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00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:51Well.
00:01:51I don't know.
00:02:21What's the matter?
00:02:36Well, come and see.
00:02:37Oh, my goodness.
00:02:47Oh, my goodness.
00:02:47Dr. Johnson, will you come in, please?
00:02:59Yes, I can.
00:03:00Of course.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:09Here he is, Doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:17There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:33Hey, Drogo.
00:03:34Come on.
00:03:35Wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, it happened to you.
00:03:42If you had married the dope two weeks ago, we'd have had the ten million, and we wouldn't
00:03:45care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48If you'd only let me marry Jerry Van Sniven, he had plenty of dough, and besides, I might
00:03:52have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:57We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:09Are you all right?
00:04:11Oh, yes, I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:20I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:32Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45Let me go!
00:04:46Let me up!
00:04:47Let me go!
00:04:48Let me go!
00:04:49Helen, what are you doing?
00:04:50Ah!
00:04:51Help!
00:04:52Mother!
00:04:52Don't let him come in!
00:04:53He's crazy!
00:04:55Help!
00:04:55Help!
00:04:56Mother!
00:04:57Somebody come in, help me!
00:04:58He's gone violent!
00:04:59Help me!
00:05:00What's the matter here?
00:05:01My poor child!
00:05:04What?
00:05:16Good morning, Mr. G.
00:05:17Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:41Please, Mr. G., you mustn't.
00:05:48Dr. Thorndyke!
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:59No, I'm sorry.
00:05:59I have my watch.
00:06:00Here.
00:06:01It might.
00:06:02Oh, no.
00:06:03But listen.
00:06:04I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:18Okay.
00:06:19You're a progressing splencher.
00:06:22Now, drop in and see me any time you like.
00:06:24Oh, it's glad to have you.
00:06:47Thank you, Doctor.
00:06:49Mr. N., do you mind if I send Mr. G. in ahead of you?
00:06:55Not at all.
00:07:06Well, well, Mr. Gaines.
00:07:08Glad you dropped in.
00:07:09We'll call you Mr. G. here.
00:07:12Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16Oh, I mean...
00:07:17Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course.
00:07:23They all do at first.
00:07:24But you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. G?
00:07:40Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Well, that is...
00:07:51He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look.
00:07:59I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:03A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:08Oh.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:32Ooh.
00:08:35Cute.
00:08:35Listen, Dr. Thorndyke.
00:08:37I've had enough of this foolishness.
00:08:39You've got to let me go.
00:08:44Look.
00:08:44Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen.
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:08:57Well, thanks.
00:08:58Let's do it.
00:08:59Now, let's go.
00:08:59Now, let's go.
00:09:00I'll be right back.
00:09:03Ah!
00:09:04Ah!
00:09:04Ha-ha-ha-ha-ha!
00:09:22Ah!
00:09:23Oh, I'm sorry. I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Not many?
00:09:41Nope. Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:48Yeah, sure. Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me.
00:09:54Know all about you.
00:09:55Carraway's my name. Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds.
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't. I'm going to escape.
00:10:08Oh, no, you're not. The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes. That Newton girl.
00:10:19While you were looking at her eyes,
00:10:21she was looking at your checkbook.
00:10:22Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:28You'd have done better with a canoe.
00:10:31And that Argentine tomato.
00:10:33What was her name?
00:10:34Conchita Watmazuma.
00:10:35You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40mi piccioncito eres mi todo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:47You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:50Tell me, Colonel.
00:10:54How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, supposing a girl crossed her fingers
00:11:08and you crossed yours at the same time.
00:11:10That's a sign.
00:11:13Come on.
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:18Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22Going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:28Something I could do for you?
00:11:37No.
00:11:40Now, this, Mr. G, is the broom and daisy.
00:11:42The what?
00:11:43The broom and daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:48Now, don't let her frighten you
00:11:49and don't ask how she works
00:11:50or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:56Just a might forward.
00:11:58Now, what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:20Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25I, um, meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:32And now we shall see what we shall see.
00:12:36We release the gadget A.
00:12:39Seize the dingus B.
00:12:41And grasp the photograph.
00:12:43See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the broom and daisy.
00:12:48You never can tell what's coming out.
00:12:49Sometimes I get the most amazing pictures.
00:12:53Not very often.
00:12:55Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndagnac and I think you'll be much happier there.
00:13:01Oh, but Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:06People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Well, not another word.
00:13:09I know what's best for you.
00:13:11You get your things together and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18G.
00:13:18I hope you have fun playing with your fish.
00:13:20I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:31Come here.
00:13:35Look at that.
00:13:50What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23But you said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:35Say, say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:40Shh.
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:15:00Yoo-hoo!
00:15:00What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16Why, how did this escape years ago?
00:15:17You call this thing a boat?
00:15:19Here, stop all that fiddle paddle.
00:15:20Get this stuff on board.
00:15:22There they are.
00:15:23Here.
00:15:24Here.
00:15:26Here, now, give me a hand.
00:15:29Fall ashore.
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36All right.
00:15:36Steve, ho, Hardy.
00:15:46Albreed!
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:06All right.
00:16:14Hello.
00:16:15Hello.
00:16:15That's right.
00:16:16What?
00:16:16That's right.
00:16:17Notify the police.
00:16:20The sea is as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a...
00:16:33...water never hurt anybody.
00:16:36Oh, you're impossible. This raft's impossible. It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43We never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why this silly river's so shallow you could wade ashore at any time?
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:57This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:05Well, you must have hit an air pocket.
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing. We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and raps.
00:17:20They only go over in back.
00:17:21Well, that was just enough, you hope.
00:17:38I can't even broke my neck.
00:17:39Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:51I'll have you know, madam, that I have just perpetrated the most magnificent escape in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Cupid dollars cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:17That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Pay up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:26Ah, shoot!
00:18:29Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:37Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh...
00:18:49What's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:58He's been a terrible trial to me,
00:19:00but I've done the best that I could.
00:19:02If he but had the love of a good woman,
00:19:04someone to bring out the finer things in him,
00:19:07to restore his self-respect,
00:19:09then again he could become a man among men.
00:19:11Oh, Moore's Carnival!
00:19:26Yeah, Penguin Moor.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the whole works.
00:19:31Tight lights, music,
00:19:32the gay, pleasure-mad throngs.
00:19:34What throngs?
00:19:35Merlin' a figure of speech, my girl.
00:19:37Merlin' a figure of speech.
00:19:39Ladies and gentlemen,
00:19:41right out by this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still makin' those things?
00:19:49It won't make you fat.
00:19:53It'll make you thin.
00:19:54Come on.
00:19:58Yum, yum, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09that every bee that's buzzin'
00:20:12tells its pretty flower
00:20:13you're his long-lost cousin.
00:20:16When you promise me kisses
00:20:20The filling in my sweet toothache
00:20:24Because your lips are more enticing
00:20:27Than Grandma's chocolate icing
00:20:29Yum, yum, yum
00:20:34I keep a pantry full of sugar and spice
00:20:44Strawberry jam
00:20:47And everything nice
00:20:51But what could be much sweeter
00:20:54Than someone like yourself
00:20:59You belong on my top shelf
00:21:07Yum, yum, yum
00:21:11You're so delicious
00:21:13You're sweeter than an angel cake
00:21:16I'll bet an even baker's dozen
00:21:20That every bee that's buzzin'
00:21:23Tells its pretty flower
00:21:24You're his long-lost cousin
00:21:27When you promise me kisses
00:21:31The filling in my sweet toothache
00:21:35Because your lips are more enticing
00:21:38Than Grandma's shocked that I sing
00:21:41Yum, yum, yum
00:21:44You are the first lucky lady
00:21:53To get the dollar portrait for 25 cents
00:21:55Right down that way, lady, and to your left
00:21:57As soon as we get changed to the $20, we're on our way
00:22:00Now listen, young lady
00:22:05I've been waitin' long enough
00:22:07Either you give me $120
00:22:09Or this show is the pack
00:22:10Now, patience, Sheriff
00:22:12Patience
00:22:13I do not like to be rushed while I am bathing
00:22:15In fact, I like to soak
00:22:17After 47 minutes, you ought to be waterlogged
00:22:21Oh, you come right out of there, young lady
00:22:31Or I'm going to come over there and pull you up
00:22:34Why, Sheriff, police, after all
00:22:36What's going on here?
