- hace 5 meses
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.
La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.
Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.
Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.
Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.
Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
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CortometrajesTranscripción
00:00Whore strike! That's new!
00:11Maria Machadao is just making fun of us.
00:16Mara, my mulatto girl. Come upstairs with me. I need some affection.
00:22I can't. María Machadao commands and I obey.
00:27The strike is real. Until the movement wins.
00:31Well, I'll find one that isn't from your flock.
00:35You won't find her, even if she were Itamula. Apron.
00:39Good evening, Bataclan. Very good evening.
00:46Hey, why is everything quiet? Isn't there any music today?
00:51Lai, yes. There won't be a shortage of music and drinks. You can dance to your heart's content.
00:57I'm ready.
01:16Come on, Kiteria. Let's go up, because today you're going to see what a male is. Come on.
01:20I can't. I'm on strike.
01:22Stop joking.
01:25Stop joking. The strike is communism.
01:28You are very mistaken, Mr. Tonic Glasses.
01:30The strike is now also a thing of whores.
01:34The harlots closed the well. They'll only open it when they follow the procession.
01:38What? God is more.
01:40Kiteria, my Kiteria. I'm your client.
01:43For me there is an exception, you see.
01:44Hello. Oh, no. A strike is a strike, you know?
01:47What? What the fuck? That's how I explode. I explode!
01:53Hold me tighter, Lindy Nalba. I'm your fiancé.
01:56That's not why, Berto.
01:57Good heavens.
01:58Respect me, I will be the mother of your children.
01:59But your virtue goes beyond the account.
02:02There are many brides who do everything to please the groom.
02:07Give me a kiss?
02:08You tried to kiss me and stuck your tongue in. I didn't like it.
02:11But I'm just crazy about you, Lindy Nalba. You're all...
02:14I don't know how...
02:16Oh, take your hand away!
02:18Lindy Nalba.
02:20Any problems?
02:22No, Mother. Berto was already saying goodbye.
02:26But I heard you scream.
02:29It was a butterfly. It flew very close to me and I got scared.
02:33Go, Berto. Go with God.
02:43This romance at the door is driving me crazy.
02:45I urgently need relief. I urgently need relief now.
02:53Doll.
02:55Berto took liberties with you, didn't he?
03:04Well yes, but I told him no.
03:06It is for these and other reasons that I do not like long commitments.
03:09Did Berto talk about marking the wedding?
03:12He didn't tell me, Dad.
03:13I didn't like it.
03:15It's time to mark it.
03:17Don't worry. No. You don't worry.
03:20Because Berto's grandmother is a moral pillar here in Ilieus.
03:23Didn't you come personally for the wedding?
03:26Small.
03:27Daughter, you cannot allow boldness.
03:31If not, you're going to lose your fiancé.
03:33Who do you take me for, mother?
03:35I am an honest young woman.
03:37I'm getting married in white in the church.
03:40No, no, no, no, no.
04:10It's the best champagne in the house.
04:16It was Natasha who chose her.
04:17Enjoy the colonel.
04:22I'm crazy to sleep with you.
04:26We'll take the champagne you ordered up there.
04:29It will be a pleasure, Colonel.
04:32You will see what a princess is capable of
04:35without how much the return ends.
04:37Yes, plus.
04:40The champagne cost 10 sacks of cocoa.
04:43What a bad deal.
04:44But it's yourself, princess.
05:05You're going up with me.
05:07I can't, my boy.
05:09What do you mean no?
05:11You are free in the living room.
05:12Go up.
05:14And you tear off your clothes because today I'm going to kiss you all over.
05:17Can't.
05:18There is a strike.
05:20Excuse me.
05:23That?
05:25Strike of what?
05:26Harlots' strike, Gerto.
05:28This world is lost.
05:30Harlots' strike.
05:32That is something new.
05:33All the whores of Ilieus are on strike.
05:36Even those on the street closed their legs.
05:38See you later, I'm going home.
05:40You're lucky, Tonic.
05:41Are you married.
05:42Who says I love my wife?
05:44That one has so much fat that I can't even eat it to keep from gaining weight.
