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Transcript
00:00How many films are you doing?
00:02You are looking at the face of the cinema.
00:04You are looking at the hangar.
00:06I am very happy.
00:08I am a show on Thursday.
00:10I am doing a good job.
00:12I am not a good job.
00:14I am a good job.
00:16I am a good job.
00:18I am not a good job.
00:20I am a good job.
00:22I am a good job.
00:24I am a good job.
00:26You have a good job in Hindi.
00:28As you have come to the end of Hindi,
00:30what are you planning?
00:32I'm planning next week I am going to do it.
00:36I am not a good job,
00:38but I am not a good job.
00:40I am not a good job.
00:42But next week I am definitely gonna plan.
00:44This film is definitely a good job
00:46and I am a good job.
00:48I am definitely a good job.
00:50I am definitely a good job.
00:54If you want to see the video, other than Hollywood, you can provide support for yourself.
00:59You can see this every movie.
01:01If you want to see the movie, then you can see if you visit the movie in Megastark,
01:07You can see it everywhere, because the movie is a little too big,
01:11You can also see the movie.
01:13Yes, Radhim, but we're seeing it in front of you.
01:17Again, it's the show because we've seen many people in the industry,
01:20There are many people in the industry, like Chaitanya and Shreekanth.
01:25They are already tweeting and going forward, they are going to support them.
01:31Srinagar, are you talking about the last thing?
01:36Are you talking about the 3D cinema and the 3D cinema?
01:40Yes sir, sir. I don't have 4 industry, but I don't have it.
01:43I don't have 4 industry, but I don't know.
01:47I don't have it.
01:49You're talking about the 4D cinema.
01:51I'm talking about the 1st.
01:53Because, do you think you're talking about the critics?
01:59No, you're talking about the 1%, sir.
02:02It's a lot.
02:0498% of the critics also give us a big applause, sir.
02:07What you're a expert to say is that you should be interested in media and support them.
02:12You don't want to hear that, sir.
02:15I want to support you in the cinema.
02:19That's one or two percent.
02:20That's not common.
02:21Okay.
02:22Where are you from?
02:25No, sir.
02:26We are not.
02:28Okay.
02:30Thank you, sir.
02:32Thank you, sir.
02:34Sir, you're a great guy.
02:36You're a great guy.
02:38You're a great guy.
02:40You're a big guy.
02:42No, no, no. Definitely.
02:43So, if you're a great guy in the cinema,
02:45why are you doing this?
02:47Why are you doing this?
02:48Why are you doing this?
02:50Actually, I'm the first one.
02:52To be very honest.
02:54After that, when we were doing the score,
02:58especially in the second half,
03:00we were doing the teaser of it.
03:02It was extraordinary.
03:04I had no belief.
03:06So, basically,
03:07I had a lot of films about this.
03:13I had no doubt about this.
03:15I had a very hesitation.
03:17But he was doing it next level,
03:19and he said,
03:20he said,
03:21he said,
03:22he said,
03:23he said,
03:24he said,
03:25he said,
03:26he said,
03:27I'm not paying for value.
03:28Srinagar has limited screens and premieres, so you don't have a number of screens, so how do you do this day one?
03:48Sir, I've talked about numbers, but I've talked about it in the evening. It's too early.
03:56It's too early.
04:01Koshigar.
04:02Chathangar.
04:04Srinagar.
04:06Srinagar.
04:08Sir, in horror movies and hero characterizations, you have a lot of characterizations.
04:14Koshigar is a selfless character, a universal appeal character.
04:19It's a very unique character.
04:26You have a very unique character.
04:28You have a very good performance in the second half.
04:30You have a very good performance.
04:31You have a very good character, so you have a great character.
04:36Thank you, sir.
04:37I think the main main element of this film is that, sir,
04:42the hero category is very important.
04:44Usually, if you use the horror film, the hero category is a little bit less.
04:47But the hero category is very important,
04:51and the performance is a great scope.
04:53That's why you did this film.
04:55Thank you so much, sir.
04:57Thank you, sir.
05:00First of all, congratulations, Andy.