00:22:44I was waitin' for the head of this year's show
00:22:46To get out of the shower
00:22:47Well, I'm the head of the show
00:22:49Oh, you are
00:22:50You blew Brownville last night
00:22:52Owing money to several citizens of our community
00:22:54For use of the lot, gas, electricity, water
00:22:57Matter-of-fact, you didn't pay for nothin'
00:23:01Just a minute, Sheriff
00:23:02What is the attachment on this show?
00:23:04$120
00:23:04$120
00:23:05Well, there's your $100
00:23:07And here's your $20
00:23:08Now, thank you very much, Sheriff
00:23:10That fixes up everything
00:23:11Wait a minute, mister
00:23:11I never ask anyone to pay off anything on my show
00:23:14Who said I was paying off anything on the show?
00:23:17I merely want to buy the photographic concession for the Colonel
00:23:19You mean, you want to pay $120 so the Colonel can use that Bloomin' Daisy around here?
00:23:24That's right
00:23:24Well, let me tell you, mister
00:23:26It ain't worth it
00:23:27It's worth a lot more than that to me
00:23:28Now, goodbye, Miss Moore
00:23:29And thank you very much
00:23:31Say, not a bad guy
00:23:35And cute, too
00:23:37Well, goodbye, Colonel
00:23:38And lots of luck with the Bloomin' Daisy
00:23:40Where are you going?
00:23:41Back to New York, of course
00:23:42That's my suit you got on?
00:23:44Oh, it is
00:23:45Well, I'll send it back to you
00:23:46Which one of you is Penguin Moore?
00:23:48I am, why?
00:23:50Well, I'm Clem Prouty
00:23:51Owner of this lot
00:23:52And I want that $20 rental in advance that she promised me
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing, Dawn
00:23:58I'll give you just 10 minutes to get the money
00:24:00And either you'll put up or pack up
00:24:02And I'll be waiting right here
00:24:05Wait a minute
00:24:13I'll get 20 bucks from these yokels
00:24:15For my Indian remedy
00:24:16If it's the last act of my life
00:24:18Now, where do you think you're going?
00:24:23Well, with you, of course
00:24:24Nowhere else to go
00:24:26Now that the source of livelihood's been cut off
00:24:27What a pity
00:24:28And to the lack of only $20
00:24:30Oh, I never saw such a mess
00:24:32There must be some way to make $20
00:24:34Say, I've got another attachment on the Bloomin' Daisy
00:24:37That I saved for just such an emergency
00:24:39Now, you put one here
00:24:40One here
00:24:41And one here
00:24:42Well, I'll try anything once
00:24:49Here you are, young lady
00:24:53Take care of my bag for me
00:24:54Sure, bud
00:24:55Beg your pardon, stranger
00:24:58You look like an intelligent person
00:25:00One who'd be interested in making a little easy money
00:25:03Sure, who's gonna mind me?
00:25:04I am
00:25:05But in order to accomplish this feat
00:25:06I shall have to secure a portion of your chewing gum
00:25:08What good's gum gonna do you?
00:25:10Ah, that's a secret
00:25:11I've made hundreds of dollars that way
00:25:12Now, we attach the little pea to the chewing gum
00:25:16We attach both to the interior of the shell
00:25:19It's whole
00:25:20Follow me, stranger
00:25:22I'll show you how it works
00:25:23Well, well, well
00:25:28The shell game, eh?
00:25:29The object of this game
00:25:31Is to find out which shell the little pea is under
00:25:33I've had a lot of experience along that line
00:25:35Say, your shoelaces in tight, young fella
00:25:36Tell you what I'll do, young man
00:25:40I'll bet you $20 that I can tell you where the little pea is
00:25:43I'll bet you $22
00:25:44$20 is all I want
00:25:45$20 is the limit
00:25:46Wait a minute, take your money back
00:25:47It was my idea
00:25:48Oh, no, you don't
00:25:50I had my money up first
00:25:51You're unfair, sir
00:25:52Triggered, in fact
00:25:53Just a minute, just a minute
00:25:55Say, young fella
00:25:55Didn't I have my money down first?
00:25:57Yes, I guess you did
00:25:58That gives you the first chance to play
00:25:59Sorry, mister
00:26:00What, it's an outrage
00:26:01Money won that way
00:26:02It'll do you no good
00:26:03Now, gentlemen
00:26:04Which shell hides the little pea?
00:26:06That one
00:26:06It ain't there
00:26:09No
00:26:09Too bad, gentlemen
00:26:11Too bad
00:26:12Better luck next time
00:26:13It's amazing
00:26:14The man must be a wizard
00:26:16I'm glad I didn't bet any of my own money
00:26:17And there you are, ladies and gentlemen
00:26:20The great Indian Princess Yo-Yo
00:26:22In the flesh
00:26:23She speaks not a word of anything
00:26:25But her native tongue
00:26:26Now, she brings this tonic to you
00:26:27From the sands of the desert
00:26:29The rocks of the mountains
00:26:30The land of the mighty red man
00:26:32Now, you've never seen a sick Indian
00:26:35They're all big, strong, mighty men of nature
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic
00:26:46Exclusively
00:26:47And now, my good people
00:26:49This wonderful remedy
00:26:50Is worth five dollars a bottle
00:26:52But we're not going to charge you five dollars
00:26:54Oh, no
00:26:55Nor two dollars
00:26:56Nor one dollar
00:26:57No, sir
00:26:59You're going to buy this wonderful tonic
00:27:01For just 25 cents
00:27:03And because of the great affection
00:27:05The Princess has
00:27:06For the people of this community
00:27:07With every two-bit purchase
00:27:09We're going to give you a bow
00:27:11Made by the Princess's own brother
00:27:14Eagleby
00:27:14Now, you say to yourself
00:27:16What will I do with just a bow?
00:27:19Well, we'll tell you
00:27:20With every 25 cent purchase
00:27:22Of the Princess Yo-Yo's tonic
00:27:24We're going to throw in an arrow
00:27:26So that you have the tonic
00:27:27And the bow and arrow
00:27:29All for the trifling sum of 25 cents
00:27:32Come on now, folks
00:27:33Step up and get that first bottle
00:27:35Don't miss this amazing opportunity
00:27:37To buy this great tonic
00:27:38For 25 cents a bottle
00:27:40Or five bottles for one dollar
00:27:42Let me just take one bottle
00:27:44And pass it down among you
00:27:45Just pull the cork out of that, my friend
00:27:47And take a smell
00:27:47And don't forget, ladies and gentlemen
00:27:50That you get a bow and an arrow
00:27:52Free with this purchase
00:27:53Miss Jinx
00:27:54Only 25 cents
00:27:55Here's the 20 dollars you need
00:27:57Would you mind keeping an eye
00:27:59On the Colonel's camera for me?
00:28:00Why, sure
00:28:01Thank you
00:28:02Okay
00:28:02And now, folks
00:28:04Step right up and get your bottle
00:28:06Well, Colonel
00:28:06Where's he going?
