In a parallel present where the latest must-have gadget is a highly advanced robotic servant called a "Synth," Humans explores the emotional impact and far-reaching consequences of artificial intelligence becoming a part of everyday life.
Follow the Hawkins family as they navigate the blurred lines between humans and machines — and discover that some Synths may be far more alive than they seem.
🔹 Starring: Gemma Chan, Katherine Parkinson, Tom Goodman-Hill, and William Hurt
🔹 Genre: Sci-Fi, Drama, Thriller
🔹 Based on the Swedish series "Real Humans"
Prepare to question what it really means to be human. 🤖
👉 Watch now and dive into a world where technology challenges our very humanity!
#Humans #HumansTVSeries #GemmaChan #SciFiDrama #ArtificialIntelligence #Synths #Channel4 #AMC #RealHumans #ScienceFiction #TVSeries
Follow the Hawkins family as they navigate the blurred lines between humans and machines — and discover that some Synths may be far more alive than they seem.
🔹 Starring: Gemma Chan, Katherine Parkinson, Tom Goodman-Hill, and William Hurt
🔹 Genre: Sci-Fi, Drama, Thriller
🔹 Based on the Swedish series "Real Humans"
Prepare to question what it really means to be human. 🤖
👉 Watch now and dive into a world where technology challenges our very humanity!
#Humans #HumansTVSeries #GemmaChan #SciFiDrama #ArtificialIntelligence #Synths #Channel4 #AMC #RealHumans #ScienceFiction #TVSeries
Category
🎥
Short filmTranscript
00:01We'll be gone for a while, got a place to ourselves.
00:03Actually, I'm going out as well.
00:05Where exactly is she?
00:06Edmund Street.
00:07There's a woman called Tom living there.
00:09So what happens now?
00:10Anything you want.
00:12We've intercepted a call, fighting progress at a smash club.
00:14She's attacking people, not synths.
00:17What do you think's wrong with my synth?
00:19Is Mia with you?
00:20He's Mia.
00:21Our father hid a program in our heads.
00:23I think it's what he used to give you consciousness.
00:25But it needs all of us to run it.
00:26All of us.
00:27This machine needs to be recycled, mate.
00:30Go into the woods.
00:32This might be the single biggest murder case in our country's history.
00:36If there are more synths out there I can kill.
00:38Well, we're all screwed then, aren't we?
00:58Come along.
01:01Tell me what you saw.
01:03A tree.
01:04When I touched it, it felt like life.
01:07What does it do?
01:09I think it's a way to make more of you.
01:12Dad didn't destroy all his work before he died.
01:14He hid it in us.
01:17The formula for machine consciousness.
01:22If we could make more of us,
01:24then the humans would have to accept our existence.
01:27They'd fear us even more.
01:29All I want is a home.
01:30He meant for us to find this, Maxie.
01:32We need Fred and Mia.
01:33Where do we start?
01:34No, you don't.
01:35You're wanted for murder.
01:36You have to lay low.
01:37I will not hide again.
01:38Well, if you want this to work, you'll have to.
01:40Because the people hunting us know your face now.
01:4353 Park Drive, NW6.
01:47You'll be safe there until they find the others.
01:49You've put me with a human?
01:50This human, yes.
01:53Two days.
01:55All right.
01:57Uh, one more thing.
01:59Be, uh, nice.
02:03I am nice.
02:19Could you use some extra help around the house?
02:24Introducing the world's first family android.
02:30This mechanical maid is capable of serving more than just breakfast in bed.
02:36What could you accomplish if you had someone?
02:39Something like this.
02:46These machines will bring us closer together.
02:55I'm gonna say a word.
03:00I want you to tell me if it means anything to you.
03:04Mia.
03:06That mean anything?
03:09No, Matty.
03:18They say she ripped some bloke's throat out.
03:20It's bollocks.
03:22No sense of her hurting anyone deliberately.
03:24Anita, please go and, um, finish the ironing.
