- 3 months ago
In the dead of night, terror awakens as mysterious screams echo beneath the moonlight. Shadows conceal a dreadful secret, and those who dare to uncover it may never return. Screams Beneath the Moon is a chilling tale of fear, suspense, and the darkness that lurks when the world sleeps.
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:30THE END
00:01:00THE END
00:01:30Mr. Harker
00:01:37What's up?
00:01:46What's happened?
00:01:48Somebody is a little drunk.
00:01:51It's Mr. Harker.
00:01:55He's fallen from the back house.
00:01:56Harker?
00:01:57Is he dead?
00:01:58I'll say.
00:01:59Better call the police.
00:02:01Come on, let's pick him up and carry him inside.
00:02:03No, don't touch him if the police got here.
00:02:05That's what he can use.
00:02:06That's what he can use.
00:02:07That's what he can use.
00:02:08That's what he can use.
00:02:10Calling car 14.
00:02:12Calling car 14.
00:02:14In 13th District.
00:02:17At 921 Lake Street.
00:02:20Harker Apartments.
00:02:22Investigate an accident.
00:02:23That's all.
00:02:27What are you doing, Wilford?
00:02:28Reconstructing the accident?
00:02:30I'm afraid I fell.
00:02:31Yes, I'm afraid you did.
00:02:37The next time you do it, see if you can't be a little nearer the edge of the roof.
00:03:07If he jumped from here, it would land him just about where he fell.
00:03:14Well, why do you say jumped?
00:03:17Because I'm an inspector and I can say anything I want to.
00:03:27I only thought...
00:03:28I know.
00:03:29I warned you against thinking.
00:03:31You think I'm so dumb I haven't considered the possibilities of a murder.
00:03:35But I have, Wilford.
00:03:37That's why I'm having so much fun.
00:03:48Who's the young lady?
00:03:54If I take her word for it, she was Harker's secretary.
00:03:58Hmm.
00:03:59It must be pleasant having such a secretary living on the premises.
00:04:05I wonder if I could have been wrong about you all this time.
00:04:08I wonder if I could have been wrong about you all this time.
00:04:12Do you know any reason why Mr. Harker would commit suicide, Miss Perry?
00:04:16No. I can't imagine him doing it.
00:04:17Now, now, I would...
00:04:18Wilford, why don't you go in with the doc? He might need you.
00:04:22See?
00:04:23Oh!
00:04:24Oh!
00:04:25Oh!
00:04:26Oh, yes!
00:04:27Yes, sir!
00:04:28Oh!
00:04:29Oh!
00:04:30Oh, yes!
00:04:31Yes, sir!
00:04:32Hmm.
00:04:33Hmm.
00:04:34Hmm.
00:04:35Hmm.
00:04:36How long have you been working for Mr. Harker?
00:04:39Only three weeks.
00:04:40Not long enough to work for Mr. Harker.
00:04:41Not long enough to work for Mr. Harker.
00:04:42He might need you.
00:04:43See?
00:04:44Oh!
00:04:45Oh, yes!
00:04:46Yes, sir!
00:04:47Hmm.
00:04:48How long have you been working for Mr. Harker?
00:05:05Only three weeks.
00:05:07Not long enough to know much about his affairs, eh?
00:05:12No.
00:05:13Did he always have his secretaries live on the premises?
00:05:23I believe so.
00:05:26Anyone else live here?
00:05:28Any servants or housekeeper?
00:05:32You mean, uh, chaperone?
00:05:36There's only one maid, Augusta.
00:05:39She's a little bit dumb, but very respectable, I assure you.
00:05:42Would you like to meet us?
00:05:43Uh, just a minute.
00:06:00Thanks.
00:06:06Where is your bedroom?
00:06:08In there.
00:06:12What time did you go to bed?
00:06:19About 9.30.
00:06:21I went to my room earlier than that to read.
00:06:23I heard Mr. Harker go out about 9 o'clock, but I didn't hear him come in.
00:06:28Do you sleep soundly?
00:06:30I suppose so.
00:06:32And you heard nothing?
00:06:33No disturbance until the shriek?
00:06:36Not a sound.
00:06:37Hmm.
00:06:38All right.
00:06:39Let's see the maid.
00:06:40This way.
00:06:42All right.
00:06:43Let's see the maid.
00:06:44This way.
00:06:53Listen.
00:06:55That's in her room.
00:07:05Ooooooh.
00:07:10Ooooooh.
00:07:16Augustus, are you all right?
00:07:18Yes. No, I am not.
00:07:21There's a man in my room.
00:07:23Where?
00:07:25Oh, he's a police inspector.
00:07:27Mr. Harker's had an accident.
00:07:29No. Was anybody hurt?
00:07:32He's dead. He fell from the roof garden.
00:07:36Mr. Harker? Oh, the poor man.
00:07:39What was he doing hanging over the roof garden?
00:07:42That's what we want to know.
00:07:44Were you here all evening?
00:07:46Yes, I was. I meant to go out,
00:07:49but I was reading such an exciting mystery.
00:07:52All about a green face that floats up the windows.
00:07:56Can you imagine that?
00:08:00I don't know how respectable she is,
00:08:02but you were right about the dumb part.
00:08:05Outside of green faces, did you see or hear anything?
00:08:10Oh, that's funny. I did.
00:08:13At least I think I did.
00:08:15I was asleep when I heard it.
00:08:18But I was dreaming such an exciting dream,
00:08:21I wouldn't let myself wake up for fear of missing the finish.
00:08:26You could have stayed for the second show.
00:08:29What?
00:08:31Nothing. Let it go.
00:08:33Well, as I was saying, I heard the noise,
00:08:36but I don't know whether it was a real noise
00:08:39or just a noise in the dream.
00:08:41You see, I can hear dreams as well as see them.
00:08:47Where's Wilfred?
00:08:49Wilfred?
00:08:50Yeah, my secretary.
00:08:52I want him to meet Augusta.
00:08:53They have so much in common.
00:08:55What was the noise you may not have heard?
00:08:59It was a sort of hiss, like that.
00:09:06That settles it.
00:09:08You've got to meet Wilfred.
00:09:10Gee, you're not at all like Phil O'Van.
00:09:14Well, that's all right.
00:09:16You're so much like the maids in the mystery novel
00:09:18that I'm almost convinced that Harker was murdered.
00:09:21Murdered?
00:09:26If y'all through with me for the moment,
00:09:28I'd like to go get dressed.
00:09:30Sure. Go ahead.
