Yasmin Meriela·Oct 21(Pemanasan) Opini Saya Terhadap Penulisan Karakter Perempuan dalam Seni Audio Visual KontemporerSinema yang karakter perempuannya hanya digunakan untuk perkembangan karakter laki-lakinya itu sudah biasa, sudah banyak dibahas, apalagi…
Dymphna's Archive·Sep 22Tarkovsky: Sculpting in TimePart One of Six (After the Introduction — What the Ground Gave Way To)
Iftekhar Ahmed·Sep 9Andrei Tarkovsky’s Stalker: A Film You Don’t Simply WatchAndrei Tarkovsky’s masterpiece isn’t a film you simply watch. It’s something you immerse yourself in.
Beka Modrekiladze·Aug 20Recomendation Algorithms let Subconsious Take OverIn the monumental movie Stalker by Tarkovsky, there is a zone, which has a room, which makes most sacred wishes come true. Sounds as no…
Arun Joshi·Aug 7My Thoughts On Andrei Tarkovsky’s Mirror (1975)जब मैंने Mirror पहली बार देखी, तो सच कहूँ तो मुझे फिल्म समझ में नहीं आई। मुझे पता था कि मैं कुछ बहुत खूबसूरत और असाधारण देख रहा हूँ, लेकिन…
Zeki Yahya·Jul 16Melancholic Realism: Inheriting the Tarkovskian Void in Digital CinemaWhy contemporary auteur cinema must weaponize physical decay against the frictionless perfection of the digital image.
InCounter ArtsbyKrishna·Jul 2Tarkovsky and the Lost Art of LookingAn analysis of Patience in ArtA response icon2A response icon2
Anshuman Nautiyal·Jun 11The Painter Who Would Not Paint: Faith, Silence, and God Who May Not Be Watching in Andrei Roublev
