- 5 months ago
Sharon Bell (Shannon Tweed) is back, this time she must stop a terrorist plot to smuggle Nazi nerve gas.
Category
🎥
Short filmTranscript
00:00:00Oh
00:00:30I just spent 10,000 bucks on his nose.
00:01:00So again, sucker.
00:01:27Let the kid go.
00:01:28You better do what she says.
00:01:31I know that tone.
00:01:33Well, perhaps I should put it another way.
00:01:35You see, I'm in touch with my feminine side.
00:01:38Call it a gift.
00:01:39You are not.
00:01:40I only had to look at you once and I could tell.
00:01:42Hey, kid.
00:01:44You see that moon up there?
00:01:53That moon there is a full moon, which means she's on a cycle.
00:01:59There you go.
00:02:01This is stupid.
00:02:02You think they're going to stop following us now just because we have the kid?
00:02:05Oh, that's the point.
00:02:05You see, I want them to remember us forever.
00:02:08From now on, it's me and you, Ben.
00:02:11Me and you and...
00:02:13And what?
00:02:16Come on, we got about 20 seconds here.
00:02:20I love my husband.
00:02:21I love my husband.
00:02:22Well, you're about to trade up.
00:02:37Cut!
00:02:47Bruce, fix this monitor.
00:02:50McNulty!
00:02:52Look good, huh?
00:02:55Scene 28, please.
00:02:56You trying to kill me?
00:02:58Because if you are, you're on the right track.
00:03:00You're giving me a heart attack here.
00:03:01I'm sorry, Jack. It's going to take about half an hour.
00:03:03I don't have half an hour, Tommy.
00:03:07It was great, Sharon. Good.
00:03:09Yeah, I'm all right. I'll see the nurse later.
00:03:11Jack, I told this jerk off,
00:03:13if he throws the Zippo in the car again,
00:03:15I'm going to freak out.
00:03:16Screw you. It's cool, like McQueen.
00:03:19Keep your hands off me,
00:03:21you piece of garbage actor.
00:03:23Security!
00:03:24Hey, big guy. Come on, you're going to break your nails.
00:03:26I thought you told me you squared the lighter thing with Tommy.
00:03:31I did.
00:03:32Bullshit, you little dickwad.
00:03:34Dickwad?
00:03:35You know, this is my show.
00:03:37I'm the star.
00:03:38You know, you don't like it,
00:03:38then you fucking learn how to type, fuckface.
00:03:41I'm history.
00:03:43Good.
00:03:43Let's go!
00:03:44No, no, no.
00:03:44Tommy, come back here.
00:03:46Calm down.
00:03:47You, stay with me.
00:03:49Stephen, this is a Porsche.
00:03:51$80,000.
00:03:53One scratch, one.
00:03:55And we pay for it.
00:03:55You want to set the thing on fire.
00:03:57I cannot believe that you're taking this side, Jack.
00:03:58I'm not taking anyone's...
00:03:59Come on, Jack.
00:04:00We've got to talk about tomorrow, remember?
00:04:02What?
00:04:03Let's just go over that stuff for tomorrow.
00:04:04Remember, you said you would.
00:04:05You promised.
00:04:08Okay, ciao, Pete.
00:04:09Hey, babe.
00:04:11Did you talk to Jack about that psychopath McNulty?
00:04:14Steve, he told you not to throw the lighter.
00:04:16Let it go.
00:04:18Well, all right, but only because you are so nice, huh?
00:04:21So, what do you say we go to the hotel?
00:04:23We can talk about, I don't know, scene 69.
00:04:26Sorry, I've got to scout the gallery location with Jack.
00:04:31Oh.
00:04:31Oh.
00:04:51Fuck, fuck, fuck!
00:05:19More people.
00:05:21Go away!
00:05:23Relax.
00:05:24Jarvis will handle it.
00:05:27Mrs. Holman, my theory is that interactive, contemporary exhibits like this will bring in more people.
00:05:33And more people means more sales.
00:05:36What would I do without you, my dear?
00:05:38You know, my Harry would really have liked your way of thinking.
00:05:43He was ahead of his time, wasn't he?
00:05:44Up and at him.
00:06:00I'm like, I'm like, back Leo.
00:06:19I'm like.
00:06:19There are only things out of my mind, Dingen.
00:06:22I mean, I'm like, I'm like, man, dude.
00:06:23And anyway, here's how good he wants.
00:06:26I don't know about this deal.
00:06:32You get what you get. Is there a problem?
00:06:37That all depends on what you're getting.
00:06:39Now isn't the time. Trust me.
00:06:40Well, I think it usually set. Pick your spots, I always say.
00:06:44And I think you guys need me more than I need you right now.
00:06:49I want a piece of the pie.
00:06:54Mint?
00:06:56Yes, I have great hopes for this year,
00:07:02even though that high-tech security system you had installed
00:07:05did set us back financially.
00:07:07But with this Rahusar exhibit,
00:07:09we should really get back on our feet again.
00:07:11We will.
00:07:12Mrs. Holman, please report to the loading bay. Thank you.
00:07:15Oh, my, look at the time. The Rahusar must be arriving.
00:07:18Robert, Quentin, come with me.
00:07:21And bring the darling.
00:07:21Bobby Bell, please meet your sister in the lobby.
00:07:27Well, you go ahead. I'll have to see you later.
00:07:30All right.
00:07:33Mr. Dubrow, to the information desk, please.
00:07:37Hello, Sharon.
00:07:45Bobby.
00:07:45So good to see you.
00:07:48This place is great.
00:07:49You must love working here.
00:07:51Yeah, well, it's not as glamorous as what you do.
00:07:56As long as you're happy, Bobby.
00:07:59Come on. I'll show you around.
00:08:02Best thing about it, really, is the people that you meet.
00:08:04You know, some of them are pretty intense.
