EXPRESSING OTHERWISE

I just downloaded an app whose purpose is to expand a given text in a formal speech or treatise. I did so mostly for experimentation, since I know other more sophisticated ones can do the same and much more, but I was thinking of carrying out things like: what if I feed it a joke? Or several unconnected idioms or short sayings no longer in use? Then I would try and show you the results, so that you may explain to me how you think it proceeded. In fact, look at this quote from Ken Follet: “You should first follow the plow if you want to dance the harvest jig”, and this one from V. E. Schwab: “Last night she told him her name was Jess. She lied, but only because she can’t tell it — one of the vicious little details tucked like nettles in the grass”. I mixed them: “Last night she told him her name was Jess. She lied, but only because you should first follow the plow tucked like little needles in the grass if you can’t tell you want little vicious details, it, the harvest, to dance with the jig,” Now I am going to feed it to the App… Here it is the outcome: “On the evening preceding this moment, the individual in question disclosed to her companion that her name was Jess. It is pertinent to note that this assertion was not entirely truthful; however, the rationale behind this misrepresentation warrants consideration. It is often advisable to adhere to the principle of discretion, particularly when one is unable to ascertain their true desires or intentions. In this context, the metaphor of following the plow, which is likened to small, sharp needles concealed within the grass, serves to illustrate the complexity of navigating one’s own motivations and the intricacies of interpersonal communication. Furthermore, the reference to the harvest suggests a deeper layer of meaning, wherein the act of gathering information or experiences is akin to reaping the fruits of one’s labor. The desire for intricate and perhaps even unsettling details — referred to as “little vicious details” — implies a yearning for a more profound understanding of the situation at hand. This, in turn, evokes the imagery of a dance, specifically a jig, which symbolizes the lively and often unpredictable nature of human interactions and the unfolding of events. Thus, the interplay of truth and deception, as well as the pursuit of clarity amidst ambiguity, encapsulates the essence of the encounter between these two individuals.”

The App’s Expansion: How Did It Proceed?

1. Clarifying the Narrative

The app begins by untangling the basic story:

“On the evening preceding this moment, the individual in question disclosed to her companion that her name was Jess. It is pertinent to note that this assertion was not entirelytruthful…

This is a standard move for formal expansion: it rephrases the opening into more elaborate, precise language, and establishes the context.

2. Interpreting the Lie

It then seeks to explain why she lied, introducing the idea of discretion and the complexity of intentions:

“…the rationale behind this misrepresentation warrants consideration. It is often advisable to adhere to the principle of discretion, particularly when one is unable to ascertain their true desires or intentions

This is an interpretive leap, inferring psychological motivation where the original is ambiguous.

3. Unpacking the Metaphors

The app tackles the mixed metaphors, trying to make sense of “follow the plow,” “needles in the grass,” and “harvest jig”:

“…the metaphor of following the plow, which is likened to small, sharp needles concealed within the grass, serves to illustrate the complexity of navigating one’s own motivations and the intricacies of interpersonal communication

Here, the app attempts to rationalize the odd imagery, treating it as if it were a coherent metaphor about complexity and hidden motives.

4. Extracting Themes

It then generalizes further, pulling out broader themes:

“the act of gathering information or experiences is akin to reaping the fruits of one’s labor… The desire for intricate and perhaps even unsettling details… implies a yearning for a more profound understanding..

This is a classic AI expansion move — turning specific, even nonsensical, phrases into abstract philosophical commentary.

5. Reframing the Dance

Finally, it circles back to the motif of the dance:

“…the imagery of a dance, specifically a jig, which symbolizes the lively and often unpredictable nature of human interactions..

This reframing tries to tie together the disparate elements into a unified, if abstract, reflection on truth, deception, and human relationships.

What Does This Tell Us About the App’s Approach?

