- 4 months ago
First broadcast 12th March 2001.
After a farmer is found decapitated, aristocratic Detective Inspector Lynley is assigned to the case with a resentful new partner, D.S. Barbara Havers.
Nathaniel Parker - DI Thomas Lynley
Sharon Small - DS Barbara Havers
Anthony Calf - Simon St. James
Amanda Ryan - Deborah St. James
Emma Fielding - Helen Clyde
Nicholas Day - Chief Superintendent Hillier
Paul Brennen - Superintendent Webberley
Rebecca Gallacher - Roberta Tey
Brendan Coyle - Richard Tey
Pooky Quesnel - Stepha Odell
Cate Hamer - Olivia Odell
Denise Black - Tessa Mowbray
Peter Halliday - Father Hart
Matthew Dunster - Ezra Farmington
Caroline Carver - Danny
Colum Convey - Detective Sergeant Nies
Howard Ward - Detective Constable Pilley
Rob Swinton - Landlord
Bethany Wysoczanski - Bridie
June Watson - Mrs. Havers
Toby Salaman - Dr. Samuels
Rachel Ambler - Madeleine Tey
Paul Butterworth - Solicitor
Mark Benson - Harry Houseman (as Mark A. Benson)
Joanna Thaw - Female Detective
Hannah Storey - Gillian Tey
David Blair - Jonah
George Potts - Waiter
Robert Goldsbrough - Police Officer
Paul O'Grady - Voice on TV (voice)
After a farmer is found decapitated, aristocratic Detective Inspector Lynley is assigned to the case with a resentful new partner, D.S. Barbara Havers.
Nathaniel Parker - DI Thomas Lynley
Sharon Small - DS Barbara Havers
Anthony Calf - Simon St. James
Amanda Ryan - Deborah St. James
Emma Fielding - Helen Clyde
Nicholas Day - Chief Superintendent Hillier
Paul Brennen - Superintendent Webberley
Rebecca Gallacher - Roberta Tey
Brendan Coyle - Richard Tey
Pooky Quesnel - Stepha Odell
Cate Hamer - Olivia Odell
Denise Black - Tessa Mowbray
Peter Halliday - Father Hart
Matthew Dunster - Ezra Farmington
Caroline Carver - Danny
Colum Convey - Detective Sergeant Nies
Howard Ward - Detective Constable Pilley
Rob Swinton - Landlord
Bethany Wysoczanski - Bridie
June Watson - Mrs. Havers
Toby Salaman - Dr. Samuels
Rachel Ambler - Madeleine Tey
Paul Butterworth - Solicitor
Mark Benson - Harry Houseman (as Mark A. Benson)
Joanna Thaw - Female Detective
Hannah Storey - Gillian Tey
David Blair - Jonah
George Potts - Waiter
Robert Goldsbrough - Police Officer
Paul O'Grady - Voice on TV (voice)
Category
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TVTranscript
00:00:00William?
00:00:16Roberta?
00:00:30Dear God!
00:01:30Where's William? Bobby? What's happened?
00:01:37Olivia, I'm so sorry.
00:01:39Yes, nice.
00:01:40What's happened? Where's William?
00:01:41I'm afraid, er...
00:01:42Murder. William's murdered.
00:01:44Murder? He can't have. I mean, I'm...
00:01:48I'm sorry.
00:01:49No. No. No. No.
00:01:53Roberta!
00:01:56They told me. I can't believe it.
00:01:58Don't mind, sir. Her clothes will need to be examined by forensics.
00:02:02What? Bobby. Bobby!
00:02:05She hasn't said a word since Father Hart found her.
00:02:10It's me. Richard.
00:02:13Come on, lads. Get her in the ambulance, please.
00:02:15Bobby. Bobby.
00:02:23It's all right, Bobby.
00:02:25Your mama's got me.
00:02:27Bobby!
00:02:28Bobby!
00:02:59It's the bride that's supposed to be late.
00:03:24All right?
00:03:29An important case has come up we'd like to assign you to.
00:03:42Great.
00:03:43Thank you, sir.
00:03:44We'll save the briefing till your senior officer's here.
00:03:46Who will I be working with?
00:03:48Detective Inspector Lindley.
00:03:50Lindley?
00:03:52Is that a problem, Sergeant?
00:03:53No, sir.
00:03:55No problem.
00:04:29Dearly beloved, we are gathered together here in the sight of God and in the face of this congregation to join together this man.
00:04:44We'll be in the plough if you want to do this.
00:05:02Yes, sirs.
00:05:03I've got things.
00:05:03She claims she's been deliberately excluded from all the good jobs.
00:05:15She can hardly go running to a tribunal if she's working on a high-profile case with one of our top officers.
00:05:19But aren't you creating more of a problem for yourself, risking a clash between Barbara Havers and Lindley?
00:05:24Are we talking Lindley the Detector Inspector or Lindley the Eighth Earl of Asherton?
00:05:29The fast-track Doxford Golden Boy.
00:05:31Arrogant, aristocratic ponce, I remember being one of her phrases.
00:05:35With a bit of luck she'll lose her ragged punch him.
00:05:38Should be out of the force with no comeback.
00:05:39Arrogant, aristocratic ponce, I hope you'll get it right.
00:06:39Excuse me. Excuse me, please. Excuse me.
00:07:09Not many people could have done what you did today.
00:07:22Yes, well, I suppose there was always a hope, Alan.
00:07:30You didn't really think she wouldn't go through with it?
00:07:33No.
00:07:33Well...
00:07:34Besides, what a waste of a speech. Spend hours on that.
00:07:41I particularly like the joke about the garden, Alan.
00:07:45Bob Fowler, custody surgeon.
00:07:48Let's make a pact.
00:07:50Let's come here again in ten years' time, raise a glass, and you'll think,
00:07:56was that me?
00:07:58Did I really feel like that?
00:08:01Promise.
00:08:03Have I ever lied to you?
00:08:05Inspector Lindley?
00:08:13Yes?
00:08:14Havers. Sergeant Havers.
00:08:18I'm here on police business.
00:08:20Not today, surely.
00:08:22Must be urgent or they wouldn't have sent the sergeant.
00:08:24I'll wait back inside.
00:08:26You can say no.
00:08:38Make my excuses for me, will you?
00:08:40Tommy, you can't just leave without saying goodbye.
00:08:46You might as well know now, so you can be rehearsing your objections.
00:08:50I'm on the case with you.
00:08:51You must learn something to upset the boss.
00:08:57Maybe it's this idea of a joke.
00:09:00Maybe he thought we'd make a good team.
00:09:06You're not really leaving.
00:09:09Work.
