💥 Plongez dans l'univers visuellement époustouflant de Blade Runner 2049 ! Découvrez pourquoi ce film est une expérience cinématographique à ne surtout pas manquer sur grand écran.
Cette suite explore des thèmes profonds sur l'intelligence artificielle et l'amour à travers une enquête policière captivante. L'esthétique est léchée, la colorimétrie parfaite et le sound design exceptionnel.
Ryan Gosling et l'actrice Ana de Armas (dont le jeu est ici incroyable !) vous transporteront dans cette œuvre futuriste. Un véritable bijou à voir (ou revoir) au cinéma !
00:00Hi Dailymotion, today we're talking about cinema, and not just any film, a film that I chose to go see specifically because it was being shown again in theaters, and I'm going to tell you how much it's worth, and above all, is it worth seeing it in theaters.
00:13Today we're talking about Blade Runner 2049. Blade Runner 2049 is a gem, it's more than a movie, it's an experience, and I highly recommend seeing it in theaters.
00:29If you haven't seen it, I recommend not seeing it, and either staying at a friend's house, who has an exceptional cinema system with divinely good sound, or checking it out, if you are in the Parisian suburbs or in Paris,
00:43or there are certain cities that do it too, check out sites like Retro Projection, which show where they are re-releasing this nugget.
00:52They often even do a marathon of the two Blade Runners. You don't necessarily need, you don't even need the first one to see the second one, because it's a sequel, even if it can be more interesting.
01:05But it's monstrous, it's an experiment. That is to say, it's the kind of film like Interstellar, I would say, maybe even more experimental, I would say the other film that took place in space, whose name I've already forgotten, with George Clooney I think.
01:22No, it's not The Martian, it was... No, I don't remember. But it's the kind of film that, potentially, you'll see once and you might not necessarily see it again.
01:34Unless you really like beautiful images, because what makes this film strong is the artistic direction.
01:39It's the direction of photography, it's the quality of the shots, the quality of the sets, and above all the hard work on colorimetry, calibration, lighting and color.
01:49So, each shot is a contemplation, each shot is a magnificent painting just to observe.
01:58We can find ourselves in an extremely dirty, but technologically rich city, as we will find ourselves in the next shot,
02:05in an orange, bright orange desert, which is truly anchored with a solitude and an echo as each step is taken.
02:16Well, it's... It's a gem.
02:18Visually, it's something to see, but really, I insist.
02:24Story-wise, it's a very good sequel.
02:28It's a film that also stands on its own.
02:31This raises some very interesting questions and thoughts, and it's going to be very hard for me not to spoil it for you,
02:36but it questions the relationship we have with machines, knowing that there, we have different types of machines.
02:49Without spoiling anything, there are symbiotic machines, biological ones, copies, let's say, physical ones, and AIs.
02:59And it's the relationship between the two that is very interesting, because it's a very beautiful love story.
03:07And it is this relationship between these two forms of artificial intelligence that is questioned in the film,
03:15and which I found exceptionally interesting and profound, and which raises a lot of questions.
03:21Go see him.
03:22And it's very hard for me to talk about it without giving you more spoilers than that.
03:24Go see it. Really.
03:25So, that's the theme, let's say, underlying, the main theme, it's an investigation, it's a thriller.
03:33So, a little police investigation that is well paced, and which lets you naturally guide yourself to the next clue.
03:42We go from the next clue to the next clue, and it always raises more and more questions while answering some previous ones.
03:48The action scenes are divinely well done.
03:56So, the special effects are top-notch.
04:00Especially the visual effects we can get from the AI, which is actually a hologram.
04:08So, all the scenes where there are games of physical transparency, it's ultra, ultra well managed, in terms of distance, and in terms of relationship to the intimacy of the body.
04:23Same, everything about the environment, the scenery, the flying cars, the city, well...
04:29We travel through all the emotions, and then we also come to the acting, whether it's Ryan Gosling, in the lead role, and...
