The Future of Darkness Has Never Been Brighter: Total Metal Exhibition in Stockholm

Hej Stockholm! Guess who was back for a 5th visit?! I had many things on my to-do list, but let’s start with some metal.

One of my favourite things in Stockholm this time was the Total Metal exhibition in Kulturhuset, Sergels Torg. This exhibition about Swedish extreme metal (and hard rock) from the 80s onwards is only running from February to September. So you can imagine that it was imperative that I visited: I walked past it in February, but I got side-tracked talking to guess-who again!!!

And it was so good, I had to go twice!!!

Where do I start? So many cool relics! For me, the zenith was seeing the original Papa Emeritus papal robes (2010—2012) and the analogue mixing desk, which had the multi-tracks of Ghost’s “Rats” (2018). I could listen to the isolated vocals of Tobias Forge! The detail was incredible, I could hear the vocal layering much better: the man is a genius. And I could remix the song as often as I liked! So much fun for little old me, Richie said after that he never saw me so happy as when I sat behind that console.

It was amazing to see the recreations they installed. The typical metalhead teenage boy’s bedroom in the 80s/90s (in my mind, that was Mary Goore’s messy bedroom) was absolutely hilarious (complete with socks and underpants on the floor as well as “dirty” crockery beside the bed). The posters and flyers on the walls, the bass guitar thrown on the couch, the old typewriter on the desk, even the fanzine and art supplies beside that, the analogue telephone, the studded belts and chains hanging on the bed post, the stacks of vinyl, (some of which disgarded on the floor of course) and the old boombox. Reminded me of a couple of exes’ bedrooms in the 00s, except this was cooler, of course!

The House of Kicks record shop (1986) recreation was also brilliant. One could jump behind the old cash register and live out their record shop dreams! House of Kicks was located in Gamla Stan and was an important meeting place for metal fans: the importance of the record shop was rightfully highlighted in the exhibition. House of Kicks became Sound Pollution in 1993 and moved 50 meters to Stora Nygatan. It still stands today, and I have frequented it many times myself.

The relics were unbelievable. To see authentic fanzines, complete with the materials used by the youth who created them, homemade leather studded and spiked accessories worn by the pioneers, retro school copybooks with band logos scrawled all over them, collections of cassettes, vinyl, posters, t-shirts: my heart!!! I could wax lyrical about everything I saw!!!

Back to Ghost and Tobias Forge. Can you imagine how I felt when I clapped eyes on the white papal robes of Papa Emeritus I? I was unfortunate to have missed the start of Ghost (what was I doing then? I was starting my journey in college and starting my own exploration into recording and producing). If only someone showed me Ghost then! Anyway, I’m here now! The robes were stunning. Papa I often gets overlooked these days due to the sparkly shiny robes and accessories and slim fitting suits the later Papas have sported (Papa V, the current pope, is the most sparkly of them all so far), but his homemade mask and robes fit perfectly into the DIY culture of Swedish metal. Forge has mentioned painting the mask at home on his living room floor when his children were babies. The mask is on display in the VIP museum that tours with Ghost, as well as the other “dead” Papas (Nihil, I, II, III) and Sister Imperator. Thankfully, Papa IV is not dead and lives on as Frater Imperator offstage, grumpily watching his twin brother Papa V break records and sell out arenas.

There were two short films that featured Tobias Forge. One included his speaking about extreme metal culture, and the other included a clip of his retro death metal band Repugnant (1998—2004, 2010). A band I would have given top dollar to see live. His bloody Mary Goore persona is my top favourite of his.

And back quickly to recording music in extreme metal: I was pleased to see two small exhibits about the sound itself. The first was the electric guitar, Boss HM-2 pedal, and Peavy amp encased (entombed, haha) in perspex. The Stockholm Sound was contrived in Sunlight Studio, which became a staple of early Swedish death metal. More commonly referred to as the “buzzsaw” guitar sound for its defining chainsaw-like sound, along with the five-string guitar and the famous Boss pedal, which was a happy accident when all the dials were turned all the way up (thanks to Leif Cuzner) on Nihilist’s pre-Entombed) demo in 1989. The guitar on display was Cuzner’s own, the Boss pedal from Sunlight, and the Peavy amp was used on Entombed’s debut Left Hand Path (1990). How cool?!!