00:28:09He thinks he's going to New York
00:28:11He's the constable now
00:28:12I'm constable
00:28:13Constable, there's your man right there
00:28:15And I am as guilty as he is
00:28:16You come along with me too, then
00:28:18You can't fornake me out of money
00:28:19You city slickers
00:28:20First you make me look ridiculous
00:28:22With that fish
00:28:23Then you almost drown me
00:28:25On that silly raft of yours
00:28:26Next we become entangled
00:28:28With a broken down carnival
00:28:30And you get a bright idea
00:28:32On how to acquire 20 dollars
00:28:34And we land in jail
00:28:35If you'd kept your mouth shut
00:28:37I would have been on my way
00:28:38To New York right now
00:28:39Are you sure you told that girl
00:28:40To take good care of the Bloomin' Daisy?
00:28:46A couple of tough fellas
00:28:47They put up a great struggle
00:28:48But I took them
00:28:49Single-handed
00:28:51Nobody ever gets away from me
00:28:54Gee, Hossipats
00:28:58I told you they was desperate
00:29:02They must have dynamited
00:29:04This looks like an outside job
00:29:05Do you realize we've broken the law
00:29:15Of leaving the jail in that manner?
00:29:17Well, let's go back
00:29:18Maybe you can think of a better way
00:29:19I guess Morris will be able to get herself
00:29:22In serious trouble
00:29:23If we're caught
00:29:24She'll be as guilty as we are
00:29:25Don't think she doesn't know it
00:29:27She's one of those regular people
00:29:28I've been telling you about
00:29:29Let her go
00:29:33Ah, howdy, Colonel
00:29:44Well, ho, girls
00:29:45How are you?
00:29:47Jinx
00:29:47Yeah?
00:29:48Take him in with you
00:29:49Cops might be here any minute
00:29:50You know what to do
00:29:51Right
00:29:52You come with me
00:29:52Oh, Miss Moore
00:29:53Don't you think
00:29:53Don't awed you
00:29:54Come on
00:29:54Oh, Miss Moore
00:29:55If you get a chance to talk with him
00:29:57Keep your fingers crossed for me, will you?
00:29:59Okay, Colonel
00:30:00She sure isn't giving herself
00:30:04The worst of the deal, is she?
00:30:06Come on, snapshot, Willie
00:30:07Give me your hand
00:30:07Welcome home
00:30:09Sit down and make yourself at home
00:30:17Oh, thanks
00:30:18Miss Moore, I want you to know
00:30:23That I appreciate what you've done for us
00:30:25Oh, skip it
00:30:26You got my show out of a jam
00:30:28And I got you out of a
00:30:28A piece of pie
00:30:29Thank you
00:30:30Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too
00:30:37So what?
00:30:39Now, Miss Moore, don't you think
00:30:40That could be a sort of a sign?
00:30:42Sure it is
00:30:42It's a sign we both like salt in our apple pie
00:30:45You know
00:30:49You're not a bad-looking guy
00:30:52Talk like you've been to school
00:30:54You're kind of a fellow that any girl might fall for
00:30:59Nothing wrong, though, is your instincts are all bad
00:31:02My instincts?
00:31:04Yeah, they're kind of crooked, if you ask me
00:31:06Why, Miss Moore
00:31:07I want you to know that my business integrity
00:31:09Has never been questioned
00:31:10Oh, stop talking like a gentleman of circumstance
00:31:13You mean, you don't like gentlemen of circumstance?
00:31:16I should say not
00:31:18Gentleman is just a polite word for loafer, if you ask me
00:31:21Oh, why don't you get an honest job and go to work?
00:31:26You might make something out of yourself
00:31:27I'll keep my fingers crossed for you
00:31:30You did it!
00:31:31Did what?
00:31:32You crossed your fingers
00:31:33So what?
00:31:35Well, Miss Moore, that is a sign
00:31:37Now, wait a minute
00:31:38What is the sign language?
00:31:39Well, when a boy and a girl both cro...
00:31:42What's that?
00:31:43It ain't the curfew
00:31:44This is it, Moore's Carnival
00:31:54All right, Sheriff, if you go that way, I'll go this way
00:31:57We'll search every truck
00:31:57Right
00:31:58Come on
00:31:58Get down
00:32:04What?
00:32:04Get down
00:32:05I do it
00:32:05Come in
00:32:06What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers
00:32:15There ain't no privacy when disparate criminals is at large
00:32:20I got every reason to believe they're right with this carnival
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell
00:32:32Pardon, ladies, but I'm looking for a couple of fugitives
00:32:41Fugitives?
00:32:42Mmm
00:32:42Oh, if you find anybody, you save the prettiest one for me, will you?
00:32:46Very funny
00:32:47Well, any success?
00:32:56No, not a trace of them
00:32:57Well, what'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state
00:33:00That's a good idea
00:33:01Excuse me, Sheriff
00:33:02I'd like to suggest my remaining here and keeping an eye open, just in case
00:33:06Well, it'll be all right with me
00:33:07Thank you, sir
00:33:08Oh, that was close
00:33:14Okay, Colonel
00:33:15How do you feel?
00:33:17Oh, good night, he's stuck
00:33:18Oh, don't worry, we can always use him for a camp chair
00:33:21Oh, get me out of this
00:33:22Oh, don't let it get you down
00:33:23Colonel, I had an uncle, was that way for years
00:33:26He got it from looking through keyholes
00:33:27Now, relax!
00:33:28That's it
00:33:29Here, here, hold him
00:33:30That's it
00:33:30Here, relax
00:33:31You're too tense
00:33:32Come on, relax
00:33:33That's it
00:33:33There you are
00:33:34Here, that's it
00:33:36Here, straighten up
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine
00:33:38You sure not?
00:33:38Oh, fine
00:33:39I have three or four more ideas
00:33:40Oh, no
00:33:40Miss Moore, I've caused you a lot of trouble
00:33:44I'd like to be of some help
00:33:45If there's anything I can do
00:33:47Why, sure you can be of help
00:33:49As a roustabout in this show, you probably won't be worth your salt
00:33:52But at least it's an honest job
00:33:54Go back and tell the girls to come up here and you bunk with the colonel
00:33:57A roustabout?
00:33:58Yeah, a roustabout
00:33:59Oh, thank you
00:34:29Pull it, tie it
00:34:31Swing it
00:34:31Hit it
00:34:32Pull it, tie it
00:34:33Pop, pop, a-do-do-do-do-dot
00:34:35Oh, calliope chain
00:34:37Put on your bonnet and bloop again
00:34:40Oh, when you go
00:34:42Boop, boop
00:34:42I'm happy to live long day
00:34:45You're the talk of the town
00:34:47Calliope chain
00:34:48Put on your bonnet and bloop again
00:34:51Oh, when you go
00:34:53Boop, boop
00:34:53You bloop all my cares away
00:34:55Last week a bloke in the derby named Geiger
00:34:59Said he could tame a cat
00:35:03Just then I played
00:35:04Hold that tiger
00:35:05The tiger now holds the guy's hat
00:35:07So, calliope chain
00:35:10Put on your bonnet and bloop again
00:35:12Oh, when you go
00:35:14Boop, boop
00:35:15You bloop all my cares away
00:35:17Away
00:35:18Boop, boop
00:35:20Boop, boop
00:35:21Boop, boop
00:35:21Boop, boop
00:35:22Boop, boop
00:35:23Boop, boop
00:35:24Boop, boop
00:35:25Boop, boop
00:35:26Boop, boop
00:35:27Boop, boop
00:35:28Boop, boop
00:35:29Calliope chain
00:35:31Calliope chain
00:35:32Put on your bonnet and bloop again
00:35:35Boop, boop
00:35:36Happy to live long day
00:35:38Whoa, whoa, whoa
00:35:40Calliope chain
00:35:41Calliope chain
00:35:43Put on your bonnet and bloop again
00:35:45Boop, boop
00:35:47Boop
00:35:47Boop
00:35:48Boop
00:35:48Boop
00:35:48Boop
00:35:49Boop
00:35:49Boop
00:35:50Boop
00:35:50Boop
00:35:51Boop
00:35:51Boop
00:35:52Boop
00:35:53Boop
00:36:09You blew my cares all the way!