00:09:10Sorry.
00:09:11We're off ourselves soon.
00:09:14Where?
00:09:14I don't know. It's a surprise.
00:09:16Simon told me to pack my passport.
00:09:19Hello.
00:09:19I'm Deborah, St. James.
00:09:23Oh, I am sorry.
00:09:24Uh, Havers.
00:09:26Uh, Barbara Havers.
00:09:27Running off, Tommy.
00:09:29Well, it must be important to everybody knows...
00:09:31Yes, yes, of course.
00:09:32Well, thank you very much for everything.
00:09:35We're expected on the dance floor.
00:09:37Right.
00:09:38Where's your car, sir?
00:09:51Hmm?
00:09:54Uh, I didn't bring one.
00:09:55Have to go in yours.
00:09:58You know, there's only dress for it.
00:10:00I'm sure you can let your standard slip for once.
00:10:02An officer in the Yorkshire Police has been suspended on allegations of corruption.
00:10:27At the same time, he and his team were beginning another murder investigation.
00:10:33Where do we fit in?
00:10:34The deputy chief constable isn't sure how widespread the problem is, so for the purposes of public accountability, he wants an officer from another force to take over the murder case.
00:10:43Yes, I'd like you to go.
00:10:46What are we looking at?
00:10:48Did you read about William Tay?
00:10:50He was decapitated.
00:10:53Discovered by a 16-year-old daughter who is now hospitalised in a traumatic state.
00:10:58Tay was killed last Saturday night in his barn.
00:11:01The girl was found by a local priest the following day, sitting staring at her father.
00:11:05Under the victim's body was the corpse of his dead sheepdog.
00:11:07Met a weapon?
00:11:08Axe. Wipe clean. No prints.
00:11:12Is the daughter a suspect?
00:11:13Not as far as the local officers are concerned.
00:11:15They're still waiting for forensics.
00:11:18Anyone else in the household?
00:11:20No.
00:11:22Decapitation, traumatised teenager, localised police corruption.
00:11:27A good result is important.
00:11:31For all of us.
00:11:35I'd better get going.
00:11:37Can I have a word, Inspector?
00:11:39Havers, why don't you go home and pack?
00:11:45I'll get your address off the duty roster and pick you up in a couple of hours.
00:11:50Yes, sir.
00:11:53You're Sharon's, Sergeant Havers.
00:11:55Hylia thinks you're the best man for the job.
00:11:58Then I'd better repay his confidence and find the killer.
00:12:00You've got nothing to prove, Lin-Lin.
00:12:01I know.
00:12:02He's not going.
00:12:03I don't know.
00:12:33Finally decided, Greece.
00:12:43Great.
00:12:45You must torn, Turkey or Greece?
00:12:48Mum, I've got to go to Yorkshire tonight.
00:12:52That's nice.
00:12:54I'm going to ask Mrs. Stevens to come over and stay, OK?
00:13:01OK.
00:13:03Er, Mrs. Stevens, er, Barbara Havers.
00:13:15Look, I've got to go away...
00:13:17..tonight.
00:13:19Yeah, I'm sorry, it's such short notice.
00:13:23Yeah, well, I'll speak to social services first thing.
00:13:26Mum, go to the toilet.
00:13:28Well, I wouldn't ask, only it is an emergency.
00:13:30Er, please.
00:13:35You have saved my life.
00:13:38OK, I'll leave the money in the usual place.
00:13:41Yeah, OK, thanks.
00:13:43Goodbye.
00:13:43Mum, go to the toilet!
00:13:45You know, that's a bullet.
00:13:45I don't want to check it out, but...
00:13:47..come it out, then I'll go to the toilet.
00:13:48Yes, I can...
00:13:48I've got it.
00:13:50I'll do it.
00:13:50I'll do it.
00:13:52You know what it is.
00:13:53I'll do it.
00:13:54No, not go to the toilet.
00:13:59Let's go.
00:14:29Let's go.
00:14:59Oh, that rotten, stinking tune.
00:15:15I hate it.
00:15:16I woke up this morning, that's all I could do, going through my head.
00:15:22I'll smash my head on the sink to try and get rid of it.
00:15:26I'm Inspector Lindley.
00:15:27I've come to pick up Sergeant Havis.
00:15:33I'm Inspector Lindley.
00:15:34I've come to pick up Sergeant Havis.
00:15:40I'm Inspector Lindley.
00:15:47I've come to pick up Sergeant Havis.
00:15:55Is Barbara in?
00:15:56I'll be out in a minute, sir.
00:16:02I've come to pick up Sergeant Havis.
00:16:09I'm Inspector Lindley.
00:16:12I'll be out in a minute.
00:16:13I'll be out in a minute.
00:16:15I'll be out in a minute.
00:17:23Inspector Lindley, Sergeant Haynes.
00:17:25That's fine, sir.
00:17:27Looking at the soccer footage, there were no signs of a struggle.
00:17:45No bruises to the body.
00:17:47Let's assume the murder of William Tay was premeditated.
00:17:51So we were looking at people who knew him and had a motive for killing him.
00:17:57Start with the closest.
00:17:59Roberta.
00:18:01I was 16 years old.
00:18:03Badly traumatised.
00:18:05She wiped the axe clean.
00:18:07Got rid of the weapon that killed the dog.
00:18:09Then sat here through the night waiting to be caught.
00:18:13I don't buy it.
00:18:15Maybe she was overcome with guilt.
00:18:17Okay, but why kill the dog?
00:18:19To silence it.
00:18:21Frappish.
00:18:23Sorry, sir.
00:18:25Carry on.
00:18:27Well, she wouldn't have to silence it.
00:18:29It's her dog.
00:18:30It would only bark at an intruder.
00:18:31True.
00:18:33But what if it realised she was hurting its master?
00:18:35Yeah, but the dog has got to have died first.
00:18:38Tay's body was collapsed over it.
00:18:44Tay was in pyjamas.
00:18:47Roberta was fully clothed.
00:18:48What did you make of that dress she was wearing?
00:18:50Very girly for a 16-year-old.
00:18:53And she obviously wasn't into fashion.
00:18:55Well, do something you put on to mess around the farm.
00:18:58Hot date that night.
00:19:00Let's see what forensics turns up.
00:19:03How about this?
00:19:07Roberta gets up Sunday morning.
00:19:10Dresses for church.
00:19:12Can't find her father.
00:19:14Comes in here.
00:19:15Discovers the body.
00:19:17Sounds right to me.
00:19:19Yeah, me too.
00:19:27Now, according to the PM report, Tay's stomach was full
00:19:30chicken and mash plus barbiturates.
