TAR / MM / UOH
Independent record label group. Tin Angel Records, Meat Machine, Unheard of Hope.
If you like TAR / MM / UOH, you may also like:
Music in Continuous Motion
by Bill Orcutt
supported by 139 fans who also own “The Heaven of our Misery”
Mr Orcutt pours his white hot molten guitar tone into the musical mold of many a melody’s joyous filigree. His work could crown the brow of Dionysus and Apollo both. If development in the minimalism of Glass unfolds ‘horizontally’ by gradations across time, Orcutt generates variety within repetition ‘vertically’ by overlaying to produce emergent properties.
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The Way Out of Easy
by Jeff Parker ETA IVtet
supported by 117 fans who also own “The Heaven of our Misery”
steady grooves with the sax of josh johnson dancing all over it. and when he takes a break, jeff slides in with something interesting. anna is a rock keeping everything together. the drumming is just perfect. listening to this enhances my life... i work to this, i drive to this, and i play it in shared spaces.
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How to Rescue Things
by Bill Orcutt
supported by 112 fans who also own “The Heaven of our Misery”
By engaging with the music seriously, Orcutt lets it deeply inform how he plays, and through his altered playing, he has in turn, seriously altered the music. The original no longer knows itself, precluding pastiche. It is not a homage, it is not satire, though there is humour at times. There is a crossing over from both sides, a reaching out and a clasping of hands... it is a rescue.
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The Brazilian metal band filter experimental prog and krautrock through regional psychedelic sounds.
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Blending introspective ambient with shuddering bass drops and hazy synths, the Brooklyn electronic veterans' fifth LP is a majestic triumph.
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Devil Is Fine X
by Zeal and Ardor
The 10th Anniversary edition of Zeal & Ardor’s killer first record, complete with five additional tracks.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 110 fans who also own “The Heaven of our Misery”
this album is the justification for the hundreds of hours this year alone i have put into listening to albums. this record has so much versatility, it could be very legitimately used as background noise, or it could be a full-blown story that takes you down many winding paths of tension and emotion. the only difference between these two scenarios is whatever you wanted this album to be. if you havent already, please let this be the reason that you check this album out :3
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