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2017, Rethinking Israel: Studies in the History and Archaeology of Ancient
Recent research has approached the biblical narrative of the Exodus as a production of cultural memory or mnemohistory, defined as historical memory where folklore, ethnic self-fashioning, and literary artistry converge. What has been lacking in these pivotal studies of historical memory is the impact of forced migration, in this case resulting from enslavement in Egypt, on the formation of the Exodus story. In contemporary studies of forced migration narratives, personal memories often coalesce with narratives of others, drawing on earlier accounts of deracination, and include ideology, religion, or myth to explain and provide hope. In narratives of modern displacement, such as those of Palestinian or Armenian refugees, a collective memory of the homeland and an epic quest to return serves as a regenerative force in the preservation of memory and identity over time and distance. Recognizing the importance and relevance of current research into displacement memories will doubtlessly open new avenues and a more nuanced analysis of displaced groups and the ethnogensis of identity. Approaches that combine memory studies, diaspora studies, and refugee studies are especially promising venues of future analyses of the Exodus narrative. As a timeless story of forced migration, enslavement, return, and redemption, the biblical account of the Exodus from Egypt, rising from the ruins of the Late Bronze Age world, will remain an enduring symbol of hope and redemption for displaced peoples in the past, present, and future.
The article seeks to explain the contrast between the central place of the Exodus in Israelite memory and the marginality of the event in history by shifting the focus of discussion from the historical question to the role the Exodus tradition played in shaping the self-portrait and consciousness of early Israelite society. It first examines the oppressive nature of Egyptian rule in Canaan at the time of the Nineteenth and Twentieth Dynasties. It then examines the story of the Exodus in the context of Egypt under the Ramesside and Saitic Dynasties. It suggests that the bondage and the delivery from slavery as related in the biblical story actually took place in Canaan and that the memories were later transferred from Canaan to Egypt. The transfer of memory explains the omission of the memory of the long Egyptian occupation of Canaan in the Bible. The displaced memories of bondage were replaced by the 'memory' of the conquest, which reflects the way early Israelite society sought to present its past. The subjugation, the suffering and the delivery were experienced by all tribal groups that lived at the time in Canaan, hence the centrality of the Exodus tradition within the Israelite society.
Journal of Ancient Near Eastern Religions, 2011
The article seeks to explain the contrast between the central place of the Exodus in Israelite memory and the marginality of the event in history by shifting the focus of discussion from the historical question to the role the Exodus tradition played in shaping the self-portrait and consciousness of early Israelite society. It first examines the oppressive nature of Egyptian rule in Canaan at the time of the Nineteenth and Twentieth Dynasties. It then examines the story of the Exodus in the context of Egypt under the Ramesside and Saitic Dynasties. It suggests that the bondage and the delivery from slavery as related in the biblical story actually took place in Canaan and that the memories were later transferred from Canaan to Egypt. The transfer of memory explains the omission of the memory of the long Egyptian occupation of Canaan in the Bible. The displaced memories of bondage were replaced by the ‘memory’ of the conquest, which reflects the way early Israelite society sought to ...
HTS Teologiese Studies / Theological Studies, 2014
The Exodus as negotiation of identity and human dignity between memory and myth The rendition of the exodus in the Old Testament is an excellent example of cultural memory-a remembered past that resulted in collective memories that maintained the actuality or relevance of the past, without getting bogged down in the never ending agonising about the supposed 'historical factuality' of the past. In the Old Testament the exodus was remembered in diverging ways in different contexts and the ongoing need for identity and the influence of trauma were but two factors that influenced the manner in which the exodus was recalled. Despite unfavourable connotations it is again suggested that the exodus functioned as a founding myth in the evolving of Israelite and early Jewish identity. Such a heuristic goal will be less interested in establishing historically or archaeologically verifiable truth claims and more interested in how the memory of the exodus shaped identity and enabled human dignity in subsequent contexts of human suffering and oppression up to the present day.