05:49I'm after something better.
05:52And it is today.
05:59What's happening?
05:59Thank you!
06:29Fabiana, I'm starving.
06:36Mr. Tonico, dinner's still warm. Shall I serve you?
06:40Please.
06:51Want more?
06:52Yes, I do. I want it all! What breasts!
06:56Good heavens, Mr. Tonico!
06:57Come here!
06:59Good heavens, sir!
07:00Don't run away from me!
07:01Oh, Tonico, my darling!
07:05Oh, darling! Couldn't you put my peppered meat to sleep?
07:09Oh my goodness! I was falling asleep when I heard your voice.
07:13What are you doing here?
07:15Stand still. Your plate is getting cold.
07:18I was going for a glass of water.
07:22Geez! Move it, Fabiana! Get Tonico some water, now!
07:26My pudding needs to be treated like a king.
07:30What a cute thing! So cute!
07:35You can go! Go away!
07:37You arrived early today!
07:41And I know why.
07:44Do you know?
07:45You came early because you were missing your little wife, right?
07:50To your meat with pepper.
07:53Yes, but, but...
07:54Don't be embarrassed, I know you don't want to force me.
07:57Yes, I don't want to force you.
07:59You must be tired of watching the children so much.
08:01Go to sleep, go!
08:02But you deserve the best, Tonico, because you are a wonderful husband!
08:06Come closer! Hug me!
08:08Muam, muam, muam!
08:09Olguita, Olguita, Olguita!
08:10You're the mother of my children, Olguita! Respect, huh!
08:12Oh, gosh! Then twist me!
08:14Squeeze me! Suspend me, Tonico or kiss me!
08:19Oh!
08:20Olga! My peppered meat!
08:23I, I respect your condition as a pious woman!
08:26I'm not as demanding as other husbands!
08:28Oh, but...
08:29Mommy!
08:30Maria Lupicina!
08:32What are you doing here?
08:33I already put you to bed a long time ago!
08:35I'm afraid!
08:36Sleep here with your father, he is not afraid!
08:39No, no, no! Maria Lupicina! You're going to your room!
08:42But don't you see that the little girl is scared?
08:43But she's very spoiled!
08:45Come, my tapioca pudding!
08:47Come! Come sleep with your father and mother here, there's no need to be scared!
08:52Come, Olguita! Come! Come, come, come, come!
08:56Lie down, my little girl!
08:57Come, come, Olga! Come! Lie down here!
09:00What a pity, isn't it? What a pity!
09:03Too bad!
09:04He was afraid!
09:05But what about us!
09:06I know, I know, Olguita!
09:08You are a darling of a mother!
09:10Children above Toto!
09:12Besides, we have the rest for life.
09:16Settle in, darling!
09:17Come, Olguita! Come here with Mom!
09:19Tonight I... I sacrifice myself... safe.
09:25Safe!
09:26Come, Hans!
09:27Come here,
09:41Yeah!
09:43Aha!
09:45Aha!
09:47Aha!
09:49Aha!
09:51Aha!
09:53Aha!
09:55Aha!
09:57Aha!
09:59Aha!
10:01Aha!
10:03Te... Teonora, I'm dying of need.
10:09If you don't sleep with me, I'm going to go crazy.
10:15This strike is illegal!
10:18So, Colonel, take justice into your own hands.
10:23Aha!
10:25Aha!
10:27Aha!
10:29Aha!
10:31Oh my goodness, what's going on?
10:41The Bataclan whores are on strike.
10:43Charmuta!
10:44Until they let us continue the procession.
10:47The women here at the Bataclan and all the women of life in the city
10:52They are also on strike, just like in Itabuna.
10:55Strike for our dignity.
10:58Nasif!
11:00Listen.
11:02For me, you are not a client.
11:05You are romance.
11:07There is no strike for you.
11:09If you want, come up without talking to you.
11:13And wait for me, I'll get in the back.
11:18Saroy, are you willing to break the strike for me?
11:24Yes, do it.
11:25Hmm!
11:26Aha!