00:19:33I wonder why you're sleeping pills.
00:19:36Well, times a half of farmers.
00:19:38From the report, we've only just taken them.
00:19:40So what are you saying?
00:19:41Sleepwalk to the barn?
00:19:42Oh no, I don't think that's very fee-
00:19:43It's a joke, Havers.
00:19:44Joke.
00:19:45It was a joke.
00:19:46Hello, Muza.
00:19:47Good morning, Mavers.
00:19:48I can't see you, Mavers.
00:19:49I've heard about this.
00:19:50I can't see you.
00:19:51No, I can't see you.
00:19:52Can't see you.
00:19:53It's a joke.
00:19:56All right, good.
00:19:57Hey, vows.
00:19:58What does this remind you of?
00:20:26Well, there's photographs arranged like this, and the candles.
00:20:31Shrine?
00:20:38You all right?
00:20:40Yeah. Of course.
00:20:46Who do we think she is?
00:20:47Definitely not Roberta.
00:20:50Certainly you're going to have to be Tay's daughter.
00:20:56Inspector Lindley investigating the William Tay murder. You are?
00:21:16Richard Tay. William Tay was my uncle.
00:21:23I just called him off. How did you get in?
00:21:25Side door. I got a key.
00:21:27Copper out back was having a fag.
00:21:29Would you mind turning out your pockets, please, sir?
00:21:31You've got to be joking.
00:21:33Something in your possession you don't want us to see?
00:21:36Is this the bit where you plant the evidence?
00:21:38Do you want me to arrest you for tampering with a crime scene?
00:21:40I wasn't tampering.
00:21:41I'm warning you.
00:21:42You enter this building again without permission, and I'll see that you're locked up.
00:21:47Who is she?
00:21:50Why ask me?
00:21:51Is there some reason you don't want us to know?
00:21:53What? No.
00:21:55So why are you deliberately withholding information?
00:21:57Look, you haven't got a clue.
00:21:58I won't ask again.
00:21:59Who is she?
00:22:01Tessa.
00:22:04Roberta's mum, Tessa.
00:22:07Where is she now?
00:22:09Nothing's been heard of her since she left.
00:22:11Not that I know of, anyway.
00:22:13Have you worked on the farm long?
00:22:15On and off since I was 16.
00:22:17Full time for the last two years.
00:22:19You must be very worried.
00:22:21How do you mean?
00:22:22If Roberta sells up, you'll be out of a job.
00:22:24She can't.
00:22:25Can't sell up.
00:22:27Why not?
00:22:36Why not, Mr Tay?
00:22:45It doesn't urge to sell.
00:22:46Whose is it?
00:22:47It's no secret.
00:22:49William told everyone.
00:22:51He was leaving the farm to me.
00:22:55Richard Tay.
00:22:56And if you're a victim, main beneficiary deceased's will.
00:22:59Where'd you let him go?
00:23:01I should have had him in for further questioning.
00:23:03Waste of an interview.
00:23:04The case notes that Yorkshire have given us are incomplete.
00:23:07You're the senior officer.
00:23:09Something else is missing from the report.
00:23:10Any mention of a divorce between Tay and Roberta's mother.
00:23:24Tessa walks out on Tay, abandons her young baby, and then he builds a shrine in her memory.
00:23:30Well, obviously the bloke was obsessed.
00:23:33He's some pathetic gits.
00:23:35I like that.
00:23:36The whole thing falls apart and they can't let go.
00:23:38He loved and lost her.
00:23:40And this is his way of punishing himself.
00:23:43Well, I'll check the other rooms.
00:24:04All romances.
00:24:22Locked.
00:24:25They may be racy, but they're hardly subversive.
00:24:28Girl meets handsome man, falls for him.
00:24:32After various misunderstandings, she discovers he's not the cad she thought he was.
00:24:36He takes her off into the sunset.
00:24:38That's pretty dangerous to me.
00:24:40That's pretty dangerous to me.
00:25:10given up I'd probably go by in the party.
00:25:20You must have problems with your child.
00:25:22That's pretty Wertzéesa.
00:25:27Well, I tried this.
00:25:28I was tired.
00:25:29I tried it.
00:25:31They couldn't even scarred to me.
00:25:32Well, she was pretty good.
00:25:33She messed up.
00:25:35It was pretty nice.
00:25:36Lady, we, we're women.
00:25:37honored for it.
00:25:38Won't leave her.
00:26:09Who do you think she is?
00:26:14Tessa's sister?
00:26:16Roberta's older sister?
00:26:18Tessa looks too young to have an older child.
00:26:22Roberta doesn't appear to be the type to go in for night lights.
00:26:38She certainly went in for potpourri in a big way.
00:26:42I'm old by the look of it.
00:26:47I thought it was meant to improve this man of the room.
00:26:51I'm old by the look of it.
00:26:58I'm old by the look of it.
00:27:04Sir?
00:27:11Who that girl is, she is the spitting image of Tessa.
00:27:18Oh, I'm sorry sir, but that smell.
00:27:23It's worse than the stuff that DI met first and slaps on when he wants to pull.
00:27:27All right.
00:27:50Oh, that's disgusting.
00:27:56No mum, lonely, comforties.
00:28:00Oh, I suppose I should go and introduce myself to the murder team.
00:28:16You're Lordship.
00:28:37Sergeant Ise, will I introduce you to Sergeant Havers?
00:28:42DC Pilly.
00:28:44Should have told us what time you were coming, Tommy.
00:28:46We'd have rolled out red carpet for you.
00:28:48Where are we?
00:28:50We were told to hold everything till you got here.
00:28:53Forensics on the girls' clothing?
00:28:55Not through yet.
00:28:56Have you canvassed the village, house to house, car checks?
00:28:59We opened the handbook at the page that says what to do in a murder.
00:29:03There it was, text statements, check for strangers.
00:29:06I mean, we didn't want to get anything wrong, did we?
00:29:08And?
00:29:09A few descriptions of strangers.
00:29:11We're chasing people who left the local caravan site at the weekend.
00:29:15If Miss Piggy knows who did it, she's not saying.
00:29:17She's completely out of the box.
00:29:18What did you call that?
00:29:20Usual nutters on the hotline.
00:29:22Apart from that, nothing.
00:29:24An officer on corruption charge just doesn't exactly encourage people to take us seriously, does it?
00:29:28We caught Richard Tay at the farmhouse today, while Uniform took a cigarette break.
00:29:33These premises should be guarded 24 hours a day.
00:29:37Resources are stretched.
00:29:38Like you said, things have been a bit tricky here since the governor got suspended.
00:29:42Can I expect any more skeletons to come out of the cupboard?
