- 4 months ago
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59You know, you don't look so dumb
00:02:08For a dummy
00:02:10Come on, Fanny
00:02:18Musher, what are you doing?
00:02:28I'm working, Mr. Calloway
00:02:30Working? Hmm
00:02:31You keep on working like that
00:02:33And you'll work your way right out of a job
00:02:34Yes, sir
00:02:35Here, put this down
00:02:36Yes, sir
00:02:37Now get me some pins
00:02:39Yes, sir
00:02:40You know, the boss doesn't like the way we're dressing the windows
00:02:44Well, you can't blame him
00:02:46What?
00:02:47Yes, sir, the pins
00:02:47Oh, yes
00:02:48The only window he likes is the baby clothes display
00:02:53Did you tell him that I dressed that window?
00:02:55I did not
00:02:56That's all right, I'll tell him
00:02:58Huh?
00:03:00Now listen, Musher
00:03:01While I'm head of the window dressing department, you'll take your orders from me
00:03:04Yes, sir
00:03:05Now get out of here
00:03:06Yes, sir
00:03:07Put this model in the window
00:03:08Yes, sir
00:03:09Hurry up
00:03:10Yes, sir
00:03:10Can't you say anything else but yes, sir?
00:03:13No, sir
00:03:13Well, why don't you say it?
00:03:14Yes, sir
00:03:15This is a sample of the toilet water we have on sale today
00:03:23Well, that'd be all
00:03:26Thank you
00:03:30Hello, Willie
00:03:36Willie, hello
00:03:37Hello, Aggie
00:03:39Willie
00:03:40Come here a minute, Willie
00:03:42I can't
00:03:44Fanny and I have a date
00:03:45Got a date to take me to the picnic tomorrow, you have
00:03:48What's that?
00:03:51You promised the last time you didn't take me the next time
00:03:53Well, listen, the next time it is
00:03:55No, the next time is the next time
00:03:57Oh, young man, you have a kind face
00:04:01You take care of my baby
00:04:03But listen, I've
00:04:04Thank you
00:04:04Steady, kid
00:04:06Hold everything
00:04:07Have you any round rubber sponges?
00:04:13Yes, I'm in a truck
00:04:14Willie, will you pick up the baby, will you?
00:04:18Oh, thank you so much
00:04:40She did a good girl.
00:04:50Come on, Fanny.
00:04:58Oh, pardon me.
00:04:59I thought you were a dummy.
00:05:11Are you Mr. Reisman, the manager of this store?
00:05:13Yes, madam. You are...
00:05:15I'm Mrs. Morgan.
00:05:16Yes, madam.
00:05:17I have a very serious complaint to me.
00:05:19Yes. Won't you be seated?
00:05:25Last week, I purchased a set of china for a wedding gift.
00:05:29Oh, yes. The china departure.
00:05:33I left full instructions for its delivery,
00:05:36but the set arrived with half of the pieces broken,
00:05:39two days after the wedding.
00:05:41I promise you, someone will suffer for this.
00:05:46Send Mr. Musher to me in once.
00:05:48Yes, sir.
00:05:49Now I...
00:05:50Of course, we will replace the broken articles, Mrs. Morgan.
00:05:58Window dressing department?
00:05:59Mm-hmm.
00:06:00Hmm?
00:06:02Musher?
00:06:03Who wants him?
00:06:05Mr. Reisman?
00:06:06Right away.
00:06:07Right away. Yes, I'll find him. I'll send him to you right away.
00:06:12Who is that man you sent for?
00:06:13The man who is responsible for this mistake.
00:06:15This isn't the first complaint we've had about him.
00:06:25That's him, I hear?
00:06:26Yes, sir.
00:06:27Come in.
00:06:28Do you recall packing a set of china for Mrs. Morgan?
00:06:33Why, how do you do, Mrs. Morgan?
00:06:35China?
00:06:36Yes, sir.
00:06:37Was it pink with green stripes?
00:06:39It was the finest limoes with gold stripes.
00:06:42And when it arrived, every cup in the set was broken.
00:06:45Isn't that too bad?
00:06:47Too bad?
00:06:48Yeah, no cups for coffee.
00:06:49Are you arguing with me?
00:06:51No, I'm telling you.
00:06:52And I'm telling you, you're fired.
00:06:54Now you get your money and get out.
00:06:56And let this be a lesson to you.
00:07:00Yes, sir.
00:07:06Anything else, sir?
00:07:07Get out.
00:07:08Good day, Mrs. Morgan.
00:07:18Yes, sir.
00:07:19Not at all.
00:07:20It's been a pleasure, I assure you.
00:07:21Now, if you will just go down to the china department,
00:07:24we will do what we can for you, Mrs. Morgan.
00:07:26Thank you so much, Mr. Reisman.
00:07:32Good day.
00:07:33Good day.
00:07:39Are you the manager?
00:07:40Yes, ma'am.
00:07:42Won't you come in?
00:07:44Come, Edward.
00:07:51You have some complaint?
00:07:52The most outrageous thing has happened.
00:07:54Edward, tell him.
00:07:55Why, I bought this bag here yesterday afternoon.
00:07:58Oh, yes.
00:07:59Now, the baggage department.
00:08:01Be seated.
00:08:03I've been in town several days on business.
00:08:05Now, my wife was to join me tomorrow
00:08:07for a vacation trip.
00:08:09Yesterday, I bought some shirts and things
00:08:11and told the clerk to send them to my hotel in that bag.
00:08:15Send the head of the baggage department to me at once.
00:08:18On a complaint.
00:08:20When I arrived in town,
00:08:21I went straight to my hotel,
00:08:24and I was late,
00:08:25and I found this.
00:08:30Hmm.
00:08:32Evidently, someone has been very careless.
00:08:35You can imagine my feelings.
00:08:38And mine.
00:08:40The head of the baggage department is here, sir.
00:08:42Send him in.
00:08:43By this isn't the man who waited on me yesterday.
00:08:57I know that.
00:08:58You know what you did?
00:09:00You put ladies clothes in a gentleman's bag.
00:09:03This ladies clothes?
00:09:04That lady is his wife.
00:09:05Well, who was the lady that had her clothes in his bag?
00:09:07None of your business.
00:09:09Now, how did you happen to make this mistake?
00:09:13Oh, it's liable to happen in the best of families.
00:09:15Are you arguing with me?
00:09:17No, I'm telling you.
00:09:18And I'm telling you, you're fired.
00:09:21And let this be a lesson to you.
00:09:24Yes, sir.
00:09:25Yes, sir.
00:09:36Oh, I can't tell you how relieved I am.
00:09:38You know, Edward is so very, very, very busy.
00:09:45Hey, come here a minute.
00:09:48Here.
00:09:49I want you to take this.
00:09:50What's this for?
00:09:51For being the world's champion liar.
00:09:53Oh, that's all right.
00:09:54No, no, no.
00:09:55Take it.
00:09:56And don't you worry.
00:09:57I'll see that you get another job.
00:09:59What's the matter with the one I got?
00:10:01Why, didn't you just get fired?
00:10:05It's a racket.
00:10:06Huh?
00:10:07You see, every time the store makes a mistake, I get fired.
00:10:11Makes it nice for everybody.
00:10:13Well, it certainly made it nice for me.
00:10:17Edward?
00:10:18Edward!
00:10:19Edward!
00:10:22Are you sure the cashier's office is on this at home?
00:10:25I'll step up it, but I need to build here and there.
00:10:29What's that?
00:10:30Hush money.
00:10:31Hush money?
00:10:32Mm-hmm.
00:10:33It doesn't rattle in your pocket.
00:10:34Ten whole berries.
00:10:35I suppose you're going to blow that in on some skirt.
00:10:37Not in your life.
00:10:38I'm going to put it in a bank.
00:10:39You know, I'm saving up for a raccoon coat.
00:10:41Yes, and how much have you got now?
00:10:43Seven dollars and a quarter.
00:10:44I had three thousand, but I invested in oil stock.
00:10:48Now, wherever did you get three thousand dollars?
00:10:51A taxi cab backed into me.
00:10:53Oh, I suppose you sued the company.
00:10:54No, they gave me three thousand not to.
00:10:57And you bought oil stock?
00:10:59Mm-hmm.
00:11:00Well, there's one born every minute.
00:11:01Oh, wait a minute.
00:11:03You know, in Brooklyn, the birth rates are much higher.
00:11:06Well, I'll see you later. I'm going over the bank.
00:11:09Now, listen, Marsha.
00:11:10You'll be back in five minutes, or I'll report you.
00:11:14Oh, Calloway.
00:11:15Yes?
00:11:16Mm-hmm.
00:11:19So, we're here to ask for contributions to the orphan's home, ladies and gentlemen.
00:11:23The home is taking care of more than 100 children, my sister's fellow here.
00:11:28Now, I don't know of any charity more deserving than the home and the work it's doing.
00:11:33Miss Brown here.
00:11:34She will accept any contribution you may wish to make.
00:11:36Every dollar you give goes directly to the children.
00:11:41No one prophesies except the orphan.
00:11:44Now, if you don't feel like giving a large Sunday, you may donate a weekly pledge.
00:11:48Ten dollars supports one child for one week.
00:11:52Anybody can play this orphan.
00:11:55Oh, no, no.
00:11:57Oh, I'm sorry. No, dear.
00:11:59Sorry.
00:12:00That's all right.
00:12:01Is this one of the orphans?
00:12:02Yes.
00:12:03Cute little rascal.
00:12:04What is she, girl or boy?
00:12:05Oh, she's a boy.
00:12:07Oh.
00:12:08Honey.
00:12:10See, you kind of like him, don't you?
00:12:11Oh, I love him to death.
00:12:13I bet he likes you, too.
00:12:15Haven't her instead of a mother.