00:08:06Okay, open the door.
00:08:13Open the door, Renner.
00:08:21All yours, Falcom.
00:08:27Mrs. Holman knows everyone,
00:08:29but ever since her husband died,
00:08:30she's been pretty depressed.
00:08:32I'm sort of part curator, part husband,
00:08:34and our best friend these days.
00:08:44Ritter, what are you doing?
00:08:53I said, what are you doing?
00:08:55Fixing the lights.
00:08:56The lights were fine.
00:08:58Yeah, right.
00:08:59Next week, we will be featuring the Rock Czar,
00:09:02a marvel of early real classical art,
00:09:05Manfred Degler's masterpiece, Austin.
00:09:07Why don't you stick to what you know?
00:09:09Hey, screw you, all right?
00:09:11I don't need this.
00:09:13All right?
00:09:14Why don't you fix him?
00:09:22Looks like you could use an electrician.
00:09:24Yeah, well,
00:09:26Ritter fired him
00:09:27because he gets screwing up the alarms.
00:09:29Since we got that new digital system,
00:09:31he probably sees himself as redundant.
00:09:34Ah!
00:09:34Oh, you okay?
00:09:36Yeah.
00:09:36Let me see.
00:09:36Yeah, I'm fine.
00:09:38Forget it.
00:09:39Bobby, don't fool.
00:09:40We said you're gonna kill yourself.
00:09:42Let's call an electrician.
00:09:44Flick the big switch.
00:09:46Please.
00:09:47That's here.
00:09:48Bobby, come on.
00:09:59A reminder.
00:10:00The Holman Gallery closes shortly.
00:10:11Mrs. Holman,
00:10:13I really must renew my objection
00:10:14to letting Bobby use your security card.
00:10:16It's highly irregular.
00:10:18My own men don't even have them.
00:10:19You're chief of security, Mr. Ritter,
00:10:21but I own the building.
00:10:22Don't worry about Bobby.
00:10:43Well, maybe in the basement,
00:10:44but at least it's private.
00:10:46It's lovely, Bobby.
00:10:48I'm so proud of you.
00:10:50I would have thought my little sister
00:10:51would be running a gallery.
00:10:53Jarvis?
00:10:53Hi, Bobby.
00:10:54Hi.
00:10:55Yeah, listen,
00:10:55see if you can get me an electrician.
00:10:57Tonight?
00:10:58Yeah, tonight.
00:10:59Okay, Bob.
00:10:59Thanks, your doll.
00:11:02You know,
00:11:02one of the reasons
00:11:03I suggested the gallery for the film
00:11:04was because
00:11:05I thought we could spend
00:11:07a little time together.
00:11:08Yeah, well,
00:11:09that's just great, Sharon,
00:11:10but you see,
00:11:11this just happens to be
00:11:12one of the biggest weeks of my life.
00:11:14The future of the gallery
00:11:16depends on the success
00:11:17of the Rehuzar exhibition.
00:11:19And what do you do?
00:11:20You want to come and make a movie.
00:11:24Where were you 15 years ago, huh?
00:11:29Where were you
00:11:30when I really needed a big sister?
00:11:31Come on.
00:11:49It's time.
00:12:19The Holman Gallery is now closing for the evening.
00:12:26Thank you for visiting the Holman Gallery and please come again.
00:12:31Please exit via the south doors.
00:12:49Good night.
00:13:03Oh, excuse me.
00:13:06Good night.
00:13:07Good night.
00:13:10This is Holman, please.
00:13:12It's over there, sir.
00:13:19Wow, that's beautiful.
00:13:39Here it is.
00:13:43Legend has it that anyone who touches it is cursed to touch no more, so the Russians say.
00:13:48Okay, so don't make me cut your fingers off.
00:13:51Eric Dane.
00:13:52Yes, I'm Bobby Bell, the curator.
00:13:54I can't tell you how much this exhibition means to us.
00:13:59Oh, and this is my sister, Sharon Bell.
00:14:01The actress.
00:14:03Oh, sorry, I try.
00:14:06Mr. Dane is responsible for prying the statue out of Russia.
00:14:10Well, I crossed a few palms with silver.
00:14:12I hate red tape.
00:14:13And the embassies helped me save a few headaches with customs.
00:14:18Well, it's just stunning.
00:14:21She was looted out of Norway by the Nazis.
00:14:24And Hitler's own curator, Manfred Dengler, tried to smuggle her out of Berlin just before the fall.
00:14:32But the Russians captured his outbound train, and she spent the last 50 years in a bunker under Moscow.
00:14:45There's something wrong with this main lobby camera.
00:14:47Yeah, well, it was fine before, wasn't it?
00:14:53Yeah.
00:14:54Wow, this is cool.
00:15:01Fuck me, Jack, man.
00:15:02This is it.
00:15:04This is fabulous.
00:15:05It's just like I imagined.
00:15:07Hey, hey, you know that, uh, what am I thinking?
00:15:09The Godfather scene, you know?
00:15:12Everybody out.
00:15:13Yeah, everything's under control.
00:15:16Paying attention there, Jarvis?
00:15:17Yes, sir.
00:15:21Christ.
00:15:25What the hell did you do that for?
00:15:26I was told to do it, so I did it.
00:15:28Yeah?
00:15:29Well, fuck you.
00:15:31Who's a good kid?
00:15:32Get it together.
00:15:35I should kill you right now.
00:15:37Right?
00:15:39I should have been told.
00:15:40That's all.
00:15:41If you feel so bad when you're on the airplane tonight, on your way to Mexico, sitting your
00:15:47ass down in first class, get on the air phone and phone his mother and apologize.
00:15:52Now, there's something wrong with this main lobby camera.
00:15:56You sure it's clear?
00:15:58Yeah, it's clear.
00:16:00Good.
00:16:03The fucking room, man.