11:27Aha!
11:38You can't break the strike, Saroy.
11:41Because…
11:45I am in favor of this strike.
11:48You, as a man, are in favor of our strike?
11:51Class solidarity, you don't know, you're fighting for your dignity, I don't spoil it.
11:57Look, I'm offering myself to you the day that no one else is going to have sex and
12:04You refuse, you fought for the right to follow the procession
12:09You made all women take on the mantle of holiness if you break the
12:16strike you can harm the movement you really love me and it will harm my
12:24companions and you didn't leave me now I know that you believe in my dream
12:32But I'm going to reward you when this strike is over. I'm going to do it.
12:38All yours more than before, yes, then if that's the case, it would be better if I went home.
12:46Oh, but already at this hour, stay, I miss you.
12:51Sabolia if I stay I'm going to end up forcing you to climb that ladder and break
12:57the strike is temptation of more more proof that you love me don't even tell me
13:05But girl, don't even say it, I'm leaving, thanks.
13:24good
13:29Mr. Nazif arrived early
13:31yes today yes
13:37I'm going to get ready then and come back to serve you for dinner.
13:41don't notice the church come here
13:44I love you like this
13:49I put
13:52I put a coffee
13:53still dark
13:54and then he looks for me
13:56walk
13:57I want to review
13:58Gabriela
14:00again
14:01to try
14:02his
14:03The morning, very soft on the bush, the sun poured out its affection
14:08The shine on the jackfruit leaf, I thought of reviewing my abencio
14:14Gabriela, if you still had some money left, one day you would buy a dress.
14:25And more a glass of gel, tell a secret in the ovine
14:30I gave you a ring
14:32Pretty mosaic
14:33Sonia who was your favorite
14:41I thought, I thought so many things
14:48Let me be your husband
14:56Did you fall out of bed, Mr. Tonico?
15:04I never saw him arrive at this hour.
15:06I'm shattered
15:07You already know about the whores and the strike, Nacif?
15:11I didn't see you at the Bataclan yesterday.
15:13I went, yes, I left earlier
15:15Charmuta, everyone is cursing about what happened
15:19You're having an affair with Sarolinha, surely the strike didn't work for you?
15:23Okay, yes, Sarol has already made the move, he takes everything very seriously.
15:28But you're okay, aren't you?
15:30Too good
15:32Your eyes are shining, selling joy
15:37What is it?
15:38Would you like something to drink, Mr. Tonico?
15:43What's your secret, Nacif?
15:45Just a moment, Mr. Tonico.
15:53Let me serve the customers
15:55Colonel Ribeiriño
15:56Colonel Manuel Dasonzas
15:58How are things?
16:00Shit
16:00How would they be with this strike of the harlots?
16:03Shit
16:04But things are going to get better.
16:05I'm going to bring some snacks and drinks.
16:07Things are going to get better
16:09I'm going to bring a cachaça that is very, very fine
16:15Gabriela, you look like a little girl always playing with your squid.
16:25I want to talk to you
16:27Tell me
16:27Tell me, did you and him do stuff again?
16:31That?
16:32Little things?
16:34What do you want to tell me, Mrs. Arminda?
16:35Ah, I'm going to have to explain it to you, okay?
16:37It's a delicate way of saying that the man sleeps with the woman.
16:40But it is more delicate to say it to yourself
16:44That a man sleeps with a woman is so beautiful
16:47Yes, but people are ashamed to speak clearly
16:50But shame for what?
16:53If it's so pretty
16:54It's good
16:56Good heavens, Gabriela, say it once and for all.
16:58Did you sleep with Asip again?
17:03Yeah
17:03A while ago I saw the Turk leaving
17:06He was all happy, jumping like a goat
17:10He likes you
17:13And I like Mr. Nassif, Mrs. Arminda
17:19He is a handsome young man
17:22Gabriela, I already told you and I repeat.
17:25If the Turk falls in love
17:27You can have a good life
17:30Good life
17:32I already have a good life, Mrs. Arminda
17:36Good like that
17:38With Mr. Nassif
17:41The student combed her hair in front of the mirror
17:47In this case here, C
17:49It has the function of a reflexive pronoun
17:53Did you understand?
