Process Notes
- Where are you in your soundwriting process?
I have completed my sounwriting process, and recorded and edited my final piece on Monday.
- What’s been done and what’s still left to do?
Done: Writing process, Recording
Left to do: Listen to entire show, ensure free of errors
- What are your biggest accomplishments and failures so far?
My biggest accomplishments are writing enough to hit the 15-minute mark, producing an interesting piece on a very interesting form of poetry, and even creating my own poem.
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A failure would be ensuring it was free from error when recording. Had I practiced a little more, editing would not have taken so long.
- How do you feel about that?
I feel good about both, and that my failure was able to be fixed.
- What have you learned so far?
I have learned that recording my own voice was not as scary as I thought, and I actually found it fun, and I liked that I could pick which form I could talk about.
- What ideas did you grapple with?
I grappled with soundposts and speaking in a “we” tone or “I” tone at times. Some segments were audience-centered centered and others were more personal. I also grappled with an audio piece, which had a tiny bit of music, but it was incorporated within the poem, and able to be analyzed.
- Which problems have you solved, and which are you continuing to grapple with?
I have solved most issues and have no other problems
- How might you overcome the challenges and struggles?
I overcame my anxiety by preparing and reading my script a few times. I should have done more to ease my nerves
- What decisions have emerged lately as you plan and work on your project?
I have decided to use two auid clips, which are short, but would entice listeners and break up the show a little bit.
- What is the next step in your composing process?
I need to re-listen to my show before the final submission.
- Walk through the four elements of the rhetorical situation:
- How are you feeling about your progress toward achieving your purpose?
I feel that the purpose of my show, which is to educate and introduce and explain the Paradelle, has been accomplished.
- How are you feeling about your progress toward affecting your audience?
I think that my audio clips and my own reading will intrigue the audience and keep them interested.
- How are you feeling about your progress toward situating your work in time and place of your context?
I think my show has completed this and that it is very timely and very contemporary, and the themes talked about can be related to.
- How are you feeling about your progress toward following the expectations of your genre?
I feel that my progress has been very good and it follows the expetctations of a student radio show. It has very clear sections, and includes some interesting ideas and explanations and hopes to spread the interest that the Paradelle creates for many.
“Love’s Lost Words: Billy Collins’s PARADELLE FOR SUSAN.” The Explicator, vol. 69, no. 1, Jan. 2011, pp. 38–40. EBSCOhost, https://doi-org.ezproxy.siena.edu/10.1080/00144940.2011.578989.
Kathryn Stripling Byer Reads Years Away: Paradelle for Diminishment by Catherine Carter. Directed by NCArts, YouTube, 210 AD, https://www.youtube.com/watch?v=kSEUkKCtV1A.
Theresa M. Welford — PARADELLE FOR EMILY
Directed by Philip Carlsen, Youtube, April 23, 2025
https://www.youtube.com/watch?v=VL97D2he1q4
What Is a Paradelle Poem? How to Write Paradelle Poetry. https://www.masterclass.com/articles/how-to-write-paradelle-poetry.