00:36:16Good morning, gentlemen.
00:36:18Morning.
00:36:19Ready for breakfast?
00:36:20Oh, breakfast. Serve it right here.
00:36:22No hurry. We usually work a little around here before we eat.
00:36:25Work?
00:36:26Here, put those on.
00:36:27I protest. I'm a concessionaire with this carnival and I wear what I please.
00:36:31I don't care how you dress so long as you pound those tent steaks.
00:36:39A little work never hurt anybody.
00:36:43Good morning, Miss Moore.
00:36:44Oh, hiya, Joe.
00:36:45Oh, Miss Moore, I've had a pretty good offer from the Jones Show.
00:36:48It isn't that I want to leave, but I have a wife and kid back in Connecticut, you know.
00:36:52Oh, I understand, Joe. I don't blame you.
00:36:54Well, your pay's been a little slow, but...
00:36:56Well, we'll get along all right.
00:36:58I'll send you back pay as soon as we have a few good days.
00:37:00Oh, forget it any time.
00:37:02Oh, trooper's nothing. If I could ever get paid, I'd quit this dump in a minute.
00:37:05What are you crabbing about?
00:37:07Crabbing? She hasn't paid me a dime in months.
00:37:09Don't you ever think of anything else besides money?
00:37:11Why don't you try smiling once in a while, you know.
00:37:15Laugh and the world laughs with you, you know.
00:37:17Oh, baloney.
00:37:18Oh, why don't you try being like me?
00:37:19Oh, that's too much.
00:37:21Very funny.
00:37:22Well, at least I like everybody. I'm a little happy.
00:37:25Did you ever see any...
00:37:27Oh, now, wait. Lest I go through all this again.
00:37:30Really, I have enough trouble.
00:37:32Bye.
00:37:33Oh, now, wait a minute. Let's get this thing straight.
00:37:38You see, I'm really not an Indian.
00:37:41Only kidding with that yo-yo stuff. You know, just kidding.
00:37:44In fact, I was born in Brooklyn.
00:37:46You know, Brooklyn looks big.
00:37:48Oh, now, wait a minute.
00:37:50Mr. Gaines.
00:37:51Oh, good morning, Stanoff.
00:37:52Good morning to you, sir.
00:37:53I've been dreadfully worried about you.
00:37:55A man of your position in an environment of this kind.
00:37:57Don't worry about me. I'm all right.
00:37:59Well, I'm glad to hear that.
00:38:01Is there something I can do for you, sir?
00:38:03No, nothing at all.
00:38:04Well, if you're not too busy, you might try pounding some steaks for me.
00:38:06No, Colonel, that would never do.
00:38:08Just stay around in the background. I'll see you later.
00:38:10Yes, sir.
00:38:11Come on, Colonel.
00:38:15Oh-ho! What an invigorating morning!
00:38:18I'm ready for an order of scrambled eggs, a rasher of bacon, and a huge pot of coffee.
00:38:22All right, you guys. Start pounding this row of steaks, and that row of steaks over there.
00:38:26Then you can eat breakfast.
00:38:27I protest. I'm a concessionaire.
00:38:29So am I a concessionaire, but we pound steaks around here before we eat.
00:38:33I said that I would...
00:38:34I said pound that steak!
00:38:37Yes, sir.
00:38:41Oh, say, just a minute.
00:38:42What's on your mind?
00:38:43How would you like to be the head man of the best carnival in the world?
00:38:46Who wouldn't?
00:38:47Well, how much would it cost?
00:38:49About 200 grand.
00:38:50I'd like to have you pick one up for me.
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:54No, wait a minute. You don't understand.
00:38:56Stand up!
00:38:57Where would a punk like you get 200 grand?
00:38:59Yes, sir.
00:39:00A blank check, please.
00:39:01Yes, sir.
00:39:02I want you to accompany this gentleman.
00:39:04I'm going to buy a carnival.
00:39:05A carnival, sir?
00:39:06Yes.
00:39:07Spill this check in for any amount necessary.
00:39:09I want the very best, you understand?
00:39:11Yes, Mr. Gaines.
00:39:12Say, listen, if this check bounces back on me, I'm going to bounce right back on you.
00:39:15I beg your pardon.
00:39:16You're speaking about Mr. Gaines.
00:39:18We never have check trouble.
00:39:19Now, if you'll just come with me, we'll attend to everything.
00:39:21Hey, this is all over my head.
00:39:23I don't understand.
00:39:24Let me know when it's ready.
00:39:25Yes, sir.
00:39:27Take care of your own steak.
00:39:28I'm having trouble enough with this one.
00:39:29You pound this row.
00:39:30I'll pound the other one.
00:39:31Okay?
00:39:32Okay?
00:39:33I'm having trouble enough with this one.
00:39:34You pound this row.
00:39:35I'll pound the other one.
00:39:36Okay?
00:39:37Okay?
00:39:38You pound this row.
00:39:39I'll pound the other one.
00:39:40Okay?
00:39:41I'll pound the other one.
00:39:42I'll pound the other one.
00:39:43Okay?
00:39:44I'll pound the other one.
00:39:45Okay?
00:39:46I'll pound the other one.
00:39:58Okay.
00:40:03Okay.
00:40:12Okay, boys.
00:40:27Hey, Colonel, come on over and help with these.
00:40:34You'll do no such thing.
00:40:36It's a fine job, Colonel.
00:40:38Your steaks are all down.
00:40:39You go ahead and have breakfast.
00:40:40Thank you, Miss Foote.
00:40:44Oh, good morning, Miss Moore.
00:40:47...for help, huh?
00:40:48Oh, I didn't mean...
00:40:49You notice the Colonel finished all of his, don't you?
00:40:51Oh, yes, but he...
00:40:52Don't interrupt.
00:40:53Look, you pound these steaks before breakfast,
00:40:55and if you can't do that, well...
00:40:57Oh, hi, Officer.
00:41:04Hope you like the...
00:41:11And the sooner the better.
00:41:13Well, but why?
00:41:14Well, I got word from the last town that you hit
00:41:17that you're carrying a couple of crooks with you.
00:41:18So come on, get goin'.
00:41:20Oh, now, look, Sheriff, that's...
00:41:21I said get goin'.
00:41:23Okay.
00:41:25All right, boys, pack it up.
00:41:30I beg your pardon, Sheriff, but I believe if you give me a moment,
00:41:33I can straighten out this little misunderstanding.
00:41:35Can that stuff?
00:41:36No, no, no.
00:41:36I want to present you with a portrait to take home to your wife.
00:41:39Oh, well, that sounds all right.
00:41:41There you are.
00:41:41You stand right there, not too far away.
00:41:43Here.
00:41:43While I extend the lens, turn the little wheel.
00:41:46Yes.
00:41:46And pull the bulb.
00:41:47Are you ready?
00:41:48Yes.
00:41:48Hold it.
00:41:49That's it.
00:41:50I've had great success with these family portraits.
00:41:52If you will bear with me just a moment,
00:41:53while we go through the developing process here
00:41:56and pull the little string here,
00:41:58I believe I'll show you something that your wife's going to be very happy about.
00:42:11That thing has got out of town before I run you in.
00:42:14I hope the new carnival will be the finest thing on wheels.
00:42:37I want to make Penguin really happy.
00:42:39Now, listen, young Drogo.