17:55Yeah
17:55We continue the next class
18:00This day ended
18:01Teacher
18:02Aren't you going to comment on our writing?
18:05The school principal wanted to read it.
18:07I handed them to him.
18:08Teacher
18:14Don Mauricio is very strict, isn't he?
18:16The note has already been given
18:17He just wanted to know what level my students are at.
18:20Listen to what I'm telling you, Malvina
18:24Don Mauricio is not going to like it at all.
18:26That topic you chose for the essay
18:27You did very wrong
18:28Women's suffrage is a forbidden matter
18:30And more in this school
18:32Now it's over
18:33But what if he tells your father?
18:35There he screwed up
18:35Dad is against my ideas of independence
18:38It will tear my skin off
18:39Professor Joshua
18:41The essays of her students are wonderful
18:44As director of the school
18:46I must say that you are a good teacher.
18:48Thank you, Mr. Mauricio
18:50I try very hard
18:51The girl Jerusa, granddaughter of Colonel Ramiro
18:55He wrote about the beauty of flowers
18:57A delight
18:58I confess that I had the same opinion.
18:59But I disliked Malvina's writing.
19:03Imagine
19:04Saying that a woman should vote
19:06Nonsense
19:08I don't know where she got those ideas from.
19:10A woman should take care of the house
19:14Of the children
19:15Not about politics
19:16I'm going to give the essay to your mother.
19:19Or better yet, to Colonel Melk
19:22You should be alerted about your daughter's ideas
19:25I'll give it to you myself, Mr. Mauricio.
19:26I am a teacher responsible for your education
19:29Well
19:30We agree
19:32You
19:40Help the oriño unload the supplies at my house
19:43Put everything in the kitchen
19:45Yes sir
19:47My colonel
19:48And then go to the inn
19:49That the urine
19:50The oriño knows the direction
19:52And today, Fagundes
19:55You're going to have a royal night at the Bataclan.
19:58Now take a bath
20:01Take a bath
20:02That the whores there are luxurious
20:04I haven't been with a woman for a long time, Colonel.
20:06And you go with him, Clemente
20:10Since Fagundes smuggled you in.
20:13You go with him
20:13Ah, I want to see the woman I love
20:16Even if it is far away, colonel
20:17Look at that
20:18A macho man
20:21Romantic
20:23Romantic
20:25Colonel Melk, don't offend me.
20:26I am a man
20:27If I doubted that, Clemente
20:29You wouldn't even work for me.
20:30Because the man who is man
20:32He doesn't even greet the inverted, Clemente
20:34Know?
20:35He doesn't even greet us.
20:36Come on!
20:38Malvina Girl
20:39You, professor?
20:42Forgive me if I scared you.
20:43You are not a ghost
20:44Why would I be scared?
20:45It was a way of saying
20:46I owe you a word.
20:49Listen
20:50Mom must not want to
20:51That I am talking at the gate
20:53I don't see any harm
20:55But her thinking is backward
20:57Yeah
20:58I just came to deliver this to you.
21:02My writing?
21:05The school principal read it.
21:07And he didn't like it
21:08And why didn't you like it?
21:09Mr. Mauricio
21:10Listen to the theme used
21:11And harmful ideas
21:12He asked her to give it to his father.
21:16And you disobeyed
21:18The director's orders?
21:21Because?
21:22Why did you decide to give me the writing?
21:27And not my father?
21:29I know your father is going to be furious.
21:32And I don't want anything bad to happen to him.
21:34Burn that essay
21:36And if anyone asks I'll say I lost it.
21:38You are a good man
21:40Now I must go in
21:43See you, professor.
21:45Teacher
21:46Oiriño
22:06You and Clemente unload everything
22:10Fagundes you
22:12Follow that guy of hers
22:15I want to know who it is
22:19I had tapioca made the way you like it.
22:40Is it tasty?
22:43Aha
22:43Is the milk hot?
22:47If you want, I can have it heated more.