And the second exhibit about the sound itself refers to the Gothenburg Sound. The Gothenburg Sound on the west coast happened a couple of years after the Stockholm Sound. According to Daniel Ekeroth (2006) the Stockholm Sound was generally characterised as fat guitars, growling vocals, relentless production, and bass heaviness, as opposed to the Gothenburg Sound, which had traditional verse/chorus structures, more melodies, a clearer and less brutal sound, sterile drums and the vocals are screamed rather than grunted. On display in Total Metal is the two-mic setup pioneered by Fredrik Nordström for guitar amp recording. He aimed one of the mic straight at the speaker instead of sideways, and the technique became so popular that he even developed a mic clip for this. The 1995 album Slaughter of the Soul by At The Gates is one of the most influential Swedish metal albums ever, and Nordström has sold over 1,500 clips.

All in all, this was the coolest exhibition ever. And to experience it with my friends from Canada, the USA and Sweden who appreciated it as much as I did was amazing!

Extreme metal has a fascinating and bloody culture. Sure, it hasn’t always been pretty; it has a violent and nasty history, but the music, fashion, recording techniques, homemade DIY culture, humour, and sense of camaraderie within the genre are absolutely fascinating.

40 years of extreme metal continues. As the sign said at the end, “the future of darkness has never been brighter”.

Ekeroth, D. (2006). Swedish Death Metal. Bazillion Points Books, New York,

Sommaren är kort: Tomas Ledin and Niklas Strömstedt at Skansen, Stockholm 07/08/24

“Music is the most majestic form of sound. It is the ultimate elegant encounter of sound and silence in the invisibility of the air. It is the art form that changes our experience of time. It brings us into the eternal at the heart of our linear temporality.” (O’Donohue 2010)

While Stockholm may not be the centre of the universe, it is certainly the centre of my universe and has been for a few years now. A cosmopolitan metropolis with bustling, busy shopping streets and thriving cafes, but also small enough to casually bump into rock stars and walk past Hollywood elite. It is exciting in summer and winter and is equally beautiful in Swedish snow and ice as it is under a scorching sun.

And Swedes have a particular love for summer and understandably so: their winters are long, cold, and dark, and for many musical creatives, they are mostly spent hunkered down in recording studios, dreaming of summer tours the following year. So when the sun comes out in Sweden, there is an unmistakable joy in the air: t-shirts, shorts, sunglasses, Midsummer parties, good food, good drink, dips in lakes, forest walks, and outdoor concerts.

I paid yet another flying visit to the city to spend another birthday there. It just so happened that an epic concert was taking place in Skansen the night that I arrived. Skansen is on the Djurgården island in Stockholm and is the world’s oldest open-air museum, founded in 1891 and it hosts concerts across a wide range of genres on the Sollidenscenen stage.

It’s safe to say that Tomas Ledin is one of Sweden’s national treasures, a pillar of Swedish pop and rock songwriting and music production, singing about summer evenings, sunsets, love and romance, and the changing of the seasons amongst others. Ledin’s biggest hit is Sommaren är kort (The summer is short), released in 1982 on his ninth album. Yes, Ledin is from before my time and had a stunning career in the 70s, even working as a backing singer for ABBA (one can spot him on the ABBA Live DVD and on the Super Trouper video).

My interest in Ledin opened with Sommaren är kort, thanks to my Nordic friend with whom I was having a conversation about chart-topping music in Sweden and Finland. Actually, the conversation started about Niklas Strömstedt (we’ll come back to him), another Swedish national treasure. My friend pointed me toward Ledin’s 13th studio album Tillfälligheternas spel (The game of chance) (1990) that night and I was enamored right away. I have a penchant for AOR (David Foster’s 90s production legacy being the main thing) so this album was right up my street. I delved in and out of his discography, and to be honest, that was a little difficult because his studio album count is now at 24! That’s not including live and compilation albums!