05:03I think the hero category is very important.
05:05It's a great detail.
05:07And the choice of casting is very important.
05:09I think the first thought of it is that,
05:14if you have a serious role,
05:16a person has a perfect role,
05:17but you can convert and do acting.
05:20So, that's the choice.
05:23Sandy Master is definitely my choice, Andy.
05:27So, in the scene there's chocolate coffee,
05:31it's very interesting.
05:34And because he's a choreographer also,
05:37I felt that the character would be perfect.
05:39So, I started a collaboration with my office.
05:43I wanted to perform a scene,
05:45and I wanted to perform a lot of the performance.
05:47I wanted to perform a lot of the performance.
05:49And I wanted to perform a lot of the performance.
05:51That's what I wanted to do.
05:52But, in the first time,
05:54when I did a makeup test,
05:56almost took six hours plastic makeup,
05:58triac and so on.
06:01And he was so patient.
06:02How did I get more patients?
06:04I didn't know how big of them,
06:05all of them were.
06:06How long was that?
06:07I could get more patients,
06:08six or seven hours,
06:09makeup trials,
06:10all of them were there.
06:11And he was terrific.
06:12And to review all these situations,
06:14automatically I got into this movie.
06:16Super choice, Andy.
06:18Casting is a good choice.
06:20I think it's a great visual wonder.
06:22Congratulations.
06:24Thank you so much.
06:26Sir, very, very big congratulations.
06:32Thank you so much.
06:34Thank you, Andy. Thank you so much.
06:36Thank you so much.
06:38Thank you so much.
06:40What'll you do when you think about it?
06:42You don't know about scoring.
06:44What's more challenging for you?
06:46What'll you do?
06:48A musician artist has multiple personalities.
06:54So, in general,
06:56I think the color we really do is,
06:58you can select the instrumentation,
07:02the genre of pictures.
07:04In a musical.
07:06In a musical.
07:08I would like to learn a kind of approach.
07:11Minimalistic silence is a good approach.
07:14Minimalistic epic approach is a good approach.
07:17The main thing is the believing factor.
07:21Sahugaru, Archanagaru,
07:24Believing process is very supportive.
07:28Everyone has a comfort zone.
07:33It is highly impossible.
07:36Sahugaru is a good approach.
07:40It is a good approach.
07:44Congratulations, sir.
07:47Sahugaru, congratulations.
07:50Sir,
07:51I have a lot of problems.
07:54I will tell you, sir.
07:56I will tell you, sir.
07:58I will tell you.
07:59I will tell you, sir.
08:01I will tell you, sir.
08:04What is the journey in this journey?
08:08I will tell you, sir.
08:10I am positive.
08:12I will tell you, sir.
08:14I am very happy.
08:16How much of my response is,
08:18and the people phone join me.
08:20The film is very popular.
08:21I would tell you,
08:22many producers phone would say,
08:24in this film no longer do.
08:26So I am adding this in the market,
08:28I am speaking very happy.
08:30I am very happy.
08:32It is not a good film for me.
08:34And like 20th,
08:35the first time producers phone beat me.
08:36The movie is a struggle ever, artist, director, producer is the same thing.
08:41But at the end of the day, we can get a happy result.
08:44Okay, okay.
08:45Okay, let's get a good idea.
08:49In the visual, in a lot of films, in a lot of sex events, in a lot of films,
08:55it's not an interval block.
08:58It's not an interval block, it's not a lot of curiosity.
09:02It's not an interval block, it's not an interval block, it's not an interval block.
09:07But at the end of the day, it's not an interval block, it's not an interval block.
09:12In this film, in the second half, it's not an interval block.
09:18No, sir.
09:20Actually, you talked about it.
09:22Second half unfolds.
09:24Definitely, second half unfolds.
09:27So, this is a moment where the unfolds are not that certain characters are not that characters,
09:32and that's what I'm saying.
09:34Basically, this is a style of narration.
09:37I don't think we've done it all in a lot of films.
09:40No, it's not.
09:42I don't know about the film, but I don't know about the film.