00:16:06What the hell is going on here?
00:16:08I'm so sorry.
00:16:09Jack?
00:16:11What do all these people do here?
00:16:12I thought production should have a look-see.
00:16:14Oh, for Pete's sake, Jack.
00:16:16I had no idea my sister would be so inconsiderate.
00:16:20Well, it's all right, I suppose.
00:16:23You must be Mrs. Holman.
00:16:25That's right.
00:16:26And Bobby?
00:16:28I'm Jack Therese, the director.
00:16:30It's not Sharon's fault.
00:16:31It's mine.
00:16:31I misunderstood you when we spoke on the phone.
00:16:34Please accept my apology.
00:16:36I'm freaking out here.
00:16:38This is fantastic.
00:16:39I'm so sorry to do this to you.
00:16:43Well, it's fine.
00:16:43Really, it is.
00:16:44We'll work it out.
00:16:46Darling, darling, darling.
00:16:47Oh, Eric, there you are.
00:16:49I've been waiting for you.
00:16:51I can't tell you how much I appreciate the confidence that you've put in us.
00:16:56They're in.
00:17:03It's all yours.
00:17:04You'reine.
00:17:10They're in.
00:17:12They're in.
00:17:13They're in.
00:17:19They're in.
00:17:54Building secured, done.
00:18:02You better get your ass on up to the workshop.
00:20:03How are we doing?
00:20:04Oh, we're doing great.
00:20:05We're working with the psychopath.
00:20:07We love working with psychopaths.
00:20:09Falco.
00:20:09He slit the kid open like a sow.
00:20:12It'll be worth it.
00:20:12I said, look, I'm going to lock myself in the room with these four Russian officials in case it's locked until they give in.
00:20:22Storming artist.
00:20:23You have quite a sense of humor.
00:20:25Hey, fella, what are you doing?
00:20:46Hey, there's a guy down here messing with the paintings.
00:20:50Yeah, you're right, Stephen.
00:20:52I don't know.
00:20:53He's got quite an imagination.
00:20:56Hey, you.
00:21:01Hey, hey, stop.
00:21:03Very interesting.
00:21:04Bringing in this video exhibit is a real stroke of genius, Bobby.
00:21:07It's original, isn't it?
00:21:09Oh, my God.
00:21:10What is it?
00:21:11Oh, no.
00:21:14I'll call for security.
00:21:16Where does Stephen go?
00:21:17Don't go.
00:21:20Don't go.
00:21:20He's been 911.
00:21:28Damn it.
00:21:43You're a moron.
00:21:44Yeah, go ahead.
00:21:48The old lady, Bobby, in the rotunda.
00:21:50To hell with your head games.
00:21:52I'm staring at them right now, you stupid moron.
00:22:05He's not answering.
00:22:06Oh, my God.
00:22:07We've been locked.
00:22:08Where the hell is security?
00:22:10Oh, my God.
00:22:12But I don't know what happened.
00:22:14It's impossible.
00:22:15This place is like Fort Knox.
00:22:16Where's the alarm?
00:22:17All this good work is down the drain.
00:22:19The Russians made me sign my life away fast.
00:22:21You said there was going to be high-tech security and bulletproof glass.
00:22:24The alarm is fully operational from the security desk.
00:22:27Was it armed?
00:22:28I doubt it.
00:22:29Jarvis wouldn't have armed it until we left.
00:22:31I'm so sorry.
00:22:34I just can't be able to.
00:22:35Okay, let's go.
00:22:36I just can't be able to.
00:22:51Oh, my God.
00:22:53Oh, my God.
00:22:55Oh, my God.
00:22:55Oh, my God.
00:22:56Yeah, yeah.
00:22:57Oh, my God.
00:22:58Oh.
00:22:58Oh, my God.
00:22:58Oh.
00:22:59I heard the shot is fired.
00:23:12It's no use. They're still locked.
00:23:14Bobby, use the security card.
00:23:16Uh, I think I left it in my office.
00:23:19I'm gonna have to go get it.
00:23:20No, wait. I'll get it.
00:23:22Bobby, can we try the switchboard, see if we can reach 911?
00:23:25Does this work?
00:23:26No. The new fire alarm is touched.
00:23:28It needs cruises.
00:23:30Where's Steven?
00:23:33Hey.
00:23:35Can't.
00:23:36Oh, my God.
00:23:39I'll pay for it.
00:23:40I know. It's like throwing one of your kids at the window.
00:23:42Be careful. Be very careful.
00:23:44One, two, three.
00:23:49Phones are dead.
00:23:53Till we get that card, we're locked in.
00:23:58I don't want any excuses, but they told me you're a professional.
00:24:19All right?
00:24:20But a professional does not run around this place like a schoolboy.
00:24:25That is not a professional. That is an asshole.
00:24:27Hey, don't tell me, okay?
00:24:29This guy came out of nowhere.
00:24:30Security's not my job. It's Ritter's.
00:24:32So he's the asshole, not me.
00:24:33That's the first smart thing you said already.
00:24:35Mrs. Holman, could you pass me the key to the security system?
00:24:42I want to check it out.
00:24:43Hello, outside the Holman Gallery.
00:24:55We are being robbed.
00:24:57Please call the police.
00:24:58This is an emergency.
00:25:00I repeat, this is an emergency.
00:25:02The Holman Gallery is being robbed.
00:25:05Please call the police.
00:25:06This is an emergency.
00:25:07If you can hear me, please help me.
00:25:14You want to play me?
00:25:15Please call the police.
00:25:19Please call the police.
00:25:21The Holman Gallery is being robbed.
00:25:23We are trapped inside.
00:25:25This is an emergency.
00:25:26Please alert the authorities.
00:25:28The Holman Gallery is being robbed.
00:25:30Please call the police.
00:25:37I see a face.
00:25:49I shoot.