00:12:16That's not such hard luck, is it?
00:12:17No.
00:12:19Ah, there's a man after my old heart.
00:12:22A smile on his face and money in his hands.
00:12:25Hey, wait a minute. That's ten dollars.
00:12:26Just enough to support one orphan for one week.
00:12:29I'll get you a receipt.
00:12:30But listen, that's...
00:12:31Oh, that was awfully generous of you.
00:12:33Oh.
00:12:35Do you think so?
00:12:36Why, yes.
00:12:38Well, he's sure a cute kid.
00:12:41Mm-hmm. He likes you.
00:12:42Oh, yeah, he's a bright kid, all right.
00:12:45Will you sign him, please?
00:12:47Oh. Is this my receipt?
00:12:48Yes, it entitles you to visit the hall whenever you want.
00:12:52Will you be there tomorrow?
00:12:54Yes, I work Sunday.
00:12:56Good, I'll be there, too.
00:12:57Be a good chance to get better acquainted.
00:13:00With the baby, you mean?
00:13:03Yeah, with the baby.
00:13:05All fine, thank you.
00:13:07Here's your coffee.
00:13:09Now, does anybody else want to support a little orphan?
00:13:13Well, I guess that washes me up.
00:13:15So long, Oscar.
00:13:16Uh-huh.
00:13:17Goodbye, Miss.
00:13:18Oh, my name is Robin.
00:13:19Mary Robin.
00:13:21Gee, that's a pretty name.
00:13:22Oh, thanks.
00:13:24Whether you believe it or not, my name's Usher.
00:13:27Oh, what a nard name.
00:13:29Odd?
00:13:30Uh-huh.
00:13:31No, it's even.
00:13:32M-U-S-H-E-R.
00:13:35Sick.
00:13:37Well, goodness.
00:13:38See you tomorrow, Oscar.
00:13:39Goodbye.
00:13:43Goodbye.
00:13:44Goodbye.
00:13:45Bye-bye, Mallory.
00:13:47Goodbye.
00:13:48Goodbye.
00:13:50Come get to work.
00:13:51I got to work.
00:13:52Yes, sir.
00:13:53It's a pleasure, sir.
00:13:55Cuckoo.
00:13:56Get to work.
00:14:02Yes, sir.
00:14:03It's a pleasure, sir.
00:14:06Cuckoo.
00:14:10Wasn't he funny?
00:14:12Imagine calling a bunch of sweetness like you Oscar.
00:14:16Oh, but he was sort of nice.
00:14:18Didn't you think, Oscar?
00:14:19Yeah.
00:14:21One o'clock, Earl.
00:14:22Time for lunch.
00:14:26I hereby promise to pay the Bellevue Orphanage for the support of a child a sum of $10 each and every week.
00:14:43Hey.
00:14:48Hey.
00:14:49Hey.
00:14:51Hey.
00:14:51How can I give him $10 every week?
00:15:08I only make $20.
00:15:10Oh, listen, Marmaduke, it can't be done.
00:15:12Hey.
00:15:13What's the idea?
00:15:15Talking to a dummy, you dummy.
00:15:16The next thing you know, you'll be talking to yourself and walking into telegraph poles.
00:15:20You know that, don't you?
00:15:21All right.
00:15:21Get out of here, will you?
00:15:23Nobody's seen me come in.
00:15:24Nobody did.
00:15:25That's fine.
00:15:25If the boss catches you in here, we'll both get canned.
00:15:28All go on.
00:15:28The boss went out to lunch.
00:15:30He's out eating his.
00:15:32Hey, Willie, about that picnic tomorrow.
00:15:34I'm not going.
00:15:35Will you get out of here, please?
00:15:36Well, if you don't take me, I'll go with Johnny Harris.
00:15:39I will.
00:15:40He's crazy to take me, Johnny.
00:15:42He is.
00:15:42Yeah, he must be.
00:15:43Yeah, go ahead.
00:15:43Go with Johnny.
00:15:44Hey, are you spurning me for another day, Maya?
00:15:48No, I've got to go out to the orphan's home tomorrow, bought a baby.
00:15:51A baby?
00:15:52How did you get mixed up with a baby?
00:15:54How did you?
00:15:55Well, I was going to the bank, and I stopped to talk to a girl on the street.
00:15:58And now you've got a baby on your hand.
00:16:00Wait a minute.
00:16:01You're thinking too fast.
00:16:02Look.
00:16:04I hereby promise to pay $10 a week.
00:16:08Per week?
00:16:08It can't be done.
00:16:09So I've got to go out there tomorrow and tell them it can't be done.
00:16:11Why do you have to go out there tomorrow and tell them it can't be done?
00:16:15Why do you have to?
00:16:16Because it can't be done.
00:16:17Look, I only make $20 a week.
00:16:19Yeah.
00:16:19Plenty.
00:16:20Yeah.
00:16:20I have to give your mother five for my room.
00:16:21You'd better.
00:16:22And the stomach gets seven more.
00:16:24Yeah.
00:16:24Seven and five are...
00:16:25Eleven.
00:16:25Twelve.
00:16:26Twelve from twenty leaves eight.
00:16:27Eight.
00:16:28See?
00:16:28And you have to pay ten.
00:16:30Yeah.
00:16:32You know what I think?
00:16:33What?
00:16:34I think you ought to go out there tomorrow.
00:16:36Yeah.
00:16:37And tell them it can't be done.
00:16:39Yeah.
00:16:41Well, now that's a new idea.
00:16:44Will you get out of here before I crown you?
00:16:50And you, Marsha?
00:16:52Oh, yes, sir.
00:16:55What are you doing?
00:16:57Well, oh, I'm un-dressing the dummy, sir.
00:17:01Stand still, dummy.
00:17:02Don't let me interfere.
00:17:04I'll be here for some time.
00:17:06So, go right on with your work.
00:17:14You want to get by again?
00:17:18Come, come, Marsha.
00:17:19Undress that dummy.
00:17:21Yes, sir.
00:17:32You've been in this department for some time, haven't you?
00:17:36Oh, about a year.
00:17:38Doing all right?
00:17:40Stand still.
00:17:42That you say?
00:17:43I say I'm standing still.
00:17:46Now's your chance to go further.
00:17:48Wait a minute.
00:18:04Wait a minute.
00:18:09You'd better take off those bloomers.
00:18:11What's that?
00:18:14I said, no, it never show through this slip.
00:18:20I got the wrong slip on.
00:18:22Ouch!
00:18:23Did you say something?
00:18:26Oh, well, I was just talking to the dummy.
00:18:29You know, I often talk to dummies.
00:18:31Sort of a habit with me.
00:18:33You talk to dummies?
00:18:34Yeah.
00:18:38Isn't that very funny?
00:18:40Yeah, it is.
00:18:42You talk to the dummy.
00:18:46And they can't answer you back.
00:18:48No, they can't say a word.
00:18:57Hello.
00:18:59Yes.
00:19:00This is Mr. Rydman.
00:19:01All right.
00:19:03I'll come at once.
00:19:04You, you, I couldn't murder you.
00:19:15Wait till I get my hands on you.
00:19:17You, you dirty and dirty, you.
00:19:20Oh, now.
00:19:21Now, don't get excited.
00:19:22I saved your job for you, didn't I?
00:19:23How did you save it, though?
00:19:24How did you save it?
00:19:25Tell me I'll teach you.
00:19:27You.
00:19:27How'll you do it?
00:19:33Embracing, I'm out.
00:19:34Say...
00:19:34Mischa, you turn...
00:19:37Yes.
00:19:38Come down to the office in a few minutes.
00:19:38Well, what's the matter? You're all right?
00:19:42I'll never be the same.
00:19:46Sure, sure you will. Everything will be all right.
00:19:50Go ahead and get dressed. I'll, I'll turn my back.
00:19:54Why? I ain't got those secrets from you no more.
00:19:58I'll never be the same.
00:20:02I'll never be the same.
00:20:06No secrets from you no more.
00:20:10How can you ever love me
00:20:14in the face again?
00:20:22Oh, Dad.
00:20:30Wow.
00:20:36Can you imagine, Marmaduke, me getting mixed up in a high society racket?
00:20:48Uh...
00:20:50Fanny, I'll never know you now.
00:21:02How are we all this morning, huh?
00:21:04Fine.
00:21:06Now, Ronnie, I got in there get one.
00:21:08Go ahead, that'll be it.
00:21:10Now, come on.
00:21:12Get ready, get ready.
00:21:14Get ready, get ready.
00:21:16Get ready, get ready.
00:21:18Get ready, get ready.
00:21:20Get ready, get ready.
00:21:22Get ready, get ready.
00:21:24Get ready, get ready.
00:21:26Get ready, get ready.
00:21:28Get ready, get ready.
00:21:30Get ready, get ready.
00:21:32Oh, Jane.
00:21:36Hey, give me a good person.
00:21:38Oh, gee, I'm nervous.
00:21:40Oh, I hate to get up in the morning.
00:21:44Oh, how I hate to get up in the morning.
00:21:48That's right. Now brush your teeth. If you don't, I'll know, because the brush will be dry.
00:22:05That's right.
00:22:15Well, what am I so happy about? Oh, I know. That nice young man we met yesterday is coming to see us this afternoon. Did you like him?
00:22:26Yeah. That a boy, I'll put your arm in. There we are. I'm hungry.
00:22:45Oh, how do you do, everybody? How do you do, Mrs. Tenney? How do you do, dear? Do you know Mrs. Franklin? Oh, how do you do, Mrs. Franklin?
00:23:01Oh, thank you. So glad to see you. Hello. Mrs. Tenney. Yes? I want you to meet Harvey Vancey. Oh, how do you do, Mrs. Vancey? How do you do?
