- 5 months ago
Dive into the eerie world of 1970s cult horror with Beast of the Yellow Night (1971). Set in the shadowy corners of the Philippines, this chilling film blends supernatural horror, possession, and gritty drama. A true gem for fans of vintage exploitation cinema and creature features.
🎥 Restored and preserved for horror lovers and retro film enthusiasts.
⚠️ Public domain film. For entertainment and educational purposes.
🎥 Restored and preserved for horror lovers and retro film enthusiasts.
⚠️ Public domain film. For entertainment and educational purposes.
Category
🎥
Short filmTranscript
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00:03:22Oh, my God.
00:03:52Oh, my God.
00:04:22Oh, my God.
00:04:51Oh, my God.
00:05:21Oh, my God.
00:05:51Please.
00:05:53I'm too weak to try to run.
00:05:56I'll do anything you ask.
00:05:59Just don't kill me.
00:06:01What have you got to offer?
00:06:03Oh, my God.
00:06:04Oh, no.
00:06:08Please, no.
00:06:10I...
00:06:10I...
00:06:11I mean, I hurt anybody.
00:06:14I...
00:06:14I'm scared.
00:06:15You can't kill me.
00:06:20There's nothing like a wild animal.
00:06:25I'm a human being.
00:06:28Just like you are.
00:06:30Shut up.
00:06:33Would you serve me, Langdon, without question,
00:06:38loyally for the rest of your life?
00:06:41No.
00:06:42I swear.
00:06:44No need for that.
00:06:46I always take a man at his word.
00:07:07You really are sick, you know.
00:07:09That fruit you just ate is extremely toxic.
00:07:16As a matter of fact, you should be dead.
00:07:18And it's a wonder you're not.
00:07:23Starving is such a wretched business, isn't it?
00:07:28Wretched, painful, dirty.
00:07:32When was the last time you heard some fresh meat to eat?
00:07:47Your friend isn't coming, Langdon.
00:07:50She died of bullet wounds a while ago,
00:07:54leaving a trail of canned beans and dried fish behind her.
00:08:00But then she wasn't really a friend, was she?
00:08:04In a way, though, she did come through for you.
00:08:09In a way.
00:08:10Come now, it's good meat.
00:08:20Probably better than anything you ever tasted.
00:08:25Eat, my boy.
00:08:31Eat.
00:08:31Eat.
00:08:53Sleep.
00:08:54Eat.
00:08:54Eat.
00:08:54Teach.
00:08:56Take.
00:12:26Are you quite comfortable, Langdon?
00:12:36Leave me alone.
00:12:40I know just how you feel, my boy.
00:12:46Believe me, even I don't enjoy everything I have to do.
00:12:51But we have our rules, the same as everyone else.
00:12:55Can I have a moment's peace?
00:12:58Hardly.
00:12:59It's one thing to be melancholy, dear boy, but quite another to be inane.
00:13:10I think you'll find this new situation quite interesting.
00:13:14In fact, I think I will, too.
00:13:19Mr. Earl is here, Mrs.
00:13:32Yes.
00:13:33I'm ready.
00:13:34Yes.
00:13:35I'm ready.
00:13:37Dr.
00:13:37Profilio Santos wanted in surgery B immediately.
00:13:40Dr.
00:13:42Profilio Santos, please.
00:13:43The telephone call for Dr.
00:13:46The telephone call for Dr. Goris at main lobby desk.
00:13:49Dr. Goris, telephone call.
00:13:54Believe me, Mrs. Rogers, I'm as surprised and shocked as you are.
00:13:58There was not the slightest basis for suspecting that there was anything wrong.
00:14:04That is why I would like your permission to have an autopsy performed on the...
00:14:08on your husband.
00:14:11I would like to see my husband.
00:14:13Of course.
00:14:14We haven't moved him from his room.
00:14:16I want to see his face.
00:14:23What happened to his face?
00:14:28Mangleby and recognition in an industrial accident.
00:14:32He's had a number of operations.
00:14:35I've been helping here and there.
00:14:39Now, Landon.
00:14:58Just what the hell are you trying to pull, doctor?
00:15:10Asked him for Profilio to come here immediately.
00:15:17Phil?
00:15:20Get these bandages off his face.
00:15:23But he can't be alive.
00:15:25You do it.
00:15:26Right now.
00:15:28I don't know.
00:15:29Why don't you?
00:15:30Here,
00:15:33I can't be able to answer this.
00:15:34Let's go.
00:15:35열
00:15:37I don't need a bag of worry.
00:15:38I don't need them.
00:15:40I can't be able to let anyone here.
00:15:41Cause I can't be a poor guy.
00:15:44I can't be a long woman.