00:25:50Jesus Christ.
00:25:51Jesus Christ.
00:26:02You got no class, Mr. Ritter.
00:26:07Hello, this is Eric Dane.
00:26:10I'm going to be checking in your hotel a little late this evening.
00:26:13Could you hold on to my reservation?
00:26:15Thanks.
00:26:19Guard that with your life.
00:26:21I'll keep the battery.
00:26:24You bastard.
00:26:26Shut the fuck up.
00:26:27Well put.
00:26:29You don't want to fuck with me.
00:26:32I've been 17 hours on a cigarette without a plane.
00:26:35I'm not.
00:26:37I'm not.
00:26:42Bastard.
00:26:43Is that what you said?
00:26:45Come here.
00:26:45Come on.
00:26:46Come on.
00:26:46Hey, hey, hey, hey.
00:26:47Stay out of it.
00:26:49If I wanted to kill you, I would do it now, but I have something else in mind.
00:26:54So if I were you, I would just keep my mouth shut.
00:26:58What is your deal, Dane?
00:27:02My name is Eric Dengler.
00:27:04Does that ring a bell?
00:27:05I'm meant for its son.
00:27:10So if you insult me again, or otherwise get under my skin, I will kill your whole fucking family.
00:27:18That is too bad.
00:27:24That is too bad.
00:27:24I liked her.
00:27:25Hmm.
00:27:28Oh, get over!
00:27:30I'm going to fucking do it!
00:27:31Get over!
00:27:32Got caught.
00:27:32Let's go.
00:27:43Mint.
00:27:43Yes, I will.
00:28:00Delicious.
00:28:01Just a slight touch of wintergreen, not too much.
00:28:04Valco, go find the movie star.
00:28:31Tell her if she doesn't come out from hiding, you're going to rip her sister limb from limb.
00:28:35I mean it.
00:28:38Get him out of here.
00:28:39Go, go.
00:28:39Come on, Ritter.
00:28:41Edgy.
00:28:41Edgy.
00:28:41Edgy.
00:28:41Edgy.
00:28:42Edgy.
00:28:42Edgy.
00:28:43Edgy.
00:28:43Edgy.
00:28:44Edgy.
00:28:45Edgy.
00:28:45Edgy.
00:28:45Edgy.
00:28:46Edgy.
00:28:47Edgy.
00:28:49Edgy.
00:28:50Edgy.
00:28:51Edgy.
00:28:52Edgy.
00:28:53Edgy.
00:28:54Edgy.
00:28:55Edgy.
00:28:56Edgy.
00:28:57Edgy.
00:28:59Edgy.
00:29:00Edgy.
00:29:01Edgy.
00:29:02Edgy.
00:29:03Edgy.
00:29:04Edgy.
00:29:20Edgy.
00:29:25Edgy.
00:29:26Yeah.
00:29:29Relax, my lead lead.
00:29:30Everything's under control.
00:29:43You've been pissing on my boots all evening.
00:29:46Get him over here.
00:29:48You got any last, like, iron-jawed words
00:29:51before I kill you?
00:29:54Huh?
00:29:56Huh?
00:29:58Well, at least tell me what it feels like
00:30:00knowing you're gonna die.
00:30:02What can possibly be gained from this?
00:30:05Why don't you just do whatever it is
00:30:07you came here to do and leave?
00:30:09Another voice heard from.
00:30:11You're a brave man.
00:30:12One more word out of you and I'll kill you.
00:30:15You scratch the surface of any egomaniac
00:30:18and you find a coward.
00:30:20Oh, yeah.
00:30:21You know what they say about terrorists?
00:30:23They don't like to have people look in their eyes.
00:30:25You understand that?
00:30:27They hate it.
00:30:29Give me one more hairy eyeball.
00:30:31Look at me.
00:30:32Yeah, I thought so.
00:30:35Mr. Beagle,
00:30:36go find Falco.
00:30:41How's it going with this piece of shit?
00:30:43I smell money.
00:31:02Ha, ha, ha.
00:31:04Ha, ha, ha.
00:31:04Hello, can anybody hear me?
00:31:33Anybody on this channel?
00:31:35Please, come in.
00:31:36Anybody.
00:31:37It's an emergency.
00:31:39Hi, copy, ma'am.
00:31:40Go ahead.
00:31:40What's the problem?
00:31:41Oh, thank God.
00:31:43Um, there's been a robbery
00:31:45at the Holman Gallery.
00:31:47There's five of us held hostage.
00:31:48You need to send help.
00:31:49Please hurry.
00:31:51Are you secured, ma'am?
00:31:52Where are you?
00:31:53Um, I don't know.
00:31:54I'm in the basement.
00:31:55Where?
00:31:56Look around.
00:31:57It seems to be a security office of some kind.
00:31:59Please, hurry.
00:32:00Uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh.
00:32:03Uh.
00:32:04Uh.
00:32:12I am a villain.
00:32:17Yet I lie.
00:32:18I, I am not a fool of thyself speak well.
00:32:29Fool, do not flatter.
00:32:34My conscience hath a thousand several tongues.
00:32:40Snoot music.
00:32:42You get paid for this.
00:32:44Ow.
00:32:55Direct him, Mr. Director.
00:33:00Stephen, I know this sucks.
00:33:04We all have to live through this.
00:33:08God, this is ridiculous.
00:33:09Just, just, just try and be truthful.
00:33:17Just try and tell the truth.
00:33:27And every tongue brings in several tale.
00:33:33And every tale condemns me for a villain.
00:33:36Perjury.
00:33:41Perjury in the highest degree.
00:33:44Murder.
00:33:45Stern murder.
00:33:49Jesus.
00:33:50I sound like you got marbles in your mouth.
00:33:52God.
00:33:57Enunciate.
00:34:00Direct him, Mr. Director.
00:34:02The actor's life is in your hands.