00:23:18I knew your father when he owned only one railroad. I've heard him speak of you. Really?
00:23:23I want you to know my fiancée, Miss Oglethorpe. Oh, the Virginia Oglethorpe. Of course. How do you do?
00:23:28Well, you got here, too, I think. Don't you want to meet Mrs. Tenney? Oh, she wouldn't know me.
00:23:33Then I'll introduce you. Mrs. Tenney. Pardon me? Yes? Sure. I want you to meet Mr. Musher. Oh, how do you do, Mr., uh...
00:23:39Musher. One of the Brooklyn mushers. Oh, you're from Brooklyn. Uh, what part? Uh, all of it.
00:23:45What a energetic young man. I'm so glad to know you, Mr. Musher. No, not Musher. Just plain musher.
00:23:52Emphasis on the mush. Uh, who do I go to see about this here, Mrs. Tenney?
00:23:57Oh, you're one of those adorable young men who's going to bring up a baby.
00:24:00Yeah, but I want to talk to...
00:24:02Didn't you pay me today to kick off the baby? My baby? Yes, the little angel that you're going to support.
00:24:06Stand still, honey. You must look nice today. How do you know that nice young man might even adopt you?
00:24:12You mustn't be so bashful. This is a nursery. Isn't it sweet?
00:24:17My goodness. You must have a lot of babies. Where'd they all come from?
00:24:23Why, really, Mr. Musher, I couldn't say. Oh, here's an adorable child. Angel, see the nice man I brought you. Speak to him.
00:24:31What'll I say? What's his name? Anything. Oh. Hello, anything. Ah, my young man. How are you, kid?
00:24:41He doesn't seem to speak my language. I'll speak his.
00:24:46Cuckoo! Cuckoo! I'm so sorry.
00:24:50It's all right. Children will be children. Darling, you mustn't break the man's cane.
00:24:55Maybe you prefer the one in this crib. Yeah, maybe.
00:25:01Isn't she angelic? Oh, she's cute.
00:25:08Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! Cuckoo! C
00:25:38but listen I was hey you what do you think you're doing you little hello oh
00:25:49hello cute little fella well I managed to get here oh I'm so glad so am I you
00:26:00know it's a beautiful place you have here yes it's so peaceful yeah so I
00:26:05noticed will you stop it oh rather like a nice boy and play with your models go
00:26:10ahead yeah and don't swallow any well well if it isn't Oscar you remember mr.
00:26:18musha darling say hello mr. musha hello mr. musha he thinks I'm a cereal never
00:26:24mind the mr. stuff this is uncle Willie speaking you know I think it's
00:26:31marvelous of you to provide for a baby you know nothing about gee it must be
00:26:35a tremendous satisfaction spending your money to bring up an angel like Oscar
00:26:40for instance yeah well that's that's what I want to see about oh I think it's
00:26:43wonderful yeah mm-hmm but how long have you been interested in orphans oh all my
00:26:51life you see I used to be an orphan myself yeah I was brought up in a home
00:26:57nothing like this home they didn't have any nurses there like the ones they have
00:27:01here or I want to run away oh you got away huh what did you do I went to work
00:27:07you did how old were you who about 15 oh and you've worked ever since huh huh
00:27:15that is on and off gee you know I think you're awfully romantic me Romani you're
00:27:37just like a hero in a novel all alone in the world working hard finally becoming
00:27:42rich and successful tell me how did you make your first big money oh my first big
00:27:48money huh oh what gave you your start well let me see now a taxi cab a taxi cab yeah
00:27:56you see it was a question of banking oh oh I see and after your first money it was
00:28:02easy huh well look the first three thousand was the hardest then I invested in oil ever
00:28:07since then why there's been really nothing to it oh isn't that exciting oh hey oh I'm so sorry no
00:28:22that's all right oh they really should be put in bed they're more trouble than twins why don't
00:28:26you put them in the twin beds oh well that's all right there's plenty more where that came
00:28:32from I get a headache I thoroughly agree one time be too careful in the boxing
00:28:46challenge hello missus and can I hello darling oh rather attractive isn't he dear yes quite
00:28:53now this is number 517 he was left to the front door the night of April 1st oh an April
00:28:58fool for baby hey hey yeah well come here my man let me have a look at you
00:29:02yeah yes
00:29:04what's the matter got a flat I must have picked up a nail someplace how long will it take not
00:29:22over five minutes all I've got to do is change a wheel okay hey what place is this well that's an
00:29:29often's home yeah see if a smart bird only know where those kids come from and why say I brung that
00:29:37kid up here once myself yeah yeah on April Fool's Day yeah go on your story interests me well you see
00:29:45it was something like this I get a call one night from apartment house downtown it was a girl and she
00:29:51asked me to drive her out to the orphans home well I drove her out there get out of the cab and help
00:29:56the lady out she had a baby in her arms I was watching go up the stairs and I started to turn
00:30:02around and close the cab door I noticed something on the floor of the cab I picked it up it was a
00:30:07wedding ring it's some initials inside said HV to VH I said hey lady did you drop this she looked kind of
00:30:19funny and flustered like it she came down the stairs I said did you drop this in the cab she says oh yes
00:30:24if you please forget all about this I'll give you fifty dollars when I come out I said lady you could have
00:30:30the cab for fifty dollars well I tried to figure it out but it's over my head well the time I looked to see
00:30:36what the meter was and everything she was back say she was a swell looking dame too but I noticed one thing as she come down the
00:30:43stairs she didn't have the baby in her arms well she started to force some money on me but you know
00:30:47me I wouldn't take money from a woman well I put her in the cab said quiet to lady she told me to
00:30:54drive her to a nightclub downtown I hopped in the front seat so I highballed it back to town what did
00:30:59you say those initials were HV to VH and you dumped the girl where at a nightclub downtown very
00:31:09interesting I wonder where she came from and why search me where would you like to go though I'm hungry
00:31:16haha you're always hungry let's go and get some lunch and you know nothing of his parentage no oh Mary yes
00:31:25can you tell us anything about 517 oh nothing except that he was left here well dressed and well
00:31:31cared for on the night of April first that's all we know my dear I shouldn't dream of adopting a
00:31:36child unless I knew something of his parentage oh I'll take him oh my dear what is that oh just a
00:31:45little birthmark I shouldn't care for that at all can't you show us something else if you'll follow
00:31:50me come along dear well that's no kind of a family for you and me to get mixed up with you should
00:32:00worry about that little trademark here look at the one I got home to master that's all right don't
00:32:05look oh gee can you see it yeah I bet I know why you came here today you're going to make Oscar your
00:32:15board oh that's what I want to see about oh wouldn't it be wonderful yeah but I you could come to
00:32:20see us anytime you wanted to oh please don't look at me like that oh wouldn't you adore him for a
00:32:28guardian honey he'd be your uncle Willie uncle Willie oh gee I'll find some way to do it you will yeah
00:32:39oh boy this is great yeah it's gotta be done
00:32:48let's see I get through at the store at six six to nine that gives me three hours to eat and change
00:33:03my clothes I don't have I get through here at three I get down at the store at eight it gives me three
00:33:11hours to sleep that's funny
00:33:13I'm getting tired of my fire
00:33:19under my last года it gives me three hours to play
00:33:22and if you're gone earn on eight it gives me three hours to go to120 I'm going to get down at any
00:33:33I need a lock and bar.
00:33:37The man for me will have to leave.
00:33:41He comes with no kids of my talent.
00:33:45I'm getting my own time to go.
00:33:49Number six.
00:33:53I got a man I can trust.
00:33:57A day I've been saving.
00:34:01Still, I'm as slow, just as slow as a human can be.
00:34:09I'm full of woe, and I know just the race, and I'm famous.
00:34:17I'm detectin' and keep me glistin' me.
00:34:23The fairies make a father's own.
00:34:29You're good for nothin' when it's time to go.
00:34:33I'm gettin' tired of my tired man.
00:34:37I'm gettin' tired of my tired man.
00:34:41I'm gettin' tired of my tired man.
00:34:45You'll find him in the arms warped.
00:34:49I'll get tired of my tired man.
00:34:53He was my inspiration.
00:34:59But they have gone too far, I don't want conservation.
00:35:06Come here, Viggo.
00:35:08I need a walking bar.
00:35:11The man for me will help you speak.
00:35:15Equipped with all your money.
00:35:17Don't you get up to your post where you belong.
00:35:19Get back to your post.
00:35:20I'm getting tired of my tired man.
00:35:26That's the kind of singing I like, that peppy stuff, too.
00:35:31Give us a cigarette, will you, Pinky?
00:35:33Hey, pass the olives.
00:35:35Sure.
00:35:36Here we are.
00:35:38Pinky, Pinky, look.
00:35:41Did you enjoy the theater?
00:35:42Oh, I thought it was good.
00:35:44Hey, George, sir.
00:35:47Oh, hello.
00:35:49Oh, hello.
00:35:50I haven't seen you for a few nights, sir.
00:35:52Uh, we've been out of town.
00:35:54Yeah, I missed your tips.
00:35:56What?
00:35:57I say, would you like to have some asparagus tips?
00:36:00No.
00:36:01That's young Harvey Vandenberg.
00:36:03Yeah.
00:36:04That's the red-headed Jane he's gonna marry next month.
00:36:07Yeah?
00:36:08Harvey, I can recommend the crab salad.
00:36:10Have you served any crabs tonight?
00:36:12Yeah.
00:36:13That old bald-headed guy over there.
00:36:15What's that, Daisy?
00:36:16Take a look.
00:36:17What's that, Daisy?
00:36:18Take a look.
00:36:19Oh, Daisy, you're supposed to be a dog.
00:36:20Come on, let's go.
00:36:21Yes.
00:36:22You don't mind, right?
