Sorry London, UK
sorrysorrysorryfkafish
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supported by 77 fans who also own “Antelope”
Entirely familiar and entirely new at once, this is a record which succeeds where late era Radiohead fails. Incorporating some of the direction from Cam's solo project paid off big time, and Getting Killed is worth 110% of the hype.
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supported by 75 fans who also own “Antelope”
YOUR MUSIC IS SO COOOL, really playful and sooo confident!
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supported by 75 fans who also own “Antelope”
This album is huge for fans of strange, uncouth women. There are so many songs on this album that slapppppp
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Mot, the Valuator, Incredible God
by Ox en Mayo Alto
A heavy blend of post-rock and shoegaze from Argentina's Ox en Mayo Alto rides big emotional crests and contemplative valleys.
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Eva Lawitts’s latest album as Stimmerman offers up a dozen tracks of jagged, grunge-informed alt-rock with an experimental edge.
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Wake Up, Play Nice
by Ramonda Hammer
If Veruca Salt had continued down the path of their Bob Rock-produced second record, it might've sounded something like this L.A. group.
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supported by 71 fans who also own “Antelope”
if you've never wanted to have someone's baby, if you've never rolled one up with a shitty excuse, if you've never checked back there to see if s/t/he/y were/was alive, you don't get it
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