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Counter Arts

The (Counter)Cultural One-Stop for Nonfiction on Medium… incorporating categories for: ‘Art’, ‘Culture’, ‘Equality’, ‘Photography’, ‘Film’, ‘Mental Health’, ‘Music’ and ‘Literature’.

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Death Masks

4 min readFeb 4, 2025

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Promotional image for Smile 2 of the protagonist, Skye Riley, with a red smile slashed through the photograph where her mouth would be.
Credit: Paramount Pictures

Spoilers ahead for ‘Smile’ and ‘Smile 2’.

Good horror turns the innocent and everyday into nightmare fuel. A child’s voice. A doll. A smile from a stranger.

That alchemy is where Parker Finn’s films excel. Smile was the first horror film to make me legitimately uneasy since The Ring. Smile 2, despite a weak trailer, followed up beautifully. In a horror landscape littered with cheap jumpscares, Finn’s writing and the actor’s performances keep you in constant discomfort.

Smile’s monster is transmitted via suicide and appears to target people with significant past trauma. Specifically, it seems to choose people who have seen someone die in front of them.

In the first film, Dr. Cotter watched her abusive mother die. In Smile 2, Skye Riley causes an accident that shatters her body and kills her fiance. She self-medicates with drugs and alcohol to numb her mental illness. The demon finds these scars and pries them open, nesting in their minds, driving its victims completely insane.

Like many horror films before them, the Smile movies use the demon as a direct metaphor for trauma. If we push them down and leave them unaddressed depression, anxiety, and PTSD can all fester and become something horrible.

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John Bogna
John Bogna

Written by John Bogna

Hello welcome to me writing whatever I feel like

Counter Arts
Counter Arts

Published in Counter Arts

The (Counter)Cultural One-Stop for Nonfiction on Medium… incorporating categories for: ‘Art’, ‘Culture’, ‘Equality’, ‘Photography’, ‘Film’, ‘Mental Health’, ‘Music’ and ‘Literature’.