• Formalization: The app’s first instinct is to convert any input into formal, academic-style prose, even if that means smoothing out or ignoring the original’s oddities.
• Coherence Over Literalism: It tries to impose coherence on your mixed metaphors, treating them as if they were intentional and meaningful rather than random or surreal.
• Theme Extraction: The app looks for underlying themes (truth, deception, complexity, desire for understanding) and builds its expansion around these, even if they’re only loosely present in the original.
• Metaphor Rationalization: Rather than flagging the strangeness of “plow tucked like needles in the grass,” it tries to explain it, assuming it’s a metaphor for something psychological or social.
• Narrative Elaboration: It expands brief narrative elements into full scenes or psychological explanations, adding context and motivation.

Why Does It Do This?

Most AI text expanders are trained to maximize clarity, coherence, and formality, especially when prompted for a “treatise” or “formal speech.” They’re designed to make sense of input — even when the input is intentionally confusing or poetic — by:

• Filling in gaps with plausible explanations
• Connecting unrelated ideas through abstract themes
• Translating metaphor and ambiguity into analytical language

What’s Fun About Your Experiment?

By feeding the app a surreal, mixed-up quote, you force it to reveal its default strategies for sense-making. It’s a bit like giving a jazz musician a sheet of random notes and watching them improvise a melody. The result is often more revealing about the musician (or the AI) than about the original material!

If you try this with other odd inputs — jokes, archaic idioms, or nonsense — you’ll likely see similar patterns: the app will always try to “make sense,” even if the sense is entirely invented.

****

The Art of Renaming: Interconnecting Mundane Narratives Through Alternative Lexicons

The human endeavor to understand and articulate the world often involves the creation of abstract concepts and the assignment of names to these abstractions. Authors and mystics, in their pursuit of deeper truths and novel perspectives, have frequently engaged in the practice of redefining familiar terms or coining new ones to illuminate specific aspects of reality. This report analyzes an innovative approach to narrative construction that involves reinterpreting such renamings and applying them to mundane scenarios, aiming to interconnect disparate ideas within a straightforward narrative framework. By examining the user’s initial examples and the provided list of substitutions from various thinkers, this analysis will explore the potential and implications of this method for storytelling and comprehension.

Analysis of User’s Examples

The user provided an initial example demonstrating the principle of rephrasing familiar concepts with alternative terminology. The original sentence, “Strange MD, in a stranger land then themselves, sat by the warmth of the Bonfire of Vanities, and grokked its shine, and something else really good: a twenty years old Virginia Wolfe,” was adapted to, “Strange MD, in a stranger land than themselves, sat by the Bonfire of Vanities’ love and grokked its wisdom, and a perched elapsing else really likesble as far as they were concerned: a 20 years wise Virginia Wolfe not to be afraid of.” This adaptation incorporates several key substitutions drawn from the works of various authors and mystics.

The replacement of “warmth” with “love” directly references Emanuel Swedenborg’s assertion that love in the heavens is literal warmth [User Query]. Similarly, the substitution of “shine” with “wisdom” echoes Swedenborg’s concept of wisdom being literal light [User Query]. These changes transform the sensory experience of the bonfire into a symbolic representation of profound human qualities. The rephrasing of “something else” as “a perched elapsing else” draws upon Henri Bergson’s definition of an object as “locally perched time-motion” [User Query]. This substitution emphasizes the transient and dynamic nature of existence, even in seemingly static entities. Richard Bach’s perspective that claiming something is ‘good’ often means “I like it” informs the use of “likesble” in place of “good,” highlighting the subjective nature of value judgments [User Query]. Finally, the adaptation of “twenty years old” to “20 years wise” alludes to C.S. Lewis’s rendering in Perelandra, where age is referred to as “being so many years wise,” suggesting a culture that values experience as a form of wisdom [User Query].

The cumulative effect of these substitutions is a significant defamiliarization of the original sentence. Familiar concepts are rendered in an unusual lexicon, prompting the reader to actively engage with the text to decode its meaning. This process shifts the focus from a straightforward description of events to a more conceptual understanding, where abstract qualities and philosophical ideas are embedded within the narrative. The adaptation introduces a layer of metaphorical interpretation, transforming a potentially literal scene into one imbued with symbolic weight. The use of this alternative language also establishes a unique narrative voice and hints at a world where these redefinitions might hold specific cultural or philosophical significance.