Ledin released a new album this summer which very kindly of him made it easier for me to connect with him. On Midsummer, Viker inte ner mig än (Not giving up yet) was released with the band Vapendragarna (Johan FranzonJörgen IngeströmOve AnderssonSebastian Nylund). It is a stunning album, beautifully recorded and mixed at Sandkvie Studios in Visby, Gotland (an island off the south-east coast of Sweden). Every song is magic, the album touches on folk, country, pop, and rock. Now at 72 years of age, Ledin’s latest output reflects maturity, wisdom, and gentleness but that’s not to say that there aren’t any rock moments here! Ledin is clearly a man of impeccable taste.

I came across Niklas Strömstedt through a playlist Martin Persner of Magna Carta Cartel has on the band’s Spotify. I was scanning through the playlist, delving a little deeper into the taste and influences of one of my most favourite guitar players, and came across a beautiful Swedish pop song with shimmering guitars, a mandolin, and a husky, youthful male vocal. Om (If) by Niklas Strömstedt became a minor obsession and despite a sometimes bombastic album Om! (also released in 1990, also recorded in Stockholm’s Polar Studios), I was hooked. Strömstedt’s back catalogue on Spotify became my daily hideaway along with Ledin’s.

Sure, of course, it makes sense that these two artists have personal ties over their careers, Eurovision amongst many. As I said, Stockholm is a small town in terms of music industry.

You can imagine my delight when I realised that Ledin was playing a rock concert in Stockholm when I was going to be in town and that his special guest was to be none other than Niklas Strömstedt! What luck!

To see these two Swedish artists live and in person was really nothing short of a dream come true. Sure, they’re older than me, much of their music is before my time and I was amongst the younger demographic of the audience but they rock! What a fabulous opportunity to witness world-class pop/rock artists!

I can’t deny that I was enthralled by Ledin’s energy on stage. He smiled the entire night long (the concert was 2.5 hours long which is impressive for anyone under 50, nevermind 72!) and he bounced around the stage constantly: clearly the man drinks from the Swedish fountain of eternal youth. There was a beautiful joy that just emanated from him, and it makes sense that so much of his music is on a higher vibration: he’s on another level. His band, Vapendragarna was absolutely brilliant too. They hit harder than on the record and they brought new life to Ledin’s hits: especially to the 1980 Eurovision favourite Just nu!

I really felt that uniquely Swedish joy of celebrating summer at the concert, especially during songs like En dag på stranden (A day at the beach) and Sommaren är kort, Swedish love and romance Hon gör allt för att göra mig lycklig (She does everything to make me happy), En del av mitt hjärta (A part of my heart), Swedish nationalism Vi är Vårt Land (We are our country), Just nu! (Right now!) and generally joy the whole night long. Joy permeates Ledin’s music.

I was moved to tears of joy when Strömstedt took to the stage, joining Ledin with an acoustic guitar and the two played Blå, blå känslor (Blue, blue feelings) together, side by side, grinning and smiling like old friends should. Their voices were perfection, each complimenting the other in sweet harmony while retaining their own identity: each one husky, warm, deep yet sweet.

Strömstedt played classic songs from his back catalogue with Vapendragarna, giving Ledin a brief break. Om and Oslagbara (Unbeatable) were particularly brilliant. This was Swedish pop/rock gold right here in the beautiful setting of Skansen, overlooking Stockholm’s sunset from a huge hill.

26 songs of Swedish pop gold (thanks https://www.setlist.fm/setlist/tomas-ledin/2024/skansen-stockholm-sweden-b5579ea.html)

En del av mitt hjärta now resides at that beautiful venue in Stockholm, and happily, I can go back there in my mind and recall the smiling Ledin and Strömstedt, playing their guitars and singing their hearts out. There are a couple of pieces of my heart in Stockholm now it seems! On that street where I bumped into Tobias Forge and now in Skansen.

And if it wasn’t for Tobias Forge (who also has an unapologetic love for AOR), I wouldn’t have discovered Tomas Ledin and Niklas Strömstedt or indeed much of the Swedish pop, rock and metal I listen to religiously nowadays. Through him, I have found a plethora of music that moves my heart.

