Eashan Ghosh·1h agoThe Copyright-Design Overlap and the Short Blankets ProblemNo matter what walk of life you’re from, you’ll doubtless have come across some version of the short blanket problem.
Celebrityinvestmentsyt·2h agoMaster P Was Worth $361 Million. Who Owns His Masters Now?Fortune said No Limit owned its masters in 1999. Today the albums carry Priority’s name. Here is what the court files show in between.
Sébastien Lapedra·2h agoA trace is not a memory: human time and musical memoryAssimilating, linking, leaving room to return — why a music archive is not yet a memory
Sébastien Lapedra·6h agoLicences IA : trois questions à poser avant de signer« Accès au catalogue » pour « entraîner et améliorer des modèles » et pour « permettre aux utilisateurs de générer de la musique » : c’est…
Sébastien Lapedra·17h agoOne stream, five rightholders: who gets paid what, and when?Twin Seal — Music, Memory and Rights. A stream is not one cash flow. It is three royalty circuits and several calendars — what a CFO should…A response icon1A response icon1
InAfter the Update_byYazdan Ahmadi·2d agoThe New York Times Is Suing Brave Over the Very Principles It Claims to Defend_Brave’s promise to protect users is colliding with accusations about how it treats others.
Michelle Toole·3d agoIs the Audio on Your Reels Costing You Your Payout?When a reel underperforms, it is natural to look at the picture first: the hook, the first three seconds of motion. The more expensive…
Michael Whalen·4d agoThe “Blue Wave” Could Change The Rules for Music AIA skeptical but hopeful look at the opportunity to protect music and the people who make it...A response icon1A response icon1
Vahid Salimi·5d agoHow to Get Permission to Clip a YouTuber’s Videos (With Templates)A short email, the right terms in writing and a fair revenue split will get you further than any “fair use” disclaimer. Here are the…A response icon1A response icon1
