Bek Wa Goro·Oct 4The Stories We Carry AwayA story continues through the people who encounter it, the relationships they form and what they carry away.
Bek Wa Goro·Oct 4Make it RealWhat was intended, what occurred and what people experienced each need room in the account.
Bek Wa Goro·Oct 4When Stories ArriveAnticipation, waiting and recollection give the same event different moments of arrival.
Bek Wa Goro·Oct 4When Change Becomes StoryA room changes colour. The story takes shape through what somebody understands that change to mean.
InNEW LITERARY SOCIETYbyLeslie Levendale·Apr 30I can only write happy endings. Can I still call myself a literary writer?A small defence of hope, tea‑table editionA response icon3A response icon3
Sandra Voss·Apr 21Homer after Auerbach: Beyond Exteriority and Toward a Pre-Subjective Poetics of EpicWhy Homeric epic is not a precursor of modern subjectivity, but the articulation of a pre-subjective and non-centered perceptual world
Levent Bulut·Mar 15Physics and Literature vs. Physics of Literature — Why the Difference MattersTwo approaches share a name but describe entirely different operations. One asks how writers use physics as metaphor. The other claims…
Sandra Voss·Mar 5Perceptual Misalignment: Narrative Perception Beyond the SubjectFrom Point of View to Perceptual Field in Modernist Narrative