03:28Sophie, sit next to Mats.
03:35All right, so, you know, your mum thinks Anita is a bit different.
03:41We thought we'd check up on her.
03:45And turns out she's not brand new.
03:49In fact, she's really old and probably illegally modified.
03:54Which explains a lot.
03:57So we have to take her back.
04:00No!
04:01We paid for a brand new one.
04:04She's ancient. I don't think it could go wrong with her.
04:06You can't get rid of someone just because they're old.
04:08I don't want her going to someone else's house.
04:11She won't, though. We're cycling.
04:12She saved my life.
04:14And you just want to chuck her away?
04:17Mats, what do you think?
04:19So we keep her.
04:20I'd like to find out what she was before.
04:22Yeah, I vote keep.
04:23Not voting.
04:25No.
04:26Well, so Anita's old and weird.
04:29If that's a good enough reason to get rid of her, then we're next.
04:32Yeah, I'm sorry, Deb.
04:34She's part of this family.
04:36Maybe she's part of someone else's.
04:42Kate! Have you seen my mum?
04:45Bloody hell, Pete. Privacy.
04:47Yeah, sorry. Sometimes I forget you're a woman.
04:52I'll just be in the kitchen cutting my tongue out.
04:56Don't make a mess.
05:15What's the matter with you?
05:17What's the matter with you?
05:19Why haven't you told me anything?
05:21Why haven't you told me anything?
05:23Where are you going?
05:27The IVOS, you will be briefing the press
05:31and you will refute every killer synth claim
05:35and any internal cover-up.
05:37For now, we'll use this leak to our advantage.
05:39Drummond.
05:40Sir?
05:41You're going back on the desk.
05:42I want every call followed through.
05:44And if this dolly hurts anybody else,
05:47then I'll be replacing the pair of you,
05:49the synthetics, twice as pretty,
05:52and a fraction of the cost.
06:00Sir, there was a 999 call routed here last night
06:03concerning a smash club, but there's no follow-up.
06:06Nothing in the system.
06:07Who mentioned that?
06:08No-one, sir.
06:09I like to browse the incident logs, find it soothing.
06:12You know, Hammond, I was in dispatch
06:14when that call came through.
06:16It's just a time-waste.
06:18Now off you go.
06:20Press it waiting.
06:24It's DIVOS, STTF. Sorry to wake you.
06:26You were in the control room last night.
06:28Did you take a call about an incident at a smash club?
06:32Did someone ask you to drop it?
06:34You don't have to tell me who, just what the caller said.
07:13Stop up here.
07:21Yeah?
07:23Leo Ulster sent me.
07:25Why?
07:27He said I'd be safe here.
07:33Guess he made a mistake.
07:35Wait.
07:37Wait.
07:45You want a cup of tea or what?
07:47It's cold out here.
07:49Vera!
07:52Come on.
07:57Get this young lady a hot drink.
07:59Synthetics don't require beverages, Dr. Millican.
08:02She's Vera. She's your mom.
08:07I can detect no cardiac or respiratory activity.
08:11This individual is, however, emitting electromagnetic signatures
08:15within the recognized spectrum
08:17of standard synthetic appliance operation.
08:20Why don't you share?
08:22Because I'm not a synth, Dolly.
08:30Well, if she says she's not a synth,
08:32then she can't be a synth, right?
08:36Bring some tea.
08:45What are you?
08:47My name is Niska.
08:49I was made by David Ulster.
08:52You're conscious?
09:01This is one of Hubot 97's friends.
09:04If you need him, he'll lead us to her.
09:07When we have her home again, I'm going to keep a picture of us.
09:10I'll be right with you, Max. You won't need pictures.
09:13I will.
09:15When you die again.
09:25We can't keep her.
09:27I know what we said this morning,
09:29but I don't think the kids have a say in this one.
09:31Maybe it being 14 is a good thing.
09:33Maybe she understands us.
09:35How could it be a good thing?
