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Agatha Christie's Poirot 26 - 2 The Double Clue, 名探偵ポワロ 第26話 二重の手がかり 日本語字幕 アガサ・クリスティ 英語学習にも
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Category
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Short film
Transcript
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00:00
Three robberies. This is the first one that's been close to London.
00:10
Tell me about this, Monsieur Marcus Hartman.
00:12
He's a jewellery collector. Something of a celebrity in his own way.
00:17
Throws a lot of parties, that sort of thing.
00:19
A collector, do you say?
00:21
Yes. Natural target, I suppose.
00:25
And yet, in other circumstances, perhaps also the natural suspect.
00:30
There's a marquee, sir.
00:49
In the garden? There's a marquee, sir.
00:53
You were the constable on duty last night.
00:55
Yes, sir. Tell us what happened then.
00:58
I was on my beat, sir. I walked past Mr. Arden's house at about half past ten.
01:03
And?
01:06
He was going the other way. Down there.
01:09
That vagrant could have had a...
01:11
Going the other way. Down there.
01:13
That vagrant could have had a £10,000 necklace in his pocket.
01:18
Wasn't to know, sir.
01:20
Indeed not.
01:21
Thank you, officer. You've been most assiduous in your duties.
01:31
It's a ghastly thing. Just ghastly. I mean, the publicity will disagree.
01:34
He was absent, Monsieur Hartman.
01:36
It was this morning. I got up late...
01:37
It was this morning. I got up late after last night's concert.
01:40
We have Macora playing and Catherine Verne.
01:44
I came into the room.
01:46
My beautiful emerald necklace.
01:48
But it is insured, Mr. Hartman.
01:50
Insured?
01:50
Is it?
01:51
Well, of course it's insured. That's not the point.
01:54
It's irreplaceable.
01:56
It used to belong to Catherine de' Medici, you know.
02:00
It's through here.
02:10
This window, it is kept locked, yes?
02:14
Of course.
02:16
I'll show you the safe.
02:21
Do all the others.
02:23
But there is one significant difference, Mon ami.
02:25
But there is one significant difference, Mon ami.
02:28
It is at this point that the climbing plant outside almost reaches the sill.
02:32
And Monsieur Hartman is, I think, a little overconfident about the latches.
02:40
Has anything been touched?
02:43
No, Chief Inspector.
02:44
This is just how it was when I came in.
02:47
The safe was open and the emeralds were gone.
02:52
Mr. Hartman?
02:53
No.
02:53
No.
03:10
Cigarette case?
03:33
Cigarette case?
03:33
Is that of any significance to you, Monsieur?
03:41
Is that of any significance to you, Monsieur Hartman?
03:43
Well, yes.
03:44
I suppose it could belong to...
03:45
...significance to you, Monsieur Hartman?
03:47
Well, yes.
03:47
I suppose it could belong to...
03:49
...Bernard Parker.
03:51
And who is he, sir?
03:52
A young friend of mine.
03:53
Um, a business associate.
03:56
The glove could be his, too.
03:57
What makes you say that?
03:58
Well, he'd lost it.
03:59
He'd lost both his gloves.
04:01
At least that's what he said.
04:03
Oh, excuse me.
04:07
So, what do you think, Poirot?
04:10
I think that it is strange.
04:12
The glove and the cigarette case.
04:14
It is, as you might say, the double clue.
04:17
Twice as much for us to work on.
04:20
It is too much, Hastings.
04:21
Too much.
04:22
To leave the glove inside the safe.
04:25
Perhaps he was in a hurry.
04:27
Or someone could have disturbed him.
04:33
Poirot?
04:33
May I introduce you?
04:36
This is the kindest Vila Rosikov.
04:38
She was here at the party last night.
04:47
Enchantée, madame.
04:49
Et moi aussi, monsieur.
04:54
Hercule Poirot.
04:55
At your service, madame.
05:07
Oh, it is so good of you to escort me.
05:11
So good of you to escort me.
05:12
I wanted to bring you somewhere that was worthy of you.
05:15
You mustn't flatter me, monsieur Poirot.
05:18
You will make me cry.
05:19
I've been so lonely since I arrived.
05:21
And it's been a lovely day.
05:24
Yes.
05:25
I also know what it is to come to a new country
05:27
and to know no one.
05:30
Of course.
05:31
You yourself are a refugee.
05:33
Yes.