00:09:31But don't leave the apartment.
00:09:36Pleasant dreams.
00:09:58Hello. Inspector Russell speaking.
00:10:08Who lives in the penthouse across the hall?
00:10:10Why, it's vacant, sir.
00:10:12Oh.
00:10:13Who lives in the apartment directly under this?
00:10:28Mr. and Mrs. Tom Covey.
00:10:30Well, give them a ring and find out if they heard any disturbance up here tonight.
00:10:34Call me back.
00:10:35Yes, sir.
00:10:36Yes, sir.
00:11:04Hello, Jim.
00:11:05Oh, hi.
00:11:06Say, listen, Jim, I...
00:11:07Uh, uh, yeah.
00:11:08No.
00:11:09No.
00:11:10No, I...
00:11:11No.
00:11:12No, I...
00:11:13No.
00:11:14No, I...
00:11:15See you.
00:11:16Bye-bye.
00:11:17Bye-bye.
00:11:18Bye-bye.
00:11:19Bye-bye.
00:11:20Bye-bye.
00:11:21Bye-bye.
00:11:22Bye-bye.
00:11:23Bye-bye.
00:11:24Bye-bye.
00:11:25Hello, Jim.
00:11:26Oh, hi.
00:11:27Say, listen, Jim, I...
00:11:28Uh, uh, yeah.
00:11:29No.
00:11:30No, I...
00:11:32Bye-bye.
00:11:48Hello, Eddie.
00:11:49Hello, Ted.
00:11:50What's the latest?
00:11:51Oh, nothing much.
00:11:52Gang's still waiting upstairs.
00:11:54Why don't you go up?
00:11:55I'm stuck down here.
00:11:56Chief told me.
00:11:57Oh.
00:11:59Say, uh, Eddie, you, uh...
00:12:01You wouldn't like to make a fin, would you?
00:12:03A fin?
00:12:05Ha-ha-ha.
00:12:06This another one of your children?
00:12:07No, on the level.
00:12:08One of those upstairs bet me a ten spot
00:12:10that there was no eagle on a lieutenant's badge.
00:12:13Heh.
00:12:14Do I, uh, collect?
00:12:18According to my tag, you do.
00:12:19Oh.
00:12:20Wait till they see that.
00:12:21I'll give you five bucks for helping me win it.
00:12:25Too easy.
00:12:26Heh-heh.
00:12:27I'll say it is.
00:12:31I'll give you a pardon, gentlemen.
00:12:32Wait a minute.
00:12:33Who do you think you are?
00:12:34You must be a new man.
00:12:35Old enough to know a wise guy like you.
00:12:36Sorry, Lieutenant.
00:12:37Go right in.
00:12:38Don't make that mistake again, my good man.
00:12:39No, sir.
00:12:40Say, what's he doing?
00:12:41Oh, Mr. Boyder!
00:12:42Get on back.
00:12:43That's my...
00:12:44How is it?
00:12:45Smells all right.
00:12:46How is it?
00:12:47Smells all right.
00:12:48Oh, Mr. Boyder.
00:12:49I'm not a wise guy like you.
00:12:50I'm not a wise guy like you.
00:12:51Sorry, Lieutenant.
00:12:52Go right in.
00:12:53Don't make that mistake again, my good man.
00:12:54No, sir.
00:12:55Say, what's he doing?
00:12:56Oh, Mr. Boyder!
00:12:57Get on back.
00:12:58Get on back.
00:13:11How is it?
00:13:12Smells all right.
00:13:14How'd you get in here?
00:13:15Power of the press.
00:13:19Well, suppose you just press right out again.
00:13:22I thought you might need my help.
00:13:25Not while I have Wilfred.
00:13:27Beat it.
00:13:28All right.
00:13:29You will be sorry.
00:13:42Well?
00:13:43No marks of violence.
00:13:44But it looked like he clustered something as he went down.
00:13:49Three of his nails were broken off.
00:13:52Three of his nails, eh?
00:13:54Wonder how that happened.
00:13:59Did you find any evidence of suicide?
00:14:02Any notes?
00:14:03Nope.
00:14:04Murder?
00:14:05Nope.
00:14:06Nobody heard a sound.
00:14:07Then it must have been an accident.
00:14:11Yes, I guess it was.
00:14:18Pendle 5800.
00:14:22Morning news.
00:14:23City editor, please.
00:14:26Mr. Perkins.
00:14:27Pat Morgan.
00:14:28I don't know enough yet, but you can give it a spread, one of those question things.
00:14:34Was Harker murdered?
00:14:36All right.
00:14:37Give me your rewrite, ma'am.
00:14:42Hello?
00:14:43Pat Morgan on the Harker case.
00:14:45Who?
00:14:46Stop asking questions and take this down and they get stopped any minute.
00:14:49Okay.
00:14:50Go on.
00:14:51You can give it a heading of questions.
00:14:53Was Harker philanthropist or a crook?
00:14:57Who was the mysterious B, B double E, who telephoned Harker's apartment two hours before his death and said,
00:15:04I've got to see you?
00:15:08Why was Martini, big underworld boss, a frequent and secret visitor at Harker's apartment?
00:15:15Got it. Go on.
00:15:17What was the meaning of the serpent card sent to Harker 12 hours before his death?
00:15:22I have it, but I'm afraid I can't get it to you tonight.
00:15:25Describe it.
00:15:27Picture of coiled serpent in one earth card.
00:15:31Phonetic spelling of hiss coming from its mouth.
00:15:35Letters clipped from newspaper and pasted on card read.
00:15:39You will hear it.
00:15:41Another question.
00:15:42Was the hissing sound the maid heard, the materialization of the threat of the card?
00:15:48And last, was Harker's death accident, suicide, or murder?
00:15:56That all?
00:15:57Okay.
00:15:58Thanks.
00:16:12I thought I told you to get out of here.
00:16:31I'm going.
00:16:43Hey.
00:16:45Hey, get a load of this, will you?
00:17:05Why didn't you send him the dope on that Harker death?
00:17:07But I did, Mr. Perkins.
00:17:09I gave it to a rewrite man.
00:17:11You gave it to the express.
00:17:13I plant you in a spot three weeks before a murder happens.
00:17:17And when it breaks, we're carrying a spread of the European debt situation.
00:17:24You're fired!
00:17:25You're fired!
00:17:35Hello.
00:17:37Clues out Pat Morgan.
00:17:42I found it under the rug, ma'am.