00:29:44Sorry to disappoint you.
00:29:49Do you know who this is?
00:29:51No.
00:29:53It's found in Roberta's bedroom.
00:29:55You compiled the report on the Tay family.
00:29:58I did.
00:30:00It's incomplete.
00:30:01Look, we're five men short on this job.
00:30:03Don't start throwing accusations about them.
00:30:05What's your solution to this, Nise?
00:30:07A fight?
00:30:08Five rounds in the car park?
00:30:13No.
00:30:14What's happened to your boss is none of my business.
00:30:16Breaking up the past won't help anyone.
00:30:18From now on, you and your team are answerable to me.
00:30:21And I want the forensics on the dead dog and Roberta's clothing by tomorrow.
00:30:24Understood?
00:30:26Yes, sir.
00:30:27Perhaps you'll be kind enough to introduce me to your senior officer.
00:30:29Billy, take my sergeant to get a cup of tea.
00:30:31So how come you drew the shul straw?
00:30:45How do you mean?
00:30:46Linley.
00:30:48What's the brief?
00:30:49Heard polished his lordship's polo stick.
00:30:51Sorry?
00:30:52Well, now they've abolished the House of Lords.
00:30:54They'll all want to join.
00:30:55He's dressing up in uniforms they like and being spanked by Nanny.
00:30:59So how come you got the job?
00:31:03What do you think?
00:31:04Certainly look like you've got a strong enough wrist.
00:31:09What the hell do you think you'd do it?
00:31:10What's the matter?
00:31:11Can't you take a flaming joke?
00:31:12I don't think I'll save you, lippy cow.
00:31:15Linley, you don't care who he drops in it.
00:31:17You are Sergeant Nise.
00:31:22Do you enjoy making me look stupid?
00:31:32How exactly did I do that?
00:31:34You worked here.
00:31:35Pretty vital bit of information, I'd have thought.
00:31:38But I am your partner. I had a right to know.
00:31:40Now you do.
00:31:41Yeah, well, I would have preferred hearing it from you.
00:31:44And why did you send me off with that tosser?
00:31:47I thought at any fair you should hear the story from both sides.
00:31:50You and Nise looked like you were going to kill each other.
00:31:53What the hell did you do?
00:31:55There was an irregularity in a particular procedure.
00:31:58Oh, what is that in canteen speak?
00:32:00You grassed up fellow officer.
00:32:05Well, no wonder we get no support from the local lads.
00:32:08Does Hylia know?
00:32:10Of course.
00:32:11Then what did he send you?
00:32:13Is this some kind of private joke?
00:32:17I mean, what exactly did this Nise bloke do?
00:32:19The matter was resolved years ago.
00:32:21Yeah, and what happened to your colleagues?
00:32:23Nise was busted down to sergeant.
00:32:25His oppo left the service.
00:32:26Left?
00:32:27What is it, no income, no pension, life ruined?
00:32:34Oh, and the 8th Earl of Asherton made it to Detective Inspector.
00:32:41Have you got a stately home and all the trimmings?
00:32:44Yes.
00:32:45Huh.
00:32:46So being kicked out the force wouldn't make much difference to you then, would it?
00:32:51If you find it impossible to work with me on this case, Sergeant,
00:32:53I'll ask DCI Webley to have you replaced.
00:32:59No.
00:33:00Then I suggest we get on and solve it.
00:33:04Yes, sir.
00:33:15So William usually attended mass. Is that why you went to the farm, to see if he was all right?
00:33:35I made a statement, didn't I?
00:33:37We'd like to hear it from you.
00:33:40William and Roberta, that's his daughter.
00:33:43Uh, they never miss.
00:33:46Uh, a very devout man, William.
00:33:58Oh.
00:34:02Thank you very much.
00:34:06I don't smoke.
00:34:07What happened when you arrived at the farm?
00:34:15Uh, it was strange. The front door wasn't locked.
00:34:20Anything strange when you went in?
00:34:22Yes.
00:34:26What?
00:34:28The candles were burnt out.
00:34:30Candles during the day?
00:34:31Votive candles.
00:34:32William never let them go out.
00:34:39To die like that.
00:34:43I shouted at God.
00:34:45I said,
00:34:47William was your devoted servant.
00:34:51He was.
00:34:53He was my dear and loyal friend.
00:35:01We can't trust anything he says.
00:35:03He's going senile.
00:35:05He's not senile. He's confused.
00:35:07You've had a lot of experience handling dementia, sir.
00:35:09How about we go and get some fresh air?
00:35:20Why did you try the barn?
00:35:24William was working on it.
00:35:26Oh.
00:35:28At this per minute he had, he wouldn't let anyone help.
00:35:31What did you see when you went in?
00:35:34I'm sorry, Father, but I have to ask this.
00:35:39You open the door to the barn, you go in.
00:35:42What's the first thing you see?
00:35:44Roberta.
00:35:49Then what?
00:35:51In front of Roberta?
00:35:53Pajamas.
00:35:55William in his pajamas.
00:35:57What about Roberta? What did she do?
00:36:01Just sat there.
00:36:04I said Roberta.
00:36:07Nothing.
00:36:09What's her relationship with her father like?
00:36:12She worshipped him.
00:36:14He was devoted to her.
00:36:16And while you were waiting for the ambulance and the police,
00:36:20did she say anything?
00:36:22Make any noise at all?
00:36:24No.
00:36:26Even when Richard arrived.
00:36:28Nothing.
00:36:30We...
00:36:33It was decided that...
00:36:36She was taken to the local psychiatric hospital.
00:36:40Her beloved daddy murdered.
00:36:43And we locked her away.
00:36:55It's not a name, not that it helps.
00:37:06It's called elective mutism.
00:37:09Essentially, her mind is protecting her from the trauma.
00:37:13Roberta.
00:37:20Roberta?
00:37:21This is Inspector Lindley and Sergeant Havers.
00:37:28They'd like to speak to you.
00:37:31Do you mind if they speak to you?
00:37:34Well, I'll try.
00:37:36Hello, Roberta. My name's Thomas.
00:37:40I can't begin to understand what a terrible time this must be for you.
00:37:43I want to find who did this.
00:37:44I need your help, Roberta.
00:37:45I want to find who did this.
00:37:46I need your help, Roberta.
00:37:47I...
00:37:48I...
00:37:49I...
00:37:50I...
00:37:51I...
00:37:52I do understand you don't want to think about what happened.
00:37:53But we can take our time.
00:37:56I can't begin to understand what a terrible time this must be for you.
00:38:00I want to find who did this.
00:38:03I need your help, Roberta.
00:38:07I...
00:38:08I...