Music truly is the art form that changes our experience of time. It’s making my time a happy one.

Quote at start from John O’Donohue’s 2010 book The Four Elements: Reflections on Nature

There Goes My Hero

Guess this is my first blog of 2024: almost 6 months since I posted. Well, I’m still alive! Still gigging with Shock Sorrow, still doing live sound with Na Píobairí Uilleann.

Three weeks ago today, myself and Richie went back to Stockholm for a little spring getaway. It’s been a year and a half since we first went: what a crazy time that was (eviction, house hunting, buying somewhere eventually, all the while still keeping on keeping on and holding sh*t together: adulting, I guess).

I’ll write more about my trip to Stockholm some other time, but Sweden in the winter is gorgeous. A fairytale. A land of snow and ice and evergreen trees and beautiful red houses.

You can imagine one Friday afternoon, after traveling a 400km round trip from Stockholm to the city of Linköping and back. After an unexplained 15-minute train delay back to Stockholm, we found ourselves walking back to our hotel in Södermalm, a trendy area in south Stockholm, tired, hungry, and needing a bit of a lie-down.

Walking along a quiet residential street just off the main shopping street, we heard this amazing, epic, chanting music. It was really cool music and I’ve no idea what it was. It became louder and louder very quickly and we watched in surprise as this man on a bicycle sped by us with a speaker in his front basket! We laughed “Only in Stockholm would you see something as cool as that!” and literally, one or two seconds later, I found myself face-to-face with my number one musical hero: Tobias Forge.

I thought I stepped into a dream. If you know me at all, you know that I fell in love with Forge’s music a few years ago, fell deep down a rabbit hole, and never came back out. Need I remind you who he is? The prime mover, the mastermind, the lead singer, songwriter of the Swedish rock band, Ghost. He has a huge career in music, dating from the late 90s and he has delved into death metal, alternative punk/rock/pop bands, playing guitar and bass guitar and singing. All of his recorded music is the bomb.

Well, there, without warning (although one could say that dude on the bicycle served as a warning: an angel on Earth heralding probably the most incredible moment of my life!), there was the artist I have spent so long admiring, standing right in front of me and looking directly at me! I know him! Oh my freaking God, that’s Tobias Forge! He’s REAL! I was actually very confused for a spell. I somehow thought that he knew me, that he recognised me, somehow, because that was the expression on his face: it was intense but filled with kindness. I’ve never been looked at like that before. How does he know me? He doesn’t know me! Don’t be silly, Steff! From that gaze alone, I can confirm that he has a special aura.

He had stopped to talk to us. My partner had said hello to him (in Swedish) and I hadn’t heard. Tobias was smiling and I was introduced “This is the fan! You need to talk to her!” I could only eek out a “hi”. I can’t really remember, I was in absolute shock. But I remember how he gave me his attention (in my experience, most of the Swedish men I had talked to were more interested in talking to my partner than me, even though I’m the one who actually has a level of Swedish!). I remember the sound of his voice, his American accent as he spoke English, I remember the sudden change in his voice as he broke into a roar in Swedish at his friends who were roaring at him in the street (he had been walking with friends but I never saw them: clearly the conversation was that they were heading on, catch you later!), it was cute and funny. He asked where we came from, what were we doing here, when did we arrive (I couldn’t remember what day it was: he must have thought I was nuts that I suddenly couldn’t process a simple question like that), had we been to the Vasa Museum (the day before we had) and if I would like a photograph. He was clearly trying to make me feel comfortable: it’s a known fact in the Ghost fandom that Tobias has a special way to get starstruck fans to speak. He’s terribly sweet.