00:34:04사랍.
00:34:06They are all nine who are not.
00:34:10They are all nine but now.
00:34:19Beforeatorio.
00:34:21Those are two orthogonal.
00:34:21One.
00:34:21Two.
00:34:27Three balloons.
00:34:27Chainsaw.
00:34:27This is a million.
00:34:28Two.
00:34:29Three balloons.
00:34:31Three balloons.
00:34:33Oh, my God.
00:35:03Stephen is a star, not an actor.
00:35:24Why are you doing this?
00:35:26He can't win your game.
00:35:29He only knows how to do sitcoms, for Christ's sakes.
00:35:33An actor's an actor.
00:35:37May I approach?
00:35:41He's ahora.
00:35:43No, no, no...
00:36:09All several sins, all used in each degree, thrown to the bar, crying all guilty!
00:36:39Humorless prick, that's my review, I should sew him into the belly of a camel with Siskel, or maybe feed him to Ebert.
00:37:09I am really disappointed in you, Jack.
00:37:19Put this on it. The rest of you just take a deep breath.
00:37:25The rest of you just take a deep breath.
00:37:27The rest of you just take a deep breath.
00:37:37The rest of you just take a deep breath.
00:37:49The rest of you just take a deep breath.
00:38:05The rest of you just take a deep breath.
00:38:21The rest of you just take a deep breath.
00:38:33The rest of you just take a deep breath.
00:38:37The rest of you just take a deep breath.
00:38:53The rest of you just take a deep breath.
00:38:59The rest of you just take a deep breath.
00:39:09It's the formula for the neutralizing agent.
00:39:13The rest of you just take a deep breath.
00:39:25The rest of you just take a deep breath.
00:39:29The rest of you just take a deep breath.
00:39:31Really?
00:39:41The earth.
00:39:43The rest of you just take a deep breath.
00:39:45I should.
00:39:49The rest of you just take a deep breath.
00:39:51You all need me.
00:39:53during the Second World War, as an ultimate for the A-bomb.
00:39:57This is like a 40s Arcteco Neutron bomb.
00:40:14The sphere contains two compartments.
00:40:17One contains zafonine in an inert solution.
00:40:22The other holds distilled water.
00:40:24And the sphere is activated.
00:40:26Zafonine's solution is expelled through one nozzle...
00:40:34...and the water through the other.
00:40:52Where do we stand?
00:40:54It's as good as the day it was made.
00:40:56Maybe Stephen could lend us a hand with a demonstration.
00:40:58Ha, ha, ha, ha.
00:41:01Ha, ha, ha, ha.
00:41:02Ha, ha, ha, ha, ha.
00:41:04Ha, ha, ha, ha, ha.
00:41:06Zafonine crystals are harmless...
00:41:09...until they're combined with moisture of any kind.
00:41:11...like sweat...
00:41:13...or, uh...
00:41:15...saliva...
00:41:17...urine.
00:41:19It's not particular.
00:41:20Oh, my God.
00:41:21The only thing we have to worry about is...
00:41:23...cousing a chain reaction...
00:41:25...like they were when they found a chain reaction...
00:41:26...like they were when they found a chain reaction.
00:41:28...they first set off the E-bomb.
00:41:28Do it.
00:41:28Do it.
00:41:29It's not like this alcohol...
00:41:30...the type of alcohol in the air...
00:41:31...like sweat...
00:41:32...or...
00:41:35...saliva...
00:41:36...urine.
00:41:37It's not particular.
00:41:37Oh, my God.
00:41:38Oh, my God.
00:41:48The only thing we have to worry about is...
00:41:50...cousing a chain reaction.
00:41:53Like they were when they first set off the...
00:41:54...gade bomb.
00:41:55Do it.
00:41:57What's your breath?
00:42:13Holy shit.
00:42:15Holy shit. Close the case.
00:42:19They're still alive.
00:42:25Here, try it on this.
00:42:27No, I think it's weakened over the...
00:42:33I guess not.
00:42:37It's not what...
00:42:41Would you like to venture a guess about why we want this?
00:42:45Bobby, would you hazard a guess?
00:42:48You...
00:42:49Can I...
00:42:51take this one?
00:42:53Sure, Jack.
00:42:55You're gonna sell it.
00:42:59That was one tiny pin.
00:43:01Paper.
00:43:07Does Ebola mean anything to you?
00:43:09When I was in Bulgaria, down the street from my four-star hotel...
00:43:13the authorities bagged a couple of guys that had seven kilos of plutonium in coffee cans in somebody's cellar.
00:43:21One cupful can take out a whole city.
00:43:25One of these can take out a whole country, and it has no half-life.
00:43:29Iraq, Iran, Libya would love to get their hands on this.
00:43:37What would they pay?
00:43:39What would their enemies pay to keep their hands off?
00:43:41I'm in sales, basically.
00:43:43And I think I've got the, uh...
00:43:45What would you say?
00:43:47Sales pitch.
00:43:49What would you say?
00:43:51Sales pitch.
00:43:55The perfect pitch.
00:43:59Oh, yeah.
00:44:01Oh, yeah.
00:44:03I have 12 of them.
00:44:05A little speck, that pig.
00:44:07I have 12 of them.
00:44:09Pack them up.
00:44:11Grinner, come up.
00:44:39Get up.
00:44:41Get up.
00:44:43Get up.
00:44:45What are they?
00:44:46Get up.
00:44:53Get up.
00:44:54I need this.
00:44:56Get up.
00:44:58Get up.
00:44:59You.
00:45:00Get up.
00:45:01Get up.
00:45:02Get up.
00:45:03Get up.
00:45:04Take a seat in your chair.
00:45:06Get up.
00:45:07Get up.
00:45:09Get up.
00:45:10This is the main air flow to the entire building.
00:45:32Open it up.
00:45:35I think this will be excellent.
