- 4 months ago
Pakistani drama
Category
😹
FunTranscript
00:00Celebrate the magic of Bola Next presents Kashmir 10th Hum Awards powered by Leather Galleria Luxury Leather Furniture at NRG Arena, Houston, Texas.
00:17Featuring Ali Zafar, Yasir Hussain, Ramshah Khan, Hamza Suhail,
00:30Dhananir Mubin, Shujah Asad, Harim Farooq, Ahmed Ali Akbar, Mewish Hayat, Aasim Azhar, Humayun Saeed and more.
00:58Saturday, 11th October, 2025 at the NRG Arena, Houston, Texas.
01:07Book your tickets now.
01:08Log on to www.hum.tv or www.ticketmaster.com.
01:16For sponsorships, contact Mr. Naveed Aadam, Hum Network Limited.
01:20I'm a kid.
01:21I was thinking about it.
01:23It's going to happen.
01:26Shali Bhaiya.
01:28Shali Bhaiya.
01:29Shali Bhaiya.
01:30Blah, let me get the gift I should eat.
01:32Yeah?
01:33Yeah?
01:33What's the thing about my husband?
01:34We was scared of our brother.
01:37We were married.
01:38We were married.
01:39We'll actually go to the wedding yet.
01:41If it was so easy to marry with your sister with me,
01:43Mrs. Khan and Habibas have been married to their birthday.
01:47So today, we're making it up today.
01:50I will tell you that I was so frustrated, but you did it!
02:13We are old artists.
02:16I have to leave the work for you.
02:19Even in our country, there is no power of art.
02:22And these people who are young,
02:26I can handle them like this.
02:29You were sleeping in the morning.
02:33You are young, my daughter.
02:36It's just my age of 19-20s.
02:40You have to pay attention to that girl.
02:43This girl like a girl?
02:44They are harassing these people in the same way.
02:49If we had married to our Bushra,
02:52then we would have to be married to my sister.
02:57I would like to pray that the Bushra drama will hit.
03:03And we would never leave our soul as a man.
03:08Amen.
03:14It's a surprise!
03:17Do you know who threw marbles in there?
03:24I don't need to look at it.
03:27Marbles were mine, but two days ago, she was a girl.
03:31And as you saw the look of a girl's face,
03:35we also knew who came to our camera.
03:41Okay, listen to this. You can tell yourself.
03:42When there was no work in the ground,
03:44there was a lot of dirt on the ground.
03:47I saw the look of a girl's face in my mind.
03:52I saw the look of a girl's face.
03:54Yes.
04:01I saw the detective movies.
04:04When there is a crime,
04:07there is a crime.
04:11It's a crime.
04:12It's a crime.
04:14It's a crime.
04:15It's a crime.
04:15It's a crime.
04:16It's a crime.
04:17It's a crime.
04:17It's a crime.
04:18It's a crime.
04:19It's a crime.
04:20It's a crime.
04:20It's a crime.
04:21It's a crime.
04:22It's a crime.
04:23It's a crime.
04:25It's a crime.
04:25It's a crime.
04:26It's a crime.
04:26It's a crime.
04:27It's a crime.
04:27It's a crime.
04:28It's a crime.
04:28It's a crime.
04:29It's a crime.
04:30It's a crime.
04:31It's a crime.
04:31It's a crime.
04:32It's a crime.
04:32It's a crime.
04:33It's a crime.
04:33It's a crime.
04:34It's a crime.
04:36It's a crime.
04:37If there's a crime.
04:38It's a crime.
04:39It happens through the bridge country.
04:40I've never seen it since then.
04:41But there are no chance.
04:43You have no chance to lose them.
04:47It's good that you've got to get Farid from the side of the side of the side of the side of the side of the side of the side of the side of the side.
05:17I'd take it away, but what's the mood for this?
05:21Do you have to take it?
05:23I've got to take it for the small ones too.
05:26Why? The ones who call us when they are walking out out of the side of the side of the side is walking outside and in the middle of the side is taking deliveries?
05:32That's awesome. You've ever thought so crazy. When are children like this?
05:37The girls are talking like a girl.
05:41Where am I supposed to take the car?
05:43We will take it from him.
05:45We have to take it from our little machine.
05:47Do we have to do something?
05:49No, it was the case.
05:51If you can't reach for a long time,
05:53then what happened?
05:54What happened?
05:56But Sherry, how did we take the bomb?
05:58You take the bomb.
06:00No.
06:02It was the case.
06:04You just take the bomb here.
06:06What will happen?
06:08But if we haven't done anything,
06:10then we will give them to us and we will kill them.
06:13We will leave.
06:15No, leave.
06:18Second entry.