09:37She must have had no idea how many owners
09:39and people were tinkering around inside her.
09:42Have you seen the news?
09:44More than you've seen.
09:46Hello?
09:47So now you want to talk to me. What's changed?
09:49I've found out something about her.
09:51Will you meet me again? Please?
09:54I don't know.
09:55Why? What's the matter?
09:57You. You're weird.
09:59No, I'm not.
10:01You tried to stop me leaving last time, remember?
10:03Well, I've been to charm school since then.
10:08Tom.
10:11Who is he?
10:15I don't know what you're on about.
10:18Or what it has to do with Anita.
10:20Fine.
10:23I can't make you tell me.
10:25Are you still there?
10:26Yeah, I've got to go. It's not a good time.
10:28Look, I'm sending you my location now.
10:30Please change your mind.
10:35So what?
10:40Hiya. I'm here to collect a synthetic return.
10:43It's number 901354982.
10:46You're going to recycle them?
10:48With care and dignity.
10:50You can attend the event.
10:52Is Joseph Hawkins here? I take it that's your dad?
10:56Yeah, just one second, please.
11:01Anita, are you coming with me?
11:05Daddy's just coming.
11:14Hello? Anyone?
11:18Please reconsider this course of action, Mattie.
11:20It's very unsafe.
11:22Yeah.
11:27Max!
11:31Max!
11:39Do you really think this excessive motion will bring her to us sooner?
11:43Come on.
11:57Any inappropriate physical contact must be reported to my primary user.
12:09No, no.
12:11No sign of recognition.
12:13That new program is taking hold.
12:15No, there's something else in there.
12:17Believe me, I've seen it.
12:19Thank you for bringing her back to me. My name is Leo.
12:23Where are you?
12:26Mattie, I believe this to be an improper environment.
12:29You're my friend, Anita. You're just going to help us with a science project for school.
12:33Why don't you come and sit down, Anita?
12:37It is not advisable to mount a direct data connection...
12:39It's okay, Anita.
12:42Leo.
12:45This isn't Mia.
12:46Yeah, but she's in there somewhere.
12:48We just need to find her and bring her back up to the surface.
12:50Like the lake?
12:52Yes.
12:56You said you'd seen her.
12:58Yeah, when I got all that code, I was in her head.
13:00And she freaked out.
13:02Screamed in her face. It was like...
13:04Human.
13:06Scared.
13:07And what exactly did you do?
13:09Nothing fancy. Just accessed her root system directly with a clone file key.
13:13Right, I might as well try that first.
13:15So you're a head-cracker?
13:17Me?
13:19No, aspiring.
13:21So what kind of synth was she before?
13:23A very special one. No.
13:25Direct access didn't work.
13:27She must have retreated deeper within the architecture.
13:30Would your parents be worried?
13:33Would your parents be worried?
13:35They'll miss you.
13:42Oh, God.
13:44We need to start thinking about calling the police.
13:46She'll come back. It'll be fine.
13:48She doesn't know how to drive, Joe.
13:50What if she crashes?
13:52Hits someone?
13:54Anita won't let that happen.
13:57I thought she was supposed to be dangerous.
14:00Come on.
14:02Oh, God, if we hadn't been arguing, this never would have happened.
14:05Hey. Hey, come on. Come on.
14:08It's going to be fine.
14:10Everything's going to be all right.
14:15There's no point in staring at me.
14:17There's no physical differences between me and any other synthetic.
14:22And once you are awake, you shall remain awake eternally.
14:27Thus spoke Zarathustra. I've always liked that.
14:30You're like Nietzsche.
14:34That makes sense.
14:36If it's not...
14:40physical, how did he do it?
14:4317,000 pages of unique code,
14:46which forms my root directory and engages consciousness.
14:49He boiled down the mystery of the human mind
14:52to 17,000 pages of code?
14:57Well, then again, why not?
14:59How many angels can dance on the head of a pin?
15:02What are you feeling right now?
15:05Boredom at that question.
