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Abhirajsharma

Abhirajsharma

Flow (2024) — A Diary Reflection

1 min readAug 31, 2025

Watched on: March 14, 2025 | Directed by: Gints Zilbalodis

Sometimes movies remind you why art exists in the first place, to show that beauty doesn’t need permission, and expression doesn’t need a price tag. Flow, is one of those rare pieces of art that makes you sit back in awe.

Made with software that almost anyone could own, it breaks the myth that only big studios and massive budgets can create something breathtaking. Every frame felt alive, from the smallest details to vast landscapes, and yet the film spoke without ever uttering a single word. That silence was powerful. It was as if the animals were telling their story directly to us.

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And the n there was the cat — its presence, its journey, the way it bonded with the others. The capybara especially caught me off guard. Who knew an animal like that could feel so touching, so human in its quiet gestures? Watching them all survive, connect, and move forward felt like watching a dream unfold.

FINAL THOUGHTS

I loved every second of Flow. It reminded me that cinema isn’t always about dialogue or spectacle, sometimes it’s about raw emotion, visual poetry, and the reminder that even the smallest tools can create the biggest of wonders.

“Animation is an art that includes every single art you can imagine. Animation for adults is a fact. It’s happening. Let’s call it cinema.” — Alberto Mielgo, acceptance speech for The Windshield Wiper at the 94th Academy Awards.

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