced Brasil to a sound that was both rooted in Bahia’s folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.

    Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation: Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil’s cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador’s streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.

    Now, with Jazz Is Dead 026, Antônio Carlos & Jocafi reaffirm their creative vitality while introducing their timeless Bahian spirit to a new generation. “Adrian’s love for Brasil is greater than that of many Brasilians,” they say, noting how deeply he listens, studies, and channels the rhythms, stories, and feelings of their culture. The result is an album that bridges Salvador’s Mercado Modelo with the global stage, weaving Bahia’s folkloric traditions into Jazz Is Dead’s analog soul.

    This collaboration stands not only as a continuation of their journey but also as a testament to the enduring power of Bahia’s music—a sound that carries history, resistance, and joy in every beat. From Você Abusou to Jazz Is Dead 026, Antônio Carlos & Jocafi remain essential voices in the evolving story of Brasilian music.

    Includes unlimited streaming of Antonio Carlos & Jocafi JID026 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ... more
    ships out within 3 days
    Purchasable with gift card

      $100 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration: Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. “The first time we met, it was like family,” they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot—an intuitive, improvisatory process that defines the Jazz Is Dead ethos.

    The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! introduced Brasil to a sound that was both rooted in Bahia’s folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.

    Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation: Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil’s cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador’s streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.

    Now, with Jazz Is Dead 026, Antônio Carlos & Jocafi reaffirm their creative vitality while introducing their timeless Bahian spirit to a new generation. “Adrian’s love for Brasil is greater than that of many Brasilians,” they say, noting how deeply he listens, studies, and channels the rhythms, stories, and feelings of their culture. The result is an album that bridges Salvador’s Mercado Modelo with the global stage, weaving Bahia’s folkloric traditions into Jazz Is Dead’s analog soul.

    This collaboration stands not only as a continuation of their journey but also as a testament to the enduring power of Bahia’s music—a sound that carries history, resistance, and joy in every beat. From Você Abusou to Jazz Is Dead 026, Antônio Carlos & Jocafi remain essential voices in the evolving story of Brasilian music.

    Includes unlimited streaming of Antonio Carlos & Jocafi JID026 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ... more
    ships out within 3 days
    Purchasable with gift card

      $14.99 USD or more 

     

lyrics

Fui no Tororó beber água e não achei
Encontrei menina linda por quem me enamorei… e no lago, a lua cheia, violões em serenata
Seus cabelos que eram louros
Se tornaram cor de prata
Laiá, Lará!
Eu vim de longe sem carinho e sem amor
Ilusões mil, passageiras, na bagagem a minha dor
Minha estrada pontilhada de sofrer
Só você linda menina fez meu mundo reviver

Fui no Tororó beber água e não achei
Encontrei menina linda por quem me enamorei
Seus cabelos que eram louros
Seu olhar que encantava
Era de amor a modinha
Que o seresteiro cantava
Laiá, Lará!
Eu vim de longe, sem carinho e sem amor
Ilusões mil, passageiras, na bagagem a minha dor… e de “maneiras” que no “Tororó” achei… em vez de água, menina… por quem me apaixonei!

Laiá, Lará, Rá, Lará, Lá, Lará, Lará

credits

from Antonio Carlos & Jocafi JID026, released April 3, 2026
a. Musicians:
i. Adrian Younge: Electric bass guitar, Fender Rhodes piano,
Percussion, Sopranino and Alto saxophones, Flutes, Piccolo
ii. Jocafi: Nylon guitar
iii. Leo Costa: Drums
iv. Gibi Dos Santos: Percussion
b. Lyrics: Written and performed by Antonio Carlos e Jocafi
c. Background vocals: Letícia dos Santos Pedroza, Nayana Araujo Duarte, Leonardo Bruno Baptista and Murilo Oliveira dos Santos

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Jazz Is Dead Los Angeles, California

This is Jazz Is Dead, a love story.

Founded in 2017 by music producers Adrian Younge, Ali Shaheed Muhammad (A Tribe Called Quest), concert producer Andrew Lojero and industry veteran Adam Block, Jazz Is Dead is a global movement experienced through community and culture. We travel the world searching for rare records and the artists that created them. ... more

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