00:36:23I wonder if Harvey told that girl about his first wife.
00:36:25I never knew if he had a first wife.
00:36:26Oh, there was nothing in the papers about him.
00:36:28Violet and I were roommates.
00:36:29That's how I know.
00:36:30Violet?
00:36:31Violet, who was the first wife?
00:36:32I never knew if he had a first wife.
00:36:34Oh, there was nothing in the papers about him.
00:36:36Violet and I were roommates, that's how I know.
00:36:37Violet?
00:36:38Violet whom?
00:36:39Violet Harris.
00:36:40She and Harvey alone.
00:36:41Both underage, so his father had her to know.
00:36:43Violet Harris, you said?
00:36:44Mm-hmm.
00:36:45Mm-hmm.
00:36:46Harvey Vandermann to Violet Harris.
00:36:48What's on your mind, Pinky?
00:36:49Oh, nothing much.
00:36:50I'm just thinking of writing a little letter, maybe.
00:36:51About her.
00:36:52Oh, yes.
00:36:53Oh, yes.
00:36:54Oh, yes.
00:36:55Oh, yes.
00:36:56Oh, yes.
00:36:57Oh, yes.
00:36:58Oh, yes.
00:36:59Oh, yes.
00:37:00Oh, yes.
00:37:01Oh, yes.
00:37:02Oh, yes.
00:37:03Oh, yes.
00:37:04Oh, yes.
00:37:05Oh, yes.
00:37:06Oh, yes.
00:37:07About what?
00:37:08About babies.
00:37:09Baby?
00:37:10Sure.
00:37:11Shall we join the Merrymakers?
00:37:12Well, I was wondering when you were gonna ask me.
00:37:28Hey, I'll take care of me old hat and coat.
00:37:31Never mind that.
00:37:32Just want your kick it off.
00:37:34I'll tell her when to sit down.
00:37:36Sit down.
00:37:37All right.
00:37:38And stop chewing that gum, will you?
00:37:40Oh.
00:37:41Well, you're in a swell book now, Annie.
00:37:43Well, gee, Johnny, you're swell to take me to a place I want to go, you are.
00:37:47Yeah, and you can think of plenty of places to go, believe me.
00:37:49Well, are you sore, are you?
00:37:51So annoying.
00:37:52This is your birthday, isn't it?
00:37:53Well, Elena?
00:37:54Sure, well.
00:37:55We've got to have a menu.
00:37:56A menu?
00:37:57What's a menu?
00:37:58Yeah.
00:37:59Wait up.
00:38:00Where are you?
00:38:01What's the menu?
00:38:02Yeah.
00:38:03Wait up.
00:38:04Wait up.
00:38:05What are you doing?
00:38:06Starting to get one of them?
00:38:07Well, hey.
00:38:08Hey.
00:38:09Hello, Johnny.
00:38:10Hello.
00:38:11How are you?
00:38:12Well, I'm not very young, I'll tell you that.
00:38:13Hey, what are you doing here?
00:38:14I work here.
00:38:15You work what?
00:38:16Hey, you working down the store anymore?
00:38:18Yeah, I work there today and work here at night.
00:38:20At night?
00:38:21Well, when do you sleep?
00:38:22Between dreams.
00:38:23That's pretty good.
00:38:24Hey, but why?
00:38:25I need the money.
00:38:26You see, I'm supporting the baby, and babies cost a lot of jack.
00:38:29That's what I've been telling Aggie.
00:38:31And listen, she can spend more money, Willie, than anyone I ever saw her.
00:38:34Oh, shut up, baby.
00:38:35Oh, go on.
00:38:36Say, Willie, how is the baby?
00:38:38How's the baby?
00:38:39Come on over here and sit on.
00:38:40How's the baby?
00:38:41I didn't know he was working here.
00:38:42Well, not here.
00:38:43Oh, boy, I got the greatest little kid in the world.
00:38:46He must be, Willie, to keep you working on your drugs all day and all night.
00:38:50Yeah, I know, but I make it easy on the puppies.
00:38:53Let's see.
00:38:54Willie, they look like peas.
00:38:56Aggie, they look like my old man's shoes.
00:38:59Look, my old man's shoes is a babette boy.
00:39:01You've got him crazy or something.
00:39:02Get back to your foot.
00:39:03Hey, lay off him.
00:39:04He's a friend of mine.
00:39:05Get back to your foot.
00:39:06I'll see you later.
00:39:07Hey, wait a minute.
00:39:08We know that guy.
00:39:09It's all right.
00:39:10Please, what do you know him?
00:39:11Sit down.
00:39:12Go ahead.
00:39:13Everything is going to be all right.
00:39:14Yeah.
00:39:15You bet your life everything is going to be all right.
00:39:16Everything is going to be all right.
00:39:17Ah, go ahead and comb your hair.
00:39:19Yeah.
00:39:20Oh, there's your tip, waiter.
00:39:22Oh, boy, I've had enough.
00:39:27Somebody's dancing with snowshoes on.
00:39:31Oh.
00:39:32Oh.
00:39:33Oh.
00:39:34Well, too crowded for me out there.
00:39:35I quit when they started climbing up my back.
00:39:46I've had enough.
00:39:47Oh, well, too crowded for me out there.
00:39:52I quit when they started climbing up my back.
00:39:54Oh, I've had enough.
00:39:56I've had enough.
00:39:57I quit when they started climbing up my back.
00:40:02I've had enough.
00:40:04I never saw so many left-footed dancers in all my life.
00:40:07Right.
00:40:23When I need your help, I'll ask for it.
00:40:26What are you talking about?
00:40:29Here she comes now.
00:40:31Watch me ball her out.
00:40:32Oh, forget her.
00:40:33Not me.
00:40:34Say, listen, Daisy.
00:40:36I'm sorry, Joan.
00:40:37I'm going to tell you exactly why.
00:40:39What's the matter with you?
00:40:40You're trying to break up another party.
00:40:42No, but I'm going to tell you something.
00:40:43Oh, don't be so noisy.
00:40:48Ladies and gentlemen, the regular Wednesday evening dance contest is about to start.
00:40:52This contest is open to everyone and anybody.
00:40:55The winner will receive this beautiful, solid gold, silver roving cup.
00:41:00Anybody wants to get in it, I mean the contest, not the cup, will come up and get your number.
00:41:06Are you ready, Professor?
00:41:10Hey, Johnny.
00:41:11That you and me go on a dance contest, huh?
00:41:13Maybe we'll win the cup.
00:41:14Oh, Aggie, I don't want to dance.
00:41:16I'm ashamed.
00:41:17Why?
00:41:17The man said anybody could get in it.
00:41:19Yeah, I know, but he didn't know we were coming, did he?
00:41:22Johnny, I want to go on a dance contest.
00:41:25Now, look, Aggie, I don't want to dance and that's all there is to it.
00:41:27Why?
00:41:28Because somebody's liable to steal my hat and coat.
00:41:31That's why.
00:41:32Well, yeah, come on.
00:41:33I want to get out there and dance.
00:41:34I'm not going to dance.
00:41:35Now, look at you, Aggie.
00:41:36You've got to take me out there.
00:41:37Now, look at you, Aggie.
00:41:37Hey, if I lose my hat and coat, you'll have to pay for it.
00:41:39Nobody's going to take it.
00:41:40All right, now, I'll go.
00:41:41Now, listen, you.
00:41:43I'm sick and tired of being yelled at and growbeaten.
00:41:46One more crack out of you and I'll prick.
00:41:52That's what you get to talk about at times.
00:41:55He's going to let him die.
00:41:56He still thinks he's champion.
00:41:59Oh, he fell down.
00:42:01Wait a minute.
00:42:02You did that, I'll pick you for this trick just a minute.
00:42:05Let go of me.
00:42:06Wait all around, gentlemen, to beat up ladies in here.
00:42:09No.
00:42:09No, you have to go outside.
00:42:11Here, here, here.
00:42:11What's coming off here?
00:42:12That way you got to get down.
00:42:13Get down.
00:42:13Get down.
00:42:14You dirty ain't just got it.
00:42:20I told you not to get out of anything.
00:42:34I don't know whether I ought to knock you in the nose of mine.
00:42:36But this gentleman isn't even employed here.
00:42:38I don't work here.
00:42:39In other words, I waited and done it and I want satisfaction.
00:42:41Oh, come on.
00:42:42I'm not allowed to come on, gentlemen.
00:42:44Please, sit down.
00:42:44I don't know whether I ought to knock you in the nose of mine.
00:42:46Wait, look, let's have a drink and shut up about it.
00:42:48All right.
00:42:48Okay.
00:42:48What kind of a dancing contest is this?
00:42:59Did you see that man kick you?
00:43:01Did I see him?
00:43:02I felt him.
00:43:03Come on.
00:43:03Let's get out of here.
00:43:04I wouldn't stand a contest like this.
00:43:06Well, we got rid of that one, Willie.
00:43:09Not a bad idea.
00:43:15Why, what happened?
00:43:17Well, I'd rather not say, but I wouldn't win and stay in this conference for a dozen cups.
00:43:27Hey, what's the idea?
00:43:29What are you talking about?
00:43:30Well, you'll kick me and I'll punch you in the nose for you.
00:43:31You what?
00:43:32Yes, you heard me.
00:43:33I'll show you.
00:43:35I'll show you.
00:44:34Look at me!
00:44:36Here's a little boy!
00:44:38Wait a minute!
00:44:40There's the mug that done it!
00:44:41Out there on the floor!
00:44:43Do I have to hit you again?
00:44:44Willie!
00:44:45Look at my predicament!
00:44:47I haven't got time!
00:44:49Look at mine!
00:44:52Willie!
00:44:53Willie!
00:44:54Oh, hey Willie!