00:38:09I do understand you don't want to think about what happened.
00:38:12I... I do understand you don't want to think about what happened.
00:38:18But we can take our time.
00:38:22Go as slowly as you like.
00:38:26What do you say?
00:38:37Well, we'll come back and see you soon.
00:38:42And if you do feel you want to talk to us, Dr. Sundance knows where we are.
00:39:12I can manage.
00:39:17I can manage. Thanks, sir.
00:39:18I can manage. Thanks, sir.
00:39:19I can manage. Thanks, sir.
00:39:20I can manage. Thanks, sir.
00:39:21Well, in that case, maybe you wouldn't mind taking these as well.
00:39:22I can manage. Thanks, sir.
00:39:23Well, in that case, maybe you wouldn't mind taking these as well.
00:39:24Where are you going?
00:39:25I won't be long.
00:39:26I can manage. Thanks, sir.
00:39:28I can manage. Thanks, sir.
00:39:29Well, in that case, maybe you wouldn't mind taking these as well.
00:39:33Where are you going?
00:39:34I won't be long.
00:39:35Er, write up today's notes. See if anything leaps out at you.
00:39:40Deborah!
00:39:41Deborah!
00:39:42Deborah!
00:39:43Deborah!
00:39:44I can manage.
00:39:45I can manage.
00:39:46I can manage.
00:39:47Thanks, sir.
00:39:48Thanks, sir.
00:39:49Well, in that case, maybe you wouldn't mind taking these as well.
00:39:52Where are you going?
00:39:53I won't be long.
00:39:54Er, write up today's notes. See if anything leaps out at you.
00:40:00Deborah!
00:40:02Deborah!
00:40:23Alright.
00:40:35Thank you, sir.
00:40:36And phone number two to see if you take this out, girls keep making animals so we should
00:40:46Braveyards, what is it we're looking for?
00:41:04A little perspective.
00:41:07To realise we're not alone in loss.
00:41:13You're obviously very close to William Tate.
00:41:15He was the son I could never have.
00:41:18He said that.
00:41:20He looked after the accounts, drew up the rotors.
00:41:25You concentrate on the higher things, Father.
00:41:29Did he discuss his problems with you?
00:41:33William had a lot to deal with.
00:41:36Tessa leaving.
00:41:37Yes, Tessa.
00:41:38It's very sad.
00:41:41But Gillian...
00:41:43Is that Gillian?
00:41:50Yes.
00:41:52What happened to Gillian?
00:41:54It was terrible.
00:41:56What was that?
00:41:58She ran off.
00:41:59I don't know.
00:42:02It was seven, eight years ago.
00:42:05Poor William.
00:42:06I tried, but he...
00:42:08He wouldn't talk about it.
00:42:10Couldn't even mention her name.
00:42:13Gillian.
00:42:15She was an angel.
00:42:18One of God's angels.
00:42:20No, no, wait.
00:42:22All I'm asking for is 24-hour cover while I'm away.
00:42:27No, I don't want...
00:42:29Look, my parents don't want to go to a home.
00:42:33Yeah, well, I keep trying to explain.
00:42:35The present arrangements are only short-term.
00:42:39Yeah, yeah.
00:42:40I know that.
00:42:41I thought that's what I paid my taxes for.
00:42:43Yeah, look.
00:42:48We'll sort this out when I get back.
00:42:49Yeah.
00:42:49No, no, no, no, no, no, no, no.
00:43:19Do you want a light?
00:43:33Thanks.
00:43:34You like one?
00:43:37Okay.
00:43:40I'm Danny.
00:43:45Barbara.
00:43:49God, it's so quiet here.
00:43:53It's giving me a headache.
00:43:54Where are you from?
00:43:56Landon.
00:43:57I sure used to live there.
00:43:59Promised he'd take me to all the clubs.
00:44:08He's really good looking, isn't he?
00:44:10Very nice.
00:44:11Yeah, I'd fancied him for ages.
00:44:12He weren't interested.
00:44:14And all of a sudden, he notices me.
00:44:15I don't know what bloke's, eh?
00:44:17Do you live near here?
00:44:20Yeah, I work at Keldall Hall over there.
00:44:23Part-time.
00:44:25Yeah, most of my mates are at college now, but...
00:44:28I can't see the point of having a career.
00:44:30Not if you want kids.
00:44:31I think you ought to stay at home and look after him properly.
00:44:34I mean, don't you reckon?
00:44:36Maybe.
00:44:38I suppose I'd better be getting back.
00:44:39Have you seen the shrine?
00:44:46It'd be dead.
00:44:47Right there.
00:44:48A year ago.
00:44:50Newborn baby.
00:44:53Who's was it?
00:44:54I don't know.
00:44:55They never found out.
00:44:57Travellers, I reckon.
00:44:58Who could dump a defenceless baby?
00:45:00They could have at least left it outside of the hospital.
00:45:04My mum and dad and everyone told me to forget it.
00:45:06But how can I?
00:45:09It were a tiny little thing.
00:45:12Dead.
00:45:13Me and Ezra had been up here mucking about.
00:45:18And it had been lying there, fighting for its life.
00:45:20What did you expect us to do?
00:45:23DNA the old county.
00:45:25We've got kids in youth hostels.
00:45:26We've got tourists.
00:45:28A day-old baby died of hypothermia.
00:45:31You've got kids.
00:45:32What's that got to do with it?
00:45:33I've got two.
00:45:34And I'll tell you this, if I've got hold of that woman...
00:45:36I would like to see the case files.
00:45:38Shouldn't you be concentrating on landing us William Tay's murderer?
00:45:41I want to see the case papers.
00:45:43It's not going to get you anywhere.
00:45:44Still, I'm not surprised you're clutching at straws.
00:45:51All those people just willing little old Frontalroy to cock it all up.
00:46:12Sergeant Hevers.
00:46:14You must be Inspector Lindley.
00:46:17You have me at a disadvantage.
00:46:19Stefan.
00:46:20Stefan Rodell.
00:46:22I hope you enjoy your stay.
00:46:44That's very charming.
00:46:53Ezra Farmington, a local artist, painted it.
00:46:58Do you know anything about the baby abandoned there?
00:47:00No.
00:47:01No one does.
00:47:03At least, no one admits to knowing.
00:47:09I only do bread and breakfast, but there's a pub in the village.
00:47:12The King's Head, they do food.
00:47:13Or if you want something special, there's always Gilder Hall.
00:47:17Oh, I've heard of it.
00:47:18A friend of mine has raved about the place for years.
00:47:20Uh, Father Hart was telling me about Roberta's sister, Gillian.