22:49It's okay like this
22:50Ah, there's coconut cake.
22:57Wants?
22:58Leave me, Mrs. Ciña Ciña
22:59I want silence to eat in peace
23:02Don't bother me
23:03Yes sir
23:04You will excuse me if I
23:10If I speak again
23:11I have to let you know that I'm going to church later.
23:14Are you going to the dentist?
23:16Goes?
23:16Yes, before church
23:20Because?
23:24I'm going with you
23:25I am the husband of Mrs. Ciña Ciña
23:34Colonel Jesuino Mendonza at your disposal
23:37Excuse me, did I make a joke?
23:46Your handshake is a bit weak, doctor.
23:48I apologize if I hurt you.
23:50But I shake my hand like a man
23:53My husband didn't want to offend him.
23:54Don't interrupt, it's men's talk.
23:56I don't take it as an offense
24:03It is a habit of the trade
24:05I must have a delicate hand so as not to hurt my patients.
24:08But that doesn't make me any less of a man.
24:10I liked it
24:11The doctor has spirit
24:13But he's younger than I thought.
24:17Are you old enough to be a dentist?
24:20Are you a graduate?
24:21In Salvador
24:22My diploma is there on the wall
24:24In times of trouble
24:27Nobody needed a diploma to be a dentist.
24:30I myself have put the pliers in the mouths of many wicked men.
24:34My wife wouldn't like to be left without teeth.
24:38That's why I came to pay you.
24:41I haven't finished the budget yet.
24:43Mrs. Ciña Ciña's teeth are beautiful.
24:45But there are old fillings that I need to change.
24:49So that they are better
24:50Well, take this on account.
24:52I don't like to owe anyone.
24:55There's no need
24:56I trust you, Colonel.
24:57If I didn't trust myself
25:01He sent him to be castrated
25:02Now go and stretch my wife's teeth
25:05And have a nice day
25:07Come in
25:25If you like
25:26Please excuse me if my husband treated you badly.
25:37It's his way of being
25:39Don't feel sorry for me, Mrs. Ciña Ciña
25:43But for yourself
25:45Compadre Amancio
25:54Why are you desperate?
25:56And you, Berto, you're sweating cold.
25:58My son is a boy, my friend.
26:00And it can't stand it anymore because of the Bataclan whores' strike.
26:02Not from the Bataclan and from the entire city
26:05Look at my tragedy
26:06Yesterday I was at the gate with my girlfriend Lindy Nalba
26:08Which by the way is very pretty
26:09But it doesn't let itself be touched
26:11She's still your girlfriend
26:13You better show him respect, Berto.
26:16I know, I know
26:18But she is more honest than anyone I have ever met.
26:21I can't even give him a kiss
26:23It is very difficult to find a chaste woman nowadays.
26:27My granddaughter Jerusa is chaste too
26:32He is a darling of a young man
26:34Thanks to God and the education I gave him
26:37I really want my son Juvenal to return from Salvador.
26:41This is how we can treat the marriage of the two
26:44Me too, me too
26:45But go on, Berto.
26:46I'm already dry
26:48I can't stand it
26:49Yesterday I went to the Bataclan
26:50Decided to sleep with the first girl who came across me
26:53I even went with that pale girl who calls herself Russian
26:56Natasha, the one who speaks with a French accent
26:58Well whatever, she says she's Russian
27:00I went straight to her, with all urgency
27:02She charges a lot, but I was willing to pay.
27:05But the harlot joined the strike
27:08She closed her vagina
27:09They even hit me in the face with the door, buddy.
27:12Then I went out hunting for whores
27:14I went even to the poorest places
27:15There where the whores have an old bed
27:18And they are more used
27:19And I got nothing
27:21Not even there
27:24Dude, what are you laughing at?
27:28I'm laughing at Berto's desperation.
27:32So, the strike is general, right?
27:36General, from here to Itabuna
27:38I'm going to go crazy
27:39I can't stand it
27:41I'm not one of those, but suddenly
27:44I grab a goat, a mare
27:47I do not recommend it
27:49It's bad
27:50Hey, hey
27:51Well, what am I going to do?