00:42:40Your idea of romance is a yacht here, a bracelet there,
00:42:44an ermine coat thrown in, and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time that this girl is different?
00:42:50All together now.
00:42:59Push.
00:43:00That's it.
00:43:02All right.
00:43:03That's going to do you no good in the mud.
00:43:05Get up out of the mud there, young Drogo.
00:43:07We can't have this kind of species.
00:43:08See?
00:43:08See?
00:43:08See?
00:43:09See?
00:43:09See?
00:43:09See?
00:43:09See?
00:43:10See?
00:43:10See?
00:43:11See?
00:43:11See?
00:43:12See?
00:43:13See?
00:43:13See?
00:43:13See?
00:43:14See?
00:43:15See?
00:43:15See?
00:43:16See?
00:43:16See?
00:43:17See?
00:43:17See?
00:43:18See?
00:43:18See?
00:43:19See?
00:43:19See you!
00:43:38See?
00:43:38Hey?
00:43:38You're getting to be an expert at this?
00:43:40Oh, thanks.
00:43:41As a matter of fact, you've been doing so well lately,
00:43:43that I've decided to promote you
00:43:44to a better job.
00:43:45Oh, that's great!
00:43:47Well, what's it going to be?
00:43:48to be here's your new outfit put it on tonight and uh you'll understand
00:44:02oh no you again how listen for the last time i am not an indian
00:44:08wait what is this you and oh look no comic valentines now go away i'm busy
00:44:23colonel i can't go out there like this why not you look beautiful that's just the trouble
00:44:28now ladies and gentlemen the feature free attractions the show the world's greatest
00:44:33area of artiste so one and only miss penguin moore assisted by don cavallero
00:44:45no i i can't
00:44:59take off your robe
00:45:13so
00:45:18so
00:45:26The End
00:45:56Oh, okay, officer. We'll be on our way.
00:46:26But listen, girl, can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46Feature act of every show he ever played in.
00:46:49Drogo. Drogo.
00:46:52Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:58Equestrian?
00:47:00Mm-mm.
00:47:00Well, there was a Drogo. Drogo's lion act. Or was it Drogo? Drogo's lions. Was that it?
00:47:13I didn't say it, girl. Now remember, I didn't tell you.
00:47:18But Drogo's lions. That was the greatest act that ever played under the big top.
00:47:23Well, I can see it now. London, Paris, Vienna. The applause of thousands.
00:47:28What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood. Night after night. With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl. He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:47:56Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I wanna talk to you.
00:48:05Well, Miss Moore, I want you to know...
00:48:09...I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:15You look like that, Drogo. You're making you feel so foolish.
00:48:27...all I can and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time,
00:48:40because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:44That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:49I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean? I don't know anything about the show business.
00:49:16Well, I know you don't, and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I, uh, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot.
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:43Well, there's no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:58Yes, ma'am.
00:49:59Yes, ma'am.
00:50:00Yes, ma'am.
00:50:01Yes, ma'am.
00:50:02Yes, ma'am.
00:50:03The tiger now holds a guy's hat.
00:50:06So can I, okay, yeah.
00:50:09Okay.
00:50:09Here, come here.
00:50:15You sit right down here.
00:50:17Stay out of my way.
00:50:18I'm busy.
00:50:22Look.
00:50:23Stay there and don't move.
00:50:25glad to see you penguin how are you oh fine sorry to get you up at this hour oh that's all right
00:50:48we couldn't sleep anyway what's on your mind well i got a spot in my show for your lions
00:50:52you still got them haven't you sure there they are come on say i got the best line trainer in the
00:50:58business how about letting me take them and then the season will split well it's okay with me if
00:51:02it's okay with mo it's okay with me joe matter of fact i'm glad you came we were just talking
00:51:07about turning them over to the zoo business has been so bad we can't even feed them take a peek
00:51:12they don't look underfed to me me either in fact they look powerful healthy
00:51:20there's nothing to worry about all you got to do is follow the instructions in this book
00:51:26gives you their names the tricks they do and everything well that's swell here you are willie
00:51:31read it over carefully now on you're taking care of them come on let's go okay we'll give you a hand
00:51:36you mean i guess you do nero rolls over nero nero nero nero roll over
00:51:53good morning miss moore morning joker i think you ought to know though what the colonel said
00:52:10oh don't blame him i'm happy to know that you're one of us well i certainly do want to be one of us
00:52:16there's something i want you to have belonged to my dad he was a lion trainer too oh thanks
00:52:23drogo i want you to know how i feel about your scenes we're both showmen
00:52:28i liked you from the start but that was as far as could ever go because
00:52:33well i had no idea you were my kind miss moore i think you ought to know the truth never mind
00:52:38it's what's going to happen that counts i'll certainly do my best you have any scratches on
00:52:44you didn't the lions ever claw you or jump you tell the truth they never did gosh you must have
00:52:50been great wouldn't you like to take up where you left off cracking the whip and hearing the applause
00:52:56wouldn't you do it for me i guess i'd do just about anything for you well here they are not much
00:53:05after what you've had but it's the beginning they're lions don't expect too much of them because
00:53:10they haven't been worked for quite a while
00:53:11is you gonna train them loud
00:53:20uh-oh
00:53:23oh it's no use colonel i can't go through with it now don't be silly now look you're a millionaire
00:53:43aren't you what's that got to do with it everything why you'd be the first millionaire lion tamer in the
00:53:48world think of the honor and besides i'm sure that nothing will happen to you those lions are easy
00:53:54to work with aren't they willy that's what it says here there you see now look i'm going to show you
00:53:58once more you need have no fear why no lion has ever been known to pass a chair now you advance
00:54:05boldly chair in one hand and whip in the other
00:54:14all right ladies and gentlemen step right up and buy yourself a ticket to the greatest thrill of your
00:54:33life thank you fearless folks the one and only the world's greatest lion tamer is going to face fire
00:54:40how's it going oh couldn't be better step right up ladies and gentlemen here you are
00:54:46forget the smelling salts yes the bandages yes the iodine yes
00:54:51i forgot some pot i forgot to feed
00:54:56what's the matter boy
00:55:00colonel i can't go through with it well you love her don't you
00:55:05all you've got to do is to remember what i told you when you get in that cage
00:55:09keep chatting with that chair and cross with your whip
00:55:12listen little boy listen what a crowd
00:55:15hurry up joker we can't hold it much longer
00:55:21they're waiting for you the lions and all the people silly
00:55:24gosh you look wonderful now go on out there and knock them cold
00:55:27tell me colonel is he thrilled
00:55:31thrilled is not the word for it he's trembling but with anticipation
00:55:35you want to go in now you know
00:55:38oh i've got a better idea
00:55:40there up places zero
00:55:45caesar
00:55:46what's he trying to do colonel he's working the cats from the outside
00:55:55yeah well you wouldn't expect the great drogo to do the usual thing
00:55:59anybody can work lines from the inside of a cage what a man
00:56:02he's working them from the outside
00:56:04that may be swell colonel but i don't think these yokels understand that
00:56:09i'll tell them to do it the easy way
00:56:11go go i think you better do it the regular way
00:56:18oh i can do it fine from out here
00:56:20i know but these people don't understand
00:56:22i think you better work on the inside
00:56:23okay folks everything will be fine in just a minute
00:56:27oh there's what have to happen to me
00:56:33what's going to happen to you
00:56:34well can't you see the rain is going to ruin the act
00:56:37we can't put it on
00:56:38ow
00:56:39willie put them away
00:56:41yes
00:56:41how am i going to get back to my
00:56:56trailer
00:56:57there you are
00:57:06i was waiting for you drogo
00:57:08oh no miss it
00:57:09did you do that on purpose
00:57:18what do you think
00:57:19did you do that you figure it out
00:57:29why you you now wait a minute
00:57:32if you hadn't let your snooping instincts get the better of you all this wouldn't have happened
00:57:35after all i've done for you
00:57:37why for two pins i'd
00:57:39oh you poor kid never mind
00:57:43someday you'll have a fine new carnival
00:57:46i don't want a new carnival
00:57:48all i want is good business for this one
00:57:51you mean you don't want a new carnival
00:57:53no
00:57:53no
00:57:54no
00:57:59no
00:58:03no
00:58:03no
00:58:04no
00:58:04no
00:58:05no
00:58:06no
00:58:07no
00:58:07I should have known you years ago
00:58:30Where on earth were you long years ago
00:58:37I miss so much and dreamed so little
00:58:45Before you set my heart aglow
00:58:52I should have known the way you smile
00:58:59As I traveled each long lonely mile
00:59:07For memory lane should seem much sweeter
00:59:14If I had known you all the while
00:59:22Oh, I'm so jealous of the flowers in spring
00:59:28For they know more than I about you
00:59:35They heard your laughter and the songs you sing
00:59:44Through all the years I spent without you
00:59:54I wish that I could truly say
01:00:02That I knew you long before today
01:00:09But we'll go home
01:00:18From here together
01:00:25And I shall love you
01:00:31Wonderful girl, Penguin
01:00:43Real, sincere, different
01:00:47Yes, the others are all alike
01:00:49But she's different
01:00:50I know, my boy, I know
01:00:52Love, love
01:00:54What follies are committed in thy name
01:00:57That's Francis Bacon
01:00:59Speak love
01:01:01If you speak love
01:01:02That's William Shakespeare
01:01:04Love is like hash
01:01:06You've got to have confidence in it
01:01:09To enjoy it
01:01:10That must have been Bob Hope
01:01:12Well, go to sleep, my boy
01:01:15Or, uh, how are you?