00:47:28Uh, he wasn't very certain about why she left.
00:47:31If you want to know about Gillian, ask Richard.
00:47:33Please hang around together a lot.
00:47:35What about Roberta?
00:47:37She seems to have put on a lot of weight.
00:47:40Well, we went through a bad patch.
00:47:43First, Richard heads off to make his fortune in the fence.
00:47:45Then Gillian goes straight afterwards.
00:47:47William tried to help with diets and things.
00:47:51Olivia suggested they go jogging together.
00:47:52What, Olivia?
00:47:53Olivia.
00:47:54Olivia O'Dell, his fiancée.
00:47:57We weren't aware of any fiancée.
00:47:59They'd only made the news public a few days before.
00:48:04Adele?
00:48:05Is she a relation of yours?
00:48:07Sister-in-law, my brother Paul.
00:48:10He died of Huntington's disease.
00:48:13I am sorry.
00:48:16Were you upset when you learned that William and your sister-in-law intended to marry?
00:48:21William treated Olivia really well.
00:48:23Almost too well.
00:48:26How do you mean?
00:48:29Devotion isn't my thing.
00:48:45She's a bit of a man's woman, wouldn't you say so?
00:48:48A dead baby.
00:48:51Tessa's disappearance.
00:48:51Gillian's, Richard Tay's inheritance.
00:48:53William Tay's engagement.
00:48:55We are drowning in information.
00:48:57Well, it's better than nothing to go on.
00:48:59Not if we spend all our time running up and down blind alleys only to find we've lost the real killer.
00:49:02Okay, let's prioritise.
00:49:04Well, who is the most likely candidate?
00:49:07Two women disappeared from the same household.
00:49:08They're never to be seen again until they're found under the patio, you mean.
00:49:18Who Richard Tay killed them?
00:49:19It's one way of making sure he gets the farm.
00:49:21Then he goes for the hatchet and polishes off William.
00:49:24Yeah, but why bother?
00:49:25I mean, he knows he's going to inherit the farm sooner or later.
00:49:28So he told us.
00:49:31He admitted to mention William and Tay had become engaged.
00:49:34If Tay had lived to marry this Olivia Adele, maybe the farm would have gone to her.
00:49:46Ezra.
00:49:46I got some, I got some draw.
00:49:50We could go to your place.
00:49:52Have a good time.
00:49:58Yeah.
00:50:00Why not?
00:50:01What are you supposed to do?
00:50:14What do you want to be here the whole time?
00:50:16It's my work.
00:50:19This is my job.
00:50:20I've got the farm.
00:50:21Where am I supposed to go?
00:50:24I'm not coming home because it's my job.
00:50:26It's what I do.
00:50:27I've got the farm and it's what I do.
00:50:29What do you want me to do?
00:50:30No, no, no.
00:50:30Sit around here, old day.
00:50:31No, no, no, no.
00:50:41There are a few more questions we'd like to ask you.
00:50:43You caught us at our best.
00:50:46Straight to bed next.
00:50:48In that case, we'll try and be brief.
00:50:57What was the row about?
00:50:58It isn't the best time for farmers.
00:51:03My wife wants me to sell up, move back to the fens.
00:51:06She's got family there.
00:51:07But you don't.
00:51:08I spent every spare minute when I was a kid playing on land.
00:51:12We'd arrive in Tractor by the time I were nine.
00:51:14You really loved the place?
00:51:16If you'd ask me what I wanted for Christmas, I'd have said that farm.
00:51:18So where'd you go eight years ago?
00:51:22I wanted to be my own boss.
00:51:24Are you saying your uncle hadn't intended to leave you the farm back then?
00:51:28I don't know.
00:51:29He never mentioned it.
00:51:30Perhaps he was going to give it to Gillian?
00:51:32I doubt it.
00:51:33I mean, farming weren't her sort of thing.
00:51:35What happened to Gillian?
00:51:37She left.
00:51:38Not long after you.
00:51:39I'm told the two of you were pretty close.
00:51:41She was my cousin.
00:51:42Was?
00:51:44Is.
00:51:45What happened between you and Roberta?
00:51:47Me and...
00:51:47She wasn't always that fat.
00:51:49You go away and she puts on stones.
00:51:53Gillian and Roberta, they both had a bit of a crush on me, that's all.
00:51:57Who can blame them?
00:51:58I'm an amazing guy.
00:52:00You must have been a bit shocked when you discovered your uncle was going to get married again.
00:52:04Course not.
00:52:05Good luck to the bloke.
00:52:06Bigger for Roberta to have a woman about.
00:52:08It's very generous of you, especially if it meant you'd lost the farm.
00:52:10What?
00:52:12You think he'd leave it to Olivia?
00:52:14Only thing she knows about milk is it comes in bottles.
00:52:18No.
00:52:19William told me.
00:52:20Farm or mine.
00:52:20Whatever happened.
00:52:22Did anyone else hear this conversation?
00:52:25No.
00:52:27You were my uncle.
00:52:29Somebody cut his head off.
00:52:31What do you think I am?
00:52:32Get Nye's to run a check on Richard Tate's previous address.
00:52:41Circulate pictures of Gillian, see if anyone ever saw her there.
00:52:45I want a list of all unidentified female corpses in the last eight years.
00:52:49Sir?
00:52:50That's Danny.
00:52:51Girl from the Abbey.
00:52:52Fancy a drink?
00:53:08What do you want this time?
00:53:10No, I can buy my own.
00:53:11I know you can.
00:53:14Tonic water.
00:53:16Don't drink, don't smoke.
00:53:17Do you have any vices?
00:53:17Yeah, of course.
00:53:21You're from London?
00:53:22Yeah, we know.
00:53:23A tonic water and a pint of bitter, please.
00:53:28Sir?
00:53:36Hello, Danny.
00:53:37I'm Inspector Lindley.
00:53:38You know my sergeant.
00:53:40Sergeant?
00:53:41You never said.
00:53:43She was telling me about the dead baby in the Abbey.
00:53:45That we're in confidence.
00:53:47In confidence?
00:53:48Didn't seem like that to you, did it, Sergeant?
00:53:50Not at all, sir.
00:53:51I've got the impression Danny was very keen to tell me.
00:53:54You asked.
00:53:55You run away, leave a baby to die, and you tell a perfect stranger about it.
00:53:58It went like that.
00:54:00Maybe she told you because she feels guilty.
00:54:02I'd explain why she was hanging around those ruins.
00:54:05And she and us were new about the baby.
00:54:07And they still left it.
00:54:10And why would they do that?
00:54:11Whatever you're suggesting, you're wrong.
00:54:14You run away because you thought you heard a ghost?
