Le Nom Des Fleurs

The original image is an engraving of st. Thomas made by Lucas van Leyden. I pixel sorted it at a 45 degree angle with this python script, using a blurred version of itself as a reference for the thresholds (which give those weird mossy blocs under his cape).

The font I used for the ST. in the bottom is named Croisan, it has a very peculiar S

On the music side, I just got a push 3, so a lot of MPE slide / glide (thus all the glissandi an timbre modulation). Experimented for a few hours with the material on this track, ended up only keeping the resampling of the synth I played (Meld and Drift) to re-chop them with simpler. A bit of granulator 3 for the transition in the middle. Compressor / EQ / Reverb / a bit of distortion. Very simple project. Always so funny to sing in falsetto voice

~ Show Lyrics

She was more alive than me
She knew of all the sunken cities of the sea
She uses those forgotten words forsaken by my kin
She kept her past in a book made of skin

Ashes held tight in the hollow of her hand
Until the return of the day that offers end

I reworked pruners to put philodendron's DSP in it. It was not easy fitting everything while keeping it readable and not too ugly, the module ended up quite large, but I like this big beetle look. While I was at it, I rewrote the buffer initialization of hellebore and wilt (that was made really poorly, I actually didn't knew how a class constructor works at the time).

I've been taking notes each time I make music lately, making little schematics about how the signal is routed for such and such effect, it's interesting to reflect on all the things you tried during a session. I've learned a lot about granular synthesis, I've been using it at the high level of using big grains to make ambient, without taking time to dig deeper. Microsound, wrote by Curtis Roads is a super thorough ressource which contains a lot of infos on various ways of implementing granular synthesis, as well as some more global ideas on the general concept of time scale, and the porosity between rhythm and pitch.

I released an compilation-album thing with most of the tracks in the 2024 page + new things. It should be available on all platform at some point in the near future.