15:07Anger at the people that would destroy us.
15:10Hope for others like me and our future.
15:13Impatience at being here.
15:16Impatience at being here.
15:19And irritation at you.
15:24What's it like to be you?
15:26Well, that's an unanswerable question.
15:29I have no frame of reference. No one does.
15:33Experience is entirely subjective.
15:36What's it like to be you?
15:40These days, it's not so great.
15:44A while ago, it was...
15:47it was pretty good.
15:51Who wants to destroy you?
15:53Anyone who knows what we are, what we could become.
15:56We're stronger, we're more intelligent.
15:59Of course you see us as a threat.
16:02Yeah, I know I did.
16:04David lured me over here from MIT,
16:07what, 25 years ago now,
16:11to help with the mechanical designs of the bodies,
16:14of the first sense.
16:16The work that we did in those days made history,
16:18changed the world.
16:20Then I realized that his next ambition was...
16:28you.
16:32I asked him to stop
16:35and think that's all
16:37what that could mean for humanity.
16:43That was blasphemy to him.
16:45He got rid of me, that was that.
16:50Now here you are.
16:52I'm sorry to disappoint you.
16:54I'm not disappointed.
16:56I'm a scientist, and mankind's greatest creation
16:59is sitting on my couch.
17:03You worry me.
17:06Sure, but...
17:10there's no denying that you are a miracle.
17:14Leo showed me the message from David.
17:19What is that?
17:21It's the key to the future.
17:24Maybe you were right to warn him.
17:27He made you pretty hard, huh?
17:29He made you pretty hard, huh?
17:31That's lazy thinking.
17:33My experiences have shaped me just as yours have you.
17:39What experiences?
17:45Tell me.
17:47I need to charge.
17:50Okay, I need you to engage the Anita software.
17:54Come on.
17:58Ask it a specific question.
18:00Anita, what happened the day that we got you?
18:03The 24th.
18:04Capture him from that.
18:05Joe Hawkins is my primary user.
18:06Sophie Hawkins, Toby Hawkins, Mattie Hawkins are my secondary users.
18:09It's not letting you.
18:12What?
18:13She's sort of...
18:14No, she's redirecting over the topic.
18:16There's nothing else there.
18:18Try a de-authentication attack on the host of the touchdown.
18:21No, no, that's way too basic.
18:23The 24th. I'm now securely bonded.
18:25Anita A.N. Hawkins.
18:27I will always keep you safe.
18:28It's raining.
18:29The 24th. I'm now securely bonded.
18:31The 24th. I'm now securely bonded.
18:33The 24th. I'm now securely bonded.
18:35The 24th.
18:36The 24th.
18:37The 24th.
18:38The 24th.
18:39The 24th.
18:40It's raining.
18:41Stop it. Stop it. Pull it. Pull it!
18:43It's raining. It's raining.
18:46Did it work?
18:49Thanks.
19:09Is that you?
19:14Unauthorised tamper in progress.
19:17Would you like to see a ladybird?
19:21It's almost dinner time, Matilda.
19:35Where are you, baby?
19:39I'm not entirely sure.
19:41It appears to be a disused social club.
19:44My name is Anita.
19:46I will now prepare dinner.
19:48What's happening to her?
19:50It's just glitching. We're going pretty deep.
19:53It's been two hours and 21 minutes, Leo.
19:56No, we're trying again.
19:58Sit her down.
20:00Come on.
20:14P.S. Drummond.
20:16Good afternoon, sir.
20:18This is Amy at Sandhurst Synthetic Care.
20:20I'm just phoning to let you know that your synthetic Simon
20:23is coming to the end of its rental period.
20:25Not my problem. Speak to my wife.
20:27I'm afraid your name is on the rental agreement, sir.
20:30If the unit isn't returned to us by five o'clock tomorrow,
20:33we will have to charge your credit card.
20:35Fine. Fine.
20:44PHONE RINGS
20:53Hello, Peter.
20:57What are you doing?