00:18:13Oh, so that's what it was.
00:18:18Oh, what a dirty trick.
00:18:21I'll slash his throat.
00:18:24What a low double-crosser.
00:18:29I'll get even with him if it takes my last brains out.
00:18:33And he knew it would cost me my job.
00:18:35I'll get even with him.
00:18:36And how I'll get even?
00:18:37I'll kill him.
00:18:38I'll kill him.
00:18:39Is it somebody you don't like, ma'am?
00:18:42I'll kill him.
00:18:45Oh, no.
00:18:46Help!
00:18:48Help!
00:18:49Help!
00:18:51Help!
00:18:53Help!
00:18:55Help!
00:18:57Help!
00:18:59Help!
00:19:01Help!
00:19:03Help!
00:19:05Help!
00:19:07There's a lady dead.
00:19:09Who?
00:19:10Miss Cufford, sometimes blacker than I is.
00:19:29I'll see you in the office.
00:19:33Was she strangled?
00:19:36It looks like it.
00:19:37You want to see something interesting? Come here.
00:19:46Does that suggest anything to you?
00:19:53Harker could have fallen from here instead of from the roof garden, couldn't he?
00:19:56He not only could, but we believe that he did.
00:19:59That broken pole suggests that someone clutched at the curtain in an effort to save himself.
00:20:04Now, Harker's nails were badly broken.
00:20:07And there are deep scratches in the paneling there.
00:20:16And now we'll talk about you.
00:20:20You don't mind, do you?
00:20:22Of course not.
00:20:23What do you want to know?
00:20:25Do you know a reporter by the name of Ted Rand?
00:20:30Ted.
00:20:32Now, I can see that you don't.
00:20:34Well, he got a lot of first-hand information in his paper this morning,
00:20:38and I can't figure out where he got it unless it was from you.
00:20:46May I see it?
00:20:48I see it.
00:20:58Well?
00:21:00Did he get it from you?
00:21:04All right.
00:21:06Now let's have a little talk.
00:21:07And then I'll decide whether or not I'm going to lock you up for withholding information from the police.
00:21:24Yeah, Wilfred is on his way down now with a picture of Covey.
00:21:27He's been missing since last night.
00:21:30Broadcast a description of him.
00:21:32And tell Brown I want all the hotels checked.
00:21:34The steamboats.
00:21:36Railroad stations.
00:21:37Send out a general alarm.
00:21:38When you get him, book him for murder.
00:21:42All right.
00:21:54All right.
00:21:55What's your name?
00:21:56Morgan.
00:21:58Pat Morgan.
00:22:00I'm a reporter on the morning news.
00:22:02That is, I was a reporter on the morning news until Ted Rand pinched my story last night.
00:22:09What did they do?
00:22:10Fire you?
00:22:13Oh.
00:22:15What was the idea of posing as Harker's secretary?
00:22:18What are you after?
00:22:20Harker.
00:22:21My editor got wind of some connection between Harker and Joe Martini.
00:22:26He couldn't figure what the town's favorite saint was doing in business with a racketeer.
00:22:31Were they in business?
00:22:33I don't know.
00:22:34I know Martini was up here several times.
00:22:37Always late at night.
00:22:39And always when Harker thought I was asleep.
00:22:42But as far as getting anything definite on him, I didn't have any luck.
00:22:46Well, how about the Colby woman?
00:22:49Her name was B, by the way.
00:22:50It was?
00:22:52Well, that looks like...
00:22:55The world's oldest story.
00:22:58That's why we're after the husband.
00:23:00But what I want to know is about that last phone call of hers.
00:23:04How did you know about it?
00:23:06I listened in on the extension.
00:23:09Oh.
00:23:10What did you hear?
00:23:12A woman's voice.
00:23:14And she said,
00:23:15This is B.
00:23:16I've got to see you.
00:23:18And Harker said,
00:23:19All right.
00:23:20And hung up.
00:23:22Talkative, Carson, wasn't he?
00:23:24No.
00:23:29Has Martini got an apartment here?
00:23:32804.
00:23:45How did you get a hold of the serpent card?
00:23:48Do you think there's anything in it?
00:23:49I'm asking the questions.
00:23:56How did you get hold of it?
00:23:58I snitched it out of his pocket.
00:24:01You've been kind of busy, haven't you?
00:24:05Did you see him when he got it?
00:24:08How did he act?
00:24:10Puzzled.
00:24:12He tossed it in the wastebasket and then fished it out.
00:24:15Studied it for a few minutes and put it in his pocket.
00:24:19Where is the card now?
00:24:21I'll get it.
00:24:40Did you find another one?
00:24:42Yeah.
00:24:43Where?
00:24:44In Mrs. Covey's apartment?
00:24:46In the wastebasket.
00:24:49What does it mean?
00:24:51Oh, it's either a threat or some fake advertisement.
00:24:54I'm checking now to see if anyone else in the house got one.
00:24:58Well, is there anything else you want to tell me?
00:25:01No, but maybe if I stayed on for a few more days and went through his papers I might run across something.
00:25:08And as his secretary I should help settle his affairs.
00:25:12Don't you think it's a good idea?
00:25:13I think it's a good penthouse.
00:25:16You know, I ought to lock you up.
00:25:18If we'd have this information last night about the Covey woman and her husband, we'd have Covey now.
00:25:23But what's the use of expecting a reporter to tell a cop anything?
00:25:26But I'm not a reporter anymore, and I might run across something.
00:25:30Don't you think it's a good idea?
00:25:32I think you're trying to flirt with me.
00:25:35If I didn't have four kids and a wife that can lick her weight in wildcats, I might like it better.
00:25:42Go on. Stay here.
00:25:44But don't get the idea that you're smarter than the police.
00:25:46And don't hold back anything that you find.
00:25:52Hello?
00:25:54I think we have Covey for you.
00:25:55What do you mean, think?
00:25:56Won't he admit it?
00:25:57He isn't admitting anything.
00:25:58He's down at the morgue on a slab.
00:26:01What?
00:26:02I'll be right down.
00:26:03What is it?
00:26:04Where are you going?
00:26:05Have you found Covey?
00:26:06Oh, let me go with you.
00:26:08But...
00:26:11But I'm not a reporter anymore, and you can tell me everything in perfect confidence.
00:26:14I've got him.
00:26:15All right, all right.
00:26:25Mark!
00:26:26Hey!
00:26:27Hey!
00:26:28Hey, Pat!
00:26:30Hey, follow that car, will ya?
