InCounter ArtsbyBob Cavanaugh·Oct 27Christopher Nolan or Terrence Malick?Why Cinema Needs Both Spectacle and SilenceA response icon7A response icon7
Montagem Cinema·Feb 19A arquitetura invisível do som no cinemaRuidagem, dublagem e silêncio como construção narrativa
Salman Al Farisi·Feb 15“The Tree of Life”: Living Between Grace and NatureA meditation on love, memory, and the universe, “The Tree of Life” asks: what is life, really?
Julianna Holanda·Feb 7Os degraus rumo à maravilha: Uma Análise Fílmica de “To the Wonder” de Terrence Malick“Renascida”.A response icon1A response icon1
InExCommunicationsbyJeshua Hayden·Jan 15“Train Dreams,” Terrence Malick, and the Transcendence of Secular CinemaThis new film challenges religious ideas of what really counts
Vera Salm·Sep 28, 2025A Time When We Know What This is ForOn My Grandmother’s Memory of her Brother, Terrence Malick’s A Hidden Life and the Power of Cinematic Remembering.
InThe Ugly MonsterbyLady Horatia·Jan 25, 2023The Thin Red Line — “Every film about war ends up being pro-war”Terrence Malick #3A response icon3A response icon3
Demetrio Gutiérrez·Nov 6, 2022Algo sobre el silencio en Days of HeavenLa palabra permite el silencio, y viceversa. Conversar es escuchar tanto como es hablar, y para escuchar uno debe guardar silencio
InThe Ugly MonsterbyLady Horatia·Oct 14, 2022Terrence Malick #2: Days of HeavenThis is the second essay in my analysis of each of Malick’s films.