00:15:53Well, be here for me and your son.
00:15:56I can't be like asted.
00:15:56I don't know.
00:16:26Don't touch him.
00:16:47Get help. Quick.
00:16:49Doctor. Doctor.
00:17:19Philip?
00:17:36Philip?
00:17:38Let's go.
00:18:08I think I'm rediscovering the nicest part of the house.
00:18:16You never used to think that.
00:18:19You used to make a joke of all the trouble I went to having it done.
00:18:25Come sit by me.
00:18:26It's not too cold for you.
00:18:40No.
00:18:41You've had a pretty rough time of it, haven't you?
00:18:53I never expected you to say anything like that.
00:18:58I've been away a long time.
00:19:00You should expect to be surprised.
00:19:01I do.
00:19:02I don't know you anymore.
00:19:06Are you sorry?
00:19:08No.
00:19:12I've never been afraid of you before.
00:19:18You are getting chilly.
00:19:19I don't know you anymore.
00:21:19You might have given me some idea of what you were going to do.
00:21:22You were always a little squeamish, Earl. It would have showed.
00:21:25I see. It's a one-man operation now.
00:21:29Is that new to you?
00:21:33Well, not like this, Phil.
00:21:35These people were your partners.
00:21:37Sure, you've always had control, but they trusted you.
00:21:40They put their trust in figures and ironclad notes.
00:21:43And they came out of it a lot richer.
00:21:46And a lot greedier, too.
00:21:47Phil, I don't know that I want to go along with this.
00:21:53What do you really want, then?
00:21:55A peace of mind? A clear conscience?
00:21:58Why not?
00:22:00Have you got a clear conscience, Earl?
00:22:02Phil, what do you think I ought to do about Julia?
00:22:08I don't know what you mean.
00:22:11There aren't many women who could have stood by you all this time.
00:22:13You're right.
00:22:15You see, that's the point.
00:22:16Things aren't going to get any better.
00:22:18And there's nothing that she or I can do about it.
00:22:21So what are you going to do?
00:22:23Just throw her out like your board of directors?
00:22:26Would you like that?
00:22:30All right, Phil.
00:22:32Come out with it.
00:22:33If you're implying that there's ever been anything between Julia and me...
00:22:36Earl, I'm just trying to make things easy for you.
00:22:40Easy?
00:22:42Easy.
00:22:42Julia knows what a disaster our marriage has been,
00:22:48but she's not the kind to let go or walk away.
00:22:52Principles.
00:22:54She's not going to just wake up one morning
00:22:56and realize that it's you she's wanted all along.
00:22:59If I threw her out, neither one of us would ever see her again.
00:23:03Why should you care?
00:23:05I don't want to hurt her any more than I have to.
00:23:08If she can make a good life for herself with you,
00:23:10why shouldn't she have a chance for her?
00:23:20So why don't you and I kind of help her along, Earl?
00:23:23Why, here's Tom Milton.
00:23:48Remember him?
00:23:49You inhabited him in 54.
00:23:5255, I think.
00:23:54You know I can't for the life of me remember what I did with him.
00:23:59I'll have to look it up.
00:24:03Actually, Langdon,
00:24:05since I happened to be in the neighborhood,
00:24:07I thought I'd look you up and have a little therapy session with you.
00:24:10You know, bringing you back with your own face
00:24:13was an irresistible temptation.
00:24:14But it may turn out to be an awful mistake.
00:24:19What have I done?
00:24:21Nothing yet.
00:24:23But having a face of your own
00:24:25is encouraging you to think about personal identity.
00:24:29And you know we can't have that.
00:24:32I take no pleasure in it.
00:24:34Naturally not.
00:24:35But your mind wanders.
00:24:41Why do you think I keep bringing you back, Langdon?
00:24:44Apart from the pleasure you get out of it.
00:24:47To awaken the latent evil in the people that I come in contact with.
00:24:51Good.
00:24:52I knew you'd be sharp enough to grasp that.
00:24:56It isn't as easy as it might seem to find qualified agents.
00:25:01Human nature is so ambiguous
00:25:03that the propagation of evil
00:25:06is left entirely to chance.
00:25:10There's been a great deal said about the scarcity of truly good men.
00:25:15Why truly evil men are just as hard to find.
00:25:18Do you realize, Langdon,
00:25:22that if you really put your mind to it
00:25:25you could be a saint?
00:25:27For our sight, of course.
00:25:29Nothing seems worth doing.
00:25:34You want to die.
00:25:37Is that it?
00:25:39Yes.
00:25:40What fantasies people pick up.
00:25:44This is all there is, you know.