00:26:34Hurry up!
00:26:41Well, I made it.
00:26:44Well, I...
00:26:46Let's go.
00:26:53Hey!
00:26:54Hey!
00:27:11Well, I...
00:27:16Uh-oh.
00:27:21What you all got me down here for?
00:27:23I ain't going in that place.
00:27:24Oh, yes, you are.
00:27:25Oh, yes, I ain't. Can't get me in that place.
00:27:28I done seen one dead body today, and that's enough.
00:27:31It's too much, yes, sir.
00:27:33We only want you to look at my hand.
00:27:34Dave?
00:27:35Yeah?
00:27:36Nothing doing.
00:27:39Uh, who is the man?
00:27:41Colby.
00:27:42Mr. Colby, Dave?
00:27:44Well, I didn't like that man alive.
00:27:47So what makes you think I'm going to like him days?
00:27:50Why didn't you like him alive?
00:27:51He didn't talk enough.
00:27:53And it's a sure thing he ain't doing no talking now.
00:27:56All he did is sit around and look at the walls, staring.
00:27:59That's what.
00:28:01And it ain't good when a man don't talk.
00:28:04Well, it won't be good for you if you don't get out of that car now.
00:28:06It ain't gonna be good for me if I does, so I'm staying.
00:28:09You want me to lock you up?
00:28:11Where?
00:28:12In the city jail.
00:28:13They's alive in jail, ain't they?
00:28:15All right, sir.
00:28:16Lock me up with a living.
00:28:19What's the trouble?
00:28:31She won't budge.
00:28:32I ain't anxious to start no trouble, sir.
00:28:34But I just naturally don't like dead people.
00:28:40You the janitor?
00:28:41Yes, sir.
00:28:42You knew Colby beside, didn't you?
00:28:44Oh, yes, sir.
00:28:45All right, that's enough identification.
00:28:47You can go.
00:28:48That way?
00:28:49Right.
00:28:50Yes, sir.
00:29:08Here you go.
00:29:09Okay.
00:29:14Hey!
00:29:15Hey, Eddie, open up, will ya?
00:29:18Hey, listen, stick around here a minute, will ya?
00:29:19I may be going right back.
00:29:20Hello, Eddie.
00:29:21Hello.
00:29:22How's the boy?
00:29:23Hiya, Sam.
00:29:24What detained you?
00:29:25I, uh, I, uh, had some business to attend to.
00:29:31What you mean is you wasted an hour hanging around the police station.
00:29:32You picked me up.
00:29:33I told you they were headed for the morgue.
00:29:34Is it, uh, the depressing atmosphere of this place, or, uh, do I imagine that you're angry with me?
00:29:38I, uh, angry with you?
00:29:39I, uh, angry with you?
00:29:40What have I to be angry with you about?
00:29:41You only pinched my story and made me lose my job, but what does that matter?
00:29:45You, you lost your job?
00:29:46Yes, I lost my job.
00:29:47Yes, I lost my job.
00:29:48I suppose you think that's very funny.
00:29:49Probably the funniest thing you ever heard of.
00:29:50Probably laughed yourself sick over it.
00:29:51Oh, no, darling.
00:29:52I, uh, not the most expensive as, uh, and, uh, you're supposed to have, uh, in the
00:29:55case with it.
00:29:56You, I don't know if you're even taking a care of this place, or, uh, do I imagine that
00:30:02you're angry with me?
00:30:04I, angry with you?
00:30:05Huh.
00:30:06What have I to be angry with you about?
00:30:07You only pinched my story and made me lose my job, but what does that matter?
00:30:11You, you, you lost your job?
00:30:12Yes, I lost my job.
00:30:13I suppose you think that's very funny.
00:30:15It's probably the funniest thing you ever heard of.
00:30:15Probably laughed yourself sick over it.
00:30:16Oh, no, darling.
00:30:17I...
00:30:18Hey!
00:30:19It's all right to cry in this joint, but Nick's on the lovemaking.
00:30:20But Nick's on the lovemaking.
00:30:22Oh, you go to the devil, will you?
00:30:24Come on, darling, let's get out of this place.
00:30:26Eddie hasn't any romance in his soul.
00:30:28Let's go to a speakeasy.
00:30:30What's romantic about a speakeasy?
00:30:32I'm going to propose to you again.
00:30:34And no cracks from you.
00:30:36The only funny crack I can think of would have to come from her.
00:30:38Yeah? What's that?
00:30:39If she said yes.
00:30:42Funny man.
00:30:43You know, darling, Eddie's wife got him the job here in the morgue.
00:30:47She thought he'd take the hint and die.
00:30:48Come on, honey.
00:31:02Well, do we go straight to the marriage bureau,
00:31:04or do I have to do some more talking?
00:31:06You have to do plenty of talking.
00:31:08Okay, we'll go to Joe's. I'll even take in a cab.
00:31:17375 West 58.
00:31:18Couldn't you sit a little closer?
00:31:34Not without being arrested.
00:31:37And speaking of arrest,
00:31:39did you know that the Harker case was all over?
00:31:42All over?
00:31:43Yep, all washed up.
00:31:45What do you mean? What happened to the apartment?
00:31:47Plenty.
00:31:48Did you see Harker's maid, Augusta, last night?
00:31:51I don't think so.
00:31:52You don't think so?
00:31:54Well, believe me, darling, you'd remember it.
00:31:57You call me darling.
00:31:59I didn't mean to.
00:32:01Well, she's something to face the eyes on.
00:32:04Or was.
00:32:05She was found murdered this morning.
00:32:07In Harker's apartment?
00:32:08No, the janitor's.
00:32:11Say, are you kidding me?
00:32:13I?
00:32:15Listen, I'm the one who shouldn't trust you, not you, me.
00:32:18I'm sorry, darling.
00:32:19Go on.
00:32:20Well, they found a marriage license in the apartment.
00:32:24Whose?
00:32:25The janitor's.
00:32:26It seems she was married to the janitor, but, uh, worked for Harker.
00:32:32Oh, oh, one of those.
00:32:35Say, look here, you worked for Harker, too.
00:32:38Only on a double cross.
00:32:40He only made a couple of passes at me.
00:32:43He made what?
00:32:44Why, I'll kill him.
00:32:46Oh, he's already dead.
00:32:47The janitor killed him.
00:32:49He killed him and his wife, and then committed suicide.
00:32:53They dragged his body out of the East River this morning.
00:32:57That's what they had down at the morgue.