05:33
I was head of the police in Belgium.
05:38
But then came the great war.
05:40
I was forced to leave.
05:43
I came to England.
05:45
To the village of Starr St. Mary.
05:48
But it was a sad and painful time for me
05:50
so far from my family and my home.
05:52
Poor monsieur Poirot.
05:54
Oh, no.
05:54
I've had a good fortune.
05:56
My talent, it has been recognized.
06:02
Excuse me.
06:03
You're lucky to be Chief Inspector by the end of the week.
06:17
As bad as that, eh?
06:18
It's been three days, Captain Hastings.
06:20
End of the week.
06:21
As bad as that, eh?
06:22
It's been three days, Captain Hastings.
06:24
Three days and nothing.
06:26
Well, Poirot is on the case, you know.
06:29
Then why aren't you with him?
06:31
I don't know.
06:32
I suppose he wanted to pursue his own eye and inquiry.
06:37
You know Poirot.
06:40
Yes.
06:44
Yes.
06:44
I'm sure he's on the right track.
06:47
I'm sure he's on the right track.
06:54
I saw this stolen jewelry.
06:57
It seems a simple matter.
06:58
It seems a simple matter, madame.
07:01
To England's most famous detective, of course.
07:04
Do you suspect me?
07:06
Should I?
07:07
I was there.
07:09
That is true.
07:12
So, tell me, madame, why did you return the following day?
07:16
I had an appointment with Mr. Hardman.
07:18
I was considering selling some of my own jewelry.
07:23
I had a house like this once in Pietrograd.
07:35
First, a house, wing in the house, then a room in the wing, and now nothing.
07:51
But that does not make you the thief, madame.
07:53
It has taken everything I have.
08:06
It has taken everything I have.
08:09
Well, I suppose he's had that happen one day.
08:31
He's really quite taken, you know.
08:34
Are you sure, Captain Hastings?
08:36
You should have seen him.
08:39
What about poor old Jack?
08:41
Looks like he could be for the chop.
08:44
If only we could...
08:44
What about poor old Jack?
08:46
Looks like he could be for the chop.
08:48
If only we could help.
08:52
Look, according to Marcus Hardman,
08:54
only four people went into the house during the concert.
08:59
That's when the jewels were taken.
09:01
Bernard Parker, Martin Johnston, Lady Runcorn, and the Countess.
09:06
Suppose it was her.
09:07
No, it can't have been her.
09:08
I mean, I hope to God it wasn't.
09:15
Tramp, the constable spotted.
09:18
Tramp, the constable spotted.
09:20
But I think we should speak to them all.
09:22
But I think we should speak to them all.
09:24
Starting with Mr Johnston.
09:25
If I want a jewel necklace, I can afford to go into a shop and buy one.
09:40
In fact, I can afford to buy the shop.
09:43
So why did you go back into the house, Mr Johnston?
09:48
A call of nature, if you must know.
09:52
Were there any witnesses?
09:53
So, Lady Runcorn, you don't deny that you went back into the house?
10:10
But I just told you that, Captain Hastings.
10:12
Did you see anyone else inside?
10:16
Yes, there was someone coming out of the downstairs bathroom.
10:19
But I didn't see who it was.
10:21
Why were you in the house, Lady Runcorn?
10:26
I went to fetch my handbag.
10:29
I'd left it inside.
10:30
I went to the Tate Gallery to see their collection of the tanners.
10:44
But I find these expressionist painters so exciting.
10:48
Don't you, Hercule?
10:50
In part, yes.
10:54
Do you know, I do not believe that there is anyone of my acquaintance
10:57
who calls me by that name.
10:58
Oh, I'm so sorry.
11:02
Excuse me.
11:03
Madam.
11:07
Russian.
11:08
An exile.
11:10
He lives in Paris, I believe.
11:13
A constructivist, they call him.
11:15
He lives in Paris, I believe.
11:17
A constructivist, they call him.
11:20
But one only has to look at his work to see.
11:25
Yes?
11:26
He's still in Russia.
11:27
He never left.
11:30
Like you, Countess.
11:32
Oh, no.
11:34
It's another world now.
11:36
Stalin, Hitler.
11:39
Everywhere you look, it's all changing.
11:49
You're welcome.
12:03
BP.
12:05
Burn it.
12:19
You're welcome.
12:37
Thanks.
12:38
You're welcome.
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