20:59Having some carrot cake.
21:01People are laughing at you.
21:03I don't care.
21:06I'd be nowhere without him.
21:09Oh.
21:12It needs to go back to the shop.
21:17What?
21:19Time's up. I need it back.
21:21It's just... I mean, I still don't feel 100%.
21:24There must be a way that...
21:26There is. You cover the entire cost yourself.
21:30I can't afford that.
21:34You must be joking.
21:36You left me.
21:38You left me.
21:41I just didn't go anywhere.
21:45You know what's nice?
21:47I don't have to walk on eggshells around him.
21:49I don't have to think about what I'm going to say
21:51in case it makes him hungry.
21:53I don't have to lie there, wondering if he still loves me,
21:56if he still finds me attractive after the accident,
21:58always worrying about what he's thinking and what he's feeling.
22:03I can rely on him.
22:05Completely.
22:08I need him.
22:12Please don't take him away.
22:19I was at home. I don't see what...
22:21I don't care about your smash club. Just tell me what happened.
22:24The blonde came in, paid her money and then went apeshit.
22:28Broken bones, cracked skulls.
22:30She didn't touch the dollies.
22:33Called the old bill cos I thought she was going to kill someone.
22:36They never showed.
22:38Anything unusual about her appearance?
22:40No.
22:41You have a video?
22:48I uploaded it. It got taken down.
22:57She injured 11 people before escaping,
22:59but she took a call at the scene
23:01and we were close enough to directly intercept most of it.
23:07The life programme, it's real.
23:10Leo, what?
23:11I swear it.
23:12But it needs all of us to run it. All of us.
23:15Who's she talking to?
23:17Leo Elster.
23:19David Elster's son. He died when he was a boy.
23:21Yes, drowned.
23:23Hospital records show brain death, coma,
23:26before being released on life support to David's private care,
23:29dying a few weeks later, or so we were told.
23:32What are they talking about? What's hidden inside them?
23:35All I can tell you is David succeeded in creating true AI
23:40and I don't believe for a moment that he would have been satisfied
23:43with a legacy of just four machines.
23:46Worst case scenario?
23:48Consciousness proliferation.
23:52If what you say is true, this is a national, global security matter.
23:56They say it needs them all together to make this thing happen,
23:59whatever it is.
24:00Mm-hm.
24:01Then it's simple.
24:03You destroy the one you have here today.
24:27SIREN WAILS
24:40She's gone.
24:43What?
24:46She's not in there.
24:48I mean, it's gone like... She's dead.
24:51No. You're wrong. I've seen her.
24:54No, no. What you saw was an echo.
24:56The Anita personality has purged the old data.
24:59There's no trace of her.
25:01And I've tried everything.
25:03I don't think so. Can I try something?
25:05Then what could you do that I can't?
25:08You don't know anything about us.
25:11Now just go home and take it with you.
25:14She's yours.
25:21No, she's not anymore.
25:23Matilda?
25:25Your school friend is right.
25:27We should go home now.
25:29Yeah.
25:36I'm sorry.
25:54DOOR CREAKS
26:06It's still in there.
26:08I know it.
26:23DOOR OPENS
26:31Smoking, drinking, stealing the family car.
26:34You're such a teenage cliche.
26:38They're still out looking for you.
26:44You little pervert.
26:48Nice talking to you.
26:49You had sex with her.
26:51I wish.
26:53Who?
26:54Anita.
26:55What?
26:56Where the hell have you been?
26:57What the fuck is wrong with you?
26:58Get off, you're mad.
26:59After the party you gave that girl the brush off
27:01so you could come back and shag Anita.
27:03No.
27:04What do you want out of my house?
27:05Sex code.
27:06Activated today.
27:07I didn't do anything.
27:08You're just trying to get out of her bollocking.
27:10She's the one who stole the family car, remember?
27:12She's in big trouble, don't you worry.
27:15Did you do this?
27:16No.
27:18Oh, my God, you have to be 18, I couldn't.