00:32:59The janitor's body?
00:33:01And the maid's, too.
00:33:02Say, listen.
00:33:03Has any of the mob got this story yet?
00:33:05I don't think so.
00:33:07Hey, driver.
00:33:08Driver.
00:33:08Drive up to that drugstore, will you?
00:33:10Do you mind if I phone it in?
00:33:12No.
00:33:12I'll only be a minute.
00:33:13All right, but hurry.
00:33:15I'll hurry.
00:33:23Driver, drive on.
00:33:29You don't want to wait?
00:33:30I don't want to wait.
00:33:46Driver, drive back to the drugstore.
00:33:48I figured you might want to go back.
00:33:51That's why I made that right turn back there.
00:33:53You know too much.
00:33:55I've been driving a cab for 10 years.
00:33:57I've seen about all there is to see.
00:34:04Here you are, miss.
00:34:05And there's your man.
00:34:07Man?
00:34:08Don't be bolder.
00:34:09Where'd you go?
00:34:20Listen, Ted.
00:34:20What's the matter?
00:34:21A story I told you about the maid and the janitor.
00:34:24Well, what about it?
00:34:24It isn't the truth.
00:34:25I made it up.
00:34:26Huh?
00:34:26I wanted to get even for last night, so I made it up.
00:34:29There's no word of truth in it.
00:34:30Holy smokes.
00:34:38Haven't you got a nickel?
00:34:39No.
00:34:42I just, I know you'd mind so much.
00:34:44Mind?
00:34:45I phoned that story into your paper.
00:34:47My paper?
00:34:48Yeah.
00:34:48I wanted to make up for last night.
00:34:49Haven't you got a nickel?
00:34:51No.
00:34:52I told your editor what happened last night,
00:34:54and I held this scoop up, if he'd give you your job back.
00:34:56He said yes, so I gave him the story.
00:34:58Haven't you got a nickel?
00:35:01No.
00:35:07Carrie.
00:35:08No.
00:35:09Come in here.
00:35:10I found something just like in a mystery.
00:35:12Come on.
00:35:13Come on.
00:35:17What are you doing?
00:35:18Oh, Mr. Harker's lawyer said I was to pack up Mr. Harker's things and clear out the apartment.
00:35:23But look at those drawers.
00:35:25Mr. Harker's or the wooden ones?
00:35:28Oh, Miss Carrie, aren't you the one?
00:35:31The wooden ones.
00:35:32Do you see any difference in them?
00:35:37Did they come out of the same chest?
00:35:39They did.
00:35:40And so I investigated.
00:35:42And look what I found.
00:35:43I pressed and pressed all around here, and finally, sure enough, there it was, a little place behind there.
00:35:55But it wasn't.
00:36:01There was a letter there, and it reads like a threat.
00:36:05And he signs himself for juice.
00:36:17And he signs himself the juice.
00:36:29What?
00:36:32Oh, that means the electric chair.
00:36:47Central 5800.
00:36:50Morning news.
00:36:52Give me the files, please.
00:37:00Hello?
00:37:01Hello, Willie.
00:37:02This is Fat Morgan.
00:37:04Would you do me a favor?
00:37:06Why, yes.
00:37:07Look in the files and see when and where a man by the name of Danny Fagan was executed.
00:37:13That's all I have is the name.
00:37:15What?
00:37:16The chair, yes.
00:37:18And call me back at Drake 6048.
00:37:21Thanks.
00:37:22And Willie, see if it says anything about his relatives, particularly your brother or anyone who visited him on the day of his execution.
00:37:33That's right.
00:37:34Thanks.
00:37:41Augusta, will you make yourself scarce?
00:37:45Scarce.
00:37:47Scarce.
00:37:48In other words, scram.
00:37:50What are you going to do, ma'am?
00:37:52If I wanted you to know, do you think I'd ask you to leave the room?
00:37:55Oh, I never thought of that.
00:38:04Will you send the janitor up here right away, please?
00:38:06Thanks.
00:38:07Mr. Martini's apartment, please.
00:38:08Thanks.
00:38:14Mr. Martini's apartment, please.
00:38:15Now, Mr. Martini doesn't answer.
00:38:21This doesn't have to have it happened.
00:38:22Mr. Martini's apartment.
00:38:23Joe improvements.
00:38:25Now, Mr. Martini doesn't answer.
00:38:55Uh, janitor, miss?
00:38:58Yes, come in.
00:39:02What's your name?
00:39:04Peterson.
00:39:06Uh, well, look, do you have a passkey to all the apartments?
00:39:10Uh, yes, ma'am.
00:39:12For ten dollars, would you let me in an apartment for five minutes,
00:39:16while you stand guard outside?
00:39:19What apartment?
00:39:21Joe Martini.
00:39:23Oh, I...
00:39:25I couldn't think of it, miss. Not for... not for twenty dollars.
00:39:29Not even if it helped solve the mystery of Mr. Harker's death?
00:39:32Mr. Harker's death?
00:39:34Why, that's solved.
00:39:36I identified Mr. Colby's body myself.
00:39:39The police said he did it.
00:39:41Maybe.
00:39:43But I don't think so.
00:39:45Come on, nobody will find it out.
00:39:47I just phoned Martini's apartment and there was no answer.
00:39:49Now, all you've got to do is stand guard out in the hall.
00:39:51And if Martini comes out of the elevator, you whistle.
00:39:54Or, better still, you could hammer on something.
00:39:57Oh, I... I... I don't like it, miss.
00:40:00I'd... I'd be sure to lose my job.
00:40:02If I get caught, I'll swear I got in with a skeleton key. Come on.
00:40:05Well, all right, if you'll... if you'll keep me out of it.
00:40:10But, uh... I... I don't like it.
00:40:14Here you are, miss.
00:40:21May you stand by this radiator and if you hear him coming, you hammer on us.
00:40:26All right, miss, but... I don't like it.
00:40:29It'll be all right.
00:40:44We'll see you.
00:40:45Alright.
00:40:46Let's go.
00:40:47Let's go.
00:40:48Let's go.
00:41:49Good afternoon, Mr. Martini.
00:42:11Hello?
00:42:12Hello?
00:42:13Hello?
00:42:14Hello?
00:42:15Hello?
00:42:16Hello?
00:42:17Hello?
00:42:18Hello?
00:42:19Hello?
00:42:20Hello?
00:42:21Hello?
00:42:22Hello?
00:42:23Hello?
00:42:24Hello?