Detailed Breakdown of Provided Substitutions

To further explore the potential of this narrative approach, the user provided a list of additional substitutions from various thinkers. A detailed breakdown of these renamings and their original contexts follows:

A. Alfred Korzybski — Renaming of language and mentation as “maps”.

Alfred Korzybski, a Polish-American scientist and philosopher, is best known for his dictum, “The map is not the territory”. This central idea underscores his view that language and thought are abstractions, or “maps,” of reality, but are not reality itself, which he termed the “territory”. Korzybski observed that individuals frequently confuse these conceptual models with reality, a phenomenon he considered a logical fallacy leading to misunderstandings and what he termed “unsanity”. He emphasized that while maps are not the territory, they can be useful if their structure is similar to the territory they represent. The process of abstraction inherently filters reality, suggesting that our mental world is composed of “maps of maps”. Korzybski’s work culminated in the field of General Semantics, aimed at fostering “consciousness of abstracting,” an awareness of how our language and thought processes shape our perception of the world. He advocated for reconnecting language with original experiences to create richer and more effective mental maps for navigating life. Furthermore, Korzybski critiqued the verb “to be,” particularly in its uses of identity and predication, arguing that it can create faulty identifications by implying a fixed nature to things that are inherently dynamic. Understanding that language and thought are representations, not absolute truths, is crucial for clear thinking and effective communication.

B. George Orwell — In “1984,” he introduced “doublethink” (holding contradictory beliefs simultaneously), “thoughtcrime” (forbidden thoughts), and “newspeak” (simplified language to limit expression).

George Orwell’s dystopian novel Nineteen Eighty-Four presents a stark vision of a totalitarian regime that manipulates language and thought to maintain control. “Newspeak,” the official language of Oceania, was deliberately designed with a simplified grammar and limited vocabulary to restrict the ability of individuals to articulate and even conceive of ideas that challenged the Party’s ideology. The ultimate aim of Newspeak was to make “thoughtcrime,” any independent thought or belief that contradicted Party doctrine, literally unthinkable by eliminating the words necessary to express such concepts. “Doublethink” is another key concept from the novel, referring to the ability to simultaneously hold two mutually contradictory beliefs as correct. This psychological manipulation is essential for maintaining the Party’s power, as citizens are expected to accept blatant falsehoods while also being aware of the truth. The Party’s control over language and thought extends to the rewriting of history and the constant surveillance of its citizens, ensuring that any deviation from orthodoxy is swiftly identified and punished. Orwell’s concepts powerfully illustrate how language can be weaponized to suppress individuality and enforce ideological conformity.

C. Martin Heidegger — Renamed existence as “Dasein” (being-there), suggesting consciousness as spatial presence rather than abstract existence.

Martin Heidegger, a pivotal figure in existential philosophy, introduced the term “Dasein” to refer to the unique way in which human beings exist. Unlike other entities, Dasein is characterized by its self-awareness and its concern with its own being. Heidegger emphasized “being-in-the-world” as the fundamental structure of Dasein, highlighting the inseparable connection between individuals and their environment. He distinguished Dasein from traditional notions of consciousness, portraying it as a form of spatial presence and active engagement with the world rather than a purely abstract or internal state. Key characteristics of Dasein include “care” (concern for one’s being and the world), “understanding” (projecting onto possibilities), and “disposedness” (being attuned through moods). Furthermore, Heidegger introduced the concept of “being-towards-death” (Sein zum Tode), which signifies Dasein’s awareness of its own finitude and the ultimate possibility of its non-being. Authentic existence, according to Heidegger, involves acknowledging this finitude and taking responsibility for one’s choices, rather than falling into the inauthentic mode of the “anyone-self” (das Man), which conforms to societal norms to avoid confronting existential anxieties.

D. Marshall McLuhan — Redefined media as “extensions of man,” suggesting technologies as literal expansions of human faculties rather than separate tools.