00:25:46You have to stop thinking of yourself
00:25:49as a man groping towards some sort of fulfillment
00:25:53within a measured span of time
00:25:56because surely you can see
00:25:58that you stopped being mortal some twenty-odd years ago.
00:26:02What am I?
00:26:05Well, you're in transition.
00:26:07You're still part man
00:26:09becoming, hopefully,
00:26:11a quality,
00:26:12a pure moral force,
00:26:16so to speak.
00:26:17I am a man.
00:26:19Damned, maybe,
00:26:20but still a man
00:26:21who knows shame
00:26:22and sorrow
00:26:23and revulsion
00:26:24and regret.
00:26:25You have no idea
00:26:35how distasteful I find this.
00:26:39I wish there was some subtler
00:26:41and equally effective way
00:26:43of making a point with you.
00:26:45Do try to remember, Langdon.
00:26:48I find you quite useful,
00:26:50but I don't want you to be anybody.
00:26:53Not anybody at all.
00:26:57The pain you feel
00:26:59is only a slight pressure on the kidney.
00:27:02If you vex me further,
00:27:04I can be much more imaginative.
00:27:06Can I get you a drink?
00:27:27Earl stopped in this afternoon.
00:27:39I figured he would.
00:27:42He told me.
00:27:46He said you had to talk about me.
00:27:51Yes.
00:27:53What did you tell him?
00:27:55I think you know
00:27:59what I told him, Julia.
00:28:02Just what do you take me for?
00:28:06What was his attitude?
00:28:09I don't know what you mean.
00:28:14Did he seem interested in the idea?
00:28:25What was the point of telling him
00:28:32all those lies?
00:28:34What are you trying to do to me?
00:28:38About four months ago,
00:28:40you let an airline pilot
00:28:41pick you up at the Savoy Bar.
00:28:45Now that bothered you a lot,
00:28:47didn't it?
00:28:50You hadn't spoken to me in months.
00:28:52You didn't care whether you lived or died.
00:28:55You didn't care what happened to me.
00:28:58How was I supposed to feel?
00:29:00Just the way you did feel, Julia.
00:29:02The trouble is,
00:29:03you've never been able
00:29:03to forgive yourself for it.
00:29:08How long have you known?
00:29:10What difference does it make?
00:29:11Philip,
00:29:14suddenly I don't understand you at all.
00:29:21Earl is as close to being
00:29:22what he seems to be
00:29:23as anyone you've ever known.
00:29:25With him,
00:29:25you'd never have to wonder
00:29:26where you stood.
00:29:28And that's what you've always wanted,
00:29:29isn't it?
00:29:30And it's not supposed to matter
00:29:32whether I love him or not.
00:29:34What do you want, Julia?
00:29:35Love you've had.
00:29:37Why don't you settle
00:29:38for something you can live with?
00:29:39Who are you?
00:29:44As far as you're concerned,
00:29:45I am and can only be
00:29:47whoever
00:29:48or whatever you think I am.
00:29:55Philip?
00:29:55I need you.
00:30:08I don't want to lose you.
00:30:12Whoever,
00:30:13whatever you are.
00:30:14you're in there...
00:30:23I don't want to lose you.
00:30:40Here we go.
00:31:11Oh, my God.
00:31:41What's the matter?
00:31:46Are you ill?
00:32:11What's the matter?
00:32:15Oh, my God.
00:32:16What's the matter?
00:32:17What's the matter?
00:32:18I don't know.
00:32:19I don't know.
00:32:20I don't know.
00:32:21I don't know.
00:32:22I don't know.
00:32:23I don't know.
00:32:24I don't know.
00:32:25I don't know.
00:32:26I don't know.
00:32:27I don't know.
00:32:37You know what, so good.
00:32:54Oh, my God.
00:33:24Oh, my God.
00:33:54Oh, my God.
00:34:24Oh, my God.
00:34:54Is there anything wrong?
00:34:57No.
00:34:58Oh, my God.
00:35:05There must have been some kind of weapon he used.
00:35:13Nobody could have done that with his bare hands.
00:35:15I don't know, Lieutenant.
00:35:17Even a weapon has to be handled.
00:35:21What kind of a weapon would you need to rip out a man's heart with a single blow?
00:35:31You're not sure it was a single blow?
00:35:34I wouldn't swear to it, no.
00:35:36Not on something as mutilated as that.
00:35:40But I would guess he was hit no more than three times.
00:35:44Once on the head and twice across the body.
00:35:46With the force of a jackhammer.
00:35:49And that's not all.
00:35:51We picked up bits of tissue from his heart, lungs, digestive tract that looked as if they come out of a meat grinder.
00:35:58No.
00:36:00Well, how else can you explain the way he's been acting?
00:36:06All right.
