/
1.
"A beautiful bluebird flew into our meadow, and made a nest in a paddock. There were threebushes in the meadow: one was a blue bush, one was a red bush, the third was a golden bush. She did not care about the blue bush nor the red bush, but she was pleased with the golden bush. The bird started to build a nest there: she worked on it for a month, for a second month, for a third month, for a week in the fourth month, for a bit more in the fifth month. She started to lay eggs: she laid for a month, for second month, for a third month, for a week in the fourth month, and a bit more in the fifth month. One chick became the moon for Kurland, the second became the sun for Parnu County, the third became the world, the fourth became the stars, and the fifth became the rainbow."
2.
"Līgo, mother goddess of darkness, mother of foggy mist, the thundering reeds and whispering flowers tempt me into the water. Lightly I walked over the water like a fleet-winged bird. I knew the golden reed would be on the other side. I reached my destination and found my golden reed to be broken. The lakeside was scattered with many girls' wreaths. Mother of darkness, mother of mist, raise your woolen cape so that my dear Mara can see well enough to heal my reed."
3.
"Oh, you are a bright moon, and I, a shining star. Oh, you are a young Cossack, and I am a beautiful girl. In the cherry orchard, I took your horse to pasture. He grazed and grazed until midnight, and dew fell upon my dark eyes. Not only on my eyes, but on my reddish-blonde braid. My Cossack sweetheart, I can no longer wear a vinok (a wreath of flowers, symbolizing feminine purity)."
4.
Aiz Daugavas melni meii, ruoti SeIonia, Latvia, from Elīna Ellere of Saucējas "Behind the Daugava River are black forests with yellow flowers. Bring me over there, brothers, so I can weave head wreaths. In the shrubbery, here on the border of the field, white flowers grow. Crowds of strangers passed through looking for these blooms. Who would recognize summertime if the flowers didn't blossom? Who would recognize my youth if I didn't live cheerfully?" Ganinš gana celmalāi Lielvārde, Latvia, from Elina Ellere of Saucējas "A little shepherd is herding by the road wanting help from the Nature God. 'God help the little shepherd and me, the traveler, as well! Thick grew the oak tree. Who can count its leaves? The one who can count the leaves can propose to me."'
5.
“Hey, I drove my horse to water, and he drank his fill. / The sun shimmered as it set. / Dona picked herbs. / Hey, a young couple, Mitro and Tiza, stood by the wall. Mitro said to Tiza, ‘Come to me,’ and they agreed to run away together. / Stana ran away through nine green forests, and she found cold water. / Little doll-like girls dance along silver streets. One wasn’t there, because her mother was braiding her hair in fine rows. / Hey, a falcon drank water from the Vardar River.”
6.
"Oh, in the yard, rain, rain. Not too heavy, not too light, as if through a sieve. Not as if through a sieve, but as if from a bucket. As if from a bucket, it beats down the dirt. You can't stay here forever, only for a little while. Early, early ... "
7.
"I wander, always enchanted by your charms. I've searched far and wide, but could never find another Tbilisi. I've traveled long roads, much rain has fallen upon me, I've searched far and wide, but could never find another Mtats'minda (the "holy mountain" overlooking Tbilisi). No matter how heavily mists of sorrow have clouded my heart, you always give me sunshine and hope, my Tbilisi. To leave you for even just one day, I'll miss you. The sounds of your plane tree leaves are always rustling in my soul."
8.
"Come, Holy Spirit, and send forth from heaven the radiance of your light."
9.
"Oh wave, when you arise from sunken, ancient, furious storms, you bear the weight of all history. Oh wave, your silence is deeper than a grave, white as the flashing of a sword. Oh wave, when you sing, it is a lament that bursts out like the echo of a gunshot. So many boats lost. So many lands to discover. So many harbors submerged. So may loves yet to be revealed. Oh wave, smooth, sleek, beautiful, pure ... " VEDU RUSALKU (outro) Ričice, Ukraine, from Mariana Sadovska In Ukrainian folklore, rusalki are powerful, enticing, and sometimes dangerous female entities who inhabit the waters, forests, and fields. They are believed to be the restless spirits of women who have died untimely or unjust deaths. "I am leading the rusalka from the oak forest. Early, early, from the oak forest. I'll return home alone. Early, early, I'll return home."