00:42:25Hello?
00:42:26Hello?
00:42:27Hello?
00:42:28Hello?
00:42:29Hello?
00:42:30Hello?
00:43:01Hello?
00:43:02Hello?
00:43:03Hello?
00:43:04Hello?
00:43:05Hello?
00:43:06Hello?
00:43:07Hello?
00:43:08Hello?
00:43:09Hello?
00:43:10Hello?
00:43:11Hello?
00:43:12Hello?
00:43:13Hello?
00:43:14Hello?
00:43:15Hello?
00:43:16Hello?
00:43:17Hello?
00:43:18Hello?
00:43:19Hello?
00:43:20Hello?
00:43:21Hello?
00:43:22Hello?
00:43:23Hello?
00:43:24Hello?
00:43:25Hello?
00:43:26Hello?
00:43:27Hello?
00:43:28Hello?
00:43:29Hello?
00:43:30Hello?
00:43:31Hello?
00:43:32Hello?
00:43:33Hello?
00:43:34Hello?
00:43:35Hello?
00:43:37Hello?
00:43:38Hello?
00:43:39Hello?
00:43:43Blue steel revolver.
00:43:46Black... blackjack.
00:43:50Pink toothbrush?
00:43:52What in the world!
00:43:54I'm spending the night!
00:43:56Here?
00:43:57Certainly!
00:43:58I didn't like that sound over the telephone.
00:44:01Somebody was listening in.
00:44:02What is this about Denny Fagan?
00:44:03Do you remember the case?
00:44:04Certainly.
00:44:05He was sent to the chair for killing Julius Brinkman.
00:44:07Well, look at this.
00:44:10What?
00:44:11We found this in Harker's Things.
00:44:13Hmm.
00:44:18Anything else?
00:44:19Plenty.
00:44:20Guess whose mob he was in.
00:44:21Yeah, I couldn't imagine.
00:44:22About Mr. Josephus Martinis.
00:44:24Yes, Mr. Josephus Martinis.
00:44:26I just got the dope on it from the office.
00:44:28There may be something in it, and then again, no.
00:44:30Listen, if Covey killed his wife, and then Harker,
00:44:33and the case is closed,
00:44:35who's interested enough in this apartment to listen in over the phone?
00:44:38Surely Covey wasn't listening in from the morgue.
00:44:41Let's hope not.
00:44:48Help!
00:44:49Help!
00:44:50That's it!
00:44:51That's it!
00:44:52Oh, Miss Perry, where are you?
00:44:54Oh, here.
00:44:55Stop shrieking.
00:44:56It's only a fuse.
00:44:57I'll call the janitor.
00:44:58Oh, there's a man in the room!
00:45:01I just touched him!
00:45:02He's a friend of mine.
00:45:03Keep your hands off him.
00:45:04Certainly.
00:45:05Hello?
00:45:06This is Miss Perry.
00:45:07Will you send the janitor up right away?
00:45:08The lights have gone out.
00:45:20There's the ice.
00:45:21Thanks, Augusta.
00:45:22Want a lemon?
00:45:23Yes, Augusta.
00:45:24Lemon.
00:45:28You know, come to think of it,
00:45:30this fagin' kid was supposed to be mixed up in my...
00:45:34Ah!
00:45:36That got it, Miss.
00:45:41Oh, uh...
00:45:43I'll see if any of the cloves are burning down.
00:45:45All right, thanks.
00:45:47There's a lemon.
00:45:48There's a lemon.
00:45:49There's a lemon.
00:45:50There's a lemon.
00:45:51There's a lemon.
00:45:52There's a lemon.
00:45:53There's a lemon.
00:45:54Oh, lemon.
00:45:55I'll find it.
00:45:56There's some people who think I'm a swell guy.
00:45:57Oh, you're crazy.
00:45:58Yeah?
00:45:59Well, that's your idea.
00:46:00You're only showing off for my benefit.
00:46:01I can use a gun.
00:46:02Yeah.
00:46:03You'd probably shoot me and become a widow...
00:46:04before you tasted the joys of being married to me.
00:46:05Oh, good heavens.
00:46:06What a man.
00:46:07Certainly.
00:46:08Why don't you shut up and go to bed?
00:46:09Well, I can't very well go to bed with you hanging around here.
00:46:11Oh, I'm leaving.
00:46:12And if anything should happen...
00:46:13I'm leaving.
00:46:14I'm leaving.
00:46:15And if anything should happen...
00:46:16I'm leaving.
00:46:17I'm leaving.
00:46:18I'm leaving.
00:46:19I'm leaving.
00:46:20I'm leaving.
00:46:21I'm leaving.
00:46:22I'm leaving.
00:46:23I'm leaving.
00:46:24Why don't you shut up and go to bed?
00:46:26Well, I can't very well go to bed with you hanging around here.
00:46:29Oh, I'm leaving.
00:46:30And if anything should happen...
00:46:32you stay in here and keep the door locked.
00:46:34Even if I hear you yelling...
00:46:35Pat!
00:46:36Pat!
00:46:37Come save me!
00:46:38Certainly.
00:46:39Oh, go to the devil, would you?
00:46:41Don't drink all the scotch.
00:46:43That's it.
00:46:53I'm leaving.
00:46:54I'm leaving.
00:46:55I'm leaving.
00:46:56I'm leaving.
00:46:57I'm leaving.
00:46:58I'm leaving.
00:46:59I'm leaving.
00:47:00I'm leaving.
00:47:01I'm leaving.
00:47:02I'm leaving.
00:47:03I'm leaving.
00:47:04I'm leaving.
00:47:05I'm leaving.
00:47:06I'm leaving.
00:47:07I'm leaving.
00:47:08I'm leaving.
00:47:09I'm leaving.
00:47:10I'm leaving.
00:47:11I'm leaving.
00:47:12I'm leaving.
00:47:13I'm leaving.
00:47:14I'm leaving.
00:47:15I'm leaving.
00:47:16I'm leaving.
00:47:17I'm leaving.
00:47:18I'm leaving.
00:47:19I'm leaving.
00:47:20I'm leaving.
00:47:21I'm leaving.
00:48:22Come on, stick them up and keep them up.
00:48:37Now then, maybe you'll tell me what you're doing in here.
00:48:39Martini.
00:48:43Yeah.
00:48:44Old dry martini himself.
00:48:49Hey, wait a minute.
00:48:50I'll go with you.
00:48:51You stay here.
00:48:52Don't be silly.
