The Creative Act: A Way of Being by Rick Rubin
A book for artists and creatives, certainly, but also a book for those just seeking a little bit of life advice, wisdom, guidance, and direction from one of the most successful record producers of all time. Rick Rubin, co-founder of the iconic Def Jam Records and the man who helped launch the careers of LL Cool J, Public Enemy, Run-D.M.C., amongst many others, and also brought hip-hop and hard rock into the mainstream, wrote The Creative Act: A Way of Being in 2023, and this quick book (can easilly be finished in one sitting) showcases Rubin’s imagination, vitality, ingenuity, and vision through the life of an artist and creator, but is also a logical read for anyone in a position of leadership, management, at a career-crossroads, or someone who is simply sitting at their desk in search of a new idea and doesn’t know how to start or what to do when inspiration can only take you so far. Rubin embraces the concepts of thinking, acting, and playing like a child at times to let the creative ideas flow, but also acknowledges that sometimes rules and guidelines are necessary to stay focused and on track when perspectives change, deadlines are floating overhead, and things aren’t working the way you want them to. As a student and college professor, I welcomed Rubin’s advice to step away from my work every once in a while, get outside, take a walk, gain a fresh perspective, and come back with a clean slate so new ideas can flow more naturally. Artists, creatives, dreamers, thinkers, and everyone else can benefit from continually asking, “How can this be better?” whether in art or in life in general. Rubin is still going strong to this day, reminding us, in his words and work, that “the magic lives in the wonder of what we do not know”. True words spoken by a brilliantly creative man who isn’t stopping anytime soon.
- creativity is a fundamental aspect of being human
- art is a circulation of energetic ideas
- awareness is not a state you force
- presence with, and acceptance of, what is happening in the eternal now
- though we can’t change what it is and what we are noticing, we can change our ability to notice
- restore our childlike perception: a more innocent state of wonder
- art is our portal to an unseen world
- when looking for a solution to a creative problem, pay close attention to what’s happening around you
- look for what you notice but no one else sees
- a practice is the embodiment of an approach to a concept
- we build a habit
- one where expanded awareness is our default way of being in the world
- take a daily walk in nature, looking at everything entering our field of vision
- purpose is to evolve the way we see the world when we’re not engaged in these acts
- we are building the musculature of our psyche to more acutely tune in
- awareness needs constant refreshing
- if it becomes a habit, even a good habit, it will need to be reinvented again and again
- because there’s an endless amount of data available to us and we have a limited bandwidth to conserve, we might consider carefully curating the quality of what we allow in
- there is never a shortage of awe and inspiration to be found outdoors
- we don’t have to understand nature to appreciate it
- this is true of all things
- simply be aware of moments when your breath gets taken away by something of great beauty
- the world is constantly changing so no matter how often we practice paying attention, there will always be something new to notice
- it’s up to us to find it
- the information we seek it out there
- if we’re aware, we get to tune in to more of it
- if we’re less aware, we miss it
- active play and experimentation until we’re happily surprised is how the best work reveals itself
- papancha, preponderance of thoughts
- mind’s tendency to respond to our experiences with an avalanche of mental chatter
- distractions keep one part of the mind busy while freeing the rest to remain open to whatever comes in
- nonthinking thought allows us to access a different part of our brain
- one that can see more angles than the direct path
- distraction is a strategy in service of the work
- a painting is just a painting until you put a frame on it and hang it on the wall, then it’s called art
- an intention is more than a conscious purpose, it’s the congruence of that purpose
- the creative energy exists in the journey to the making, not in the act of constructing
- the reason to make art is to innovate and self express, show something new, share what’s inside, and communicate your singular perspective
- art is confrontation
- it widens the audience’s reality, allowing them to glimpse life through a different window
- beware of the assumption that the way you work is the best way simply because it’s the way you’ve done it before
- listening is suspending disbelief
- more often than not, there are no right answers, just different perspectives
- the more perspectives we can learn to see, the greater our understanding becomes
- listening is freedom from accepted limitations
- consider how different your experience of the world might be if you engaged in every activity with the attention you might give to landing a plance
- time is something that we have no control over
- patience begins with acceptance of natural rhythms
- there’s a great power in not knowing
- innocence brings forth innovation
- the Ramones thought they were making mainstream bubblegum pop
- they unwittingly invented punk rock and started a countercultural revolution
- inspiration is the rocket fuel powering our work
- inspirare, breathe in or blow into
- break habits, look for differences, notice connections
- one indicator of inspiration is awe
- Wooden, creating effective habits, down to the smallest detail, is what makes the difference between winning and losing games
- just one habit, at the top of any field, can be enough to give an edge over the competition
- good habits create good art
- ancient, Chinese alchemists searching for immortality mixed saltpeter, sulfur, charcoal
- they discovered gunpowder
- countless other inventions were discovered by accident
- failure is the information you need to get where your going
- persuasion leads to mediocrity
- to be evaluated, ideas have to be seen, heard, tasted, touched
- many of Warhol’s paintings were done by other artists and by machines, while he supplied the ideas and retained authorship
- demo-itis
- happens when the artist has clung too tightly, for too long, to their first draft
- a bridge is easier to build when it’s clear what’s on either side of it
- the goal of art isn’t to attain perfection