27:52They say they will only return to work if they can go to the procession.
27:56You have to end the strike, Colonel Zambio
27:58Friend Amancio
28:01But he wants me to get involved
28:04With the whores and their strike
28:06What are my political enemies going to say?
28:10And what is the solution?
28:11Compadre Ramiro, there has to be a solution.
28:13Is it funny?
28:20A nonsense like that?
28:23Harlots' strike?
28:24Ah, Colonel, I don't usually agree with you because I am from the opposition.
28:29But in this case I sympathize.
28:31Is the prostitutes' strike the end of the world?
28:34You claim too much, Colonel.
28:36At his age
28:37Who should have been on strike a long time ago
28:40It's his penis
28:42Calm down, calm down
28:45The insult
28:46I solve it with bullets
28:48Excuse me, Colonel.
28:50Colonel, it wasn't Ñogalo who spoke.
28:52It was the cachaça
28:53If it's for the cachaza to say nonsense
28:56It is better not to even take out the bottle.
28:59Colonel, there are no more whores.
29:01Will I run out of cachaça?
29:06Gabriela
29:07Tonight you wait for me at home
29:10I want to talk to you
29:12Here I am, Mr. Nassib
29:15I did something
29:18No, what an idea
29:22No
29:23I just want to talk to you
29:27Just the two of us
29:31Of course
29:34Sounds nice, yes
29:36The Jesuino colonel is fine.
29:41Who is married to a cake of a woman
29:44Mr. Tonico Bastos
29:47I am a friend of your father
29:49Since the times of the riots
29:51But I don't like him talking about my wife like that.
29:55I don't take insults home.
29:57God save me from offending you, Colonel.
30:01I meant that even after so many years of marriage
30:04Mrs. Ciña Ciña is as pretty as before, isn't she?
30:08And I, I wasn't so lucky.
30:10When I got married, Olga was a woman, today she is worth three
30:14At least he's married.
30:18It has a place to relieve itself
30:21And where is desire?
30:23You know, one's wife is like going to church
30:26He appears from time to time and on holidays
30:29I think the whores are right
30:33They fight for their rights
30:35Are you feeling ill, Mr. Yoao?
30:38Are you in favor of them?
30:40Everyone has the right to come and go.
30:42The procession is public
30:44Everyone has the right to participate
30:45But it is an offense
30:47For good families
30:49I no longer suffer from the prostitutes' strike.
30:52I have my concubine supported, yes?
30:56In any case, I stand in solidarity with you.
30:59You do very well, Colonel Coriolanus
31:02I too must look for a kept concubine
31:06So, I don't stay dry.
31:09Gabriela, can you bring me a tapioca chicken?
31:23Gabriela, my flower
31:24A couscous
31:26Shrimp Fritade
31:28Papaya, Mr. Tonic
31:29Don't worry, Gabriela.
31:31Chico Molesa and I will take care of it.
31:34Go home
31:34Can I help, Mr. Nací?
31:37Tomorrow
31:37So, Colonel Manuel Das Onzas
31:50What are you going to do?
31:52Oh ok
31:53Are you leaving already, Colonel?
31:56I, I have a business to deal with.
31:59I don't know if I would have much
32:17No, no, no
32:18NoYE
32:18Minja
32:20Colonel!
32:44You have to be mine, Gabriela.
32:46You have to be.
32:50We're done for today.
33:04Mrs. Ciña Ciña, may I ask you a question?
33:08Of course, doctor.
33:10Are you happy?
33:13I know it isn't.
33:16Married to a man like that, she can't be.
33:20You are so delicate.
33:25Prove me wrong.
33:28He is happy.
33:28Mrs. Ciña Ciña.
33:50Mrs. Ciña Ciña.
33:51Mrs. Ciña Ciña.
33:55Mrs. Ciña Ciña.
33:57What happened to him?
33:58Is he crying?
34:07Why are you crying, Mrs. Ciña Ciña?
34:10It's my fault.
34:12Mrs. Ciña Ciña is crying because I fixed her tooth and it hurt.