00:44:56Oh, Johnny!
00:44:58Johnny, help me up, will you?
00:45:01What's the matter with you acting like that in a place like this oh, I'm all right Johnny. Oh, you're all right. Oh, yeah. Yeah. Well, have you forgotten your operation?
00:45:11Oh, yeah. Oh, go ahead. Oh, let me just get one sock at you. Now wait a minute. Let me explain. There is no explanation necessary. I'll attend to this. Now get out. You're fired. And let this be a lesson for you.
00:45:29But I was only going out. Come on, folks, please. Sit down and have a good time. You're all the crap. Come on. Let go. All right. Just a moment. Here. Oh, no, I can't. That's all right. I won't be sorry you got in that jet with that big egg store. Go on. Put it in your kit. It's just a moment. Here. Oh, no, I can't. That's all right. I won't be sorry you got in that jet with that big egg store. Go on. Put it in your kit.
00:45:59All right. Here you are. Oh, is that what she gave you? Yeah. Here's your kit. Can I go home now? Sure, yes. But listen. You've been late every night this week. Now come around here tomorrow night on time. Oh, yes, sir. And listen. Lay off this discount test. You went out my dish. Yes, sir. Take care of that for me. Oh, you're sorry.
00:46:21He's late today, honey, but you know he'll come. Uncle Willie hasn't missed a Sunday in two months. Mary. Yes? Your boyfriend's just come in the gate. See? What did I tell you? It's candy today, isn't it? What? Well, we all know the routine. One Sunday flowers, next Sunday candy. Take me a couple of chewies, will you? All right. Oh, what have you got there? The oil. Oh, now your trouble's done.
00:46:51Cool them. Oh, Mr. Nusher. You have candy today, I see. Yes. You have candy today, I see. No. Hello. Hello. Hello, Oski. You're looking great. Look, Mary. Look what I got for you. Oh, thanks. You know, all week long, I try to think of different things to bring in.
00:47:15But I always end up with candy or croissant or croissant or flowers. Oh, thanks. But you don't need to bring anything. Don't you suppose I know that? But I do. You know, someday I'm going to bring you a... A what? See, when you look at me like that, my heart just goes... Oh, now you're kidding. No, I'm not. Oh, what's in the box? Oh, boy. Wait a minute to see. A steam engine. Oh.
00:47:39Oh. Has anybody told you that you're beautiful today? Uh-uh. Oh, then I will. You're perfect. Oh, excuse me. Oh, Willie, you look awfully tired. Didn't you sleep well last night? Yeah, I slept well. But not long enough. Hmm. Up late. At a party, I suppose. Oh, no. I went to a nightclub. Oh, how I hate nightclubs.
00:48:07Well, why did you go? Well, I had to go on business. Well, for goodness sake, if you're so sleepy, why don't you go home? I'd rather be here. Honest, Mary.
00:48:28When did you receive this anonymous letter? Yesterday. A baby, eh? It's news to me, Dad. Maybe it isn't true.
00:48:37In any case, it's blackmail. We've got to get a hold of that baby, if there is one. Have you kept track of that Violet Harris girl? Uh, yes, sir.
00:48:49You've got to get in touch with her. First, get the Bellevue orphanage on the phone. Yes, sir.
00:48:55But I mean it, Willie. You can't enjoy yourself going around half asleep. But you don't know what Sundays mean to me. Visiting you and Oscar's the only fun I have.
00:49:03Do you mean that? Honestly? Gee, Mary, can't you tell I'm crazy about you? Oh, I'm glad. Because I'm a little crazy about you, too.
00:49:13No. Honestly? Uh-huh. Oh.
00:49:16Oh, there's 721. He's in profit. He's safe. He can't go anyplace. Oh, Willie. I'll be right back.
00:49:27What?
00:49:31Oh, Oscar. Gee, she likes me. Did you know it?
00:49:36Yeah.
00:49:36I bet you knew it all the time, you little rascal. You wouldn't tell me.
00:49:39Ow!
00:49:40That's so easy now. Now, don't you ever put your head in there again.
00:49:43Well, you don't think I did it on purpose.
00:49:47No.
00:49:48It's all right, I tell you. There's no taste to it.
00:49:51It's castor oil.
00:49:52Oh, it's lucky for you that I need this job.
00:49:56Now, I'm telling you once more that there's no taste to this castor oil.
00:49:59No.
00:50:00Oh, Mr. Musher, would you come here a moment, please?
00:50:05I wonder if you'd stand there and help me out.
00:50:08Why, certainly.
00:50:09I'm going to give you one more chance.
00:50:11And if you don't do it this time, I'll...
00:50:14Well, I'll give it to Mr. Musher.
00:50:17Sure, and I'll swallow it, too.
00:50:19Now, are you going to take it?
00:50:20No.
00:50:21All right, then.
00:50:23See?
00:50:24Does it taste bad?
00:50:26No, it's good.
00:50:26Oh.
00:50:30Hmm, my, that is good.
00:50:36Maybe he'll take it from you.
00:50:38Would you like to try it?
00:50:39Sure.
00:50:41Oh, my young man.
00:50:45Hmm.
00:50:47Now it's your turn.
00:50:48No.
00:50:49Oh, well, all right.
00:50:54Is it good, Lester?
00:50:56Is it good?
00:50:58Oh, boy.
00:51:00That a boy, Hercules.
00:51:07Me, too, Mr.
00:51:08Me, too, Mr.
00:51:09Me, too, Mr.
00:51:10All right, all right.
00:51:11One at a time now.
00:51:12One at a time.
00:51:13Yum, yum, yum.
00:51:14Yum, yum, yum, yum.
00:51:15There you are.
00:51:17All right, just a minute.
00:51:19Me, too, Mr.
00:51:20Me, too, Mr.
00:51:21Thank you, Master.
00:51:22All right, honey.
00:51:23Oh, good gracious.
00:51:24You're not giving all the children castor oil, are you?
00:51:31Castor oil?
00:51:31Yes.
00:51:35What's the matter?
00:51:38You're feeling badly?
00:51:40Yeah, and I'm going to feel worse.
00:51:44Excuse me.
00:51:46What's the matter, Willie?
00:51:48I just got some bad news.
00:51:50What about?
00:51:52Oil.
00:51:55No, no, no, no, no.
00:51:59Yes, Mr. Vanderman.
00:52:01A darling little boy, number 517.
00:52:04He was left here on the night of April 1st, last year.
00:52:07I see.
00:52:08The fact is, I'm quite interested.
00:52:11I'll know in a day or two more about it.
00:52:13Could I see the child next Sunday?
00:52:15Certainly.
00:52:16We'll have a complete record ready for you when you come.
00:52:19What's that?
00:52:20Oh, you may depend upon me to keep the matter absolutely confidential.
00:52:26Yes.
00:52:28Goodbye.
00:52:28Goodbye.
00:52:28Goodbye.
00:52:29Goodbye.
00:52:37Goodbye.
00:52:38Oh, hello, goodbye, you were really asleep, were you, yes, I was, and as soon as you
00:53:03leave, I'm going right back to sleep. You're going to sleep on your back? Yeah, no, listen,
00:53:11what's your name? Buster, what's yours? Santa Claus, come back Christmas.
00:53:33Are you going to play with me now? Yeah. Now you bounce me. Yeah, I'll bounce you. Look, go on out of here,
00:53:49will you? I'm waiting for somebody. Who? A young lady, will you go away, please? Do you like her?
00:53:56Yeah, I like her. Will you run along and play with your playmates? No, no, I want to play now.
00:54:04Yeah, but listen, get off, get your hand out of my face, will you? Look out. Get off of me, will you?
00:54:14Do you like ice cream? What kind of ice cream? The strawberry ice cream. No. Do you like chocolate
00:54:30ice cream? No. Vanilla ice cream? No. What flavor ice cream do you like? I don't like any flavor.
00:54:38Oh. Well, look, here's a dime. You run along and buy yourself some ice cream without any flavor.
00:54:47I don't know why so many people get married.
00:54:53What's the matter, Willie? I'm upset about something? Oh, no, it's all right now.
00:54:57Tell me, why do you work so hard? How do you know I work hard?
00:55:01Well, you forget I'm a trained nurse. I'm worried about you.
00:55:05Gee, that's really you to worry about me, because I'm not worth it.
00:55:08Oh, yes, you are. Me.
00:55:11You know, there's something I've been wanting to tell you through.
00:55:16What's the matter with you? What do you want now?
00:55:18I lost the dime you gave me.
00:55:21Oh, you lost it, did you? Well, that's too bad. Now, what was I saying?
00:55:25I want another dime.
00:55:28What do you think I am, the mint? He wants another dime.
00:55:34Oh, I'm sorry. I only have a half a dollar.
00:55:37Well, I can tell you for you.
00:55:39Well, what are you going to do with a guy like that?
00:55:44Now, what were we talking about?
00:55:46Well, we were talking about you.
00:55:47Oh, that's silly when there's you to talk about.
00:55:49Is she her?
00:55:50Is she her? What do you mean?
00:55:54Is she the one you were talking about?
00:55:56Yeah.
00:55:58Pardon me. Just a moment, please.
00:56:00Come here.
00:56:00Listen, will you feed it?
00:56:05You got your bribe. Now, get out of here.
00:56:13Great kid.
00:56:14You know, when I get a chance,
00:56:15I'm going to tell you a lot of nice things about yourself.
00:56:18Oh, now you're making fun of me.
00:56:20No, I'm not. I...
00:56:21Are you still here? What is it?
00:56:25Do you love her?
00:56:27Oh, why...
00:56:28Why, of course, yes.
00:56:30Well, why don't you kiss her?
00:56:33Can you...
00:56:34Can you suggest anything except murder?
00:56:37Oh, Buster, run away, dear.