Israel's Exodus in Transdisciplinary Perspective, eds. T. E. Levy, T. Schneider, and W. H. C. Propp (Cham, Switzerland: Springer, 2015), pp. 65-77
This essay situates the cultural memory of the Exodus in a dialectic between historical memory and ethnic self-fashioning. Memories of the Egyptian Empire in Canaan have been transformed into a memory of liberation from Egyptian bondage, with this political transition mapped onto the geographical space of Egypt and Canaan. The mnemohistory of the Exodus has roots in the LB/Iron Age transition, which has been narrativized as an ethnic myth of origins. The oldest expression of this ethnic myth, the Song of the Sea, transmutes the memory of Egyptian collapse into a song of the Divine Warrior, wherein Yahweh is the sole king and Pharaoh is chaos vanquished.
Scriptura : international journal of bible, religion and theology in southern Africa, 2005
For several decades the book of Exodus was the locus classicus for the struggle against colonialism and racial discrimination across Africa. This paper engages with the problem: How do we appropriate the book of Exodus theologically in a post-colonial Africa? The validity of the following hypothesis will be investigated: The book of Exodus can be interpreted as a polemical narrative concerned with origin of Israel as a nation, born within the crucible of slavery and forged by the guiding divine presence during the sojourn in the desert and at Mount Sinai. It is argued that there are similarities between elements of the Exodus narrative and certain texts in the Ancient Near East - specific attention will be given to the three major themes of the Baal epic: The crossing of the Re(e)d Sea (Ex 14-15) and Baal's victory over Yam (sea); the instructions concerning the tabernacle and the eventual building of the tabernacle (Ex 25-31, 35-40) and the arguments for building a temple or pa...
[Thesis]. Manchester, UK: The University of Manchester; 2016., 2016
In response to the scarcity of biblical scholarship analysing the function of the Hebrew Bible's exodus stories as persuasive communication, this dissertation investigates how these mnemonically dense stories were capable of creating and maintaining a long-term collective identity for ancient Israel. A narrative approach is selected in keeping with this intent, and the primary exodus story (Exod 1:1-15:21) and the 18 retold exodus stories found in the Hebrew Bible are identified as the focus of research. Since the tools used for analysing the narratives of non-fictional peoples need not be limited to those used for analysing literary fiction, a methodological tool-based on the principles of the social identity approach (SIA)-is developed and outlined to assist in exposing identity construction at a rhetorical level. Using the SIA heuristic tool, rhetorical formulations of identity-cognitive, evaluative, emotional, behavioural and temporal-like those occurring in face-to-face relationships, are identified in the exodus stories. These formulations make certain identity claims upon their hearers. A shared experience of oppression and deliverance is represented as the significant feature defining group membership in Israel. The literary portrayal of nine of the eighteen retold exodus stories in a setting just after the death of the adult exodus generation, asserts the importance of the appropriation of the story by a purportedly new generation. Likewise, exodus narratives with a literary setting in every major socio-cultural transition in Israel's larger story portray Israel's rehearsal of and participation in exodus as central and essential to her ongoing collective identity. Possible social identities offered to Israel include the temporal expansion of this ingroup based on the retelling and reappropriation of exodus and the "othering" of Israel based on non-compliance. Pre-exodus narratives are noted to have been shaped so as to include the patriarchs in "the people whom God brought out of Egypt." Plurivocal retold exodus stories also reflects the recasting of narratives to fit identities so that, anachronistically, post-exodus members may also be included in "the people whom God brought out of Egypt." This points to the revision and reuse of exodus narratives rather than to their unilinear development. Apart from any speculation on the historical motives of their producers, the identity-forming potential of exodus narratives characterized by the well-established, recognizable language of social identity is identified. The newly developed heuristic tool used in this analysis is its most significant contribution. It makes visible the nascent social identity language and concepts implicitly noted by prior scholarship, places them within the larger validating theoretical framework of the SIA and systematically identifies the specific persuasive elements and integrating qualities of exodus narratives. DECLARATION No portion of the work referred to in the thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning.