00:45:37What an effective demonstration of our product.
00:45:40You scared me to death, man.
00:45:42What?
00:45:44I'm just thinking out loud.
00:45:46That's what I thought.
00:46:10I'm really scared, Jack.
00:46:15It's going to be all right, Bobby.
00:46:17The reason we're alive is because they need hostages.
00:46:21They need us in one place.
00:46:23I've researched this.
00:46:24A what? A film?
00:46:26Yeah. I've done two hostage movies.
00:46:29Hey!
00:46:29Shut up!
00:46:39Where's Lisette?
00:46:40She's gone after the sister.
00:46:43You have my condolences.
00:46:45Knowing Lisette, you're an only child.
00:46:48You're an only child.
00:46:49Yeah.
00:46:50Oh, dear.
00:46:53Oh, dear.
00:46:54Yeah.
00:46:56Oh, dear.
00:46:56Oh, dear.
00:46:57Oh, dear.
00:46:57Oh, dear.
00:47:11Oh, dear.
00:47:12Oh, dear.
00:47:13Oh, my God.
00:47:43Oh, my God.
00:48:13Oh, my God.
00:48:43Oh, my God.
00:49:13Oh, my God.
00:49:43Oh, my God.
00:50:13Oh, my God.
00:50:43Oh, my God.
00:51:13Oh, my God.
00:51:43Oh, my God.
00:51:45Oh, my God.
00:52:13Oh, my God.
00:52:15Oh, my God.
00:52:17Oh, my God.
00:52:19Oh, my God.
00:52:21Oh, my God.
00:52:23Oh, my God.
00:52:29Oh, my God.
00:52:31Oh, my God.
00:52:33Oh, my God.
00:52:43Oh, my God.
00:52:45Oh, my God.
00:52:55Oh, my God.
00:52:57Oh, my God.
00:52:59Oh, my God.
00:53:01Oh, my God.
00:53:09Oh, my God.
00:53:11Oh, my God.
00:53:13Oh, my God.
00:53:21Oh, my God.
00:53:23Oh, my God.
00:53:25Oh, my God.
00:53:27Oh, my God.
00:53:37Oh, my God.
00:53:39Oh, my God.
00:53:45I'm saying you put a cap in and we got a lot of problems.
00:53:49He knows the building systems.
00:53:51Hey, I'd be the first guy to say, fuck him.
00:53:54More money for us.
00:53:56That's not the option of him.
00:53:59We need the fucking security card.
00:54:09See if you can bypass the security locker in front doors.
00:54:13Be back.
00:54:15Is there any way...
00:54:24What?
00:54:26...to disarm the spheres?
00:54:31In about 20 minutes, we're all gonna turn to dust.
00:54:37If you don't believe me, go check the elevator.
00:54:40I'm gonna go look for another way out.
00:54:42Well, we know one thing. They're not going anywhere.
00:54:51Three against four.
00:54:53Boy, I bet they're scared now.
00:54:54Let me see that.
00:54:55I'm scared now. God, this isn't one of your movies, Sharon.
00:54:58Think about what happened to Steven.
00:54:59Oh, make up your mind, Bobby.
00:55:01Have you seen the movies or haven't you seen the movies?
00:55:03Not a one.
00:55:04Both of you stop it.
00:55:05Both of you stop it.
00:55:06It's very simple.
00:55:07They want out and we have the only key.
00:55:10So we need some kind of defense.
00:55:11We have two guns and one's almost out of ammo.
00:55:13I love it when you're pissed.
00:55:16Barcel. Turpentine. Both highly flammable.
00:55:21They'll do the job equally well.
00:55:22We got this.
00:55:24This is stuff that can really heat things up.
00:55:27Kryolan spray.
00:55:30Brother to me.
00:55:35You don't miss around when you get pissed, Bobby.
00:55:41Joey the Pinto.
00:55:44Great actor.
00:55:45I shot a movie with him ten years ago.
00:55:47He used ammonia like tear gas.
00:55:49You got plenty of that.
00:55:51Great.
00:55:53Hey, you think these will come in handy?
00:56:01Huh?
00:56:18These things are locked.
00:56:20Tight.
00:56:23Yeah.
00:56:24Hello.
00:56:44Jack.
00:56:45Well done, Sharon.
00:56:47Very smart.
00:56:49Come on.
00:56:50It leads to the basement.
00:56:55Find me the walking?
00:57:01Are you fed up with him?
00:57:02Yes, sir.
00:57:03Give him no rest.
00:57:04Yes, sir.
00:57:05Go doors.
00:57:06Go.
00:57:17Bobby!
00:57:20Go in there.
00:57:37Do you know the difference between a red ant and a pepper moth, Jack?
00:57:41Do I really care?
00:57:44The set was a red ant.
00:57:45They're crazy.
00:57:46They don't know how to quit.
00:57:49They just fight till they die.
00:57:51Pepper moth hides away.
00:57:54Bullshitting itself, it'll fight another day.
00:57:57But not in your lifetime.
00:58:02That's funny.
00:58:04I think you have way too much time on your hands.
00:58:06Where's the gun?
00:58:13I don't know what you had.
00:58:17Give me the card, and I'll leave the door open for you.
00:58:20Give me your best Shakespeare, and I'll consider it, you fuck.
00:58:25Sounds like you've been combined with Bobby too long.
00:58:27You know, I speak 12 languages, and I used to trail the park white trash.
00:58:32But I can definitely tell by the throne that that was a definitive negative.
00:58:35Yes.
00:58:40Dingler.
00:58:41You have a problem with your identity.
00:59:02Let me give you a tip.
00:59:05In the roulette of life, I'm Vegas.
00:59:09You're Vegas.
00:59:10Well, I'm jackpot.
00:59:16Jackpot!
00:59:17Here it is.
00:59:18I got it.
00:59:20It's cassette.