00:56:38No, I don't want to.
00:56:40Buster?
00:56:41I know.
00:56:43You don't want me to see you kissing.
00:56:46Buster!
00:56:47Buster!
00:56:47Buster!
00:56:47Buster!
00:56:51You know, it'd be hard work learning to love him.
00:56:55Oh, you shouldn't let the children annoy you.
00:56:57You know, that's the only trouble with you.
00:56:59What is?
00:57:00Oh, your disposition is too sweet.
00:57:02You let everybody walk all over you.
00:57:03It's not right.
00:57:04You running yourself ragged like a...
00:57:06Oh, like a waiter in a restaurant looking for a tip.
00:57:09Waiters?
00:57:10Yeah.
00:57:11What makes you think of that?
00:57:12You don't like waiters, do you?
00:57:14Oh, I'm not talking about waiters.
00:57:15I'm talking about you.
00:57:17Why do you let people impose on you so?
00:57:19Well, I'm just waiting.
00:57:22Waiting for what?
00:57:23To strike oil.
00:57:24I promise you one thing.
00:57:26Once I strike oil, nobody's going to walk on me.
00:57:28What's the name of your oil company?
00:57:30The McAloon Oil Company.
00:57:32There.
00:57:33Oh, the McAloon Oil Company started drilling its first well last week.
00:57:37And report satisfactory progress.
00:57:40Oh, hello, Oscar.
00:57:41Have you had your nap already?
00:57:42No, he wouldn't take his nap.
00:57:44He's too excited.
00:57:45Uh-oh.
00:57:46This will never do, young fella.
00:57:47You can have him.
00:57:49And I wish you luck.
00:57:54See here, kid, you've got to take your nap.
00:57:56Ha, ha, ha.
00:57:57You can't laugh me out of it.
00:57:59You're going to sleep.
00:57:59You sing to me?
00:58:00Oh, Uncle Willie can't sing, darling.
00:58:02Who says I can't sing?
00:58:04Well, I never heard you.
00:58:05Well, there's a lot of things about me she doesn't know.
00:58:07All right, Smarty, tell us.
00:58:08How do you sing?
00:58:10Loud.
00:58:10Oh, how's he going to sleep if you sing loud?
00:58:12Watch me.
00:58:14Do me, me, me.
00:58:15What are you going to sing?
00:58:15How can I tell till I get started?
00:58:19Me, me, me, me, me, me, me, me.
00:58:23Listen, I can't sing if your eyes are open.
00:58:25You've got to keep them closed.
00:58:26Do you understand?
00:58:28Let me see.
00:58:31Rocked him a cradle of the deep.
00:58:33Now, look, your eyes are open.
00:58:36You keep them closed.
00:58:39Some strange old men must have crossed my path.
00:58:44Good luck came then as an aftermath.
00:58:48It's true.
00:58:50For you suddenly came to view.
00:58:57Now I can't tell.
00:58:59I've been wrong from right.
00:59:01Seems I just fell.
00:59:02And I lost my sight, baby.
00:59:07Can't see anybody but you.
00:59:15Love comes without a warning.
00:59:19You wake up one morning.
00:59:24And find that it's there, even your heart.
00:59:29First, it's a tiny attraction.
00:59:37Then comes a reaction.
00:59:41You feel something there, deep in your heart.
00:59:46You press it, caress it, with love and a care.
00:59:58Gee, it's thrilling.
00:59:59It's really a vacancy there.
01:00:07You can remember this guy.
01:00:11When you realize it, you'll find that it's mine, deep in your heart.
01:00:20You feel something there.
01:00:21END
01:00:28ah
01:00:36You know you know you're lucky away...
01:00:40You're a love of pleases, a loving of pleases, that I wish a pain deep in my heart.
01:00:58And rosy, one rosy, and two baby eyes.
01:01:10They're cutie, some will be a wonderful bride.
01:01:19When the sandman comes sleeping, though you may be sleeping, I'm keeping you there, keeping my heart.
01:01:49May I interrupt on a matter that concerns the child?
01:01:55What's the matter with him?
01:01:56May I ask, have you any plans for him?
01:02:00Do you intend to adopt him?
01:02:02Adopt him? Oh, I hadn't thought of that.
01:02:04Oh, I see. But you have no objection to his adoption by someone else.
01:02:08Someone else?
01:02:09A very wealthy man. A multimillionaire has become interested in the boy. He'll probably take him.
01:02:14Wait a minute. You can't take him away from me like that.
01:02:17But you said you had no plans for him.
01:02:19Well, I didn't know anybody else had plans for him. Who is it?
01:02:22Oh, I can't tell you at present. The fact that you've supported the child for several months gives you the first claim on him, of course.
01:02:28But on the other hand, it is my duty to arrange the best possible adoption for him. You understand?
01:02:34Yeah.
01:02:35Think it over, Mr. Busher. I'm quite sure you want to do what is best for the child.
01:02:40Gee, that's tough.
01:02:42Willie, are you going to let her walk all over you again?
01:02:44What do you mean?
01:02:45Oh, you won't let her take Oscar away from us.
01:02:48What?
01:02:49But what can we do? She said he was a millionaire.
01:02:52Oh, but it doesn't take a million dollars to adopt a baby.
01:02:55Why don't you adopt him yourself? You have birth claim on him.
01:02:58How much will it cost?
01:03:00Oh, not more than a couple hundred dollars.
01:03:02Oh, a couple hundred, huh?
01:03:04Yes, that's all.
01:03:05Yeah, that's all.
01:03:06Yeah, I can do it.
01:03:09You will?
01:03:10Uh-huh.
01:03:11Listen, I'll adopt him if you'll take care of him.
01:03:13Oh, I'd love to. In some cozy little house don't work.
01:03:17Oh, but...
01:03:18But what?
01:03:19Oh, Willie, what would people think and say about the three of us in the same house?
01:03:23What could they say? It'd be all right. I'd adopt you, too.
01:03:26Oh, you... you're not joking?
01:03:29I am not. Gee, but I don't know whether you love me enough to...
01:03:33Oh, but I do, Willie. With all my heart.
01:03:36Oh.
01:03:42I'll get the two hundred dollars.
01:03:44Oh, there's no doubt of it, is there?
01:03:46Not after that kiss.
01:03:48And you meant everything you said, didn't you?
01:03:50Every word of it. Gee, I wouldn't disappoint you for the world.
01:03:54Oh, I just couldn't stand it if you did, Willie, after this.
01:03:58Well, don't worry.
01:04:03Well, goodbye, honey.
01:04:08Goodbye.
01:04:09And Cinderella and the Prince live happily ever after.
01:04:14Mom!
01:04:16All right, darling, it's time to go to bed now.
01:04:18Aren't we gonna have a show?
01:04:20Oh, you want a show tonight?
01:04:22Yeah!
01:04:23All right. Whose turn is it?
01:04:25Mine.
01:04:26All right, Buster, what do you want to do?
01:04:28I want to recite.
01:04:30All right, fine. Now you go ahead and recite. Now listen quietly, everybody.
01:04:32Go ahead.
01:04:33If I only had a home sweet home, someone who cares for me, just like all these other boys and girls, how happy I would be with the kind of me and daddy too, to call me all their own.
01:04:59This world would be all sunshine if I only had a home.
01:05:09Oh, that's fine. That's fine. That's fine.
01:05:11That's all for the night, Donna. Everybody in bed, quick. Hurry up.
01:05:14Hurry up.
01:05:15Hurry up.
01:05:16Hurry up.
01:05:17Hurry up.
01:05:18Hurry up.
01:05:19Hurry up.
01:05:20Hurry up.
01:05:21Hurry up.
01:05:22Hurry up.
01:05:23Hurry up.
01:05:24Hurry up.
01:05:25Hurry up.
01:05:26Hurry up.
01:05:27Come on, sweetheart.
01:05:28Come on.
01:05:29Come on.
01:05:30Come on.
01:05:31Come on.
01:05:32Come on.
01:05:33Come on.
01:05:34Come on.
01:05:35Everybody ready?
01:05:36I can't think.
01:05:37Always lovely.
01:05:38All things good.
01:05:40All my treasure and my wholls come from God, and so I pray.
01:05:46And so I pray, thank you God for this good day.
01:05:53And in the morning, help me see how kind of I can be.
01:06:00Then I have my eyes gladly say, thank you for your wonderful day.
01:06:07Amen.
01:06:11Amen.
01:06:16Now I lay me down to sea, I pray the Lord my soul to keep.
01:06:22If I could die before I wake, I pray the Lord my soul to take.
01:06:29Bless this man, bless the home, bless Mary, and make me a good girl.
01:06:37Amen.
01:06:40Do you know any more prayers so he can stay up longer?
01:06:44Yeah, I know them.
01:06:46The Lord is my shepherd.
01:06:48I shall not want.
01:06:50He makes me lie down in the green pastures.
01:06:54You'd better stop for now, Mary.
01:06:56They'll be praying all night.
01:06:58All right, I will.
01:06:59I think that's enough.
01:07:00I'm sure your prayers were heard.
01:07:02Now, come on, lie down, everybody.
01:07:03Come up tight.
01:07:04That's it.
01:07:10And now you and I will say our little private prayer.
01:07:22God bless Uncle Wally.
01:07:24And make him happy.
01:07:25Yes.
01:07:26And I don't know.
01:07:27You're a massive boy.
01:07:29You're a massive boy.
01:07:33Where'd you get this stuff?
01:07:38I bought it, Mr. Schallert.
01:07:41I'm sorry, but the bank can't loan anything on this kind of security.
01:07:49Well, it's good, isn't it?
01:07:52Possibly.
01:07:53It's not a listed stock and has no market value.
01:07:56What difference does that make?