He asked twice if I had anything with me for him to sign, which I did. That’s when I dropped my bag to the ground to rummage through for a 7″ vinyl I had: just in case. I never dared to dream that this moment would actually happen: out of the 1,720,000 people that live in Stockholm I would meet the ONE that I admired most! He was wearing these big black platform boots, the very same as he wore to the GRAMMYs ceremony less than a month before, and his trademark black coat, black skinny-fit jeans (or they could have been trendy trousers), a dark blue chunky knit scarf, and a faded black Ripped Corpse vintage t-shirt. His hair has grown long (his quiff days seem to be a thing of the past) to just under his ears and hung in a natural parting just off centre of his head. He looked like a freaking rock star. He must have been 6 foot tall! He’s reputedly to be 5 ft 9″ but with these boots, he was certainly head and shoulders above me. And that also knocked the wind out of me.

He cheerfully signed my “Enter Sandman” record: the one my Ghost friend in America had secured specially for me, as it could only be bought on the American leg of the Imperatour in 2022. I had to have that record: Ghost covering Metallica and the artwork is superb: Papa IV is wearing his trademark Cardinal Copia suit and he still has his mustache and sideburns (as Papa IV, he would lose these and undergo face “surgery”!) I told Tobias that this record was my “holy grail” and he looked up, realised how difficult it must have been for me to attain that record and we immediately had a discussion about it. It was very cool to talk about it and the Ghost fandom with him.

The rest of our meeting I’ll save for myself but I did manage to eek out a grattis på födelsedagen (his 43rd birthday was 2 days away), I may have half genuflected at him and he definitely looked amused. I gifted him two CDs with a rushed explanation “I’m a musician, music producer and sound engineer. I made these over the lockdown. You inspire me! I want you to listen to them! I just love what you do!” Was I able to convey “You are the single most influential person in my musical palette/ I deeply admire your musical artistry, your talent, your skills/ I love how you make music/ Your music brings me joy”? Nope. Might he have understood that anyway? Possibly. He has that fingerspitzengefühl thing going on. He reads people. He was certainly reading me.

He thanked me. I asked for a hug before we parted ways and he smiled, saying “Sure!” (his favourite English word we gathered, he said it a lot!). Well, Steffy couldn’t have been possibly any happier. It was the hug of a lifetime. Steffy got to meet her favourite musician who ever walked the planet and hug him tightly. And he hugged her tightly. I’d like to think that he understood I genuinely admire him and that maybe, on some level, he was happy to meet me too.

I’ll never be over that moment. I’ve played it over and over in my head. Trying to remember the small details but finding a lot of blank because I was in shock.

My legs shook for hours. I couldn’t eat for days after it. I never dared to hope that I would meet Tobias Forge.

They say never meet your heroes. Bullsh*t. Unless they’re Tobias Forge: then you’ll meet an incredibly sweet, polite, understanding and gentle person. He has a special energy that I’ve never encountered before and don’t think I ever will again. He’s normal but he’s oh so special. There’s something incredibly lovely about him that I can’t put my finger on.

He’ll always be my hero. And I’ll always count myself incredibly lucky that my train from Linköping to Stockholm was delayed that afternoon: it’s as if fate put me directly in his path. One minute sooner or later, we wouldn’t have walked into each other.

Happy Steff signing off, hoping that Tobias Forge listens to her CDs and perhaps understands her in a small way.

Tomorrow Night!

Shock Sorrow: Next Gig!

Delighted to open the amazing Sligo Whiplash metalfest this Saturday night! It’s gonna be such a rockin weekend, just check out that lineup!

SHOCK SORROW NEW RELEASE: “HOMELAND” 21/04/23

Delighted to announce the release of a new video of a song from our Pagan Queen EP today: Homeland.

Homeland began in my production suite as a tiny legato string idea in spring 2021 under the working title Pagan Queen. Back then, I envisioned a huge Celtic soundscape: I was thinking uilleann pipes, fiddles, haunting vocals, the works.

When it came to finally writing the song in spring 2022, I looped the musical passage in Logic and let Keith Caffrey ad lib over it. What he came up with there and then was pretty much exactly what made it to the final record! It was a magic moment. He is amazing at opening his heart, voice, and mind and coming up with magic lyrics and melodies on the spot. What poured out is very authentic, genuine, and heart-felt.

You are free to interpret the lyrics as you wish.