01:01:29Good morning
01:01:30Oh, yes, uh, Miss Newton
01:01:33Oh, Mr. Whitman
01:01:35Yes, Bates, what is it?
01:01:37Begging your pardon, sir
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:44Well, Bates, do something
01:01:45Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind
01:01:52I'll go myself
01:01:53Order the chief's car right away
01:01:55Yes, sir
01:01:56Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Up this way
01:01:59Hear all about the big surprise, I promised you
01:02:01Come on, everybody
01:02:03This way, everybody
01:02:05Now, listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:16Groceries
01:02:17Grub
01:02:18Bittles
01:02:19Now, some of you go that way
01:02:20And pick the berries from the vines
01:02:21The peas, beans, cabbages, and other vegetables
01:02:24Are that way
01:02:24Let your stomachs be your guide
01:02:26Be gone
01:02:27And the watermelons
01:02:30Are that way
01:02:32Oh, Willie
01:02:34Yes, Mr. Coven
01:02:36And the chicken house
01:02:37Is over there
01:02:39Chicken house?
01:02:40Uh-huh
01:02:40What am I waiting for?
01:02:41I don't know
01:02:42Me either
01:02:43Tell you
01:02:44Say, Joe
01:02:52What's the idea of pitching here?
01:02:53Colonel's orders
01:02:54Colonel's orders?
01:02:57Well, what are we going to get for customers here?
01:03:00Feel my
01:03:01Quiet, quiet
01:03:03Ain't no use of squawking
01:03:04We all got to go someday
01:03:06It's either going to be you or me
01:03:08It ain't going to be me
01:03:10Take your time
01:03:18Take your time
01:03:19Don't rush me
01:03:20The man's right
01:03:20Thank you
01:03:21You're welcome
01:03:22Now, will you fix the flowers, please?
01:03:24First
01:03:24Oh, wait a minute
01:03:25Say, Red, where'd you get these?
01:03:32Well, the colonel told us
01:03:32We could pick anything we wanted to
01:03:34Oh, he did, eh?
01:03:36Well, I'm still giving orders around here, I think
01:03:38Oh, Gregor
01:03:41You heard the boss
01:03:42Break it up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore
01:03:45But the colonel said
01:03:45I don't care what the colonel said
01:03:47We're not taking anything
01:03:48That doesn't belong to us
01:03:49Now, put it back where you got it
01:03:50Yeah, make it snappy
01:03:51We'll all be thrown in the clink
01:03:52Sound like we'll practically in the clink
01:03:55All right, fellas
01:03:56Give it a bit quick
01:03:57All right, you heard the boss
01:03:59Get rid of it
01:04:00Come on
01:04:00Put a move on
01:04:01What's going on around here
01:04:03Come on, get going
01:04:05Come on, get going
01:04:06Well, well
01:04:07It's a shame
01:04:08I put back these tender boys
01:04:09They're very tender
01:04:12That would be kind of a shame, wouldn't it
01:04:16In that box
01:04:19Come on
01:04:19Be careful, but hurry
01:04:21Come on
01:04:22Now sit down
01:04:25Now, back on your lawn
01:04:33What do you mean
01:04:38Trespassing on private property
01:04:40Now, don't get excited, mister
01:04:41You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then
01:04:45I'm very sorry
01:04:46You see, I'm Penguin Moore
01:04:48And this is my carnival
01:04:49We got lost last night
01:04:50And wound up here
01:04:51We didn't know it was your property
01:04:52But we didn't take anything
01:04:54Well, if you didn't take anything
01:04:55I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to
01:05:01Do you mind?
01:05:01Oh, not at all
01:05:02There's a pin game over there
01:05:04I hate pins
01:05:05Oh, well
01:05:05Here's a merry-go-round
01:05:07No, it makes me dizzy
01:05:08Well, we've got a lot of other things here
01:05:09What's this contraption?
01:05:11Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:15Oh, may I?
01:05:16Okay, Bob
01:05:16I'll take care of it
01:05:17Okay, mechanical devices
01:05:18Intrigue me
01:05:19Well, here's a switch here, you see
01:05:20And you put it down
01:05:22The machine goes around with the taffy on it
01:05:24Uh-oh
01:05:30What'll they take up next?
01:05:38Most interesting parts down there was a motorist
01:05:40You're right
01:05:46It's a dandy
01:05:47My favorite gear ratio
01:05:4915 to 1
01:05:50Did you see what I saw?
01:06:15Why, did you see something?
01:06:17Let's forget it
01:06:18Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, nani, nani
01:06:24Boop, boop, ba-doop
01:06:25The farmers in the Dell
01:06:27Farmers in the Dell
01:06:29Farmers in the Dell
01:06:31Oh, you said you didn't take anything, eh?
01:06:33Oh, the farmers in the Dell
01:06:35Well
01:06:35Now, tippy, tippy
01:06:36Drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon the juice
01:06:41Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:50Uh, this is my nephew, Harry Whitman
01:06:54I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Well, good, then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Van Swiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said that's enough
01:07:05Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks, years
01:07:11If it's that good, I'll tell them
01:07:12Gangway
01:07:15Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:24De-dee-da-dum
01:07:28De-dee-dee-dee-da-dum
01:07:29They'll never know the difference
01:07:30De-dee-dee-dee-dee-dum
01:07:31And I'm de-dee-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34When I hear them holler
01:07:35De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:37Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58Is too much?
01:07:58Too much?
01:07:59Why these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Hurry, hurry, hurry
01:08:06Hurry, hurry, hurry
01:08:07Hurry, hurry, hurry
01:08:11Hurry, hurry, hurry
01:08:13Step right up, play ball
01:08:19There you are
01:08:19Hurry, hurry, hurry
01:08:20Play ball
01:08:21All your best, sir
01:08:22Hurry, hurry, hurry, hurry
01:08:23Come on, let me see
01:08:25She went again
01:08:26She went again
01:08:26How was that?
