ドッペルゲソガーが僕を (豆瓣)

又名: Doppëlganger Ga Boku Wo
表演者: 望月治孝 Harutaka Mochizuki
专辑类型: 专辑
介质: 黑胶
发行时间: 2024-05-24
出版者: An'archives

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简介 · · · · · ·

　　An’archives is proud to present the latest album by Japanese free saxophonist and vocalist Harutaka Mochizuki, Doppelgänger ga boku wo. Since the early 2000s, Harutaka has quietly, yet steadily, released a string of solo and collaborative releases that have allowed multiple perspectives on one of the most singular voices in modern music. In collaboration, he seems to prefer t... (展开全部) 　　An’archives is proud to present the latest album by Japanese free saxophonist and vocalist Harutaka Mochizuki, Doppelgänger ga boku wo. Since the early 2000s, Harutaka has quietly, yet steadily, released a string of solo and collaborative releases that have allowed multiple perspectives on one of the most singular voices in modern music. In collaboration, he seems to prefer the duo format, and digging through his discography, you’ll find releases where he pairs with Tomoyuki Aoki (of Up-Tight), Michel Henritzi, and Hideaki Kondo. But Harutaka’s solo performances, with their lyricism and physicality, are where the magic truly happens.
　　If earlier albums, like Solo Document 2004 (Bishop, 2005) and Pas (no label, 2014), were raw documentations of solo alto saxophone performances, in recent years, Harutaka’s solo albums have become more complex, more mystifying. Most significantly, they’ve become more personal; there are few musicians extant whose albums feel quite so much like diaristic interventions, and Harutaka’s music now is deeply moving in its intimacy. Developing that thread of revelation, Doppelgänger ga boku wo offers a still richer exploration of many facets of Harutaka’s artistry.
　　The two double-tracked alto saxophone performances here feel consummate, with Harutaka shadowing himself, exploring the possibilities of the multiple self: Doppelgänger is me, indeed. The playing here is rich with affect, but still exploratory, voiced with rigour and intent. Two short pieces for keyboard and voice (about Giacometti and Genêt, respectively) are fragile miniatures, with clusters of chords, and passing phrases, wrapping around Harutaka’s untutored but lovely singing.
　　The ‘karaoke’ performance that closes the album, of “Woman ‘W no higeki’ yori”, speaks to the iterative aspects of Harutaka’s music. A cover of the Hiroki Yakushimaru song, the theme to Shinichirō Sawai’s 1984 film W’s Tragedy, he’s returned to this song several times, and here, his delivery perfectly captures the spirit of what Michel Henritzi, in his typically beautiful liner notes, evocatively details as “one of those sad love songs that accompany lonely sake drinkers in smoky night bars, sharing their spleen.”
　　Gorgeous, human, heartrending - Doppelgänger ga boku wo is Harutaka Mochizuki in element and in spirit.
　　
　　Side A-1 .. Alto Saxophone
　　Side A-2 .. Vocal & Piano
　　Side B-1.. Vocal & Piano
　　Side B-2 .. Alto Saxophone
　　Side B-3 .. Karaoke ( Woman "W no higeki" yori )
　　Produced by Michel Henritzi
　　Photography by Michel Henritzi (insert)
　　Recorded by Kevin Le Quellec, May 2023 ( Studio Cave 38 )
　　Mastered by Taku Unami
　　Karaoke : Programmed By [ Sound Programming ] – mimippiii
　　Original Photo (jacket) by Atsushi Noda
　　Special Thanks : Lionel Le Beuze & Munemori Sato

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0 有用脑震荡 2025-07-18 13:46:22 北京

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0 有用脑震荡 2025-07-18 13:46:22 北京

0 有用 ZTM41 2025-05-07 22:43:44 北京

0 有用 🌠 2025-03-12 09:33:39 山西

0 有用江渚上 2025-08-04 09:59:56 重庆

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ドッペルゲソガーが僕を

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0 有用 脑震荡 2025-07-18 13:46:22 北京

0 有用 江渚上 2025-08-04 09:59:56 重庆

0 有用 🌠 2025-03-12 09:33:39 山西

0 有用 ZTM41 2025-05-07 22:43:44 北京

0 有用 yuno$ 2024-07-10 00:23:27 内蒙古

0 有用 脑震荡 2025-07-18 13:46:22 北京

0 有用 ZTM41 2025-05-07 22:43:44 北京

0 有用 🌠 2025-03-12 09:33:39 山西

0 有用 江渚上 2025-08-04 09:59:56 重庆

0 有用 刺新宿 2025-06-13 18:21:11 广东

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0 有用脑震荡 2025-07-18 13:46:22 北京

0 有用江渚上 2025-08-04 09:59:56 重庆

0 有用脑震荡 2025-07-18 13:46:22 北京

0 有用江渚上 2025-08-04 09:59:56 重庆

0 有用刺新宿 2025-06-13 18:21:11 广东