34:17Oh, that's how it was.
34:20That's how it was.
34:20I am very weak to pain.
34:23I cry for nothing.
34:25Let me see if I have a handkerchief.
34:26It is not necessary.
34:29Take mine.
34:33It is perfumed.
34:35It's my lotion.
34:36Stay.
34:46Keep it.
34:48Just in case your tooth hurts again and you cry on the way.
34:52See you soon, doctor.
34:54Good afternoon, Mrs. Florciña.
34:57Go with God, my dear.
34:59Come in, Mrs. Florciña.
35:00How strange.
35:07The bar suddenly emptied.
35:09Gosh, the clientele increases a lot at this time of lunch.
35:13I don't serve food, just snacks and drinks.
35:16They come to see Gabriela, who brings food for you.
35:20They are just lurking.
35:22And when Gabriela appears, it's meat, it's fried, it's tapioca.
35:28Just so she comes to serve at their tables.
35:32They want to talk to her.
35:35Vers.
35:36Damn, I didn't know that word.
35:38What does it mean?
35:39Shut up, boy.
35:41You already have a dirty mouth in Spanish.
35:42You're not going to learn to swear in Arabic.
35:44Be quiet.
35:49So that's why the movement is increasing.
35:56Gabriela.
35:58They come to see Gabriela.
36:03Let me go, Colonel!
36:05God.
36:07Find another one!
36:08There are many beautiful women out there.
36:10I love you, Gabriela.
36:12I'll give you a house.
36:13I give you a cocoa field.
36:15You know how much a cocoa field is worth.
36:17It will make you rich, woman.
36:19What's that rich girl for, colonel?
36:20I have to dress now.
36:22I have to eat.
36:23I have everything I need, Colonel.
36:25Sun, wind.
36:28Money can't buy that, Colonel.
36:31Please.
36:32You're throwing me out on the street.
36:35This won't stay like this.
36:39Only you can end the prostitutes' strike.
36:41If the colonel orders, the father lets the whores participate in the procession and they return to work.
36:49The problem is the family women, you know?
36:52Because if I let the harlots participate in the procession, they'll make a fuss like that and...
36:59Colonel, think that this is a serious problem.
37:04All of us men in this city need whores to relieve us.
37:08And if there are no whores, if there are no courtesans, good women are in danger.
37:13I agree.
37:15Harlots help preserve the honor of families.
37:18It is their social service.
37:20Friend Amancio, this is the year of election.
37:23Women don't vote, but they torture their husbands' ears.
37:28I don't want to give my opponents the opportunity to say that I'm a mayor of whores.
37:36I agree with you.
37:38The way is to convince the wives that the harlots can follow the procession.
37:42I'm going to talk to mommy and that's it.
37:44My mother rules.
37:46If she says she can, all the others say amen.
37:48Jesus, Mary and Joseph.
37:52Did you come to talk to me about whores?
37:56They lost respect, right?
37:57You'll forgive us, Grandma, but I'm... boiling over.
38:03And I want to know about your warmth, Berto.
38:07Mommy, I'm sorry.
38:08I'm going to be direct.
38:10The women soles of the city went on strike.
38:13Strike?
38:14Strike of what?
38:16About what?
38:18About that, mommy?
38:19What about that?
38:21Tell him.
38:22I tell him.
38:24They sewed up their vaginas.
38:26They shut their asses.
38:27And they'll just open it again.
38:28If you can go to the procession.
38:30Respect your grandmother.
38:34You're a pandal.
38:35Oh, Grandma!
38:35Vandal!
38:36No, no, don't punish me.
38:37You lacked spanking when you were little.
38:40Why did your mother die before you, Vandal?
38:44And you, Amancio.
38:47Be careful.
38:49I am your mother and I demand respect.
38:51Mother heavens.
38:52Don't punish me because I'm a grown man, okay?
38:55You're a brat to me.
38:57And even more so now that you didn't teach that zarolia a lesson.
39:02That whore invented the strike just to confront me.
39:05Now they won't go to the procession even over my dead body.