01:07:58Gee, they started drilling the well last week.
01:08:00Hmm, that's good.
01:08:01Good.
01:08:02If they strike oil, it may make you a wealthy man, eh?
01:08:06Sure, I know.
01:08:07But I need the $200 now.
01:08:09I'm sorry.
01:08:10No bank or loan association in the state can loan anything on that kind of stuff.
01:08:18Could I sell you $200 worth of it?
01:08:21$200?
01:08:23Not for a carload.
01:08:26Huh.
01:08:31Hello?
01:08:32Oh, that you, Charlie?
01:08:33General Motors is up a point.
01:08:34Good.
01:08:35How much do we make?
01:08:36$80,000.
01:08:37Not bad.
01:08:38Okay.
01:08:39Isn't there any chance of me raising $200 on this?
01:08:42Not here.
01:08:43I'm sorry.
01:08:44I'm sorry.
01:08:45I'm sorry.
01:08:46I'm sorry.
01:08:47I'm sorry.
01:08:48I'm sorry.
01:08:49I'm sorry.
01:08:50I'm sorry.
01:08:51I'm sorry.
01:08:52I'm sorry.
01:08:53I'm sorry.
01:08:54I'm sorry.
01:08:55I'm sorry.
01:08:56I'm sorry.
01:08:57I'm sorry.
01:08:58I'm sorry.
01:08:59I'm sorry.
01:09:00I'm sorry.
01:09:02I'm sorry.
01:09:04I'm sorry.
01:09:05I'm sorry.
01:09:06I'm sorry.
01:09:07I'm sorry.
01:09:08I'm sorry.
01:09:09I'm sorry.
01:09:10I'm sorry.
01:09:11I'm sorry.
01:09:12I'm sorry.
01:09:13I'm sorry.
01:09:14I'm sorry.
01:09:15You've no idea of his parentage.
01:09:16You've no idea of his parentage?
01:09:17No.
01:09:18You said for me?
01:09:19This is Mary Robbins in charge of the nursery.
01:09:21This is Mr. Vanderman who's going to adopt, 517.
01:09:24You're going to take him away?
01:09:26You seem fond of the child.
01:09:28Is he fond of you?
01:09:29Why, yes.
01:09:30Good.
01:09:31He'll need a nurse.
01:09:33How would you like to position?
01:09:35You couldn't do better, my dear.
01:09:36We leave Thursday for Europe.
01:09:38I'll pay all your expenses and give you $50 a week.
01:09:40Aren't you fortunate, my dear?
01:09:42Oh, I'm sorry, but I can't go.
01:09:44What?
01:09:45Haven't you told Mr. Vanderman about Mr. Musher?
01:09:47Who?
01:09:48What about him?
01:09:49He's the gentleman who's been supporting 517.
01:09:51He's going to adopt Oscar himself.
01:09:53He's coming here today with the money in the adoption papers.
01:09:55Why wasn't I consulted about this?
01:09:57They're employed by the home, not by Mr. Musher.
01:09:59Who is this fellow?
01:10:00Why does he want the child?
01:10:01Oh, because he loves him.
01:10:02Well, there's more to it than that.
01:10:04Did he tell anything about adopting a child before he knew I was interested?
01:10:08Nothing.
01:10:09I thought so.
01:10:10That's the man who's been trying to blackmail us.
01:10:12Where can I find this crook?
01:10:14Willie!
01:10:15Hello, Mary.
01:10:18What's wrong?
01:10:20Oh, everything.
01:10:21I couldn't do it.
01:10:23Young man, you'd better watch your step or you'll land in jail.
01:10:26Who are you?
01:10:27This is Mr. Vanderman, who's going to adopt Oscar.
01:10:30Just where do you figure in this?
01:10:32Oh, Mr. Musher's been paying for the support of the child every week.
01:10:34Wait a minute.
01:10:36Have you been su...
01:10:39Well, this is very funny.
01:10:43So you've been supporting that kid with the tips you got, eh?
01:10:47Tips.
01:10:48He's a waiter in a nightclub.
01:10:49Oh, he is not.
01:10:50Mr. Musher's a successful businessman.
01:10:53He's been serving me at the 400 Club for weeks.
01:10:56Ask him.
01:10:57Are you sure of it, Harvey?
01:10:58Why, certainly.
01:10:59Oh, Willie.
01:11:01Is this true?
01:11:03Yes.
01:11:04I am a waiter.
01:11:06Oh, then you've been lying to me.
01:11:08About everything.
01:11:10Yes, but Mary...
01:11:11Oh.
01:11:12Don't marry.
01:11:13I didn't mean to.
01:11:14I just wanted you to like me because...
01:11:16Well, because I...
01:11:17Well, under the circumstances, then you won't stand in the way of the child's happiness, will you, Mr. Musher?
01:11:22Well, listen, I can take care of Oscar.
01:11:25Gee, I'm doing pretty well.
01:11:26I'm making more money all the time.
01:11:27Oh, no, young man.
01:11:28What can you do for him?
01:11:29Our home can give him every advantage.
01:11:30Every luxury that wealth can buy.
01:11:31Don't you understand that?
01:11:32You'll be doing the baby a great injustice if you prevented his adoption by Mr. Vanderman.
01:11:34But he's kind of used to me now, you know.
01:11:35He likes me.
01:11:36Gee, wouldn't it be just as satisfactory to get another kid?
01:11:37No.
01:11:38Well, you know, Oscar isn't exactly perfect.
01:11:39He's got a little birthmark on his back.
01:11:40Well, you know, Oscar isn't exactly perfect.
01:11:42He's got a little birthmark on his back.
01:11:45He's the only child I want.
01:11:46If you have any feeling for him or regard for his future, you won't deny him this opportunity.
01:11:50You must think of the baby.
01:11:51I am, Mrs. Tenike, I am.
01:11:52Well...
01:11:53Well, it is...
01:11:54Well, you're not I am.
01:11:55Well...
01:11:57Well...
01:11:58Well, if you have any feeling for him or regard for his future, you won't deny him this opportunity.
01:12:02You must think of the baby.
01:12:03I am, Mrs. Tenike, I am.
01:12:04Well...
01:12:06Well...
01:12:07Well, it is true.
01:12:10Well, if it means a good break for Oscar, then I won't stand in his way.
01:12:19Of course you won't.
01:12:21I understand you supported the child for some months.
01:12:24Now, any expense you've been put to, I...
01:12:26Oh, I'm not selling Oscar.
01:12:28You haven't got enough money to buy him.
01:12:31I'm giving him to you.
01:12:33Because, because it's best for him.
01:12:40Goodbye, Mary.
01:12:45I don't suppose you'll ever want to see me again.
01:12:49I just want you to know whatever I did was because...
01:12:53Because I loved you so much.
01:13:07Uncle Wally!
01:13:10What's the matter, Uncle Wally?
01:13:19Nothing, honey.
01:13:21Uncle Wally's gone away.
01:13:22No.
01:13:23No.
01:13:24Well, it's all right.
01:13:26You're going to a beautiful place.
01:13:27Just like the place in the storybook.
01:13:30You're going to have a swell time.
01:13:32You'll be so happy and...
01:13:34You'll be there, too?
01:13:36Well, let's not talk about that now.
01:13:38You'll bring me toys, Uncle Wally?
01:13:42Oh, you'll have lots of funny toys.
01:13:45Ooters and ooters of funny toys will make you laugh.
01:13:48And laugh.
01:13:49And laugh.
01:13:50You'll laugh, too, Uncle Wally?
01:13:53I'll try.
01:13:55Listen, Master.
01:13:56They're waiting in there for you.
01:13:58You better run along now.
01:14:00Goodbye, kid.
01:14:01Goodbye.
01:14:02Bye.
01:14:15Run along now.
01:14:18Always remember, whether I'm there or not, your Uncle Wally is loving you.
01:14:23Every minute of every day.
01:14:26Goodbye.
01:14:27Goodbye.
01:14:28Bye.
01:14:28Bye.
01:14:28Bye.
01:14:28Bye.
01:14:29Bye.
01:14:29Bye.
01:14:29Bye.
01:14:29Bye.
01:14:29Bye.
01:14:30Bye.
01:14:30Bye.
01:14:30Bye.
01:14:30Bye.
01:14:30Bye.
01:14:31Bye.
01:14:31Bye.
01:14:31Bye.
01:14:32Bye.
01:15:02Bye.
01:15:03Bye.
01:15:03Hey, what's the matter here?
01:15:05Say, I want按looking him.
01:15:07Where's inert?
01:15:10Oh.
01:15:11Say, reps, 현.
01:15:12Say, right.
01:15:12Where's misант?
01:15:12Well, he...
01:15:13Say, I saw for you ten minutes ago.
01:15:15Now, I'd catch it.
01:15:16Why never mind.
01:15:17Who dressed that toy window down stairs.
01:15:20Don't blame me for that.
01:15:21Mosher did that one.
01:15:22Oh.
01:15:22He did, lстраe?
01:15:23Yes, he did, and he dressed the baby clothes window, too.
01:15:26Yeah?
01:15:27When I dress a window, you know it.
01:15:29You bet I do, because it's rotten.
01:15:33Those are the two best-looking windows in town.
01:15:36Everybody's talking about them.
01:15:39Customer with a complaint, sir.
01:15:40Oh.
01:15:42Send Masher to me at once.
01:15:43Yes, sir.
01:15:44Well, I did my best.
01:15:46All right.
01:15:47Yes, sir.
01:15:50From now on, Masher's the head window dresser.
01:15:53Yes, sir.
01:15:54I'll make a note of it.
01:15:56All right.
01:16:00Say, Masher, the boss wants you.
01:16:03Yeah, I know him.
01:16:05He's been looking all over for you.
01:16:06And you better watch your step.