01:08:27How was that?
01:08:27Hurry, hurry, hurry
01:08:28Hurry, hurry, hurry
01:08:30Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me, son
01:08:36You're annoying me
01:08:37Hey, Colonel, it's me
01:08:38Well, Penguin
01:08:39Hello
01:08:40How's business?
01:08:41Mom
01:08:41Well, how did that happen?
01:08:44Never mind
01:08:44Step right this way, folks
01:08:45And we'll go through
01:08:46The developing process
01:08:47There you are
01:08:48Passes through the little hill
01:08:49And the little handle
01:08:50And the photograph
01:08:51Drops in the little tank
01:08:52There's a charming portrait
01:08:53Of yourself and family
01:08:54And the price is five dollars
01:08:56Right
01:08:56But it's blank
01:08:57That may surprise you
01:08:58But it doesn't surprise me
01:08:59The price remains the same
01:09:00Thank you
01:09:00Do you mind getting out
01:09:01Of the way, please?
01:09:02How about that man
01:09:03Over there
01:09:03There's a lot of taffy there
01:09:05Having fun?
01:09:07Oh, yes
01:09:08And I appreciate you
01:09:08Letting me run the machine
01:09:09Oh, that's all right
01:09:10I say you can sell the taffy, too
01:09:12If you like
01:09:12Oh, may I?
01:09:13I'd be delighted
01:09:14Coffee, toffee
01:09:15What do you mean
01:09:15We ain't got no right here?
01:09:17The paddles are still
01:09:18Three for a dollar
01:09:18A dollar?
01:09:19What?
01:09:19A dollar for a ten cent game?
01:09:21Oh, Bob
01:09:21Come with me
01:09:22Anybody else?
01:09:26Taffy, toffee
01:09:27Listen, buddy
01:09:28You don't have to get toffee
01:09:29Well, who's getting toffee?
01:09:30Just a minute
01:09:31I'm sorry, boys
01:09:32But we're putting the show
01:09:33On for practice
01:09:33A private party
01:09:34I'll have to ask you to leave
01:09:35Oh, be nice, baby
01:09:37You wouldn't want us to go now
01:09:38Would you?
01:09:39Oh, so it's one of those things
01:09:41Okay, do it the hard way
01:09:43That's all I wanted to know
01:09:44All right, just a minute
01:09:45Wait a minute
01:09:46Oh, you ain't heard the last of this
01:09:49Oh, no
01:09:49Here you are, ladies and gentlemen
01:09:51Three strikes
01:09:52For one dollar
01:09:53One dollar
01:09:53Thirteen hundred
01:09:54You can do better than that, mister
01:09:55Try it again, come on
01:09:56Three strikes for a dollar, folks
01:09:58Why, you'll never do it that way, mister
01:09:59Stand back and I'll show you
01:10:01No muscles needed
01:10:02Amazing
01:10:06Introducing
01:10:09The one
01:10:10The only
01:10:11Fearless Drogo
01:10:13Dare devil to the arena
01:10:15Fearless Drogo
01:10:16Don't start immediately
01:10:17It couldn't be
01:10:18No waiting, no delay
01:10:19Purchase your tickets right away
01:10:21Excuse me
01:10:22Think of it, folks
01:10:23Of being two dollars and fifty cents
01:10:25Here we go, folks
01:10:26Don't rush, don't crowd
01:10:27Hurry, hurry, hurry
01:10:29Come on, folks
01:10:30You'll see one of the best shows
01:10:31You ever saw in your life
01:10:32Get in and out
01:10:32And give them everything you've got
01:10:33Listen, penguin
01:10:34You don't know this
01:10:35But I really
01:10:35Don't, folks
01:10:36This is your chance
01:10:37To get back on top
01:10:37And you're going to take it
01:10:38But I can
01:10:38Hope everything goes all right
01:10:48See you, folks
01:11:00Hello
01:11:01Sorry, folks
01:11:02Say, dear, when the lounge gets made
01:11:06He says here, when the loun gets married, he riffles up.
01:11:12He's married.
01:11:24Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:36Hey, boss, that ain't in the book.
01:11:40Look out, Mr. Drogo, here comes the loun.
01:11:57The loun can run 40 miles an hour. I'm sorry I read that.
01:12:07I told you I'd lead you to the land of plenty.
01:12:10Get that loun back in the cage before I scare someone.
01:12:13Put what loun in whose cage before it scares who?
01:12:17I don't know.
01:12:19I don't know.
01:12:21I don't know.
01:12:23I don't know.
01:12:25I don't know.
01:12:27I don't know.
01:12:29I don't know.
01:12:30I don't know.
01:12:31I don't know.
01:12:33I don't know.
01:12:35Willie.
01:12:36Yes?
01:12:37Get that loun back in the cage before it scares someone.
01:12:39Put what loun in whose cage before it scares who?
01:12:43Rushing here, rushing there.
01:12:45Nowhere to go.
01:12:46What's going on in there?
01:12:47The loun's loose.
01:12:49Lions!
01:12:50If I'm gonna hunt for loun, I gotta get me some bait.
01:12:54I've been chasing loun all the time.
01:13:01He ain't there.
01:13:03Kitty, kitty.
01:13:04I sure hope I don't find him.
01:13:06There's more sure gonna be mad than that loun chasing all them people.
01:13:14Kitty, kitty, kitty.
01:13:16Where's that loun at?
01:13:37I put in your cord in that time.
01:13:40I gotta be more careful.
01:13:41My blood pressure won't stand it.
01:13:49Kitty, kitty, kitty.
01:13:52Kitty, kitty.
01:13:58Whoa, whoa, whoa.
01:14:08Kitty, kitty.
01:14:09Come on.
01:14:10Nice baloney.
01:14:11Come on, kitty, kitty.
01:14:12Kitty, kitty.
01:14:13Nice baloney.
01:14:16Get in there.
01:14:22Was that me talking?
01:14:33All right, folks.
01:14:34Everything's taken care of.
01:14:35Nothing to worry about.
01:14:36Toffee, toffee.
01:14:37Dollar a bae.
01:14:38Dollar a bae.
01:14:39We don't want no toffee.
01:14:48Come on, boys!
01:14:51Toffee, toffee.
01:14:53Toffee good.
01:14:54Hey, Roo!
01:14:56Hey, Roo!
01:14:58Hey, Roo!
01:15:00Hi, you beautiful. Now listen.
01:15:02I told you we're putting the show on for a private party.
01:15:04Well, this is my private party.
01:15:06How about it, boys? Yeah.
01:15:08Wait a minute. You heard what the lady said.
01:15:10Now get going. Oh, glamour boy, huh?
01:15:24Get out of there!
01:15:34Hey, Roo!
01:15:36Let's break this joint!
01:15:48Forward, Avery!
01:15:54Let's go!
01:16:00Coffee! Coffee!
01:16:02Oh, dear, dear. This is good.
01:16:04There's nothing ought to be done.
01:16:08Oh, dear, dear.
01:16:12Heads are about that lying action.
01:16:14Skip it!
01:16:15You don't understand.
01:16:16I understand more than you think I do.
01:16:18Oh, dear.
01:16:26Now is the time for all the good men
01:16:28to come to the aid of their party.
01:16:31Don't shoot, boys.
01:16:32Just tell us, okay?
01:16:36Well, go!
01:16:39Sorry, chief.
01:16:42Oh!
01:16:43Ah-ha!
01:16:44A bull's'eye!
01:16:45Captain Drogo! Reinforcement!
01:17:12That's good shooting over!
01:17:14Okay, you take the high road, I'll take the low.
01:17:20What's on your mind?
01:17:21I've been looking all over for you.
01:17:23I got the new Carnival Park at Portersville.
01:17:26What should I do with it?
