IANS Exclusive: Bhumika, Niraj & Sanjay Mishra on Their Thrilling New Film ‘The Secret of Devkaali’

MUMBAI: In an exclusive interview with IANS, Sanjay Mishra, Bhumika Gurung, and Niraj Chauhan shared their excitement and insights about their upcoming film ‘The Secret of Devkaali’. The talented trio discussed their roles in the suspense-filled thriller, highlighting the film’s unique storyline and engaging plot. Sanjay Mishra talked about the depth of his character and how it challenged him as an actor.

#SanjayMishra #MaheshManjrekar #Devkaali #Trending #2025 #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #ians

Transcript

00:00Dr. Aronis, first of all, what are your reasons for doing this?

00:07I've never done such a story.

00:15The second reason was the new director.

00:21They were involved in some big ideas.

00:26And the third reason was the new director.

00:33Dr. Aronis, first of all, what are your reasons for doing this?

00:44Dr. Aronis, first of all, what are your reasons?

00:49Dr. Aronis, first of all, what are your reasons for doing this?

00:59Dr. Aronis, then you have to face these events.

01:04Dr. Aronis, first of all, what are your reasons for doing this?

01:08So, it's not that there is no connection to anyone.

01:15Do you think that English cinema will struggle with colorism?

01:22No, not really.

01:24With colorism, there is no problem with colorism.

01:27Because when you make a film, you use a palette, a color tone.

01:32And according to the color tone, you want something.

01:35And sometimes, what happens?

01:38Like an example.

01:40We like ice cream, but we don't need ice cream in the cone.

01:43We need it in the bar.

01:44It's the same thing.

01:45So, there is nothing like that.

01:47We need dark people for this character.

01:50We need fair people.

01:51But somewhere else, I think Neeraj wanted me as an actor for this particular role.

01:57Where they felt the need that the tone and palette should match the skin tone.

02:04It should not look something different.

02:07So, I think there is nothing like that.

02:10As we ask our dear sirs, how is a secret story is demonstrating the risk for the Lords?

02:19Can you tell me a moment.

02:20In the

02:22How is a secret story?

02:25This is not a horror, there is no doubt in it.

02:33We are presenting reality.

02:37If we talk about risk, there is always a risk.

02:43It depends on how high your confidence is,

02:47and you work with it.

02:50There is no risk in the world.

02:54It depends on whether you want to take it or not.

02:59Sir, you have asked the casting,

03:04humor, and what casting name?

03:08Is it a risk choice?

03:12As you said, we have seen many characters.

03:20In reality, there is a very different personality.

03:25Their character is subtle.

03:27They are connected to the roots.

03:30They are very good.

03:34Their originality, their character,

03:39they are trying to show us from a film.

03:44They were very good.

03:46In your real life, we have seen your interviews.

03:49You talk about the roots.

03:53You talk about the roots.

03:57I think that the most of the films of Sir,

04:01I think that the most of the films of Sir,

04:05I think that the most of the actual fans of Sir,

04:07the most of the variations of Sir,

04:09I don't think that the most of the actors are.

04:11He is not only known for comedy.

04:13He has done very emotional roles.

04:15And I have come to watch his films.

04:19I think that he is the perfect choice.

04:23There is no doubt about it.

04:25I have a question about what we have thought about,

04:30what we have thought about, what we have thought about,

04:34what we have thought about, what we have thought about?

04:37I have a lot of things that are in my mind,

04:46I work on it on my mind.

04:51Spontaneous things I have done and I have told many times that the location is very important for me in the performance.

05:03The camera mat is giving me the lighting. The director is giving me the support of the director.

05:14The rest of the world requires a service and a service and a service.

05:21to one another.

05:26Female villain.

05:49And I was thinking that, as you can see some character, you can see them from the perspective of the villain.

05:59But there is also a story about their past. What do you know? Every bad person is the past.

06:06He feels bad.

06:08He feels bad because it's a different story.

06:15And the story of the villain and the villain and the villain has made it.

06:23I don't know if it's a villain character in the film.

06:27But it's a good thing.

06:31It's a villain.

06:34You'll get to see it.