04:40It's not Jenna Ortega, it's...
04:44I don't remember the actress's name anymore, she's the one who's in Ballerina, the John Wick spin-off.
04:51As much as I didn't like it in...
04:52I found his acting too flat in Ballerina, as much as in Blade Runner.
04:59Wow, it grabs your heart, it's very relevant, it's very interesting, it has a palette that is very, very, very, very, very rich.
05:11She manages to play on nuances, while remaining within the same theme of...
05:16The perfect woman, because it's an AI that is sold as the perfect woman.
05:22And she manages to stay in it, while bringing much more depth and meaning to her relationship with her lover.
05:32It was...
05:34And especially Ryan Gosling.
05:36It goes really well, it goes really well.
05:39It's the first time I've seen him in such a self-effacing, absent, cold role.
05:44Because he's playing an AI, very clearly.
05:48And he has the right profile, he has the right face to play the soulless robot, in fact.
05:54He handles it very, very well.
05:56And likewise, it's going to be very hard not to spoil it for you, but...
06:00There's a twist at one point, and his palette will suddenly explode.
06:08And then that moment, it's...
06:10He takes the trip.
06:11He really takes the trip.
06:14Really, I can only encourage you to go see it.
06:18Everything is...
06:19Everything is good.
06:20And so we come to...
06:22We're going to get to the note, because I thought I'd covered a bit of everything.
06:25The sound design...
06:26Oh yes, there are two last things.
06:28The sound design is exceptionally good.
06:30So that's why I insist here too, as usual, on a top-notch sound system.
06:35It is very electric.
06:36He is very...
06:38I don't know how to define it.
06:39I would say IUM-like.
06:41There is glitch.
06:43There is...
06:43It's windy.
06:45There is...
06:46In fact, it weighs down the image.
06:48It's a sound that is extremely worked.
06:51So it's worth a great sound system.
06:55The most divine you can have.
06:58And the special mention I would like to give is to Batista.
07:00Because there's Batista, so Drax, from Guardians of the Galaxy, who is in the intro of this film.
07:11And I think that we don't pay enough tribute to this actor's performance.
07:14This actor...
07:15I saw an interview with him where he was a little sad.
07:20Because for him, he thought he was in our collective imagination as just a clown and that people only remember him for Drax.
07:29But then I'm sorry.
07:29Whether it's in Dune, or whether it's...
07:32Because he's acting like an admiral who's getting really angry.
07:35And wherever it is in the intro of this Blade Runner.
07:39He is ultra credible.
07:40He is a comedian in his own right.
07:43He has a game...
07:44He has a game that is very powerful.
07:47And who...
07:48And I find that he totally breaks away from his cliché image of...
07:52Well, of...
07:53From guy of...
07:54It seems to me he does MMA or WWE.
07:56Anyway.
07:57He does wrestling, stuff like that.
07:59He comes out of his cliché of...
08:01Big arms, empty brains.
08:04To offer a game that is...
08:08Who is...
08:09Same, extremely...
08:12Staff.
08:14Extremely...
08:14You feel like he's taking it very seriously.
08:17And he gives himself.
08:18He's giving it his all.
08:19And I wanted to point this out because...
08:23It feels good.
08:24It's good to see some...
08:25Actors come from backgrounds that have nothing to do with it.
08:29And who don't take the cinema.
08:30Just for fun.
08:31Who don't take cinema in fashion...
08:33Well, let's go.
08:33Here we go.
08:34I'm going to eat my little moment.
08:35I'm going to love it.
08:35And then they don't make any more effort than that.
08:37No, no.
08:38He puts his whole soul into it.
08:39He puts all his energy into it.
08:39And it shows on screen.
08:41It really comes across on the screen.
08:43So.
08:44I think I'll give it to him for the rating.
08:48I am ready to pay...
08:50I'm willing to pay 92 bucks.
08:54Yeah.
08:54I'm willing to pay 92 bucks without hesitation.
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