Caderno de Cinema·Aug 11Relembrando “A Eternidade e um Dia”, de Theo AngelopoulosA Eternidade (Alexandre/Anna) e um Dia (Alexandre/o garoto)
Nazrin Azizli·Apr 1, 2025Theo Angelopoulos: Films That Slow TimeExploring Angelopoulos’ Cinematic Poetry: Time, History, and the Philosophy of the Road
ARTWORKS Greece·Dec 14, 2023Nicolas Vamvouklis in conversation with Konstantina KotzamaniNicolas Vamvouklis (NV): While preparing for our discussion, I came across your “Electric Swan” on ERT2. Although we may not be personally…
ARTWORKS Greece·Oct 19, 2023The uninhibited and unapologetically pop cinema of the directorial duo Lida Vartziotis and Dimitris…Text by Tassos Chatzieffraimidis
ARTWORKS Greece·Jun 29, 2023Where arthouse cinema meets box office success: behind the scenes of “Behind the Haystacks” with…Interview by Tassos Chatzieffraimidis
InCinemaniabyMartine Nyx·Jun 16, 2023The Art of Yorgos Lanthimos: Man or Animal?There is a recurrent theme unifying all of Yorgos Lanthimos’ films: what separates man from animal?A response icon2A response icon2
CinéOtium·Jan 8, 2023Director Focus | Cinema of Yorgos Lanthimos — Part I. Directorial ThemesGreek Master of Dystopian Cinema
Baby F. Bracciolini·Apr 25, 2020Istoria mias kalpikis liras (The Counterfeit Coin, 1955)I was impressed by how self-aware this movie was. The funniest bits were always when the narrator interrupted the scenes to give us some…
KV·Apr 3, 2020Landscape in the Mist (1988)Do not come here looking for anything objective or definite, it is a landscape in the mist, something that needs to be felt more than seen…
InBrief ConsiderationsbyMatt DeMartino·Jan 28, 2020Movie Review | KinettaA brief look at Yorgos Lanthimos’ 2005 film, Kinetta.A response icon1A response icon1