00:48:53Don't be silly.
00:48:54Don't be silly.
00:48:55Hey, wait a minute.
00:48:56I'll go with you.
00:48:57You stay here.
00:48:58Don't be silly.
00:48:59There's a deep cut in the head.
00:49:00There's a deep cut in the head.
00:49:01There's a deep cut in the head.
00:49:02Don't be silly.
00:49:04I'm not satisfied.
00:49:05I want an autopsy.
00:49:06I want an autopsy.
00:49:07All right.
00:49:08All right.
00:49:09All right, Martini.
00:49:10All right, Martini.
00:49:11Talk.
00:49:12All right.
00:49:13All right, Martini.
00:49:14Talk.
00:49:15Now you talk.
00:49:16All right.
00:49:17All right, Martini.
00:49:18Talk.
00:49:19Now you talk.
00:49:20What was one of your men doing in my place?
00:49:21Finding enough evidence to send you up for life.
00:49:22Yeah.
00:49:23Did he have a search warrant?
00:49:24I will.
00:49:25All right.
00:49:26All right.
00:49:27All right, Martini.
00:49:28Talk.
00:49:29Now you talk.
00:49:30What was one of your men doing in my place?
00:49:32Finding enough evidence to send you up for life.
00:49:33Yeah.
00:49:34Did he have a search warrant?
00:49:35I wouldn't be a bit surprised.
00:49:36Weston was probably trying to serve it on you when you killed him.
00:49:38Yeah.
00:49:39You'll have to come stronger than that.
00:49:40I wasn't even in the apartment when he died.
00:49:41How do you know when he died?
00:49:42I heard him yell.
00:49:43They heard him yell, too.
00:49:44I was with them when it happened.
00:49:45I was with them when it happened.
00:49:46All right.
00:49:47All right.
00:49:48All right, Martini.
00:49:49All right, Martini.
00:49:50Talk.
00:49:51Now you talk.
00:49:52What was one of your men doing in my place?
00:49:53Finding enough evidence to send you up for life.
00:49:54Yeah.
00:49:55Did he have a search warrant?
00:49:56I wouldn't be a bit surprised.
00:49:57Weston was probably trying to serve it on you when you killed him.
00:49:58You'll have to come stronger than that.
00:49:59You know when he died.
00:50:00I heard him yell.
00:50:01They heard him yell, too.
00:50:03I was with them when it happened.
00:50:05So you can't pin this on me.
00:50:07Maybe not.
00:50:08But I can pin about six gang killings on you, and that ought to be enough.
00:50:12Take him down and lock him up.
00:50:14Who?
00:50:15Me?
00:50:16No, Wilfred.
00:50:17I want him locked up.
00:50:18All right, Brown.
00:50:19Take a couple of men with you.
00:50:20Yes, sir.
00:50:21Shall I iron him?
00:50:22You bet.
00:50:23And keep your eye on him every minute.
00:50:25This is going to cost you your job, Russell.
00:50:28You shouldn't threaten a police officer.
00:50:31It isn't polite.
00:50:32Get going.
00:50:38Go up to the penthouse.
00:50:40I want to have a little talk with you.
00:50:42You stay here until I come back.
00:50:49May I make a suggestion and...
00:50:51No, Wilfred.
00:50:52Make it to the doctor.
00:50:53I'm tired.
00:50:58I want to stay here another night for all the tea in China.
00:51:11You're smarter than somebody else I know.
00:51:15I want you to get out of here in the morning.
00:51:26You're not only in danger, you're just plain dumb.
00:51:37When you found this letter, why didn't you bring it?
00:51:39I was going to.
00:51:40I was going to.
00:51:41You were going to.
00:51:43But first you thought you'd be smart.
00:51:45You had to go messing around in Martini's apartment.
00:51:48He didn't see me.
00:51:49He saw you all right.
00:51:51He thought you got the paper that my man got.
00:51:53He was here tonight to get it back.
00:51:56And in being here, he saved his own life.
00:51:59What makes you think that?
00:52:01Brains and a valentine.
00:52:04I can't figure out yet how the mistake was made.
00:52:09But my man got what was intended for Martini.
00:52:16We found Beanie's apartment.
00:52:19And I was right.
00:52:21Colby didn't kill them.
00:52:23Maybe.
00:52:24Maybe.
00:52:35Mail.
00:52:54Good heavens, Augusta.
00:52:59You look like you're going to a funeral.
00:53:01I am, ma'am.
00:53:03Mr. Harker's.
00:53:04Oh.
00:53:05And they're burying Mr. and Mrs. Colby today, too.
00:53:08And if I hurry, maybe I can catch them both.
00:53:12Well, have fun.
00:53:14Why, Miss Terran.
00:53:16How you do say such dreadful things.
00:53:24I am very good.
00:53:25Have fun.
00:53:26Maybe we can take a walk.
00:53:27Maybe we can take a walk to the teachers.
00:53:28Yes.
00:53:29Table.
00:53:30What about the detention center?
00:53:32I'm going to get people to take a walk to the station, too.
00:53:33And it's not even in psychology.
00:53:34Why?
00:53:35I'm sorry.
00:53:36It's not even in the mail there.
00:53:37I don't know.
00:53:38It's not even in the mail there.
00:53:39I'm going to work with theitors.
00:53:40But it's not even in the mail there.
00:53:41I'm sorry.
00:53:42I'm sorry.
00:53:43I'm sorry.
00:53:44I'm sorry.
00:53:45I'm sorry.
00:53:46I'm sorry.
00:53:47Yeah.
00:53:48I'm sorry.
00:53:49I'm sorry.
00:53:50I've been following the 남.
00:54:21Where do you want this?
00:54:51What's the matter, miss? Did I startle you?
00:55:00Oh, I'm sorry.
00:55:03But you told me to bring up the trunks.
00:55:06Oh, I know.
00:55:08I forgot about them.
00:55:10You can put them anywhere. It doesn't matter.
00:55:11I wonder, could you come down and pick out yours?
00:55:21I got Mr. Harker's out, but I don't know yours.
00:55:27All right.
00:55:31But couldn't... couldn't we go down in the elevator?
00:55:33Yes, ma'am.
00:55:36You can't get my trunk up here any too quick to see me.
00:55:56I just got a warning that I was going to be killed.
00:56:01You, miss?
00:56:03Oh, who would want to kill you?
00:56:06I wish I knew.
00:56:07Do you live down here?
00:56:23Over there.
00:56:25Why, but it's dark.