- the goal is to share who we are
- and how we see the world
- the goal of art isn’t to attain perfection
- the goal of art is to share who we are, and how we see the world
- the personal is the universal
- a point of view is different from having a point
- great art opens a conversation rather than closing it
- for a musician who was blocked, write just one line every day
- change an element of the environment
- being observed changes how an artist plays
- alter the perspective
- write for someone else
- criticism allows us to engage with our work in a new way
- the best art divides the audience
- if everyone likes it, you probably haven’t gone far enough
- whatever we concentrate on, we get
- experimenters are partial to dreaming and play
- finishers move quickly to the end point with immediate clarity
- borrow from the other
- as artists, we get to create a new set of rules each and every time we play
- there are no bad or good rules
- only rules that fit the situation and serve the art, or those that don’t
- greatness begets greatness
- it’s infectious
- success occurs in the privacy of the soul
- success has nothing to do with variables outside yourself
- most variables are completely out of our control
- only ones we can control are doing our best work, sharing it, starting the next, and not looking back
- protect your personal understanding of success
- instead of sinking into pain and heartbreak, “I wasn’t expecting that plot twist … I wonder what’s going to happen to our hero next”
- the outcome is not the outcome
- this practice, of never assuming an experience you have is the whole story will support you in a life of open possibility and equanimity
- Zoom in and obsess
- Zoom out and observe
- we get to choose
- wanting to outperform another artist or make a work better than theirs, rarely results in greatness
- Roosevelt, comparison is the thief of joy
- Brian Wilson, heard Rubber Soul, wrote God Only Knows
- being made happy by someone else’s best work, inspire you to rise to the occasion, not competition, collaboration
- McCartney hard Pet Sounds, they played it over and over again to create Sgt, Pepper
- Martin: “Pepper was an attempt to equal Pet Sounds.”
- all art is a form of poetry
- it’s always changing, never fixed
- let’s make art, and let others make the stories
- self awareness allows us to listen to what’s going on in the body, and notice the energetic changes that either pull us forward or ups us away
- sometimes they are subtle, other times intense
- sometimes the mistakes are what makes a work great
- humanity breathes in mistakes
- invite beliefs that are different from the ones you hold and try to see beyond your own filter
- the heart of open mindedness is curiosity
- curiosity explores all perspectives
- do what you can with what you have
- nothing more is needed
- there is no telling where that next great story, painting, recipe, or business idea is going to come from
- why it’s of such great importance to remain aware and present at all times
- watching and waiting
- maybe the best idea is the one you’re going to come up with this evening
- art made accidentally has no more or less weight than art created through sweat and struggle
- Dylan could write a song in minutes, Cohen sometimes took years
- A/B testing
- we limit our options for each test to two choices wherever possible
- any more cloud the process
- we place them next to each other, step back, and directly compare
- more often than not, there will be a clear draw toward one
- what ultimately makes a work great is the sum total of the tiniest details
- does the artist have a social responsibility?
- works that attempt to overtly preach a message often don’t connect as hoped, while a piece not intended to address a societal ill may become an anthem for a revolutionary cause
- art is far more powerful than our plans for it
- the artist’s only responsibility is to the work itself
- if a ritual or superstition has a positive effect on an artist’s work, then it’s worth pursuing
- the only practice that matters is the one you consistently do, not the practice of any other artist
- cycle of practice and adoption creates multifaceted growth
- you are building concentration and focus, and training your brain to learn more effectively
- Anderson: “I’m both a professor and student, because if you’re no longer a student, you don’t have the right to call yourself a professor.”
- by practicing to improve, you are fulfilling your ultimate purpose on this planet
- a way to practice keeping a clean slate is to avoid looking at the work too often
- let it sit for a minute, a week, or longer, while you go get lost
- time is where learning occurs
- unlearning as well
- the best work is the work you are excited about
- while the artist’s goal is greatness, it’s also to move foward
- in service to the next project, we finish the current one
- in service to the current project, we finish it so it can be set free into the world
- making art is pure play
- feel free to experiment, make messes, embrace randomness
- success is harder to come by when your life depends on it
- creativity is contagious
- when we expand time with other artistic people, we absorb and exchange a way of thinking, a way of looking at the world
- competition serves the ego
- cooperation supports the highest outcome
- the best results are found when we’re impartial and detached from our own strategies
- we all benefit when the best idea is chosen, regardless of whether or not its ours
- great decisions aren’t made in a spirit of sacrifice
- they’re made by the mutual recognition of the best solution available
- friction allows the fire to come
- when giving feedback, don’t make it personal
- on the receiving end, our task is to set aside ego and work to fully understand the critique offered
- when receiving feedback, a useful practice is to repeat back the information
- ask questions to gain clarity
- when sharing observations, specificity creates space
- the critic doubts the work, undermines it, zooms in and picks it apart
- the editor steps back, views the work, holistically, and supports its full potential
- Mingus: “Making the complicated simple, awesomely simple, that’s creativity.”
- continually asking, how can it be better?
- whatever it is
- it may be your art, and it may be your life
- art has an ability to connect us beyond the limitations of language
- art is a universal way to send messages between each other and through time
- the magic lives in the wonder of what we do not know
- the universe never explains why
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