00:36:07He's having a hard time fitting into things.
00:36:10Do you really think sending him away again will help him?
00:36:14I'm only suggesting that he needs psychiatric help.
00:36:18That amounts to the same thing.
00:36:21Don't you see?
00:36:23He needs us.
00:36:24He needs me.
00:36:26Not some stranger poking around in his mind the way they did with his body.
00:36:33He's all alone.
00:36:35And he doesn't want to beg for anything.
00:36:40That's why I said all those things to you yesterday.
00:36:44I wish that were true.
00:36:47It is true.
00:36:49Maybe he is lonely in a way.
00:36:51But I can't reach him.
00:36:53And I don't think you can.
00:36:55He's grown hard.
00:36:56Mean even.
00:36:57He can hurt you, Julia.
00:36:59And we can't risk that, can we?
00:37:02He's my brother.
00:37:06That's hard to believe, too.
00:37:07Julia, I'd make very sure of my own feelings if I were you.
00:37:12What?
00:37:13Why has he become so important to you?
00:37:16Only a week ago, you weren't sure you wanted to stay.
00:37:20What's he done to you?
00:37:22Or is it something that you've done to yourself?
00:37:24So now we're both dangerous.
00:37:29Nobody's harmless.
00:37:30Even to himself.
00:37:32Are you sure you're helping him this way?
00:37:36No.
00:37:39Are you sure you're helping me?
00:37:41Did I rake you?
00:37:54I guess you did.
00:37:55I didn't hear you come in.
00:37:58Beware the Coloradans bearing gifts.
00:38:03What's the occasion?
00:38:05An attack of guilt, probably.
00:38:06I spent the entire day indulging myself.
00:38:11Drove around, shopped, ate a fantastically expensive lunch.
00:38:16Went to a movie.
00:38:19Open it.
00:38:27The cook says you haven't had anything to eat all day.
00:38:30You must be starved.
00:38:32Not really.
00:38:32Okay.
00:38:32Dinner should be about ready.
00:38:39I'll go see.
00:38:40Julia.
00:38:43I'll go see you next time.
00:38:52Bye-bye.
00:38:53Bye-bye.
00:38:54Bye-bye.
00:38:55Bye-bye.
00:38:55Bye-bye.
00:38:56Bye-bye.
00:38:56Bye-bye.
00:38:56Bye-bye.
00:38:56Bye-bye.
00:38:57Bye-bye.
00:38:57Bye-bye.
00:38:57Bye-bye.
00:38:58Bye-bye.
00:38:59Bye-bye.
00:39:00Bye-bye.
00:39:00Bye-bye.
00:39:01Bye-bye.
00:39:01Bye-bye.
00:39:01Bye-bye.
00:39:01Bye-bye.
00:39:02Bye-bye.
00:39:02Bye-bye.
00:39:02Bye-bye.
00:39:02Bye-bye.
00:39:03Bye-bye.
00:39:03Bye-bye.
00:39:04Bye-bye.
00:39:04Bye-bye.
00:39:05Bye-bye.
00:39:05Bye-bye.
00:39:06Bye-bye.
00:39:07Bye-bye.
00:39:08Bye-bye.
00:39:08Bye-bye.
00:39:09Bye-bye.
00:39:10Love me.
00:39:40Love me.
00:40:10What are you doing?
00:40:11I don't...
00:40:12Philip.
00:40:13Please.
00:40:14Philip.
00:40:15Philip.
00:40:16Philip.
00:40:17Philip, let me in.
00:40:19Go away, Julie.
00:40:20Go away for your own good night.
00:40:23I don't...
00:40:24Philip.
00:40:25Philip.
00:40:26Philip.
00:40:27Philip.
00:40:28Philip, let me in.
00:40:31Go away, Julie.
00:40:33Go away for your own good night.
00:40:36Philip.
00:40:37Philip.
00:40:38Philip.
00:40:39Please let me in.
00:40:41Philip.
00:40:42Philip.
00:40:43Philip.
00:40:44Philip.
00:40:45Philip.
00:40:46Philip, please let me in.
00:40:50Philip.
00:40:51Philip, please let me in.
00:41:03Let's go.
00:41:33Let's go.
00:42:03Let's go.
00:42:33Let's go.
00:43:03Let's go.
00:43:33Let's go.
00:44:03Let's go.
00:44:33Let's go.
00:45:03Let's go.
00:45:04Let's go.
00:45:05Let's go.
00:45:07And if you come to steal, you're wasting your time.
00:45:15I know you're there.
00:45:19I know you're there.
00:45:20Are they looking for you?
00:45:21Are they looking for you?
00:45:22Are they looking for you?
00:45:23Are they looking for you?