Marshall McLuhan, a renowned media theorist, proposed that all forms of media, or technology, are essentially “extensions of man,” acting as literal expansions of our physical and nervous systems. He argued that these extensions increase our power and speed, fundamentally altering our perception of the world and our social interactions. McLuhan provided numerous examples to illustrate this concept: the wheel extends our feet, the telephone extends our voice, television extends our eyes and ears, and electronic media, in general, extend our central nervous system. Even language itself, according to McLuhan, is a medium that extends our inner thoughts and consciousness. He further categorized media as either “hot” (high definition, low participation, such as radio and film) or “cool” (low definition, high participation, such as television and speech), suggesting that different types of media engage our senses in varying ways and have distinct social consequences. McLuhan emphasized that media not only extend our senses but also create new ratios among them, shaping our overall sensory experience and our understanding of the world.

E. Buckminster Fuller — Called Earth “Spaceship Earth,” reframing our planet as a vessel with finite resources traveling through space.

Buckminster Fuller, a visionary architect and inventor, popularized the metaphor of “Spaceship Earth” to describe our planet. This concept reframes the Earth as a self-contained vessel with finite resources, traveling through the vastness of space. Fuller emphasized that, unlike a conventional spaceship, we were not provided with an “operating manual” for Earth, highlighting the need for humanity to collectively learn how to manage and sustain our shared home. He stressed the importance of comprehensive thinking and the application of scientific principles to ensure the well-being of all humanity within these finite limits. The “Spaceship Earth” metaphor underscores the interdependence of all its passengers (humanity) and the necessity of cooperation and responsible resource management for our collective survival and progress. Fuller believed that technology, when applied thoughtfully, could enable humanity to thrive on “Spaceship Earth” by allowing us to do “more with less”.

F. David Foster Wallace — In “Infinite Jest,” renamed years after corporate sponsorship (“Year of the Depend Adult Undergarment”) rather than numerical designation, suggesting time as commercial property.

In his encyclopedic novel Infinite Jest, David Foster Wallace presents a future where the relentless pursuit of advertising revenue has led to the renaming of years after corporate sponsors, a concept known as “Subsidized Time”. Instead of traditional numerical designations, years are identified by the names of corporations, such as the “Year of the Depend Adult Undergarment”. This satirical device underscores the pervasive influence of commercialism and the extent to which even abstract concepts like time can be commodified and integrated into corporate branding. The absurdity of these corporate-sponsored year names highlights a world where the boundaries between public and private spheres have become increasingly blurred, and where consumer culture has permeated even the most fundamental aspects of human experience.

G. Jorge Luis Borges — In “Tlön, Uqbar, Orbis Tertius,” described a language without nouns, only verbs and adjectives, suggesting reality as processes and qualities rather than objects.

Jorge Luis Borges, in his short story “Tlön, Uqbar, Orbis Tertius,” imagines a world called Tlön where the dominant language lacks nouns, consisting only of verbs and adjectives. This linguistic structure reflects the Tlönian philosophy that reality is not composed of discrete objects but rather a continuous flow of processes and qualities. As an example, Borges offers the Tlönian rendering of “the moon shines between the clouds” as “it moons between the cloudings”. This shift in language fundamentally alters the way reality is conceptualized, emphasizing action and inherent characteristics over static entities. The absence of nouns challenges the traditional subject-object dichotomy prevalent in most languages, suggesting a more dynamic and interconnected understanding of existence.

H. Audre Lorde — Reframed anger as “focused light” that can illuminate and transform, rather than a destructive emotion.

Audre Lorde, a celebrated poet and activist, offered a powerful reinterpretation of anger, particularly in the context of responding to racism and oppression. She reframed anger not as a destructive force but as a “focused light” that can illuminate injustices and serve as a potent source of energy for progress and change. Lorde distinguished anger from hatred, describing anger as a grief over distortions between peers, with the aim of transformation, whereas hatred seeks destruction. She emphasized the importance of expressing and translating anger into action, arguing that unexpressed anger can be detrimental. When “focused with precision,” anger can clarify who are allies and who are enemies in the struggle for liberation. Lorde’s perspective highlights the potential of anger to drive meaningful social change and personal growth when harnessed constructively.

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I. Donna Haraway — Renamed human-technology fusion as “cyborg,” suggesting not a combination but a new category of being altogether.