39:11The thing is that the women of life are on strike.
39:16I guess so.
39:17Cosme and Damião had already told me.
39:19And how did you know?
39:20The whole town is talking about it.
39:22We only know that...
39:23We heard it said.
39:25We don't frequent sole women.
39:26And they shouldn't even frequent it.
39:28Here chastity is law.
39:29Yes, Father.
39:30Those courtesans broke the city.
39:34Even my son and grandson are in such a commotion just watching it.
39:39When a man is left without a woman, he becomes an animal.
39:43Yes, man is truly an animal.
39:46But not all.
39:47What did Mrs. Ciña Ciña say?
39:50I just agreed.
39:54Doña Dorotea, I believe the matter is extremely serious.
39:59We women should get together to discuss why this is the responsibility of our husbands and children.
40:06I insist on participating in that meeting.
40:09I have a lot to say.
40:11There have never been so many men wanting to sleep with me.
40:15But because of this strike, I didn't get paid anything.
40:19I have doubts, don't I?
40:22Even with you, Madame Machadao.
40:25If the strike continues, I don't know what to close.
40:28I have to pay for the dresses that he ordered for me.
40:31Is this strike going to last long?
40:33It will last until we go out in the procession behind our little saint.
40:37Covered with our cloak.
40:39As beautiful as the stars in the sky.
40:42The fight continues.
40:44For Saroli it is easy.
40:46Are you dating Nacif?
40:48The strike is of no use to you.
40:50Oh my goodness? What did you say?
40:51Didn't you sleep with the Turk yesterday?
40:54I thought I could.
40:56Yes, because romance is not a client.
40:59But my little Turk gave me proof of his love.
41:01He didn't sleep with me out of respect for our strike.
41:06I thought Nacif was a male.
41:09Don't talk about my man.
41:12What do I cut for you?
41:13And you cut me off with what?
41:14What do you cut with Nacif?
41:14What do you cut with Nacif?
41:16Stop this now!
41:18A fucking cut is a loss to me.
41:20Come on, girls.
41:21Everyone sit down and eat.
41:31By the grace of God, right, girls?
41:34This is not the time for fighting.
41:36It's time for unity.
41:38Hey, Teodora.
41:39You respect, Sarolia.
41:41Now, Sarolia, you stop being an idiot, woman.
41:44Opa, did you call me a donkey?
41:45Because?
41:46Yes, fucking fall in love, fucking donkey.
41:48Nacif didn't give you proof of love or anything.
41:50He didn't love you because he has someone else.
41:57Strike?
41:58Of the women of life?
42:00Gosh, that's good.
42:02Thus the men of the city do not stray from the path of morality.
42:05I don't agree.
42:06Man is bad.
42:07If the prostitutes do not control them, the young women of the family are in danger.
42:11Ah, that's why Amancio and Berto asked me for permission for the whores to follow the procession.
42:19But wouldn't it be much better, Doña Dorotea, because that way we'll resolve this matter once and for all.
42:26It is better to let men sin.
42:28It is better to sin with courtesans than with young families.
42:31It's true.
42:32Thank goodness my husband is in Salvador.
42:35Being a deputy takes up a lot of his time.
42:37God places, God disposes.
42:39What do you say, father?
42:44Ladies, God places and God disposes.
42:47What do you say, Father Cecilio?
42:49Ladies, this is a great opportunity to reinvigorate Iliad weddings.
42:55I know many husbands who frequent the women of life because they can't find what they want at home.
43:01Which is not my case because Tonico is crazy about me.
43:04The secrecy of the confessional prevents me from mentioning names.
43:08The fact is that no husband will miss courtesans if his wife uses the enemy's weapons in favor of holy matrimony.
43:21What, what?
43:22What nonsense is he saying?
43:24You are outside because you are a widow.
43:27But should wives attract their husbands?
43:30As if they were whores.
43:32No, Doña Dorotea.
43:34Like young newlyweds.
43:38Wives should attract their husbands as they did when they were younger.
43:45The courtesans' strike is intended to strengthen the families of Iliaeus.
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