00:45:24It's not a bad place to hide.
00:45:25Are they looking for you?
00:45:26Are they looking for you?
00:45:27Are they looking for you?
00:45:28Are they looking for you?
00:45:29Are they looking for you?
00:45:30Are they looking for you?
00:45:31Are they looking for you?
00:45:32Are they looking for you?
00:45:38Are they looking for you?
00:45:40Are they looking for you?
00:45:41Are they looking for you?
00:45:45It's not a bad place to hide, unless they saw you come in.
00:46:15Bill?
00:46:36What does it mean, Errol?
00:46:37Where is he?
00:46:45Operator, I'd like to call police headquarters, please.
00:46:54I'm assuming that this is still somewhere in this area.
00:46:57I've stripped eight precincts of every man they can spare.
00:47:00We've sealed off all possible exits from the district.
00:47:03We've started a house-to-house search.
00:47:05What about the army?
00:47:07They're on alert, but they won't come in until we ask for them.
00:47:11I'm not going to have a panic if we can help it.
00:47:14As you all know, no specific description of the fugitive has been issued,
00:47:19except for that he's male, of medium build, with heavily scarred and mutilated face.
00:47:24Frankly, that's all I'm prepared to believe at this point.
00:47:32I thought you might want to look at these, sir.
00:47:35Pictures of a window in the house of Philip Rogers, a well-known American businessman.
00:47:40The man had an argument with his wife and locked himself in.
00:47:47Apparently, this is how he got out sometime during the night.
00:47:52Notice that there are no tool marks or abrasions of any kind on the iron bars.
00:47:57Which means that Rogers, or whoever bent those bars, did it with his bare hands.
00:48:03Suppose.
00:48:14No.
00:48:15No.
00:48:16No.
00:48:20No.
00:48:22No.
00:48:23Oh, my God.
00:48:53I'm making some soup.
00:49:07I can't offer you anything else.
00:49:08Mateo hasn't come in yet.
00:49:27I don't know, Ed.
00:49:29I thought not.
00:49:31Why did you help me?
00:49:33The odor of blood was very strong on you when you came in last night.
00:49:38I can still smell it.
00:49:40I know it well.
00:49:42And that's why you helped me?
00:49:44I did not help.
00:49:46I just left you alone.
00:49:49I would do as much for a stray dog.
00:49:51You don't belong here.
00:49:56No.
00:49:57My nephew Mateo is the caretaker here.
00:49:59I'm just visiting him.
00:50:02Speaking of belonging, the police are liable to be here soon.
00:50:05And they may wonder what someone like you, a foreigner, is doing in a place like this.
00:50:11Yes, I guess they would.
00:50:12I see.
00:50:20What?
00:50:21That it makes real difference to you whether you are lost or saved.
00:50:26All you want is to make an end.
00:50:29No one is ever saved.
00:50:31You are an optimist.
00:50:35If things were as simple as that, there would be no need for life to run so long.
00:50:48Who are you?
00:50:50Who I am now is of no great interest to anyone.
00:50:55My name is Sabas Asnar.
00:50:59The bandit?
00:50:59You have a long memory.
00:51:03Yes.
00:51:04Sabas Asnar, the bandit.
00:51:06They didn't hang you then?
00:51:09No.
00:51:10They kept me in prison for 30 years.
00:51:14Hoping that I would die quietly.
00:51:16But after a while,
00:51:18it was no longer important.
00:51:21Only I remembered.
00:51:23And I remember as though it all happened yesterday.
00:51:29What about the others?
00:51:32The ones who followed you?
00:51:34Many of them are dead.
00:51:36The others believe I died long ago.
00:51:39It is better that they do.
00:51:40I do not have much time left.
00:51:43Time for what?
00:51:46To do what remains to be done.
00:51:49You two-faced old bastard.
00:51:56You haven't given up, have you?
00:51:58You're still rooting around for that blood-soaked soul of yours.
00:52:02You old fool, it's gone.
00:52:09And you'll never find it again if you live to be a thousand.
00:52:12You're quite wrong.
00:52:14That is the one thing we never lose.
00:52:17Not even if we long to be rid of it.
00:52:19And he who gave it to you
00:52:22remains forever a part of it.
00:52:26That is why you are in such agony.
00:52:49Philip Rogers, a well-known businessman of this city
00:52:55in connection with the killing.
00:52:57Rogers is 35 years old, 5 feet 9 inches tall, a medium build.
00:53:10I have nothing more to say.
00:53:12I'm interested in locating my husband,
00:53:14not in having him hunted down like a criminal.
00:53:16No one has even implied that he is one, Mrs. Rogers.
00:53:20But surely you can understand
00:53:22that we are obliged to take certain measures
00:53:24in the interest of public safety.
