Ibusuki·Sep 2724-Bit vs. 32-Bit Float: When Each One Makes Sense on Set — Notes from a Location Sound Mixer (3)32-bit float made mixing easier. It made mic choice and placement matter even more.
Ibusuki·Sep 27When You Can’t Use a Boom: Recording Sound for a Film Shot Entirely in POV — Notes from a Location…A camera mic, hidden plants, and a mixer on my back
Stew Hering·Oct 2, 2023Creating My Custom Sound Cart for Documentary Film MakingHi, I’m Stew Hering, a location sound mixer for film and TV. If you have read my previous blog posts, you know I have been using a modified…
Stew Hering·May 18, 2023My Kit for Bag Based On-location Sound MixingHi, I’m Stew, an on-location sound mixer for film and TV. At the start of February, 2023, I upgraded from my Zoom F4 based system for…A response icon1
Stew Hering·Mar 26, 20231 shoot, 22 Tentacles — Using Track Es for Documentary FilmmakingHi, I’m Stew, an on-location sound mixer for film and TV. I recently used 22 Tentacle Sync Track Es to record subjects all throughout a…A response icon1