01:17:27Go back and take care of it. I'll get in touch with you later.
01:17:30Yes, sir.
01:17:34The situation is wrong, man!
01:17:37Come on!
01:17:40Pull him out!
01:17:43Ow!
01:17:52Ow!
01:17:53Hey!
01:17:54Hey!
01:17:55Hey!
01:17:56No!
01:18:01Hey!
01:18:02Hey!
01:18:03Hey!
01:18:05Hey!
01:18:06Hey!
01:18:07Hey!
01:18:08Well, I'm not leaving.
01:18:09Hey!
01:18:10Hey!
01:18:11Hey, help me!
01:18:12Hey!
01:18:13Hey!
01:18:14Hey!
01:18:15Hey!
01:18:16Hey!
01:18:17Oh, you've had enough, huh?
01:18:47Sorry, Chief.
01:18:52Sorry.
01:19:01Hey!
01:19:03Victory is ours!
01:19:06Victory is ours, but my circus is ruined.
01:19:08Well, now, don't let that worry you. My rich nephew will pay for everything.
01:19:11Oh, Harry! Harry, where are you?
01:19:13Here I am.
01:19:17Oh!
01:19:19Oh, pardon my appearance.
01:19:21Hey, it's quite disarranged.
01:19:23Well, never mind. I'll have everything fixed.
01:19:25There you are. What more can you ask?
01:19:26Meantime, let's celebrate by coming up to my house and having dinner.
01:19:29Oh, I'd be delighted. But I haven't a thing to wear.
01:19:32The house is full of clothes. May I?
01:19:34Why, certainly!
01:19:40I'm in an awful predicament. The new carnival's over at Portisville.
01:19:43What am I going to do?
01:19:44The new carnival?
01:19:45Yes.
01:19:46Good. Now, you run along with the rest of them and leave everything to me.
01:19:49Yes, but I just...
01:19:50Go right ahead now. Don't you worry.
01:19:54Say, George.
01:19:55Yes, Colonel.
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Hey, boy.
01:20:04Come here.
01:20:05Get it on, quick.
01:20:06Hurry, hurry, hurry.
01:20:07Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half a mile.
01:20:12Then I want you all to go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:17I want you to help set it up.
01:20:19Now, come on.
01:20:20Get going.
01:20:29Say, hello.
01:20:30Penguin, you're beautiful.
01:20:32Well, I'm charmed, Miss Boyd.
01:20:35Dinner is served, sir.
01:20:36Thank you, Bates.
01:20:37Right this way, everyone, for the victory dinner.
01:20:40Oh, no, keep your hands off that chair.
01:20:56I've had that one pulled on me before.
01:20:58As you wish, madame.
01:20:59Okay.
01:21:06You know, I'm awfully happy that they have chicken tonight.
01:21:09I never eat anything but chicken.
01:21:13That's water.
01:21:15One, two, three, four.
01:21:19A four-legged chicken.
01:21:21That's cute.
01:21:22A four-legged chicken.
01:21:29A three-legged chicken.
01:21:30A three-legged chicken.
01:21:32That's a novelty.
01:21:33A three-legged chicken.
01:21:34What's the idea?
01:21:36Oh, you wouldn't like that.
01:21:37That's no good.
01:21:38No good.
01:21:39No good.
01:21:40Well, here we are.
01:21:41Back to normal again.
01:21:45That's kind of muscular, isn't it, huh?
01:21:47It's nearly nine o'clock, sir.
01:21:49Oh, so it is, Bates.
01:21:50Shuffled well?
01:21:51Yes, sir.
01:21:52All right, everyone.
01:21:53Let's hurry with the usual drawing for positions on the fire trucks
01:21:56to see who the lucky people are.
01:21:58Will you draw, Uncle Carlton?
01:21:59Yes.
01:22:00Oh, mine's a blank.
01:22:01Better luck next time.
01:22:02I'll drive the chemical truck.
01:22:03That's nice.
01:22:04I'll just ride along with Mr. Gaines.
01:22:05Why, Colonel, this is not a blank.
01:22:06You two ride on the chemical wagon.
01:22:08By the way, Harry, what are you burning tonight?
01:22:10Oh, the same old barn.
01:22:11Oh, that's terrible.
01:22:12What's the matter, Uncle Carlton?
01:22:13Well, how was I to know that you're still burning the same old barn?
01:22:15In order to save the carnival from the hoodlums, I have the boys hide at the barn.
01:22:20You mean the carnival's on fire?
01:22:21I mean exactly that.
01:22:22My carnival?
01:22:23Well, how was I to know that you're still burning the same old barn?
01:22:25Well, how was I to know that you're still burning the same old barn?
01:22:27Don't you think I ought to do the driving?
01:22:28Don't be silly.
01:22:29I've been pushing trucks around all my life.
01:22:30Oh, I'm letting you go!
01:22:31Don't you think I ought to do the driving?
01:22:32Don't be silly.
01:22:33I've been pushing trucks around all my life.
01:22:34Oh, I'm letting you go!
01:22:35Don't you think I ought to do the driving?
01:22:36Don't be silly.
01:22:37I've been pushing trucks around all my life.
01:22:38Oh, I'm letting you go!
01:23:06Well, they didn't make sure already!
01:23:15Where is the fire?
01:23:16Never mind the fire, we're not going there.
01:23:19What do you mean?
01:23:20Keep going straight ahead, and we'll lead them into Porter'sdale
01:23:23and the new carnival.
01:23:24What about the fire?
01:23:26Well, you told me to get rid of her carnival, didn't you?
01:23:28Maybe when she sees the new one, she'll forget the old one.
01:23:30Oh!
01:23:35Hoppy!
01:24:05Come on!
01:24:07Take it easy!
01:24:12Oh!
01:24:14Go away!
01:24:15Somebody's flying at me!
01:24:16It'll be me!
01:24:18Hey!
01:24:20Come move them!
01:24:22Hey!
01:24:24Hey!
01:24:25Hey!
01:24:26Hey!
01:24:28Hey!
01:24:29Hey!
01:24:30Hey!
01:24:31Hey!
01:24:32Hey!
01:24:33Hey!
01:24:34Hey!
01:24:35Hey!
01:24:37Get off the road!
01:24:38That's not fair!
01:24:40Hey!
01:24:41Hey!
01:24:42Hey!
01:24:43Hey!
01:24:44Hey!
01:24:45Hey!
01:24:46Hey!
01:24:47Hey!
01:24:48Pull him out!
01:24:49Please, fellas!
01:24:50Please!
01:24:51Oh!
01:24:52Ah!
01:24:53Ah!
01:24:54Ah!
01:24:55Ah!
01:24:56Hey!
01:24:57Hey!
01:24:58Hey!
01:24:59Pull him out!
01:25:00Please, fellas!
01:25:01Please!
01:25:02Oh!
01:25:03Oh!
01:25:04Ah!
01:25:05Hey!
01:25:06Oh!
01:25:07Ah!
01:25:08Come on!
01:25:09Oh!
01:25:10Hey!
01:25:11What?
01:25:12What?
01:25:13It's tricky!
01:25:14Hey!
01:25:15Get me out of here!
01:25:17Do something!
01:25:18Get her down!
01:25:19Oh!
01:25:20Oh, yes!
01:25:21Oh!
01:25:22Hey!
01:25:23Hey!
01:25:40Well, here we are!
01:25:53Ah, it's beautiful.
01:25:57That's you and me.
01:25:59Do you really mean it?
01:26:00Yes, for keeps.
01:26:02Oh, galala palouse!
01:26:06Well, so what?
01:26:12Hey!
01:26:14Maybe you got something there.
01:26:23You know, there was a lot of fun.
01:26:41Nope.
01:26:46You see him?
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