@ArchishmanSarker

In a survey of Tyeb Mehta’s works, figuration that grapples with India’s social and political ruptures

An exhibition of Adil Jussawalla’s multilayered oeuvre swings between precision and spontaneity

Original Buddhas/ Johannes Vianneykerk, Deventer — Gods' Collections

‘Great Mughals’ show in London reinforces colonial perspectives that museums claim to be questioning

Hiraṇyavarṇa Mahāvihāra (Kwa Bāha), Patan (Lalitpur), Nepal — Gods' Collections

Workshop: Social Time in Written Artefacts, CSMC, University of Hamburg

New Discoveries in Smaller Antiquities and a Unique Portrait Sculpture from Medieval Bengal Duars | Religions of South Asia, 2022

Popular Religion in the Pala Period: Evidence from Iconographic Study of Four Female Deities from Northern Bengal | Religions of South Asia, 2021

The ‘Transcendental Body’ in Indian Iconography An Ontological Critique | Summerhill Review of the Indian Institute of Advanced Studies, 2021

From Inner Eye to After Sight: Benode Behari Mukherjee in London - The Chitrolekha Journal on Art and Design, 2021

The kirtimukha in ancient Indian art and how it came to be associated with the ‘grotesque’ - The Chitrolekha Journal on Art and Design, 2020

Spatial-cultural dialogism and contemporary expanded visual art practice in Britain: The art of the British-Indian artist Hardeep Pandhal, 2021

Reflections on Modernism in Bangladesh and the abstract artist Kazi Ghiyasuddin - The Chitrolekha Journal on Art and Design, 2018

Garland of Visions: Color, Tantra, and a Material History of Indian Painting, by Jinah Kim | Religions of South Asia, 2021

Art and Archaeology of Ancient India: Earliest Times to the Sixth Century, by Naman P. Ahuja (Ashmolean Museum, Oxford, 2018) | The Burlington Magazine, October 2020

A Mediated Magic: The Indian Presence in Modernism 1880–1930, Edited by Naman P. Ahuja and Louise Belfrage (Marg Foundation and Axel and Margaret Ax:son Johnson Foundation, Stockholm and Mumbai, 2019) | The Burlington Magazine, October 2021

Alchi: Treasure of the Himalayas, by Peter van Ham, Amy Heller and Likir Monastery | Religions of South Asia, 2022

Phanigiri: Interpreting an Ancient Buddhist Site in Telangana, edited by Naman P. Ahuja | Religions of South Asia, 2022

Ramkinkar through the Eyes of Devi Prasad by Naman P. Ahuja (Jawaharlal Nehru University, New Delhi, 2007) | Kalakalpa IGNCA, 2021

Presencing Absence: The Media Afterlife of Lost Objects - AAH Annual Conference, York 2025

Attention in Pre-Modern Art and Visual Culture - AAH Annual Conference, York 2025

Contextual Temporalities: Time and Space in Museums, Galleries and Archives - AAH Annual Conference, York 2025

36th Congress of the Comité International d'Histoire de l'Art | The Time of the Object: Temporality, Trace, Decay | Lyon, 2024

Dialogue. The Time of the Object: Temporality, Trace, Decay (NICA x OSK) | Research School Art History

Event  | 'Dialogue. The Time of the Object: Temporality, Trace, Decay' - Workshop (NICA x OSK) - Netherlands Institute for Cultural Analysis (NICA)

"The Museum is Me!” Early Women Curators and the Making of Institutional Collections (1880s-1960s) - AAH Annual Conference, Bristol 2024

Nature and Gender in Pre-Modern Art - AAH Annual Conference, Bristol 2024

Partition, nationhood and metamorphoses of the 'authentic': The art of ancient Bengal in the contemporary global art-market | Art, Materiality and Representation (British Museum and SOAS, 1-3 June 2018)

Archishman Sarker Speaks at the CSMC’s Workshop on ‘Written Artefacts’ at the University of Hamburg

Exploring South Asian Art: Archishman Sarker Receives the Bruschettini Foundation Scholarship | Ashoka Reflections - May 2024

University of Kashmir VC inaugurates 4-day workshop on Academic Writing - Greater Kashmir