00:54:15Yeah.
00:54:16You and Ezra.
00:54:17A grown man, hears one little noise and runs.
00:54:19What are you saying?
00:54:20Your boyfriend's a wimp?
00:54:21No.
00:54:22Sounds it to me, sir.
00:54:23No, he ain't.
00:54:24Nobody pushes him around.
00:54:25You can ask anyone.
00:54:26Really?
00:54:27Like whom?
00:54:30William Tay.
00:54:31I'd love to, Danny.
00:54:32One problem.
00:54:33He's dead.
00:54:36What happened between William Tay and Ezra?
00:54:38He's not a killer.
00:54:40I didn't mean he was a killer.
00:54:42Isn't it better you tell us rather than somebody who doesn't care about Ezra?
00:54:45I'm sorry that old Tay's dead.
00:54:47I am.
00:54:48But he could be a nasty old fart.
00:54:50What did Tay and Ezra fall out about?
00:54:54William reckoned that Ezra were trespassing.
00:54:56He likes to go up there painting.
00:54:58William had no right to stop him.
00:55:00Ezra could have hit William.
00:55:02What William did was terrible.
00:55:04But he didn't.
00:55:04He just stood there.
00:55:06He never touched him, I swear.
00:55:08Well, what did William do to Ezra?
00:55:10William grabbed three of his precious watercolors, tore them up.
00:55:14Ezra's beautiful paintings.
00:55:17All these shreds on the ground.
00:55:18When we were at the farm, in Tay's living room,
00:55:47and saw Tessa's picture and the candles.
00:55:50So I really got to you.
00:55:51What was it?
00:55:52Nothing.
00:55:54Learning to work with a new partner is always tricky.
00:55:57What?
00:55:58You and I were all of the most likely combination.
00:56:00If this is a complaint about my work...
00:56:02Look, all I'm saying is to be effective,
00:56:04things have to run smoothly between us.
00:56:07Like tonight.
00:56:08Look, I'm on trial here.
00:56:09I don't think I don't know that.
00:56:09You're not listening to me, are you?
00:56:10Look, I am not good at the chat, okay?
00:56:13I'm sorry to analysing everything.
00:56:16I am more do and less talk sort of a person.
00:56:20I'm sorry.
00:56:22I just got wound up.
00:56:24I'm over it.
00:56:29All right.
00:56:31It's been a long day.
00:56:32Okay.
00:56:43Is it too late for a nightcap?
00:56:49Of course not.
00:56:50What would you like?
00:56:51Large whisky, please.
00:57:02Will you join me?
00:57:04Why not?
00:57:05He reached out with his hand
00:57:17and touched her with all the...
00:57:19Don't.
00:57:21I'm ashamed to say I'm addicted.
00:57:23To?
00:57:25To romance.
00:57:26A happy ever after school of fiction.
00:57:30When Paul was dying,
00:57:31I was getting through four of these things a night.
00:57:33Asterix cover to cover
00:57:35when my father was ill.
00:57:38Escape.
00:57:39Wherever you find it.
00:57:48There were a lot of romances at the Tays.
00:57:50I don't imagine William was much of a fan.
00:57:53Gillian used to love them.
00:57:54Anne Roberta was a closet reader.
00:57:56Closet?
00:57:57She hid it from it.
00:57:58Probably thought they might remind him of a mum.
00:58:00Tessa loved them too.
00:58:03William always put a brave face on things,
00:58:06but deep down he never really got over Tessa leaving like that.
00:58:10What do we think Roberta was trying to escape from?
00:58:14Everyone needs a little passion in their lives.
00:58:17Even overweight teenagers.
00:58:25Can I get you anything else?
00:58:26No.
00:58:33No.
00:58:41Hello?
00:58:42Helen.
00:58:43Just wondered how you are.
00:58:46Half asleep.
00:58:48Sorry.
00:58:48I wasn't thinking.
00:58:50It's okay.
00:58:52How are you?
00:58:53Fine.
00:58:57It's me.
00:58:58How are you really?
00:59:00Truth.
00:59:01Treadful.
00:59:03I've got this young girl.
00:59:04She's been locked away in a psychiatric hospital.
00:59:07Our father's dead.
00:59:10And all my own personal shit keeps getting in the way.
00:59:12All I want is my mind to be clear so I can concentrate on this case.
00:59:20That's hardly surprising, is it?
00:59:22The woman you love has just got married to someone else.
00:59:24You're back in Yorkshire with the dreaded nice.
00:59:29And what's the third thing?
00:59:31There's always a third thing.
00:59:33Havers.
00:59:35For once, the film is more exciting than the trailer.
00:59:38The woman is a minefield.
00:59:41There you are then.
00:59:43Life can only improve.
00:59:45It will get easier.
00:59:47Trust me.
00:59:54I should stay off the whiskey.
00:59:57Makes me maudlin.
00:59:59I'll let you get back to sleep.
01:00:00You can ring me any time.
01:00:02You know that.
01:00:04Then I'll call you tomorrow evening.
01:00:06Sweet dreams.
01:00:07Bye.
01:00:30No, please.
01:00:32Just leave me alone.
01:00:34No, please.
01:01:02Talk to me.
01:01:03Why won't you talk to me?
01:01:10Richard, open this door.
01:01:13Open the door.
01:01:19He's not here.
01:01:20You're lying.
01:01:22He's in there.
01:01:24I know you're in there.
01:01:26I'm not leaving till you talk to me.
01:01:33No trace of Tessa or Janine Tay.
01:01:39No credit card transactions.
01:01:41No hospital records.
01:01:42They both completely disappeared.
01:01:44Apparently, Tessa left Nurse Lord Wardrop when she left.
01:01:47Any police action?
01:01:49No, no suspicious circumstances.
01:01:53I hate it when that happens.
01:01:55I'll have some...
01:02:03Sorry, say that again.
01:02:09I don't understand.
01:02:11Why are you lying?
01:02:13Come out, you pathetic coward.
01:02:16I'm Tessa.
01:02:17You think he's going to be all right?
01:02:19Liar.
01:02:19You owe me.
01:02:21You owe me.
01:02:22Mrs Adele.
01:02:23I'm not going.
01:02:24I'm not leaving it.
01:02:26This stupid woman's lying.
01:02:27He's in there.
01:02:28I know it.
01:02:28He's in there.
01:02:29I'm Inspector Lindley.
01:02:29This is Sergeant Havers.
01:02:31The police.
01:02:32He called the police.
01:02:35Look, I mean, I just wanted to talk to him, that's all.
01:02:39How about talking to us instead?
01:02:41I don't normally.
01:02:45We're here to help you.