Donna Haraway, a prominent scholar in science and technology studies, introduced the concept of the “cyborg” to describe the fusion of human and machine. The cyborg, in Haraway’s view, is not merely a combination of organism and technology but a fundamentally new category of being that blurs the traditional boundaries between human and animal, organism and machine, and the physical and non-physical. This hybrid entity challenges rigid dualisms and essentialist notions of identity, reflecting the increasingly technologically mediated nature of modern life. Haraway sees the cyborg as a creature of both social reality and fiction, embodying fragmented and fluid identities in a postmodern world. While acknowledging the cyborg’s origins in militarism and patriarchal capitalism, Haraway also envisions its potential for transgression and the exploration of “dangerous possibilities” for progressive social and political work.

J. Alan Watts — Often referred to the self as “the ego-fiction,” suggesting individual identity as a useful narrative rather than an actual entity.

Alan Watts, a popular philosopher and interpreter of Eastern thought, often referred to the self as the “ego-fiction,” suggesting that individual identity as we commonly perceive it is a useful narrative or illusion rather than a fixed or absolute entity. Watts argued that the feeling of being a separate ego enclosed within a physical body is a “hallucination” that contradicts our fundamental interconnectedness with the universe. He proposed that we do not “come into” the world but rather “come out of it,” like leaves from a tree, emphasizing that each individual is an expression of the whole realm of nature. The belief in a separate ego, according to Watts, leads to a sense of loneliness and alienation. Recognizing the constructed nature of the ego-fiction can lead to a deeper understanding of our place in the universe and a liberation from the anxieties associated with a rigid sense of self.

K. William Gibson — Coined “cyberspace” as “consensual hallucination,” suggesting digital realms as shared mental constructs rather than technological spaces.

William Gibson, a pioneer of cyberpunk literature, coined the term “cyberspace” and famously described it as a “consensual hallucination”. In his novel Neuromancer, cyberspace is defined as a shared virtual reality experienced daily by billions of users, a “graphic representation of data abstracted from the banks of every computer in the human system”. This definition emphasizes that cyberspace is not a physical location but rather a mental construct, a shared hallucination created and sustained by the collective agreement of its users. Gibson’s concept highlights the subjective and socially constructed nature of digital environments, suggesting that these realms exist within the “non-space of the mind”. The immense complexity and interconnectedness of cyberspace are likened to “city lights, receding into the distance,” underscoring its vast and seemingly limitless nature.

Creative Narrative Generation

Considering these substitutions, a paragraph about a mundane activity, such as preparing breakfast, can be reframed using this alternative jargon:

The Dasein stirred, a slow unfolding of being-in-the-world. The kitchen, a familiar map of utensils and ingredients, awaited. The individual, momentarily succumbing to the ego-fiction of hunger, moved to the appliance that extended the hand’s ability to generate warmth. Soon, the aroma of toasted grain filled the air, a sensory extension of the plant’s chemistry-binding essence. This morning’s ritual, a small act of navigating Spaceship Earth by consuming its finite resources, began.

Discussion and Insights

The application of this adapted jargon significantly impacts narrative flow. The introduction of unfamiliar terms disrupts the reader’s conventional reading experience, requiring a more deliberate and analytical engagement with the text. This can slow down the pace of reading, prompting reflection on the underlying concepts embedded within the rephrased language. The defamiliarization effect can transform mundane scenarios into thought-provoking explorations of abstract ideas, inviting new perspectives on familiar experiences. However, the effectiveness of this approach hinges on maintaining a balance; an excessive or unclear deployment of jargon could lead to reader confusion and hinder comprehension.

Reader comprehension is intrinsically linked to the reader’s willingness and capacity to understand the theoretical frameworks underpinning the renamings. Familiarity with the original works of the cited thinkers can undoubtedly aid in this process. However, for readers encountering these concepts for the first time through the narrative, the context provided by the story becomes paramount. The narrative must offer sufficient clues or implicit explanations to allow readers to grasp the intended meaning of the jargon without necessitating prior academic knowledge. The success of this method relies on a delicate equilibrium between introducing intriguing new terminology and ensuring the narrative remains accessible and engaging.