Literature and memory: theoretical paradigms-genres- …, 2006
Scriptura 90, 2005
For several decades the book of Exodus was the locus classicus for the struggle against colonialism and racial discrimination across Africa. This paper engages with the problem: How do we appropriate the book of Exodus theologically in a post-colonial Africa? The validity of the following hypothesis will be investigated: The book of Exodus can be interpreted as a polemical narrative concerned with origin of Israel as a nation, born within the crucible of slavery and forged by the guiding divine presence during the sojourn in the desert and at Mount Sinai. It is argued that there are similarities between elements of the Exodus narrative and certain texts in the Ancient Near East-specific attention will be given to the three major themes of the Baal epic: The crossing of the Re(e)d Sea (Ex 14-15) and Baal's victory over Yam (sea); the instructions concerning the tabernacle and the eventual building of the tabernacle (Ex 25-31, 35-40) and the arguments for building a temple or palace for Baal; as well as the destruction of the golden calf (Ex 32-34) and the annihilation of Mot (death) by Anat. Brief mention is also be made of correspondences between the narratives in Exodus and certain Assyrian and Neo-Babylonian texts. In all these contexts it is suggested that Yahweh is portrayed as the deity that played a crucial role in the origin of Israel as a nation and that this was constitutive for emerging monotheism as the religious identity of Israel as a nation. In closing it will be reflected on how African narratives concerning origin and identity can engage in an intertextual dialogue with the Exodus narrative.
Sentience Publications, 2018
The historicity of Exodus has been under serious attack over the last century, fuelled primarily by the absence of evidence for a large-scale migration out of Egypt and an influx of hundreds of thousands of people into the lands that became Israel and Judah. What cannot be ignored, however, is the fact that this story amounted to the cultural memory par excellence of the people called Israel, and of the Jewish identity which emerged from the ancient world and continued into modern times. In short, it was believed – and celebrated – by the people by whom and for whom it was composed. While incorporating the ongoing debate, this book takes a slightly different approach to Exodus, seeing it as a story evolving over time in relation to a specific chain of events in the development towards the ethno-religious identity, Biblical Israel. By investigating each of these historical contexts seen in retrospect as pivotal by the biblical writers, the author identifies a relationship between perceptions of identity crisis and the application of a ‘grand narrative’ of liberation from oppression. More than this, however, the author introduces a singular motif as that which copper-fastens the literary interdependence between all of these representations of the past; and in doing so, opens the way for new conversations about the development of the history of Israel itself.
Scriptura
For several decades the book of Exodus was the locus classicus for the struggle against colonialism and racial discrimination across Africa. This paper engages with the problem: How do we appropriate the book of Exodus theologically in a post-colonial Africa? The validity of the following hypothesis will be investigated: The book of Exodus can be interpreted as a polemical narrative concerned with origin of Israel as a nation, born within the crucible of slavery and forged by the guiding divine presence during the sojourn in the desert and at Mount Sinai. It is argued that there are similarities between elements of the Exodus narrative and certain texts in the Ancient Near East-specific attention will be given to the three major themes of the Baal epic: The crossing of the Re(e)d Sea (Ex 14-15) and Baal's victory over Yam (sea); the instructions concerning the tabernacle and the eventual building of the tabernacle (Ex 25-31, 35-40) and the arguments for building a temple or palace for Baal; as well as the destruction of the golden calf (Ex 32-34) and the annihilation of Mot (death) by Anat. Brief mention is also be made of correspondences between the narratives in Exodus and certain Assyrian and Neo-Babylonian texts. In all these contexts it is suggested that Yahweh is portrayed as the deity that played a crucial role in the origin of Israel as a nation and that this was constitutive for emerging monotheism as the religious identity of Israel as a nation. In closing it will be reflected on how African narratives concerning origin and identity can engage in an intertextual dialogue with the Exodus narrative.