InDavid MannbyDavid Mann·Sep 12, 2024Review | Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’It’s been a while since I wrote for Artthrob. After visiting the 2024 National Arts Festival in Makhanda, I wrote on Stephané Conradie’s…
InDavid MannbyDavid Mann·Oct 30, 2023Guest editor | Cue 2023For the duration of the 2023 National Arts Festival, I was invited to take up the role of editor in chief of Cue, the specialist arts…
InDavid MannbyDavid Mann·Jul 27, 2023Field Notes | 11 days of art, theatre, and music in MakhandaFor Creative Feel, I share my notes on the 2023 National Arts Festival.
InDavid MannbyDavid Mann·Jul 27, 2023Review | Storytelling as Free FallingThis review was first published in Cue.
InDavid MannbyDavid Mann·Jul 27, 2023Review | Namaste Bae: Blessings and KombuchaThis review was first published in Cue.
InDavid MannbyDavid Mann·Jul 27, 2023Review | A sound to break open the sky: Linda Sikhakane’s IladiThis review was first published in Cue.
InDavid MannbyDavid Mann·Jul 27, 2023Review | dSimon: Artificial TheatreThis review was first published in Cue.
InDavid MannbyDavid Mann·Jul 27, 2023Review | Don’t Let the Sun Set on You Here: dance as dialectThis review was first published in Cue.
InDavid MannbyDavid Mann·Jul 27, 2023Review | The Agents — What a vaab!This review was first published in Cue.
InDavid MannbyDavid Mann·Jul 9, 2022Review | deus::ex::machina: please keep your phones onThis review is part of a series of daily reviews written at the 2022 National Arts Festival in Makhanda, first published on The Critter.