01:02:51See?
01:02:52Nine years old and she's out of control.
01:02:54The tap in the bathroom dripped.
01:03:00I never asked if you just fixed it.
01:03:03It made me realise how much I needed someone.
01:03:07Now he's dead.
01:03:10If I could look Richard in the eyes, just see.
01:03:14See what?
01:03:16You should have heard what he said.
01:03:17Richard never could hold his drink.
01:03:22He had the nerve to say to William,
01:03:24if he reckoned he was such a great dad,
01:03:26how come Roberta was eating herself to death?
01:03:30Imagine, in the pub,
01:03:33William hated people knowing his business.
01:03:36That's the only reason they went into the car park.
01:03:39William was provoked.
01:03:41He'd never normally hit anyone.
01:03:43William hit Richard?
01:03:45It's lucky he didn't hit him again.
01:03:47What a nerve.
01:03:49Just because William was leaving him the farm
01:03:51didn't mean Richard could tell him how to run his life.
01:03:54Were you and William engaged when this happened?
01:04:00No.
01:04:02He asked me that night.
01:04:04After he'd taken me home.
01:04:06Did William intend to change his will after he married you?
01:04:08Yes, he did.
01:04:09He told me.
01:04:10But how could you and William marry
01:04:12if he was still married to Tessa?
01:04:14He was seeing a solicitor.
01:04:15About a divorce?
01:04:16Yeah.
01:04:17Did Richard know that William wanted to change his will?
01:04:20Richard's no fool.
01:04:24Do you believe in evil?
01:04:32Do you?
01:04:34They found a baby.
01:04:35The Abbey.
01:04:37A year ago.
01:04:38Dead.
01:04:42I think it was Roberta's.
01:04:45I think Richard and...
01:04:47What makes you say that?
01:04:50I caught them.
01:04:52Embracing.
01:04:54He had Bobby really close.
01:04:56And just before the poor thing was discovered,
01:04:58I...
01:04:59I remember her claiming to have some sort of stomach bug.
01:05:03Terrible cramps, she said.
01:05:05Did you tell William of your suspicions?
01:05:07No.
01:05:08He'd had so much to cope with.
01:05:12God, I wish I had.
01:05:13I mean, if Richard could murder a poor, defenceless baby.
01:05:27You have ruined my life.
01:05:32We made an agreement, Ezra, please.
01:05:35Auntie Stefan!
01:05:36Get out.
01:05:44God, go on the line for this.
01:05:45사람들이 back to minds.
01:05:50Oh.
01:05:51Oh.
01:05:52Oh.
01:05:52I can't go on the line for this.
01:05:54I can't go on the line for this.
01:05:54Oh, my God.
01:06:24Sir!
01:06:37It is temporary.
01:06:42Sir?
01:06:43I'm fine.
01:06:45I'm fine.
01:06:49Sorry if I gave you a scare.
01:06:51Let's get on to York.
01:06:58See the Celeste.
01:07:00Mr Tate came in to discuss making a new will a week before he died.
01:07:16Who did he intend leaving the farm to?
01:07:18Er, there was no change there.
01:07:20His nephew, Richard.
01:07:22You're sure?
01:07:23Of course.
01:07:24He simply inserted a clause stipulating that Richard was to give Olivier the option of staying in the house if anything happened to him.
01:07:30Did Richard know of these new arrangements?
01:07:32Mr Tate said he'd informed him of the changes.
01:07:34Didn't want his nephew worrying about losing the farm.
01:07:38Er, William Tate never discussed divorce proceedings against his wife Tessa, did he?
01:07:46No.
01:07:47Never.
01:07:48At least not with me.
01:07:49Thanks again.
01:07:50Great work.
01:07:51We've just nuked our main suspect's motive.
01:07:52Well, we learned something else.
01:07:53Tay never did discuss divorce with his solicitor.
01:07:54It's like telling Olivia that you had.
01:07:55So she said.
01:07:56I mean, maybe she's not as hopeless as she appears.
01:07:57Maybe that's what she wanted us to believe.
01:07:58Older man, left by a younger woman.
01:07:59That can't be good for the ego.
01:08:00His wife and his beloved daughter go and he makes no effort to trace them.
01:08:05That seems weird to me.
01:08:06Tessa was the wrong person for him.
01:08:07But he knew it had been a mistake.
01:08:08He knew it had been a mistake.
01:08:09No.
01:08:10That's not what I wanted to say.
01:08:11He said something else.
01:08:12Tell you you never did discuss divorce with his solicitor.
01:08:13It's like telling Olivia that you had.
01:08:14So she said.
01:08:15I mean, maybe she's not as hopeless as she appears.
01:08:16Maybe that's what she wanted us to believe.
01:08:17Older man left by a younger woman.
01:08:18That can't be good for the ego.
01:08:19His wife and his beloved daughter go, and he makes no effort to trace them.
01:08:22That seems weird to me.
01:08:24Tessa was the wrong person for him.
01:08:25for him but he knew it had been a mistake he said as far as he was concerned what she was why she
01:08:33was dead i didn't mean that it's a figure of speech have you spoken to richard it's what
01:08:40william was doing though wasn't it grieving for tessa grieving the shrine in the living room
01:08:45the photos the candles he loved her she was the mother of his children a bit morbid though
01:08:53his obsession with his missing wife she isn't missing you know where she is i don't understand
01:09:00why are you doing this it's really necessary it has nothing to do with olivia doing what mrs adele
01:09:05don't treat me like an idiot i know what you're getting at do you think he killed tessa is that
01:09:10what you think he killed tessa and built the shrine because he was full of guilt william's
01:09:16the one who's been murdered it's this killer you're supposed to find
01:09:25milk returns animal feed no personal correspondence nothing
01:09:32i'm not even sure what i'm looking for suppliers vets harry houseman sounds like one of those duff
01:09:41comedians when i was a kid pass me the phone book see we can find out who this harry houseman is
01:09:48sorry this isn't a dick waving competition it's just a small-time private detective with no letters
01:09:53after your name i want me lunch break here don't mess us around mr houseman you can't afford it
01:09:59how come looking at william tay's checkbook he only paid you a deposit
01:10:04unfortunately he's no longer in a position to pay your fee in full
01:10:08until we find the murderer and his estate can be settled you won't see another penny
01:10:11now what did william tay ask you to do trace his wife tessa yeah and found her you found tessa tay
01:10:21oh yeah william tay's wife yeah alive
01:10:37okay
01:10:58excuse me are you mrs tessa you found him
01:11:01you fought my husband
01:11:03yes
01:11:04oh god
01:11:06it's my fault
01:11:08it's all my fault
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