00:53:26We do want to find your husband, Mrs. Rogers.
00:53:29And perhaps it's in his best interest that we do.
00:53:31I'm not a complete fool, Inspector.
00:53:43Philip, where...
00:53:44Langdon.
00:53:48Joseph Langdon.
00:53:50I'm in no position to say.
00:53:53I never saw Langdon
00:53:54when we shipped the old files back to the States years ago.
00:53:57Surely it must be possible
00:53:58to send his files back here with photographs.
00:54:01But what for, Inspector?
00:54:03Joseph Langdon is dead.
00:54:05Not only is that a matter of record,
00:54:07you were one of those who witnessed his death.
00:54:09I thought I did.
00:54:11I saw him hit.
00:54:13I saw him fall down a rabbi in a hundred feet high.
00:54:15Twenty-four years ago.
00:54:17The man you're holding is thirty-five.
00:54:20He wasn't even in his teens at the time.
00:54:22Just what are you trying to prove?
00:54:23I don't know.
00:54:29The man you have is Philip Rogers.
00:54:32He has personal records that go back to the day he was born.
00:54:36There's a perfectly valid explanation for his change in appearance.
00:54:40His wife, his brother, his friends all know who he is.
00:54:42On the other hand, even if Langdon were alive today,
00:54:46he'd be well over fifty.
00:54:47And he wouldn't look at all like that.
00:54:49It just doesn't add up.
00:55:00Sorry to have wasted your time, Colonel.
00:55:04Not at all.
00:55:12You didn't say much in there.
00:55:20I'm not going to suggest that you should take a long rest,
00:55:23if that's what you're driving at.
00:55:27Maybe I should.
00:55:30I never put much faith in hunches before.
00:55:34And I can't question the facts.
00:55:38Why am I so sure that that man is Joseph Langdon?
00:55:42This is all so pointless, Langdon.
00:56:05Let me die, then.
00:56:07I can't.
00:56:08And won't.
00:56:10Look at it this way.
00:56:12I have commitments that go back to the beginning of time.
00:56:16To hell with that.
00:56:19My life is all I'll ever know of time.
00:56:24Do what you like with me.
00:56:26I'm not afraid of you anymore.
00:56:29What incredible arrogance.
00:56:32Just who do you think you are?
00:56:34What makes you think you can ever get away from the man who placed his soul at my feet
00:56:41in trade for a bag full of rotting meat?
00:56:44You gave me the idea.
00:56:47You said I was still becoming.
00:56:50And had a choice.
00:56:52It was a mistake.
00:56:54But not a disastrous one.
00:56:55I've been making things easy for you.
00:57:01I've given you something to resist, haven't I?
00:57:04A convenient scapegoat for this recent transports of self-indulgence.
00:57:10Well, no more, Langdon.
00:57:15The next time you have a transformation, it will be entirely your doing.
00:57:20Do bear that in mind.
00:57:22You will not have another one unless you bring it on yourself.
00:57:25Let's go.
00:57:45Here.
00:57:49Here.
00:57:51Here.
00:57:52It won't be any better tomorrow.
00:57:57You really want to go through with it?
00:57:59Yeah.
00:58:01Let Earl and me go ahead. You can meet us later.
00:58:03No, I'm staying with you.
00:58:06Give it a few moments.
00:58:09Let's do it.
00:58:13Let's do it.
00:58:16I'll tell you.
00:58:22Let's do it.
00:58:52Let's do it.
00:58:52Let's do it.
00:59:22Let's do it.
00:59:23Let's do it.
00:59:24Let's do it.
00:59:25Let's do it.
00:59:26Let's do it.
00:59:27Let's do it.
00:59:28Let's do it.
00:59:29Get a doctor quickly.
00:59:30No, I'm not hurt.
00:59:31I'm okay.
00:59:32Let's do it.
00:59:33Get a doctor quickly.
00:59:34No, I'm not hurt.
00:59:35I'm okay.
00:59:36I'm not hurt.
00:59:37I'm not hurt.
00:59:38I'm not hurt.
00:59:39I'm not hurt.
00:59:40I'm not hurt.
00:59:41I'm not hurt.
00:59:42I'm not hurt.
00:59:43I'm not hurt.
01:00:45Why not?
01:00:46Oh, Philip, it wouldn't be safe.
01:00:48You saw those people back there.
01:00:50They've already convicted you.
01:00:51Hiding isn't going to do me any good, Julia.
01:00:53Well, anything's better than just sitting in that house waiting.
01:00:56Earl found a place in a quiet part of town.
01:00:59We can stay there for a while.
01:01:03We're leaving the country, Philip.
01:01:04Philip.