A bit of work later, we had a structure and he came up with the idea of changing the end to this big WHAM metal-in-your-face moment. He described exactly what he could hear and I gave him a detuned guitar: “Go for it. Play it.” And he did. What is on the record is 99% accurate to what he demoed: I simply added in a pinch harmonic and an open harmonic for that classic Machinehead nu-metal touch. That bass guitar is a detuned acoustic (belonging to Keith), those drums are programmed but I think we came up with a fun-sounding ending!

The synthy atmospheric rest of the song was actually fairly inspired by Netflix’ Stranger Things which I binge-watched at the time of production. I wanted a slightly 80s sound, but also something that sounded slightly Linkin Park cos they were/are the kings of melody and haunting sounds.

The lyric video was created by my Swedish friend Martin Wrigsjö Staflin. As always, he did a stunning job. We love his work. He understands music and image and he 100% gets Shock Sorrow.

Stream Pagan Queen on Spotify: https://open.spotify.com/album/7qHtbvzPSXSLjrqYzkbCnH?si=7cA_7_SiTqOxoQBwsudE5A

Photo by Marcin W Photography

“Whisper” – Shock Sorrow

We released this yesterday, February 14th

Credits:

Keith Caffrey: vocals, guitars, lyrics, music and co-production.

Steff Caffrey: vocals, guitars, keyboards, violin, recording, mixing and production.

Siegfried Meier: mastering.

Martin Wrigsjö Staflin: video

Kelvin Doran: Shock Sorrow logo.

https://linktr.ee/shocksorrow

SHOCK SORROW NEXT GIG

So Long 2022 (And Thanks For All The Fish!)

2022 was savage fun. Here are some highlights:

I produced, recorded and mixed the 2nd Shock Sorrow EP “Pagan Queen”. We released it on October 31st 2022.
“Pagan Queen” EP Launch in McHugh’s, Drogheda
So many listeners!
Getting to meet Tom Englund of Swedish progressive metal band Evergrey was a real treat. He is a legend. Yes, he’s as tall as a house.
Absolutely thrilled to be invited to DkIT to perform for Film & TV Production students. We played “My Hero” (Foo Fighters) in honor of the late Taylor Hawkins.
I returned to DkIT to give a presentation on being a woman who works in the music industry
International Women’s Day 2022 was great
Every Session With The Pipers in The Cobblestone, Dublin was tremendous. Top moment? Maybe doing sound for Daragh Lynch? Special gig!
On the sound crew, finally back to Liberty Hall theatre after a 2-year absence. Steve Cooney was legendary. Another special night.
Doing sound for Sibéal Ní Chasaide in the Carlingford Heritage Centre was a dream.
Getting the front row especially to see Swedish rock band Ghost for the first time (Glasgow) was the ultimate dream. Papa Emeritus IV was every bit as magical as I thought he would be.
Yes, I cosplayed at Ghost. You pretty much can’t! I am Papa’s kitten because the man himself loves cats 😉 Papa noticed me 🙂 I also brought the Potato and he was very excited to be in the pit (in his potato sack of course).
Larking around Linköping, Sweden on a beautiful summer’s day. The hometown of Tobias Forge. I frequented record shops he bought records in, enjoyed a nice fika, visited the city cathedral (depicted on the Opus Eponymous album artwork), picnicked by the water’s edge and even talked to some locals.
Celebrating my birthday in Stockholm
THE iconic Papa Emeritus III artwork in Garlic & Shots, Stockholm. I could not take my eyes off him.
A kiss for Papa. Yes, I got that sunburnt! Oops! Suncream was the last thing I thought I needed in Sweden 😉
We met the bubbly, cheeky and highly talented Thomas Silver in Stockholm. I’ve been obsessed with his solo album ever since. Massive Father Ted fanatic.
The day I got my new guitar: christened “Tobi” straight away. We have already gigged tonnes.
Oh yes, last but not least, when Richie cosplayed Mary Goore for me! Wild!
In no particular order, my top 4 albums I’ve been listening nonstop to during 2022. Jag älskar Svensk musik!

Next Gig: December 30th, Toales, Dundalk

Music Producer-Sound Engineer-Musician-Songwriter

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