The overall message conveyed by a narrative employing this adapted jargon is profoundly shaped by the specific substitutions chosen. Each renaming carries with it the philosophical or theoretical baggage of its originator, subtly or overtly imbuing the narrative with those perspectives. For instance, the incorporation of Orwellian terms might introduce themes of control, manipulation, and the power of language, while the use of Watts’ lexicon could guide the narrative towards explorations of reality, selfhood, and interconnectedness. The strategic selection of these alternative linguistic frameworks can add layers of meaning and complexity to the narrative, transforming a simple story into a deeper philosophical inquiry.

This approach to storytelling offers several potential benefits. It provides a fresh and insightful lens through which to examine familiar subjects, encouraging readers to question their assumptions and perceptions. By rendering the mundane in an unfamiliar light, it can prompt a reconsideration of the very fabric of our everyday experiences. Furthermore, the consistent use of a specific jargon can establish a unique narrative voice and contribute to distinctive world-building, setting the story apart from more conventional narratives. This method can be particularly effective for exploring philosophical or theoretical themes in a creative and engaging manner, challenging traditional modes of thought and expression.

However, this approach also presents potential challenges. Overuse or inconsistent application of the jargon can lead to confusion and detract from the narrative’s coherence and impact. Maintaining a clear and consistent voice while employing these diverse renamings requires careful attention to language and context. Additionally, readers unfamiliar with the source material might struggle to fully grasp the intended meaning, potentially limiting the narrative’s accessibility and appeal to a broader audience. The author must carefully consider the target readership and provide sufficient contextual cues to facilitate understanding and prevent alienation.

Conclusion

The practice of renaming familiar concepts with alternative lexicons, as demonstrated by the user’s query and the provided substitutions, presents a compelling avenue for innovative narrative construction. By drawing upon the insights of authors and mystics who have sought to redefine our understanding of the world, this approach offers the potential to interconnect disparate ideas within a seemingly straightforward narrative. While challenges related to reader comprehension and narrative flow must be carefully navigated, the benefits of this method — including fresh perspectives, unique world-building, and the capacity to embed complex philosophical ideas within a story — suggest its value for creative expression and intellectual inquiry. The deliberate and thoughtful application of such alternative linguistic frameworks can enrich the art of storytelling, prompting readers to engage with narratives on a deeper, more reflective level.

Table 1: Summary of Renamed Concepts and Their Original Meanings

Thinker

Renamed Concept

Original Meaning

Alfred Korzybski

Language and Mentation

Abstractions or “maps” of reality (“territory”), not reality itself.

George Orwell

Doublethink

Holding two contradictory beliefs simultaneously as correct.

George Orwell

Thoughtcrime

Forbidden thoughts or beliefs that contradict the ruling ideology.

George Orwell

Newspeak

Simplified language designed to limit expression and thought.

Martin Heidegger

Existence

“Dasein” (being-there), emphasizing spatial presence and engagement with the world.

Marshall McLuhan

Media

“Extensions of man,” technologies as literal expansions of human faculties.

Buckminster Fuller

Earth

“Spaceship Earth,” a finite vessel with limited resources.

David Foster Wallace

Years

Renamed after corporate sponsors, suggesting time as commercial property.

Jorge Luis Borges

Nouns (in language)

Absence suggests reality as processes and qualities rather than objects.

Audre Lorde

Anger

“Focused light” that can illuminate and transform, rather than a purely destructive emotion.

Donna Haraway

Human-Technology Fusion

“Cyborg,” a new category of being altogether, not just a combination.

Alan Watts

Self

“The ego-fiction,” individual identity as a useful narrative rather than an actual entity.

William Gibson

Cyberspace

“Consensual hallucination,” digital realms as shared mental constructs.