00:59:28Fuck him, baby.
00:59:40All right.
00:59:51All right.
00:59:59Your sister told me when I came to argument, she was stubborn.
01:00:07Now's the time to be fucking belligerent.
01:00:10Cover me.
01:00:11Set.
01:00:12Three, two, one.
01:00:14One, two, one.
01:00:19One, two.
01:00:20Two, one.
01:00:29One, two, one.
01:00:38One, two, one.
01:00:39Okay.
01:00:40Oh, my God.
01:01:10Oh, my God.
01:01:40Forget that. Let's go.
01:01:41Come on. Let's go.
01:01:43Come on. Come on.
01:01:44Come on.
01:01:46Come on.
01:01:48Come on.
01:01:50Come on.
01:01:54Come on.
01:01:56Come on.
01:01:58Come on.
01:02:00Come on.
01:02:02Come on.
01:02:04Come on.
01:02:06Come on.
01:02:08Come on.
01:02:10Come on.
01:02:12Come on.
01:02:14Come on.
01:02:16Come on.
01:02:18Come on.
01:02:20Come on.
01:02:22Come on.
01:02:24Come on.
01:02:26Come on.
01:02:28Come on.
01:02:30Come on.
01:02:32Come on.
01:02:34Come on.
01:02:36Come on.
01:02:38Come on.
01:02:40Come on.
01:02:42Come on.
01:02:44Come on.
01:02:46Come on.
01:02:48Come on.
01:02:50Come on.
01:02:52Come on.
01:02:54Come on.
01:02:56Come on.
01:02:58Come on.
01:03:00Come on.
01:03:02Come on.
01:03:03Come on.
01:03:04I didn't expect to meet you down here.
01:03:30Glad to see me.
01:03:31I'm going to get crazy on you.
01:03:34It's time for old Falco to do the in and out.
01:03:38Give me the security card.
01:03:41No!
01:03:42No!
01:03:43No!
01:03:44No!
01:03:45No!
01:03:46No!
01:03:47No!
01:03:48No!
01:03:49No!
01:03:50No!
01:03:51No!
01:03:52No!
01:03:53No!
01:03:54No!
01:03:55No!
01:03:56No!
01:03:57No!
01:03:58No!
01:03:59No!
01:04:00No!
01:04:01No!
01:04:02No!
01:04:0312
01:04:29Oh, my God.
01:04:59Oh, my God.
01:05:29Oh, my God.
01:05:59Did Sharon never tell you our father committed suicide?
01:06:07Once.
01:06:11I don't think she meant to.
01:06:12I was looking through the bedroom door, but she put a blanket over it.
01:06:21I mean, I was angry with him, too, for doing it, but I could never figure out why she hated him so much.
01:06:44Oh, my God.
01:06:51Maybe she had good reasons.
01:07:02The things she couldn't tell you, and then you were too little to understand.
01:07:11You guys have been so lucky, it's really starting to drag me down, so I think I should let you in on a little secret now.
01:07:30Your luck runs out in about 12 minutes.
01:07:36Care to place a small wage on that?
01:07:38My time is your time.
01:07:42We're all in the same boat, Jack.
01:07:44I placed one of the spheres in an air conditioning unit.
01:07:50Tick-tock, tick-tock.
01:07:52I raised the stakes just a smidge.
01:07:54Top that, Jack.
01:08:01Stay with me, Dangler.
01:08:04Because now is the time for you to sweat, so loosen that fancy tie.
01:08:10It's buffy, right?
01:08:12We can't take that chance.
01:08:15My father was not an amateur.
01:08:17Once the timer is set, there's no going back.
01:08:22Now, sir, there's nothing, Jack.
01:08:29So come out with a card.
01:08:32This has gone way past the point of perversion.
01:08:36Disarm it, or we all die.
01:08:43Hit it.
01:08:44Hit it.
01:08:44My mother was in the German army, Jack.
01:08:54She was a sniper.
01:08:56She hung from the trees in a parachute harness.
01:09:00She survived the war, Jack, and taught me everything I know.
01:09:03My father's pictures were hung in every room in the house.
01:09:10And my earliest memory is asking her,
01:09:13is that God?
01:09:18I think you're out of ammunition, Jack.
01:09:22We're coming in.
01:09:23Okay.
01:09:28They're not going to give this up.
01:09:30You go catch up to your sister.
01:09:31I'll be right behind you.
01:09:33But.
01:09:34No buts.
01:09:36Come on, go.
01:09:37Go.
01:09:38I'm right behind you.
01:09:40Before I get back in here, go.
01:09:43Go.
01:09:43Go.
01:09:43Go.
01:09:43Go.
01:10:13You know, there's nowhere to run to, blondie, except into my arms.
01:10:33So why don't you just relax, be nice, and come and sit on Daddy's lap.
01:10:38I bet there's a hundred thousand men watching you.
01:10:41There's a hundred thousand guys that see what I see.
01:10:44So, how does it feel knowing that there's a hundred thousand men staring at your body,
01:10:49and you, little darling, are making them all dance?
01:10:52Are making them all dance?
01:10:53Yeah.
01:11:00They're in the goddamn air duct.
01:11:27Go meet them.
01:11:30Leave the spears.
01:11:40They got the security card.
01:11:42You got no ammo.
01:11:44Am I right?
01:11:46What cake is it?
01:12:00It's not a cake, isn't it?
01:12:12It's not a cake.
01:12:14It's not a cake.
01:12:28It's not a cake.
01:12:30It's not a cake.
01:12:32It's not a cake.
01:12:34It's not a cake.
01:12:36It's not a cake.
01:12:38It's not a cake.
01:12:42It's not a cake.
01:14:14Why are you still running away from me?
01:14:32Aren't you in love yet?
01:14:34Yeah.
01:14:36I see you on the big screen.