01:01:07Was this your idea, Earl?
01:01:09No.
01:01:12I'll go along with whatever you want.
01:01:14It was my idea.
01:01:15Earl made the arrangement.
01:01:17Tomorrow night we're driving out to Corban across the bay.
01:01:20There'll be a fishing boat waiting for us.
01:01:22I won't let them take you, Philip.
01:01:28I've waited too long for you.
01:01:29What do you make of it?
01:01:41Oh, probably the smart thing to do would be to forget it altogether.
01:01:44By the way, we decided not to book the man who owns that.
01:01:50He won't leave.
01:01:51Who was Joseph Langdon?
01:02:02A U.S. Army deserter, convicted of collaborating with the Japanese,
01:02:08while a prisoner of war in World War II.
01:02:11Also of torturing and informing on his comrades-in-arms.
01:02:15He escaped from the American stockade here,
01:02:18enjoying some native wartime contacts in the mountains.
01:02:20But he was too much even for them.
01:02:24Murder, village, rape, very often for no comprehensible reason.
01:02:31Finally, he was alone.
01:02:33We tracked him down and killed him.
01:02:38Or so we thought.
01:02:40His body wasn't recovered.
01:02:42No.
01:02:43He was hit at least a half dozen times
01:02:45and fell off a high cliff into a river.
01:02:47We had divers looking for his body for almost a week,
01:02:51but they found nothing.
01:02:54I wonder what he was like.
01:02:57Educated, soft-spoken.
01:02:59It was very hard to dislike him if you knew nothing about him.
01:03:02But there was a hard, cold hatred inside him,
01:03:06which no one could account for.
01:03:09Or bother to.
01:03:10After our meeting with the military attache the other day,
01:03:20I went to see a friend at Army Intelligence.
01:03:25He dug this up for me.
01:03:33Inspector DeSantos here.
01:03:34Yes, Mr. Rogers.
01:03:38We've been waiting to hear from you.
01:04:00Are they still in the house?
01:04:01I left them less than an hour ago.
01:04:04Inspector, I hope you understand my position.
01:04:08Your brother and Mrs. Rogers
01:04:09will not know of our presence here
01:04:10unless some imminent danger
01:04:12to either or both of them arises.
01:04:14I'm rather concerned about Mrs. Rogers.
01:04:18So are we.
01:04:19Ta-na.
01:04:19You should be asleep.
01:04:36You won't be much help if you don't get some rest.
01:04:47Will you stay with me, Philip?
01:04:49Will you promise not to leave me?
01:04:54You shouldn't have waited for me.
01:04:57There was nothing left to wait for.
01:05:05I did think that.
01:05:08Then you came back and changed everything.
01:05:11There's no such thing as a dead end.
01:05:14You can always get out.
01:05:16The way you came.
01:05:21You didn't.
01:05:24You came back to me.
01:05:26And you kept coming back.
01:05:28To use you.
01:05:31That's just another way of saying that you need me.
01:05:34That's all I want, Philip.
01:05:50That you need me
01:05:51as much as I need you.
01:05:53You're welcome.
01:05:55I'm a birch.
01:05:56I'm a birch.
01:05:57I'm birch.
01:05:58I'm a birch.
01:05:59I'm a birch.
01:05:59A birch.
01:06:04I'm a birch.
01:07:14Philip?
01:07:16Philip!
01:07:18No!
01:07:40No!
01:07:54No!
01:07:56Hold your fire!
01:08:14Take two men outside and follow him.
01:08:24Keep your distance. Don't try to take him.
01:08:26But find out where he goes and report to me.
01:08:28Yes, sir.
01:08:38Julia?
01:08:40You did not tell me that you had a visitor around here some nights ago.
01:08:56It was nobody of any importance.
01:09:00It was the American killer.
01:09:02The police let him go today for lack of evidence.
01:09:06But you know he was here that night, don't you?
01:09:10It was of no importance.
01:09:12No?
01:09:14Ruben and his cousin saw him leaving with dried blood all over his clothes.
01:09:26He's a rich man.
01:09:28How much did he give you to keep quiet?
01:09:32He gave me nothing.
01:09:36He was tired and needed a place to sleep.
01:09:40You old liar.
01:09:48I took you in when no one would have you.
01:09:52I let you stay.
01:09:54Gave you whatever food and money I could spare.
01:09:56Me, with a sick wife and four children to worry about.
01:10:04He gave me nothing.
01:10:14It wouldn't help you to be stubborn, old man.
01:10:20Who is it?
01:10:26Who is out there?
01:10:30Speak up!
01:10:34He won't hurt you.
01:10:36Get away from there!
01:10:38He needs me.