10.
"I have crossed nine mountains to look for you. In a jug, I've collected water, drop by drop. In the night, I will tell the moon our fairy tale, and during the day, I will sing ancient songs to the sun. Oh bride, come slowly into my house, the entrance is wide and high for you. Mother-in-law will be like a mother to you; father-in-law will be like a father to you. The earth is enough to be our bed to sleep in, and we will pull down the sky as our blanket. Softly the wind will sing us a lullaby, and the stars will burn like candles for our love."
11.
"Lullaby, oh bat'onebi, naninana, oh lords, nano, amuse yourselves sweetly, oh bat'onebo. By Nanina, the mother of the bat'onebi, there stands a golden cradle. Within lies the bat'onebi's prince. From time to time someone rocks it. From time to time someone tells him: 'Lullaby, oh bat'onebi, naninana, amuse yourselves."
12.
"Violet, nano, rose, nona, violet, noninao. You found a sweet home at your mother's breast. Go to sleep my darling, I'll change places with you, as the one who gave birth to you. What has put you to sleep so sweetly, so free of worry? Violet, nano, rose, nano, violet, naninao."
13.
Volodar Volyn, Ukraine, from Mark Marczyk and Marichka "Gatekeeper, open the portals. Here comes the orphan man, along with all the small children!" Oj, borovaja Polissja region, Ukraine, arr. Kitka and Mariana Sadovska "Oh, forest cuckoo, how early you appear in the garden!" Rano, rano Ričice, Ukraine, from Mariana Sadovska "Early, I go up to the mountains. I clap my palms together so my palms tingle. My rings are like bells and the rusalki will hear them." Provedu rusalki Ričice, Ukraine, from Mariana Sadovska “I lead the rusalka from the beautiful woods. I’ll return alone to my father’s courtyard. I lead the rusalka back to the abyss, and return alone to my mother’s house. Sleep, rusalka, in the earth, so that we young people can reap the harvest!” Do boru rusalon’ky Kyivan Polissja, Ukraine, from Inna Kovtun and Nadia Tarnawsky “Go back to the deep pine forest, rusalki! Don’t let the people see you in their yard. Go back to the river, rusalki! Don’t let the people see you from their stoves.”
14.
Collage of Balkan bee calls From Stanojka Gogić of Sredska, Kosovo and Metohija; and Stana Bučić of Graševci village, Eastern Serbia; via Svetlana Spajić "Queen bee, mother, queen! Fly low, mother-bee! Come to us, mother-bee! The wind is blowing. You've danced enough, mother-bee! You've sung enough, mother-bee. Come to us, queen-bee! / Come into your house, bubo (queen bug), come into your house, dear one. Your house is beautiful and full of flowers. Come, gather your bees, darling, come, bubo." Bite, dabiłėli, dabilio Lithuania, arrangement by Kristine Barrett, from Daiva Račiūnaite-Vyčinienė, Trys Keturiosė and Zenonas Slaviūnas Sutartinės (from the word sutarti - to be in concordance) is a form of interlocking women's ritual music. Many of these songs connect to bees and beekeeping, as Daiva Račiūnaite-Vyčinienė, writes: "Since ancient times, bees have served as an example of order, coexistence, diligence, and devotion to family and community. Just like singing polyphonic chants, beekeeping requires attentiveness on one hand and peace and total relaxation on the other. The same applies to the process of polyphonic singing. The value is not in the skill or the voice of a particular singer, but in the overall achievement of the entire group." "Bee, little bee, buzz! I sowed seeds for you, across honeyed meadows. The little bee collects nectar from beautiful blossoms. Bee, little bee, buzz! Grandfather-land Karelia, buzz!"
15.
"Oh, how it was before time began, when there was no sky and no earth, when there was only the blue sea. In the middle of the sea grew a green sycamore tree, and on that sycamore were three little doves. The three little doves were discussing how to create the world: 'Let us descend to the bottom of the sea, sister, and retrieve some yellow sand. It will become black fertile earth for us!' 'We will find a golden stone, and it will become a bright sunny sky for us!' 'Let us sow seeds all over the world, so that the sky and earth will be born ... the sky full of stars, and the earth covered with flowers.'"