09:44What do I know?
09:45I don't know about it.
09:46Correct.
09:47I don't know about it.
09:48For me, if I was a hero to unfold, I would enjoy it.
09:57If I was a hero, I would enjoy it.
10:01If I was a hero, I would enjoy it.
10:04If I was a hero, I would enjoy it.
10:06Why are you so excited?
10:08I don't think I'm excited about it.
10:10I don't think I'm excited about it.
10:13Maybe, sir.
10:14Basically, I chose the style of narration.
10:18What I felt is, in the second half, there was a twist in the horror element.
10:29So, it was high.
10:31First of all, I introduced a character.
10:34I assumed a narrative.
10:36I assumed that narrative.
10:39Then again, it was a twist.
10:41So, that is one of the major reasons why I chose the format.
10:48That is one of the major reasons, sir.
10:52One of the major reasons, sir.
10:54Now, the major factor in the cinema is,
10:57If you have a character with respect.
10:59Right.
11:00Once you wrote a character with respect.
11:04Right.
11:05You will be on the other hand,
11:07and with respect.
11:08Then, you will be on the side who ends.
11:10I think you'll enjoy the story,
11:11and you will be on the side.
11:14I'm like, I'm so sorry.
11:18I'm so sorry.
11:20I'm so sorry.
11:24That's what I hear.
11:26You don't think you'll understand.
11:28I'm not sure.
11:30I'm sure you'll understand it.
11:35That's all you're not.
11:37But, I think,
11:38What is the problem with the narrative?
11:43Why do you have a character?
11:45It's a story that started in 1989.
11:47I didn't know that I had a time travel season.
11:50It's hard to tell anyone who has a character.
11:52If anyone has a character,
11:54you have a superpowers.
11:57One of the major reasons why I chose that narrative.
12:01You have a question 100% correct.
12:03If anyone has a character,
12:05you can't tell anyone who has a character.
12:08That's it.
12:09Let's choose the format.
12:10Yes.
12:11Yes.
12:12Yes, sir.
12:13I don't have any knowledge, sir.
12:16I don't have any knowledge, sir.
12:18I don't have any knowledge, sir.
12:20I don't have any knowledge, sir.
12:22I think we have a different genre, sir.
12:24The genre is a horror mystery.
12:26Second half, we stick to the genre, sir.
12:28We stick to the genre, sir.
12:30We stick to the genre.
12:32We have stuck to the genre.
12:33So, the mystery is unfolding.
12:36For example, in Malayalam is an officer and duty, sir.
12:39I saw a officer and duty.
12:41She won't start a goal.
12:43She won't start a goal.
12:44She won't start a goal, but grace,
12:45she won't start a goal.
12:47She won't start it.
12:48So, somewhere, I have a conversation,
12:49I don't know the starting cause I shall unfold a goal.
12:52So you have a fresh feeling.
12:54But to me, I think this is the climax spot.
13:00You get up at me, you get up at me.
13:03I'm a man.
13:04I am a man.
13:06Sir, thank you.
13:07Thanks, sir.
13:08Thank you, sir.
13:09But you are trying to understand, sir.
13:11If you have a new dictionary, sir, I'll say.
13:12No, sir.
13:13Because you know the language, sir.
13:14Thank you, sir.
13:15Thank you, sir.
13:16I am very impressed.
13:17Thank you, sir.
13:19Congrats.
13:24Yes sir.
13:29Sir, about competition company is far out of center gear and伊�ah именно our company.
13:30Sir, you know your starting to try to emulate Kevinρώ.
13:31You can leave the company.
13:32I'm just going to say Bob as an deputy maybe Said transplant to do something.
13:37You know how much leader you are?
13:38What's your defeat?
13:39No one says we need to keep it.
13:41I know the position where we are doing research is good.
13:44When we have tomorrow, you'll tell us where we go again.
13:45And if you don't take enough time,你知道 what?
13:49You said why?
13:50No, sir I think it's all about 24ило.
13:51But Nadal is beginning is coming together.
13:53This is speed Paris jicon ID.
13:54No sir, you don't have a remunerations.