01:10:42Please, Matteo, let him in!
01:10:50No!
01:10:52Leave him alone!
01:10:56He means no harm.
01:11:02He's just afraid.
01:11:04Like you.
01:11:08He won't give you away.
01:11:10I promise you.
01:11:12I promise you.
01:11:20Mrs. Rogers, it's imperative that we know as much about your husband as you can tell us.
01:11:24It's imperative that we know what happened last night.
01:11:30Did he say anything that might help us locate him?
01:11:32I'm sorry, Inspector.
01:11:34I can't permit you to continue.
01:11:36You let us know as soon as her condition improves?
01:11:38Yes.
01:11:39But I cannot tell you when that will be.
01:11:40I'll come by and see her again before I leave.
01:11:42I'd get some rest if I were you, Mr. Rogers.
01:11:44I'm okay.
01:11:54I'll come by and see her again before I leave.
01:11:58I'd get some rest if I were you, Mr. Rogers.
01:12:00I'm okay.
01:12:18Julia?
01:12:20Is he dead?
01:12:22No.
01:12:26He's breathing easily.
01:12:28No.
01:12:30No.
01:12:32No.
01:12:34No.
01:12:36No.
01:12:38No.
01:12:40No.
01:12:42No.
01:12:44No.
01:12:46No.
01:12:48No.
01:12:49No.
01:12:50No.
01:12:52No.
01:12:53He's breathing easily.
01:12:54But he's badly hurt.
01:13:04You better get a doctor.
01:13:06Yes, I was just waiting for you to change.
01:13:12You know.
01:13:16What will you do?
01:13:18I don't know.
01:13:20I'm tired of running, but it's all I can do.
01:13:23They can't kill me.
01:13:34What is your name?
01:13:36Joseph Langdon.
01:13:45My name is Joseph Langdon.
01:13:48You have a name and a face.
01:13:51You speak, you think, and there is an awful pain inside you.
01:13:57Whatever else you might be, you are still a man.
01:14:00There is a clinic nearby.
01:14:08I'll bring a doctor here.
01:14:11Stay out of sight when I come back with him.
01:14:13What for?
01:14:16I will help you find a place to hide for a while.
01:14:19Until you know what you must do.
01:14:22It's no good.
01:14:24Somebody tried to help me once.
01:14:26I destroyed her.
01:14:28You cannot harm me.
01:14:30You see, I want nothing from you.
01:14:32Don't worry.
01:14:46They won't see us.
01:14:48We are too big to know this.
01:14:50I have a good feeling.
01:14:54I think I'll have a better day today than I have had in a long time.
01:14:59I don't know where to go.
01:15:04Mother.
01:15:13Mother, it's the light.
01:15:14Oh, Lord.
01:15:15Boy.
01:15:16Unυva!
01:15:19Un behemence here.
01:15:23Mother.
01:15:23Umuva!
01:15:25Describe this place to me, quickly.
01:15:42There's a hill to the right of us, tall grass to the left.
01:15:47The road turns left on the side of the hill.
01:15:55Walking to the grass now.
01:15:57You can't come with me.
01:15:59You will never find your way out of here.
01:16:01I will be your eyes.
01:16:03Do what I tell you, now.
01:16:07Hold!
01:16:25Put your fire.
01:16:32She is firing.
01:16:40Landon, there's no way out of there.
01:16:44Come out and give yourselves up.
01:16:45Come out or be burned out!
01:17:03It's no good.
01:17:05No.
01:17:06Only a few meters away.
01:17:08The galley.
01:17:09They can't reach us.
01:17:11Landon!
01:17:12This is your last chance!
01:17:15They're not going to get themselves up.
01:17:25If we wait any longer, we'll lose them.
01:17:34Fire!
01:17:45Fire!
01:18:09Fire!
01:18:09Fire!
01:18:10Fire!
01:18:10Fire!
01:18:10Fire!
01:18:12No, we're going back.
01:18:42Don't shoot! We're coming out!
01:18:54Don't shoot!
01:19:04No!
01:19:12Don't shoot!
01:19:42Don't shoot!
01:19:46Don't shoot!
01:19:50Don't shoot!
01:19:54Don't shoot!
01:19:56Don't shoot!
01:20:12Please, take me to him.
01:20:40No.
01:20:42Lange d'or.
01:20:50Lange d'or.
01:20:54Lange d'or.
01:20:57Pre-4-1, Lange d'or.
01:21:10Pray for me.
01:21:40Pray for me.
01:22:10Pray for me.
01:22:40Pray for me.
01:23:10No one, no one.
01:23:13I alone am answerable for what I am.
01:23:17I will not serve.
01:23:19But I also am.
01:23:23And will not be overcome.
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