Fuentes citadas

1. The map and the territory: Why diversity advances neuroscience — PMC, https://pmc.ncbi.nlm.nih.gov/articles/PMC11736740/ 2. Alfred Korzybski — Wikipedia, https://en.wikipedia.org/wiki/Alfred_Korzybski 3. Map–territory relation — Wikipedia, https://en.wikipedia.org/wiki/Map%E2%80%93territory_relation 4. KORZYBSKI’S CONTRIBUTIONS TO NLP — The Coaching Room, https://thecoachingroom.com.au/blog/korzybskis-contributions-to-nlp/ 5. NLP Presupposition: The Map is Not the Territory, by John David Hoag, http://nlpls.com/articles/mapTerritory.php 6. Quotes by Alfred Korzybski (Author of Science and Sanity) — Goodreads, https://www.goodreads.com/author/quotes/63523.Alfred_Korzybski 7. Stop using this word and change your entire world view — Brain Fodder, https://brainfodder.org/removing-is/ 8. Newspeak — Wikipedia, https://en.wikipedia.org/wiki/Newspeak 9. Nineteen Eighty-Four — Appendix: The principles of … — George Orwell, https://orwell.ru/library/novels/1984/english/en_app 10. 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What is Dasein; is it a state of being? : r/heidegger — Reddit, https://www.reddit.com/r/heidegger/comments/10mcpnp/what_is_dasein_is_it_a_state_of_being/ 18. Martin Heidegger (Stanford Encyclopedia of Philosophy), https://plato.stanford.edu/entries/heidegger/ 19. Dasein and Being-in-the-world — Heidegger — Eternalised, https://eternalisedofficial.com/2021/01/28/dasein-being-in-the-world/ 20. Heidegger’s Dasein and “Consciousness”. : r/askphilosophy — Reddit, https://www.reddit.com/r/askphilosophy/comments/1ph69m/heideggers_dasein_and_consciousness/ 21. Heidegger and the Problem of Consciousness — Notre Dame Philosophical Reviews, https://ndpr.nd.edu/reviews/heidegger-and-the-problem-of-consciousness/ 22. Teaching McLuhan: Understanding Understanding Media …, https://enculturation.net/teaching-mcluhan 23. Understanding Media (by Marshall McLuhan) Book Summary — David Kadavy, https://kadavy.net/blog/posts/understanding-media-summary-marshall-mcluhan/ 24. Understanding Media: The Extensions of Man, by Marshall McLuhan, https://www.commentary.org/articles/neil-compton/understanding-media-the-extensions-of-man-by-marshall-mcluhan/ 25. mcluhannotes, https://crab.rutgers.edu/~goertzel/mcluhannotes.htm%20 26. Marshall McLuhan — extensions and amputations | Systems Community of Inquiry, https://stream.syscoi.com/2019/05/30/marshall-mcluhan-extensions-and-amputations/ 27. What is Spaceship Earth? | R. Buckminster Fuller Collection — Spotlight Exhibits, https://exhibits.stanford.edu/bucky/feature/what-is-spaceship-earth 28. Buckminster Fuller is Born — E82 | The Epcot Legacy, https://www.epcotlegacy.com/chronology/1895buckminsterfuller 29. Spaceship Earth | Encyclopedia.com, https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/spaceship-earth 30. Spaceship Earth — Wikipedia, https://en.wikipedia.org/wiki/Spaceship_Earth 31. 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Year of the Depend Adult Undergarment, Erdedy’s Wait, Infinite Jest — Library of Babel, https://tayiabr.wordpress.com/2017/01/25/year-of-the-depend-adult-undergarment-erdedys-wait-infinite-jest/ 39. Infinite Jest — Chapter 64, 14 November — Year of the Depend Adult Undergarment, Chapter 65, 14 November — Year of the Depend Adult Undergarment, and Chapter 66, 14 November — Year of the Depend Adult Undergarment Summary & Analysis — BookRags.com, https://www.bookrags.com/studyguide-infinite-jest/chapanal016.html 40. Quote by David Foster Wallace: “Year of the Depend Adult Undergarment: InterLac…” — Goodreads, https://www.goodreads.com/quotes/8414384-year-of-the-depend-adult-undergarment-interlace-telentertainment-932-1864-r-i-s-c 41. DFW really called it in Infinite Jest. The O.N.A.N? 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