about

THE LONG AWAITED NEW ALBUM FROM KITKA.

A Proto-Balto-Slavic root word, Kolo means circle, wheel, and a spiraling communal line dance. It is the cosmic cycle of creation, growth, destruction, and renewal… the eternal turning of seasons, and the shared rhythms of lives woven together.

For Kitka, the Kolo also represents our always-evolving circle of voices, a close-knit creative community of women bound by breath and friendship.

This lovingly curated collection of traditional and newly imagined songs invites listeners into our Kolo, a place where giving voice and deep listening revolve in a timeless dance of dissonance and harmony. It includes songs sung in Bulgarian, Latvian, Estonian, Georgian, Serbian, Ukrainian, Corsican and Lithuanian.

Download includes a PDF version of the full color liner notes, with translation and song information.

Kolo is also available on limited edition double vinyl and compact disc at www.kitka.org/shop and will soon be available on Dolby Atmos.

To immerse yourself in the KOLO of sound, we recommend listening with headphones.

credits

released March 20, 2026

Kitka Vocalists: Kelly Atkins, Stacey Barnett, Kristine Barrett, Shira Cion, Charlotte Finegold, Erin Lashnits Herman, Janet Kutulas, Maclovia Quintana, Katya Schoenberg, Talia Young Skeen

Cello: William Skeen
Cymbalom: Joshua Horowitz
Viola: Cookie Segelstein
Harmonium: Kristine Barrett
Percussion: Kelly Atkins, Stacey Barnett, Janet Kutulas, BZ Lewis & Maclovia Quintana

Music Directors / Producers: Kelly Atkins and Janet Kutulas
Executive Producer & Annotator: Shira Cion
Recording & Editing Engineer: David Luke at Opus Studios in Berkeley, California, and BZ Lewis at Studio 132 in Oakland, California
Stereo & Dolby Atmos Mixing & Mastering Engineer: BZ Lewis
Album Art & Design: Kristine Barrett

For arrangement information, please see credits for each song in PDF booklet, or click on the song link in the track listing above.

SPECIAL THANKS: Tamar Buadze, Court Burns, EIīna Ellere & Saucējas, Louise Fay (in memory of Alan Bowker), Milton Finegold, Jessica George, Anne Germanacos, Patty Gilbert, David Gumbiner, Nino Gvasalia, Paul Haahr & Susan Karp, Vira Hanchar, Ivana Hauser, Daniel Herman, Kit Higginson, John Hill, Kirk Hoaglund, Joshua Horowitz, Raquel Iglesias, Mariam lmerlishvili, Greg Jalbert, Nathan Jew, David Robert Johnson, Kent Kessinger, Margo Kolar, Alma Kunanbaeva & lzaly Zemtsovsky/Silk Road House, Jean-Pierre & Helene Lanfranchi, BZ Lewis, Carl Linich, David Luke, Rachel MacFarlane, Marichka, Mark Marczyk, Meyer Sound, Matt & Oliver Palmer, Wanda Phipps, Natalka Polovynka, Roussev Family Charitable Fund, Mariana Sadovska, Risa Schwartz,_Erik_Schutter, Cookie Segelstein, Rumen Shopov, Peter Simcich, William Skeen, Arijs S~epasts, Svetlana Spajic, Lily Storm, Nadia Tarnawsky, Virlana Tkacz, Trio Zheni, Kakha Tsabadze, Tzvetanka Varimezova, Adam Waite, Charlotte Weiner

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Kitka Women's Vocal Ensemble Oakland, California

Kitka is an American vocal arts ensemble inspired by the stunning dissonances, asymmetric rhythms, intricate ornamentation, and resonant strength of traditional Eastern European women’s vocal music. Kitka has earned international recognition for its distinctive sound as well as for its innovative explorations in new music for women’s voices. ... more

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