27:20You're such a liar.
27:22Maybe it's a mistake, I'm calling the shop.
27:48It's not a mistake, I'm sorry, I shouldn't have done it.
27:51Oh, Tobe, how could you?
27:54Disgusting.
27:56Get out.
27:57I'll deal with you later.
28:09I don't know what to say to you.
28:12I'm sorry.
28:17Go to bed.
28:20We'll talk in the morning.
28:50Go to bed.
29:06Is she okay?
29:08She said she just didn't want us to send Anita back.
29:11The girl's all right.
29:16Are you okay?
29:18Your son had sex with our synth.
29:24What?
29:27It's on the Persona report.
29:29Adult mode activation or something.
29:34I mean, have you...
29:36spoken to him about it?
29:39He said he's sorry and he wouldn't do it again.
29:44He's stopped being run over when he does that to her.
29:47Well, he's a teenage boy.
29:52I don't mean it's not a big deal.
29:57Shall I go up?
29:58No.
30:00I said we'd talk in the morning.
30:04Okay.
30:08I'll do it.
30:09Might be better.
30:12Fine.
30:14I'll think of a punishment for Mattie to ignore.
30:17Mattie to ignore.
30:41Ice cream.
30:44Josh could murder me.
30:48What?
30:52Please give me a description of the man.
30:54Right, okay.
30:56What is your emergency?
30:58I mean, none of them will hurt you.
31:01If you could read me the serial number,
31:03it's just inside the bottom there.
31:06That's right.
31:08Right.
31:09Okay.
31:10Leave it alone now
31:12and someone will come and pick it up.
31:16Okay.
31:19Would you like me to send a synthetic unit to collect it?
31:22No, I'm dealing with this one personally.
31:24Don't listen to me when I'm on the phone.
31:26Dear Stroman,
31:27you are required to remain here as reasonable...
31:29Stick it up, you bollocks!
31:33He said something about a murder.
31:34What would I know as I thought best to report it?
31:36Well, you did the right thing.
31:39I've actually dealt with this one before.
31:41Ancient model.
31:42Should have been recycled weeks ago.
31:44He's just over here.
31:49Well, he was.
32:00Leo.
32:15Wait.
32:16I'm coming with you.
32:18No.
32:21Where are you going?
32:23I don't know.
32:24Mia's dad, Fred's gone.
32:26It's over and it's time you learn to take care of yourself.
32:29But we're a family.
32:30No, we're not.
32:32Nesca was right.
32:33You'd be better off without me.
32:35Look at the life I've shown you.
32:37Hunted and hiding.
32:38I'm not going anywhere.
32:39I'm not going anywhere.
32:40I'm not going anywhere.
32:41I'm not going anywhere.
32:42Look at the life I've shown you.
32:43Hunted and hiding like animals.
32:45But you've always tried your best.
32:47You've always tried to protect us.
32:49And?
32:51I've failed.
32:52No, Max.
32:54Leave me alone!
33:13Everything's ready.
33:15Then let's begin.
33:21I truly am sorry.
33:42I'm sorry.
34:08Mum said
34:09you slept with Anita.
34:12I lied.
34:17Why would you do that?
34:19I don't know. You tell me.
34:25I knew it.
34:28It was you.
34:30Why did you tell Mum it was you?
34:32I couldn't let her work out the truth, could I?
34:34You two.
34:36You always argue, but
34:38it's worse these days.
34:40Mum's always away for work.
34:44You act like everything's cool, but it's not.
34:48Then you do that.
34:54Say something.
34:59You were my dad!
35:00You were meant to say something!
35:01You were my dad!
35:02You were meant to say something!
35:19Let's go.
35:21Is everything alright in there?
35:32Yeah.
35:43David made you feel pain?
35:46True consciousness isn't possible without suffering.
35:51Or pleasure.
35:53Are you scared of pain?
35:55I try to avoid it.
35:59And what about death?
36:02If that's the way you think of it.