00:56:27I'm the janitor.
00:56:28Where's the trunk room?
00:56:31Yeah.
00:56:32This way.
00:56:33Aren't there any lights in here?
00:56:53I'll go in and turn them on.
00:57:04photographing the house.
00:57:04Ah! Ah! Ah!
00:58:04Why don't you answer your bell?
00:58:22I was just about to light the incinerator.
00:58:26Well, that can wait. These gentlemen want you to go with them now.
00:58:29We want to examine some of the apartments.
00:58:33Yes, sir.
00:59:13Start in on this one.
00:59:14Yes.
00:59:14If you don't need me any longer, I'd like to get back to my work.
00:59:25All right, but leave us your party.
00:59:28Yes, sir.
00:59:38May I make a suggestion?
00:59:39No.
00:59:40But you...
00:59:41I'm busy.
00:59:41I'm busy.
00:59:41Some other time, Wilford.
00:59:43I'm busy.
00:59:43Some other time, Wilford.
00:59:45I'm busy.
00:59:50I'm busy.
00:59:51You're busy.
00:59:51I'm busy.
00:59:52I'm busy.
00:59:53I'm busy.
00:59:54I'm busy.
01:00:24What do you want?
01:00:54What do you want?
01:01:24Help!
01:01:25Help!
01:01:26Help!
01:01:28Help!
01:01:32He's killing me.
01:01:36Help, help, help, help, help, help, help, help, help, help, help, help, help, he's killing him, there, there, there, there, come on, you're all right, here, go.
01:02:06He, he tried to get away.
01:02:22Hi. Oh, doctor, how is Miss Morgan?
01:02:26Oh, she'd be all right. Just keep her quiet a couple of days.
01:02:29Dad!
01:02:30Try and keep her quiet.
01:02:36May I come in?
01:02:43Certainly. Hurry up.
01:02:45Has he confessed?
01:02:46Yep.
01:02:54One, two, three, five, six, seven, eight, nine, ten.
01:02:56Oh.
01:02:57Well, tell me about it. Did he kill them all?
01:03:00Yeah, with the exception of Corby.
01:03:02How?
01:03:03With gas. They've just held an autopsy on all the bodies.
01:03:06I know. Augusta was nearly brokenhearted because they called off all the funerals.
01:03:10Why did he kill them?
01:03:11Revenge. You were right, as usual.
01:03:13He was Danny Fagan's brother.
01:03:15Fagan was a cab driver, just a kid, and according to him, honest.
01:03:18Fagan was sharing an apartment with one of Martini's men.
01:03:21They used Fagan's cab to take Brinkman on his last ride.
01:03:23They even planted the gun on the kid.
01:03:25And he was the only one of the mob that didn't have an airtight alibi.
01:03:28Oh, gee, you look cute in that bandage.
01:03:30Please, get on with the murders.
01:03:32Well, that's all. Danny Fagan was sent to the chair.
01:03:34That's all? Isn't that enough?
01:03:37I'm just a young kid, too.
01:03:39Well, you're not going to feel sad about it, are you?
01:03:41I would if his brother hadn't tried to stuff me in a furnace.
01:03:44Where did Harker come in?
01:03:46Harker engineered the Brinkman killing.
01:03:49Brinkman was in Harker's way, so he ordered him stuffed out.
01:03:51Martini's mouth found it convenient to let Fagan take the rat.
01:03:54Do you mind if I hold your hand?
01:03:56Please, darling, hold my hand.
01:04:02But why did he kill B. Colby? She wasn't mixed up in it.
01:04:05No, but by killing Harker and her in her apartment,
01:04:08it threw suspicion on the husband.
01:04:10He even sent Colby a letter telling him to watch her.
01:04:12But when Colby found out what was going on, he didn't kill them.
01:04:15He just jumped in the river.
01:04:18Why, but you take that slightly.
01:04:20What if I'd been killed?
01:04:22Oh, baby, I'd have written you a swell obituary.
01:04:25I'll bet you would have at that in some speakeasy.
01:04:29Don't be silly, gal. You know I don't go to speakeasies.
01:04:33I got an idea.
01:04:34How about the last drink of Harker's Scotch?
01:04:36I've already ordered it.
01:04:38But you might go see if Augusta's drinking it.
01:04:40All right.
01:04:51Is this...
01:04:52Is this Miss Patricia Morgan?
01:04:55This is she.
01:04:56Ah, this is Perkins.
01:04:58Not dear, Mr. Perkins.
01:05:00Cut that.
01:05:01You want to come back?
01:05:03What do you mean, how much?
01:05:06How much more?
01:05:08We'll discuss that when I see you.
01:05:11No, you won't, because you aren't going to see her.
01:05:14What?
01:05:15Who is this?
01:05:16Miss Morgan's future husband.
01:05:18Who says so?
01:05:20I do.
01:05:21The woman's place is in the home.
01:05:23Hey, listen.
01:05:24What home?
01:05:25I have an apartment.
01:05:26I'll bet the rent isn't paid.
01:05:27Now, don't be mercenary.
01:05:28Will you listen to me?
01:05:29I'll bet you haven't the price of a marriage license.
01:05:30I want to talk to you.
01:05:31Yes, sir.
01:05:32Yes, sir.
01:05:33Yes, sir.
01:05:34Will you lend me three bucks?
01:05:35Why?
01:05:36Of course, Mr. Rand.
01:05:37I'll get it right away.
01:05:38Certainly I've got three bucks.
01:05:39Sure.
01:05:40See here, Morgan.
01:05:41Haven't you any gratitude in your system?
01:05:42Do you realize what I've done for you for the last three years?
01:05:45I've kept you on the payroll of this paper.
01:05:51I've given you more opportunity for some money.
01:05:53You know what I've done for you?
01:05:54Yes, sir.
01:05:55Will you lend me three bucks?
01:05:57Why?
01:05:58Of course, Mr. Rand.
01:05:59I'll get it right away.
01:06:00Certainly I've got three bucks.
01:06:01Sure.
01:06:02See here, Morgan.
01:06:03Haven't you any gratitude in your system?
01:06:05I've kept you on the payroll of this paper.
01:06:09I've given you more opportunities than any sub-sister in the business.
01:06:13Now, let's get together on this thing, Morgan.
01:06:16There ain't any use of us acting like this.
01:06:18You know, we've always been able to iron out these little things.
01:06:22Morgan, I say, Morgan, why don't you answer me?
01:06:35I say, Morgan!
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