13:57You can put a cinema on the screen, sir.
13:59You can pay attention to the screen.
14:01You can pay attention to the screen.
14:05You can pay attention to the screen.
14:07No, I don't.
14:08Most people are not able to do acting.
14:10I don't know how many remunerations are.
14:13What is the remunerations?
14:15Now, sir, what is COP?
14:17COP is cost of production, sir.
14:20What is cost of production?
14:22In general, there are a lot of rare elements of the hero.
14:31So, there are scenes in the climax of the hero and hero.
14:36How do you feel about the director?
14:41That's what I'm talking about.
14:43In the genre of horror movies,
14:48actually, the scope of the actor is less than the actor.
14:51You can see a lot of the characters in the character.
14:55The character has a great performance of the hero.
15:00It's a great pivotal character.
15:02It's a great character.
15:04It's a great character.
15:05So, I'm excited.
15:06I'll give you some freshness.
15:07At the same time, I'll give you a thriller of horror.
15:10It's just not a horror film.
15:12I'll give you a thriller also.
15:15Thank you, sir.
15:16Koshigar.
15:17Sir.
15:18Hello.
15:19Sir, congratulations.
15:20Thank you, auntie.
15:21I'm a guy.
15:22I'll give you a thriller of horror movie.
15:24I'll give you a thriller of horror movie.
15:28When I was looking for a movie, I would have seen it differently from the Aminigar.
15:32So, I would have seen it differently from the day.
15:36So, what is it?
15:36So, what is it?
15:37What is it?
15:38What is it that heroines and glamour heroines?
15:41What is it that plan?
15:43I don't like the mother character.
15:46I don't like it.
15:47Who is the mother character.
15:49So, I don't like the strong mother characters.
15:53I don't like it.
15:54So, this is the flow.
15:56But, if you want to be better, you can choose a lot of options and you can choose a lot of options.
16:03So, if you want to see a senior heroine in the cinema, you can't plan anything.
16:11Sir, I wanted to address a little bit.
16:13This is why you are a fan of heroine or hero.
16:17Actually, I don't know what you noticed, but generally, it's easy for a person to be a person.
16:25It's easy for a person to be a person to be a person to be a person to be a person to be a person.
16:31That means, our body is very strong.
16:35Our body is very strong.
16:37Unconquerable.
16:39So, until and unless we are weak, emotionally, mentally, spiritually, it can get into us.
16:48So, in that case, in the cinema, you don't want to be able to be a person to be a person to be a person to be a person to be a person.
16:57There is a reason and there is a meaning for it.
17:01So, that means of 100% meaning to be a person to be a person to be a person to be a person to be a person.
17:12So, because, the smallest of the people, the people with the small insects are being a person.
17:16So, that means a person to be weak because it's a person to be a person.
17:18Then slowly, how it got into human.
17:23I am very proud of you.
17:25Sir, what is our day?
17:27You are very proud of me.
17:29I am proud of you.
17:31I am proud of you.
17:33You are proud of me, sir.
17:35You are proud of me.
17:37I am proud of you, sir.
17:39I am proud of you, sir.
17:41I am proud of you.
17:43I am proud of you.
17:45So, yeah, I believe.
17:47I believe it.
17:49Sir, Saahu, how are you making success?
17:51Yes, sir. On the way.
17:53This cinema definitely has a lot of great, sir.
17:58For those three shows, the premiere show has been full out.
18:02Pure love for cinema.
18:04We have a lot of cinema in the world.
18:07So, definitely, I would like to promote this film.
18:13I would like to promote it in general.
18:16Thank you, sir.
18:17Chivari Press, right?
18:20Yes, sir.
18:23We are shooting.
18:25We are shooting.
18:27Let's go to the laptop.
18:29Oh, sorry. My cinema is in the theatre.
18:32The theatre is in the cinema.
18:34Chivari Press, straight.
18:36Here.
18:37Hello, Andy.
18:38First of all, congratulations.
18:39Thank you so much.
18:40Thank you so much.
18:42After the story revealed,
18:44the first thing you did was wrong.