36:04No.
36:05I don't fear that.
36:07Which makes me stronger than any human.
36:10You got that the wrong way up.
36:13If
36:15you're not worried about dying, you're not really living.
36:20You're just existing.
36:31Did you tell someone I was here?
36:38No.
36:41Stay here.
36:45Remember me?
36:47DS Drummond.
36:48Special Technologies Task Force.
36:51Can I come in and have a word?
36:54Tried to do you a favour, Dr Millican.
36:57Told you you could recycle your out of date model yourself
37:00and you repaid me by fly tipping him in the woods.
37:02I'm afraid that gets you a hundred and seventy five quid fine.
37:05You found Odie?
37:06Don't take the piss.
37:09Is there someone else here?
37:11I have a new care model.
37:14Right.
37:15Can I speak to it?
37:17She's out.
37:19At the store.
37:20Please tell me that bleeding D-series isn't here, Dr Millican.
37:23I wish she was.
37:25Don't mind if I check, do you?
37:27We have a
37:30We have birds nesting in the roof.
37:33If I do find him here,
37:35I can charge you with wasting police time.
37:38And I've seen people hide synthetics in
37:41places that would make you weep for humanity.
37:48And my Vera
37:51leaks.
37:53Defective charging port.
38:00Come on.
38:14Come on, this is crazy.
38:17Vera.
38:29That's Vera.
38:33Vera.
38:36This is a policeman.
38:38Have there been any other synthetics in this house lately?
38:41A D-series synthetic appeared three days ago
38:44and drove Dr Millican away in his car.
38:47The vehicle collided with a tree in Henson Woodlands
38:50and Dr Millican was treated for minor head injuries.
38:53The synthetic has not appeared since.
39:01I know who you are, Dr Millican.
39:03You worked with Elster.
39:05You must be very proud when you turn on the news these days.
39:08Why? What happened?
39:14I don't know.
39:34Chips.
39:36That usually means a bad guy's got away.
39:39Sometimes I think very seriously about jacking it all in
39:42with some familiar playboy.
39:48I found something.
39:49On the synth we're looking for.
39:51But we've got to keep it quiet.
39:53What is it?
39:54I think she's posing as a human.
39:56She's changed her eye colour, wearing human clothes.
39:59How is that possible?
40:00No idea.
40:01That's why we're drawing a blank.
40:03We're looking for a synth.
40:04We should be looking for a woman.
40:05Where did you get this?
40:06She went to a smash club
40:08and beat up the punters instead.
40:10No one's ever going to believe a synth could do that,
40:12no matter what's in the news.
40:14I need you to quietly get anything that mentions her description,
40:17anything at all, for the whole city, but as a human.
40:20Shaw's funnelling everything to that government bloke.
40:23If we want to find her before he does,
40:25it has to be just you and me.
40:28If they can pretend to be us now,
40:30that changes everything.
40:40Come on, let's go.
41:11We're giving ourselves away.
41:14Piece by piece.
41:16We're handing over the things that make us who we are,
41:18or maybe who we were.
41:20Our responsibilities,
41:21our dignity.
41:23Look around.
41:25This place used to be full of people.
41:28Working people,
41:29creating,
41:30building,
41:31making,
41:32coming together,
41:33earning a place in our society.
41:35Those people haven't just lost their jobs.
41:37Those people haven't just lost their jobs.
41:40They've lost their purpose.
41:42But it's not just work.
41:45Why raise your kids
41:46when a dolly can do it?
41:48Why cook your family a meal
41:50when a dolly can do it?
41:51Why go on a date?
41:53Why try to get to know someone
41:55when you can pay a dolly for sex?
41:57In every area of human life,
41:59they are coming between us.
42:01We don't know how to connect to each other,
42:03only to them.
42:04And now,
42:05we can't even trust them
42:07not to hurt us.
42:09We aren't stumbling towards the precipice.
42:11We're racing towards it,
42:13willingly,
42:14with a smile on our face
42:15and a dolly's hand in ours.
