GYTWill·Oct 31, 2025Stage Left and Stage…Right?I do not believe it is controversial to say playwrights tend to fall on the left side of politics. Heck, theres probably a good reason…
InDialogue & DiscoursebyOrrin Konheim·Aug 9, 2025With this level of polarization, we might be better off divorcedWhen nearly every view is hated by half the nation, then we can’t functionA response icon1A response icon1
Nick James·Jun 19, 2025MAMET: THE LAST VANISHED SOULWe all have souls. This is not an argument — it is a fact disguised as a mystery. Even the stiffest atheists and the most militant…
Leigh Silverton·May 12, 2025“Oh-Leave-‘er Alone-a”: A Lampoon of Oleanna’s Mansplainy MeltdownGrab your asbestos gloves, folks — David Mamet’s Oleanna is back in the cultural microwave, and the smell of 1992’s seared testosterone…
InThe Daily Cuppa GrandebyA. Gee·Nov 26, 2024How Much MarketingIs too much?A response icon4A response icon4
InFanfarebyJames A Gill·Oct 19, 2024Dave Moss — Frustration, Envy and Ambition in Glengarry Glen RossEd Harris’ frustrated, emasculated salesman provides the centre of the big screen adaptation of David Mamet’s classic playA response icon14A response icon14
Lane Talbot·May 25, 2024On Ronin: A Checklist for Writers and MercenariesAre you writing a thriller? Are you joining an international team of hardened spooks? The best practices for either endeavor are the same.
Lawrence Bennie·Mar 25, 2024The Untouchables: Narrative SegmentationA plot breakdown of Brian De Palma’s 1987 crime classic
InFanfarebyStuart Grant·Jan 26, 2024David Mamet’s Everywhere an Oink OinkA Hollywood memoirA response icon1A response icon1