06:37It's a villain of what they made.

06:40So...

06:42Thank you for this script.

06:46How do you want to read this script?

06:49I don't want to read this script.

06:51It's a good script.

06:52That's why we don't have dates.

06:56And...

06:58I need to see the script.

07:02I need to see the script.

07:04I need to see the script.

07:07I need to see the script.

07:09It's authentic.

07:12So...

07:25Oh.

07:26What I want now to must have done.

07:28This is my job.

07:31Sometimes you can put a tube light on each other.

07:36It's a job where you have to do it.

07:40That's such a problem.

07:42You learn a lot from your experience,

07:45what you want to do in the film,

07:48what you want to do.

07:49This is a problem of experience and profession.

07:58It's too hard to be different or sharp people.

08:09You have a question.

08:10We have to think about it.

08:13What should it be?

08:17You can ask it in an easy way.

08:21Do you understand what it means?

08:26Critics try to tell you.

08:28You try to make a trailer.

08:30You try to make a trailer.

08:32You try to make a trailer.

08:34Or make a film like this.

08:36What do you want to say to these critics?

08:38Nothing.

08:40What do you want to say to them?

08:42People say to them.

08:44People say to them.

08:46It's fine.

08:47Sometimes you look at social media.

08:49What's your look at?

08:50You look at social media?

08:51Every person is so much.

08:52Everything is so.

08:53What does it mean to you.

08:55What do you want to say to them?

08:57What does it mean by each person?

08:59Whatever you have to say to them.

09:00Every person's own point of view,

09:01they have the same point of view.

09:02Even everyone's own point of view.

09:05Each person is a different point of view.

09:07After seeing them, they will have a different point of view.

09:10Everyone lives in their own.

09:12They are tipping themselves in their own way.

09:18We also feel good that, yes,

09:20one is talking about in mind,

09:22one is talking about publicly.

09:24So what is happening in people's minds?

09:26They reach their minds to the public.

09:29So that's a good thing.

09:31I think that's a good thing.

09:33I think that's a good thing.

09:45Unfortunately, there wasn't a scene in the whole movie.

09:50But, of course, Sanjay sir is here.

09:52And my day is now.

09:54But yes, with Zarina ma'am,

09:56I have done a web show.

09:58And in that show,

10:00he played my mother-in-law's character.

10:02It's a very beautiful web show.

10:03And it's a story about mother-in-law and daughter-in-law.

10:05So I've worked with them.

10:07She's a very good person.

10:09I think she's very cute.

10:12She has my good moments.

10:14We were shooting indoors.

10:15There was a lot of trouble.

10:17And after the pack-up,

10:19we went to the pack-up.

10:20They were sitting on the train.

10:22So it's a very good time.

10:24Sentai sir, tell us about this group.

10:30We need to prepare for the equipment.

10:32I didn't want to prepare for the aircraft.

10:34I wanted to prepare for the aircraft.

10:36And, it's a very difficult type of, his name.

10:39Who is capable,

10:40who's also working for the aircraft.

10:41Who's also working on the aircraft.

10:43Who's also writing for the aircraft.

10:45.

10:56.

11:05.

11:07.

11:09The audience is also different, you can take 15 messages from your film.

11:16What is it going to be taking?

11:19What can we tell you?

11:21We can take this message as well.

11:24We can take this message as well.

11:27Do you want to take a good one from this film?

11:30Yes.

11:32That's why it's not going to be a total solar message.

11:38We want to give a message as well.

11:42Some people can take it as well.

11:44That's what happens.

11:46Do you want to report that you are a Pakistani artist?

11:53What do you want to do in Africa?

11:56Let me tell you about it on your side.

11:59Is it international?

12:02Do you want to do international?

12:06Do you want to do international events?

12:10Do you want to go to Hollywood, do you want to work?

12:14Do you want to do international events?

12:16What do you want to do in Pakistan?

12:20I was listening to Mehdi Hassan in my childhood.

12:25Did he listen to me?

IANS Exclusive: Bhumika, Niraj & Sanjay Mishra on Their Thrilling New Film ‘The Secret of Devkaali’

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