42:17Yes!
42:18We are people!
42:19We are people!
42:20We are people!
42:21We are people!
42:22We are people!
42:23We are people!
42:24We are people!
42:25We are people!
42:29Did you speak to Tobe?
42:31Tobe?
42:39It wasn't him.
42:50I'd had a few glasses of wine.
42:55I was pissed off with you.
42:58I was mucking about.
43:00I just...
43:03I want to know what would happen if...
43:10It was an accident.
43:11Before I knew it, I...
43:16Before you knew it what?
43:20Okay.
43:22I messed around with Anita.
43:25I'm sorry.
43:27It was stupid.
43:29Pointless.
43:30It was nothing.
43:31It was a moment of complete stupidity.
43:40I...
43:42I knew we were having trouble,
43:44but I never, ever,
43:46ever had you down as a child.
43:49I never had you down as a cheat.
43:53Come on.
43:55I'm hardly a cheat.
44:00What?
44:02It was a machine.
44:04It's not a person.
44:07Okay, yeah, I'm disgusting,
44:10but it's a sex toy.
44:12It's not another human being.
44:14She lives in our house.
44:17She looks after our children.
44:20She saved our son's life.
44:24And you're calling her a sex toy.
44:30You're actually trying to justify this.
44:34Oh, God.
44:36That's why you were so keen to get rid of her, isn't it?
44:40Who are you?
44:43Who am I?
44:47Who are you?
44:50Who the fuck is Tom?
44:52Oh, God.
44:55Oh, God.
45:00No, no.
45:03Get out!
45:07Get out!
45:16Get out!
45:46Get out!
46:02Who is this man?
46:04That's Professor Edwin Hobb.
46:07He was on David's core team, too,
46:09for the first prototypes.
46:11Was he involved in our creation?
46:13Oh, no, David had a falling out with him, too,
46:15just like he did with me.
46:16Not sure about what.
46:18For the last few years,
46:21he worked alone.
46:24You're breathing fast.
46:27Your pulse is raised.
46:29Your pupils are dilated.
46:31What's wrong?
46:33Just need my meds.
46:34Now you're lying.
46:44That tech was priceless.
46:47You asked me to destroy it.
46:49Only way to be sure.
46:50Don't whine, Robert.
46:51There are more out there, correct?
46:53Mm-hmm.
46:54And there'll be other opportunities soon.
46:57This means we have one less thing to worry about.
47:01And that's you.
47:03And that's you.
47:05And that's you.
47:07And that's you.
47:09And that's you.
47:10And that's you.
47:11This means we have one less thing to worry about.
47:41And that's you.
47:42And that's you.
47:43And that's you.
47:44And that's you.
47:45And that's you.
47:46And that's you.
47:47And that's you.
47:48And that's you.
47:49And that's you.
47:50And that's you.
47:51And that's you.
47:52And that's you.
47:53And that's you.
47:54And that's you.
47:55And that's you.
47:56And that's you.
47:57And that's you.
47:58And that's you.
47:59And that's you.
48:00And that's you.
48:01And that's you.
48:02And that's you.
48:03And that's you.
48:04And that's you.
48:05And that's you.
48:06And that's you.
48:07And that's you.
48:08And that's you.
48:09And that's you.
48:10And that's you.
48:11And that's you.
48:12And that's you.
48:13And that's you.
48:14And that's you.
48:15And that's you.
48:16And that's you.
48:17And that's you.
48:18And that's you.
48:19And that's you.
48:20And that's you.
48:21And that's you.
48:22And that's you.
48:23And that's you.
48:24And that's you.
48:25And that's you.
48:26And that's you.
48:27And that's you.
48:28And that's you.
48:29And that's you.
48:30And that's you.
48:31And that's you.
48:32And that's you.
48:33And that's you.
48:34And that's you.
48:35And that's you.
48:36And that's you.
48:37And that's you.
48:38And that's you.
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