轻轻呼出一口气,表示我的叹息...虽然我回给你是一个的微笑,但是它只是暂且的. 转过身去,隐忍住我不愿让你窥见到的难过...我也保证当我再回身,你依旧看见的是我的微笑. 网上能找到的中文简介就是如此。自己撰一点点。封面应该一看就很明显吧,indie,我承认,我大多时候都会被封面吸引,虽然不是没张都会让人愉悦,但是这张还是不错的。专辑内最长的一曲11分钟多,最短的却只有1分半钟。曲目也起的很有创意~ 其余的,就还是看英文介绍吧~ A surprising solo project from Comets on Fire drummer Utrillo Kushner, Acapulco Roughs strongly recalls Jim O'Rourke's late-'90s solo albu...(展开全部) 轻轻呼出一口气,表示我的叹息...虽然我回给你是一个的微笑,但是它只是暂且的. 转过身去,隐忍住我不愿让你窥见到的难过...我也保证当我再回身,你依旧看见的是我的微笑. 网上能找到的中文简介就是如此。自己撰一点点。封面应该一看就很明显吧,indie,我承认,我大多时候都会被封面吸引,虽然不是没张都会让人愉悦,但是这张还是不错的。专辑内最长的一曲11分钟多,最短的却只有1分半钟。曲目也起的很有创意~ 其余的,就还是看英文介绍吧~ A surprising solo project from Comets on Fire drummer Utrillo Kushner, Acapulco Roughs strongly recalls Jim O'Rourke's late-'90s solo albums, a blend of exploded post-rock song structures (half of the album's eight songs break the five-minute barrier, and "A Poor Boy's Zodiac" drones on for over 11) and a seemingly non-ironic love for the softer side of '70s singer/songwriter pop. Both the opening "Just Like a Mademoiselle" and the languid "The Honeycreeper Smiles" include jazzy horns and woodwinds arrangements that wouldn't be out of place on a Chicago album, and Kushner's mellow piano style and high, reedy vocals are at the forefront of all of the songs. Although the sound and feel of the album is pure Laurel Canyon circa 1971, Kushner's melodies are almost too subtle at times, lacking the kind of memorable hooks that were the holy grail of that brand of pop/rock. But while no one will confuse Colossal Yes with Elton John, Kushner's genial, meandering piano runs and the overall mellow good vibes of Acapulco Roughs make it an enjoyable chillout listen.
还没人写过短评呢
还没人写过短评呢