01:16:08He's on the warpath.
01:16:16Well, I'll go right up there and tell that old boss back just what I'm thinking.
01:16:21I've been saving this up for a long time.
01:16:22Oh, get out of here.
01:16:23And let me tell you something.
01:16:25I take my last order from you, you.
01:16:27Now, listen.
01:16:28You'll take orders from me as long as you're employed here.
01:16:30Yeah.
01:16:31Well, tell it to her.
01:16:32Who?
01:16:39Hey, what's the matter here?
01:16:42Say, I want Masher.
01:16:43Well, you're not going to be a man.
01:16:44I want to be a man.
01:16:45I want to be a man.
01:16:46I want to be a man.
01:16:47I want to be a man.
01:16:48Now, wait a minute, Reisman.
01:16:49Reisman.
01:16:50I've got a few things to say to you before I go.
01:16:54I've stood for your abuse and your terrible necktie for the last time.
01:16:57You know what I think of you?
01:16:59You're the meanest, stingiest, crankiest, most unreasonable old buzzard I ever met.
01:17:04Buzzard?
01:17:05You fired me for the last time.
01:17:06I quit.
01:17:07Well, why don't you say something?
01:17:09Hey, wait a minute.
01:17:10Wait a minute.
01:17:11See, you got me wrong.
01:17:12You're not fired.
01:17:13You're promoted.
01:17:14I'm what?
01:17:15Promoted.
01:17:16From now on, you're a head window dretter.
01:17:18Those two windows did the trick.
01:17:20You mean I'm the boss?
01:17:21Yes.
01:17:22From now on, Calloway takes orders from you.
01:17:25Now go ahead with your own ideas.
01:17:27I won't interfere.
01:17:30Now go ahead with your own ideas.
01:17:32I won't interfere.
01:17:35Now go ahead with your own ideas.
01:17:38Come on, my sir.
01:17:41Yes, sir.
01:17:42All settled.
01:17:43Yes, sir.
01:17:45And thank you very much, Mr. Eisman.
01:17:47All right, my sir.
01:17:49How about a little increase in salary?
01:17:56I'll give you $10 more than I give Calloway.
01:18:01How much do you pay Calloway?
01:18:02$50.
01:18:03Okay.
01:18:04Could I get along the $200?
01:18:06Oh, $100?
01:18:07What for?
01:18:08It's for a baby.
01:18:09A baby?
01:18:10You're a baby?
01:18:11Well, $200.
01:18:12Marty's mine.
01:18:13And you want me to put up $200 so you can have a baby?
01:18:15Yeah.
01:18:16You're crazy.
01:18:17Why am I?
01:18:18Then you can get yourself another head window dresser.
01:18:20Hey, wait a minute.
01:18:21Wait a minute.
01:18:22Wait a minute.
01:18:23Wait a minute.
01:18:24Wait a minute.
01:18:25I'm not a man.
01:18:26I'm not a man.
01:18:27You're a baby.
01:18:28You're a baby.
01:18:29You're a baby.
01:18:30You're a baby.
01:18:31You're a baby.
01:18:32You're a baby.
01:18:33Well, $200.
01:18:34Marty's mine.
01:18:35And you want me to put up $200 so you can have a baby?
01:18:38Yeah.
01:18:39You're crazy.
01:18:40Why am I?
01:18:41Then you can get yourself another head window dresser.
01:18:44Hey, wait a minute.
01:18:45Wait a minute.
01:18:46Hey.
01:18:47That's the way you feel about it.
01:18:53Come on.
01:18:5450, 200.
01:18:56Say, I didn't know that you were married.
01:19:00I'm not.
01:19:01It's for an orphan I'm going to adopt.
01:19:04Gee, it means an awful lot to me.
01:19:06All right, my dear.
01:19:08Thank you very much, Mr. Eisner.
01:19:10Could I get the afternoon off?
01:19:26Hey, what is all this?
01:19:29I've got to go out there and get my baby.
01:19:31You see, there's someone else after him and I might lose out.
01:19:33So I want to...
01:19:34All right, all right.
01:19:35Go ahead before you think of something else.
01:19:38Oh, gee, Mr. Eisner.
01:19:41Thanks very much.
01:19:42Everybody around here thinks you're an old crab.
01:19:44A crab?
01:19:45Yeah.
01:19:46But I think you're a great little guy.
01:19:48Well.
01:19:49I have taken care of it.
01:19:51Everything has been arranged.
01:19:52The nurse is getting the child ready now.
01:19:53I should enjoy donating this check to the home if I were sure no mention of the adoption
01:19:55would appear in the newspapers.
01:19:56You may leave it safely to me.
01:19:58Are we going on the steamboats and seeing the choo-choo trains?
01:19:59See, see.
01:20:00Uncle Willie.
01:20:01Hello, Asker.
01:20:02Hello.
01:20:03I'm Mary.
01:20:04I got the $200.
01:20:05Oh, it's too late, Willie.
01:20:06I'm taking Oscar to the office now.
01:20:07Oh, you are, Asker.
01:20:08I'm taking Oscar to the office now.
01:20:09Oh, you are, Asker.
01:20:10Oh, you are, Asker.
01:20:11Oh, you are, Asker.
01:20:12Oh, you are, Asker.
01:20:13Hello.
01:20:14I got the $200.
01:20:15Oh, it's too late, Willie.
01:20:16I'm taking Oscar to the office now.
01:20:17Oh, you are, are you?
01:20:18Yes.
01:20:19Well, I'd like to see anybody take my kid away from me now.
01:20:21I'll wait for the fuel.
01:20:22Just a minute, you're not through yet.
01:20:23What does this mean?
01:20:24Don't yell at me.
01:20:25I've been yelled at by experts.
01:20:26This is outrageous.
01:20:27Yeah, and it's going to be outrageous, sir.
01:20:28If this is blackmail, listen, what do you mean?
01:20:29I got the money to the train?
01:20:30See, see.
01:20:31Uncle Willie.
01:20:32Hello, Asker.
01:20:33Hello.
01:20:34Mary, I got the $200.
01:20:35Oh, it's too late, Willie.
01:20:36I'm taking Oscar to the office now.
01:20:37Oh, you are, are you?
01:20:38Yes.
01:20:39Well, I'd like to see anybody take my kid away from me now.
01:20:40I've been yelled at by experts.
01:20:41This is outrageous.
01:20:42Yeah, and it's going to be outrageous, sir.
01:20:43If this is blackmail.
01:20:44Listen, when it's your turn to talk, I'll tell you.
01:20:47You know, I've been pretty nice so far, but don't get me mad.
01:20:50For from now on, jumping on me will be just as safe as jumping on dynamite.
01:20:54Here, hold this a minute.
01:20:56You know who I am?
01:20:57I'm Hedwin, the dresser and Tracy's apartment store.
01:20:59The boss, see?
01:21:00And I got all the money in the world.
01:21:02That's for Oscar.
01:21:03He's mine.
01:21:04And you're through.
01:21:05Take your money and get out.
01:21:06And, and, well, let this be a lesson to you.
01:21:09Young man, pick up your money.
01:21:10You can't have Oscar.
01:21:11He's my grandson.
01:21:12You're what?
01:21:13My grandson.
01:21:14He was left here the night of April 1st.
01:21:16Is this true?
01:21:17Oh, I think it is.
01:21:18Oh.
01:21:19Well, how do you know that was the only child left here that night?
01:21:22Was it?
01:21:23Miss Brown, the records.
01:21:24May I ask why you didn't suggest this possibility?
01:21:26Wait a minute.
01:21:27Wait, Miss Brown?
01:21:28Miss?
01:21:29Here it is.
01:21:30April 1st.
01:21:31Miss?
01:21:32Here it is.
01:21:33April 1st.
01:21:34There was another baby left here that night.
01:21:35Another baby?
01:21:36Yes, listen.
01:21:37Number 518, a boy, left at the front door, well-dressed, wedding ring tied to his wrist engraved HV to VH.
01:21:44Harvey's boy, what became of him?
01:21:45Adopted October 5th, taken to England by Mr. and Mrs. Isaac Goldberg of London.
01:21:48Hooray to the Philistines.
01:21:49Yes, you please.
01:21:50Oh, listen.
01:21:51Then he's not related to you.
01:21:52You don't want him now, do you Mr. Vanderman?
01:21:53Certainly not.
01:21:54There's the $200, Mrs. Ten Eyck.
01:21:55Nobody wants them.
01:21:56Can I have them now?
01:21:57We'll talk about this when Mr. Vanderman leaves.
01:21:59Thanks.
01:22:00Gee, ain't that great, Mary?
01:22:01He's all bought and paid for.
01:22:03He's all bought and paid for.
01:22:04I'm a good man.
01:22:05No, I'm a good friend.
01:22:06No, I'm a good friend.
01:22:07He's all bought and paid for.
01:22:08No, I'm a good friend.
01:22:09No, I'm a good friend.
01:22:10I'm a good friend.
01:22:11No, I'm a good friend.
01:22:12No, I'm a good friend.
01:22:13You're a good friend.
01:22:14Thanks
01:22:16Gee ain't that great Mary he's all bought and paid for
01:22:19Your man I haven't been talked to in years the way you've talked to me
01:22:23It did me good
01:22:25You're the real thing back of you
01:22:28Why don't you two get married
01:22:31And it takes a businessman to think of that
01:22:37Yes, honey, he's gone
01:22:44How about it, Mary, huh? How about it?
01:22:46Well
01:22:47Well, we'd have a great start with Oscar
01:22:49Oh, I wouldn't think of marrying anyone else
01:22:51Oh, but Willie, it costs a lot of money to dress a woman and a baby
01:22:54Oh, that's all right, I've dressed hundreds of them
01:22:57Hooray!
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