01:14:38Your body using none of those tight clothes you wear.
01:14:41Just thinking about how much you want to sit on it.
01:14:59But I guess you probably hear that a lot.
01:15:06What are your sisters doing upstairs?
01:15:08She's doing fabulous.
01:16:17Before I was bored, then I got a little peeved.
01:16:28Now I'm angry.
01:16:33A little angry.
01:16:36Very, very angry.
01:16:48Well, well, well.
01:16:51Let me see your hands.
01:16:52So it seems you've finally met your match.
01:17:01Hey, Falco!
01:17:02Thanks.
01:17:09Let's go.
01:17:12Help me with this.
01:17:15Where's Jack?
01:17:17I don't know.
01:17:19I've got gunshots.
01:17:20And then he's set a sphere.
01:17:23He's set one of those spheres.
01:17:25And it's going to go off.
01:17:26I thought, what if Jack isn't dead?
01:17:29Bobby, is he dead or isn't he?
01:17:32I don't know.
01:17:33Where's the sphere?
01:17:34In the air conditioning unit.
01:17:36I passed it on the way down.
01:17:37I've got to get that gun I dropped and Falco grabbed me.
01:17:40But this sphere.
01:17:41It won't matter if Falco gets to us first.
01:17:45Falco.
01:17:48Falco.
01:17:49He's dead.
01:17:51Shut up.
01:17:54Falco.
01:17:55Wrong.
01:18:00Bobby.
01:18:02I got something you want.
01:18:04And you got something I want.
01:18:06Fuck you.
01:18:09You say something, Jack.
01:18:10Get out of here!
01:18:11That's...
01:18:13Let's negotiate.
01:18:17He's alive.
01:18:19Look.
01:18:19We've got to do something that's sphere.
01:18:21Now.
01:18:22Okay, look.
01:18:23I'll get the sphere.
01:18:24You get the gun.
01:18:25Okay?
01:18:26It takes a certain kind of person
01:18:27to give up the life of a friend
01:18:30for something you want.
01:18:34Maybe I underestimated you.
01:18:37Yes.
01:18:38Yes, you did.
01:18:41I like that.
01:18:54I'm not knowing.
01:18:57What?
01:19:13Okay.
01:19:13What?
01:19:13Sharon, I found the gun.
01:19:33Bobby, look out!
01:19:43Oh, no, no, no, no.
01:20:13You're gonna die.
01:20:14We're all gonna die anyway.
01:20:16I'm gonna take the security card and get out of here.
01:20:19So the blowjob will have to wait.
01:20:37Sheriff, Sheriff, come on.
01:20:41Let's get the sphere and get out of here. Come on.
01:20:43It's just you and me.
01:21:00I got one left.
01:21:05You want it now or you want it later?
01:21:09You won't do that here.
01:21:11Your type suffer from the same affliction.
01:21:15You need an audience.
01:21:20And then there were none.
01:21:21The clock is ticking, dear.
01:21:27The clock is ticking.
01:21:29Here's the deal, Dangler.
01:21:33Jack for the card.
01:21:34Straight trade.
01:21:35We go our separate ways.
01:21:39All right.
01:21:40The rotunda.
01:21:42We go our separate ways.
01:21:45Neutral territory.
01:21:45All right.
01:21:53Go.
01:22:01Ready?
01:22:03Yeah.
01:22:03Look, Sharon, there's something I, I, I, I, I gotta tell you.
01:22:23In case, in case we don't make it out of here, you know.
01:22:29I think I know what went on between you and Dad.
01:22:39Jack told you, huh?
01:22:44Yeah.
01:22:46Um, look, Bobby, I wanted to tell you myself.
01:22:51I really did.
01:22:54How could I?
01:22:56He was your father and you loved him.
01:23:00It must have been horrible for you.
01:23:02I love you.
01:23:11I love you.
01:23:13I loved you, Bobby.
01:23:16I love you, too.
01:23:20I was...
01:23:21Let's get ready.
01:23:28I'm gonna get out of here.
01:23:29I'm gonna get out of here.
01:23:32Let's go.
01:23:41Come on.
01:23:41Come on.
01:23:42Come on.
01:23:43I love you.
01:23:44I love you.
01:23:48Hey!
01:23:51We ain't got time to be picking each other off here.
01:23:54Shoot this humilous idiot.
01:23:57Come on.
01:23:57Come on.
01:23:58Get over there!
01:23:58Come on.
01:24:02I'll kill him.
01:24:06Come on.
01:24:07Come on.
01:24:07Come on.
01:24:12Yes, we don't need this anymore.
01:24:14You let him go first.
01:24:16I'm kidding.
01:24:17I'm not fooling around here.
01:24:22Come and get it.
01:24:23He's only got one bullet.
01:24:25He can't shoot all three of us.
01:24:26That makes me jod, then.
01:24:27You want it first.
01:24:28How about you?
01:24:30Look at it there.
01:24:31We had our deal.
01:24:34You give me that card.
01:24:36We put our guns down.
01:24:37You hear me?
01:24:38We all walk out of here together.
01:24:42Come and get it.
01:24:45All right.
01:24:46You don't want to fall for that.
01:24:52He's gone.
01:24:52Come on.
01:24:54Come on.
01:24:55I'll be back.
01:24:57Come on.
01:24:58Hey.
01:24:59You move and I'll take your spine out.
01:25:14Oh, shit.
01:25:17No contest, Dangler.
01:25:18No contest, Dangler.
01:25:25No contest, Dangler.
01:25:44No contest, Dangler.
01:25:48Cheers.
01:26:49Well, I thought my job was exciting.
01:26:53Well, can I tell you a secret?
01:26:56I, uh, I've seen all of your movies.
01:27:01Twice.
01:27:02Every one.
01:27:03So this is what it takes to get you two together.
01:27:07So this is what it takes to get you two together.
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