18:47So, there are three last questions.
18:49How did you see the sequel?
18:50How did you see the sequel?
18:52And the screenplay is done.
18:54You can see the movie.
18:56Because you can see the movie.
18:58You can see the movie.
18:59So, next.
19:01This is the first one.
19:02It is the first one.
19:03It is a predictable thing.
19:04It is a predictable thing.
19:05If we have a sequence,
19:07one of the ten minutes,
19:08we expect that we will be doing this next one.
19:11It is a good thing.
19:12No one will do that.
19:13It is a good thing.
19:14And it is organic.
19:16And it's organic. I don't know why I'm here.
19:20Today, I'm doing my reviews today.
19:22There's a lot of bad ratings on the YouTube channels on the cinema.
19:28I'm very happy to see the twist in the perfect place.
19:34Because it's not the first time.
19:36It should fall in place as a twist.
19:41So, in the second half, I was actually in the theatre visit,
19:45and I was also in the second half,
19:48and I was like, oh, nice, it's connected.
19:50Because in the cinema, it's connected to work out, right?
19:53So, we are very happy for the response to that.
19:57And, the kid is a child character.
20:01He is a real, like, I think he is a real.
20:04Because he nailed it very well, he is a very good guy.
20:08But he is a little character.
20:11He is a fantastic actor.
20:18He is a fantastic actor.
20:20He is a fantastic actor.
20:22Sir, what is your response to Sureshgar?
20:27Of course, sir. I am very happy.
20:30It does not matter if I have a new character in my life and I got a new actor in my life.
20:37It's a great actor, Mara, and I am proud of this.
20:39This is a good actor.
20:41You are a great actor, many more movies and different.
20:45We have a great actor in the new After Effects.
20:51We want a new actor, definitely.
20:55Sir, if I am a celebrity, I will say he is a great actor.
20:58If you want to support NTR fans, you can support NTR fans full of support, sir.
21:05Thank you, sir.
21:07If you want to support NTR fans, you can support the audience.
21:14I am not in social media, sir.
21:16First time, I downloaded it on Twitter.
21:21Then I managed my team and installed it on Instagram.
21:25So, 10 days back, I started on Twitter.
21:27When I was looking at suicide, in the past, there were some issues.
21:33I was wondering how much I was looking at.
21:36But I didn't know anyone who was genuinely interested.
21:38I was wondering if anyone could help.
21:42I was wondering if anyone could help.
21:44I was wondering if anyone could help.
21:46I was wondering if anyone could help.
21:48But I was wondering if anyone could help.
21:50But if someone has a problem, I would not be able to help.
21:54I was wondering if anyone could help.
21:57I would not be able to help.
22:00How many of you were doing?
22:03How many of you were doing this?
22:04I was wondering, sir.
22:05I was very close.
22:06I was close.
22:07I was close.
22:08I was close.
22:09I was close to 10 years,
22:10I was close to a solid car walls range.
22:12I was close to the office.
22:14I was close to the office.
22:16I was close friends.
22:18I was close to the office.
22:19I was close to the office.
22:21I was close to the office.
22:22But I was very happy, sir.
22:23I was very happy, sir.
22:24Now, I found a lot of my last film.
22:28You've seen a lot of action.
22:31I love you sir.
22:32But, if you like this movie, it's a lot of emotion.
22:35And you are able to reach it.
22:38Yes sir.
22:39I am very happy, sir.
22:40As a performer, we can see a lot of film.
22:43I would like to do a lot of film.
22:45So, if you like this movie, I would like to do a lot of film.
22:49I would like to do a lot of film.
22:51And next, Tyson will take a proper commercial box office in Shakya.
22:58All right, sir.
22:59Thank you, sir.
23:01This is the best part of this work.
23:04So, we have a great family of Kishkindapur and a great family of Kishkindapur.
23:08So, we have a great success in Kishkindapur.
23:10And we have a great team for this cinema and Khrutik Nathalu.
23:14And congratulations.
23:15Thank you so much for today's event by UV Media and this is Geetha Bhagasan.
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