06:20Yes, I know I was a little overconfident,
06:23but now I will do better.
06:30Okay.
06:40One minute, please.
06:42Habib, go inside.
06:43Wait.
06:44You're behind me.
06:45Oh.
06:46You're behind me.
06:47A-oh.
06:48I'm behind you.
06:49You're behind me.
06:50A-oh.
06:51I'm behind you.
06:52You're behind me.
06:53I am behind you.
06:54I'm behind you.
06:55I'm behind you.
06:56And I'm behind you.
06:57I'm behind you.
06:58I'm behind you.
06:59I'm behind you.
07:00What?
07:01Oh.
07:02Safiya, if I'm behind you,
07:03I've got a kick off my wicket,
07:05then I'll understand you.
07:06It's the team of tennis.
07:07If we are out of the state,
07:08The system is out of the way.
07:10What I'm saying, he'll do it.
07:12What are you talking about?
07:13It's a booby trap.
07:14What are you talking about?
07:16You don't have to move this door.
07:19You don't have to go.
07:20You don't have to go.
07:22Why are you saying this?
07:24Tobias, why are you crying?
07:26I told you to go inside.
07:28Let's go.
07:29Let's go.
07:30Let's go.
07:31Oh, my God.
07:32Oh, my God.
07:34Oh, God.
07:36Oh, my God.
07:38Oh, my God.
07:50Yes, my God.
07:52Come, come.
08:03Brother.
08:04Oh, my God.
08:06Oh.
08:11Come on.
08:13I'm happy to have you in the Hushman Tvila.
08:16You've been doing the Hushman Tvila.
08:18Come on.
08:20Come on.
08:21Now you have to have the hidden teeth in it.
08:22You've been doing wonderful, Who?
08:33You are behold Voguz.
08:35You have to have to have the hidden needs.
08:38Now, you've got the key iD card.
08:40You'll see.
08:41Here,
08:42Oh, that's…
08:45यह नासरा भरुश्मत है.
08:48अड़ेख…
08:49बएटांख भरुश्मत नाछे वालों की बेटी…
08:54रह्याग?
08:56आपकी दुकान से तो मैंने अपनी बहन के लिए बैटरूम का सेट लिया था.
09:01तो मैं भी तो आप लोगों से यह हुआ हूं,
09:03that we are so proud of the people.
09:05You are doing our job.
09:09But why did you wear these blankets?
09:13We were making TikTok.
09:15Yes, TikTok.
09:17We were wearing these blankets.
09:22Well, especially the people of the people
09:24will be ashamed of this problem.
09:28Tiktok is very bad.
09:31I'm sorry madam.
09:33In fact, this waiter is now new.
09:35You can understand these people.
09:37You were not new.
09:39You had the time to do it.
09:41Let's do it.
09:43Let's do it.
09:45Let's do it.
09:47Let's do it.
09:49Okay.
09:51Let's do it.
10:03Let's do it.
10:04Let's do it.
10:05Let's do it.
10:06Let's do it.
10:07Let's do it.
10:09Let's do it.
10:10Let's do it.
10:11Let's do it.
10:12Let's do it.
10:13Let's do it.
10:14Let's do it.
10:15Oh...
10:16Oh...
10:17Oh...
10:18Okay.
10:19Oh...
10:20There is a very sad person in this house.
10:24Where is the tree?
10:25My love is my love.
10:27But what happened?
10:28Where is the pain in the chest?
10:30Do you call the doctor?
10:32No, the doctor doesn't need it.
10:34There is knowledge and love.
10:36There is no doubt about it.
10:39And now...
10:40Stay with me, Bindiya.
10:41It's my fault. You can find it.
10:44But my brother...
10:46He died.
10:50He died.
10:51Come on, come on, come on.
10:53They are acting all very smart.
10:56Say something, say something.
11:01Do you hear my story?
11:02We can hear it.
11:04Don't worry about it.
11:06Where is the pain?
11:09Don't put my sister hand in hand.
11:14Hand?
11:15Don't put my sister hand in hand.
11:26Mereb.
11:27Mereb,
11:28Mereb, those people are coming to the house.
11:29They were eating at a restaurant.
11:31So you are just sitting here.
11:34Why are you doing this?
11:36If I or Bindiya,
11:39I just want to marry my sister,
11:41then what do you do?
11:43What do you do?
11:44Do you know?
11:45I know.
11:46I know.
11:47They don't give up at home.
11:53But he is a man.
11:54He is a man.
11:55He is a man.
11:56He is a man.
11:57I agree.
11:58Is this any logic?
12:00I mean people just like that.
12:02They do.
12:03They do.
12:04They do.
12:05They do.
12:06I mean if they do.
12:07They do.
12:08They do.
12:09No.
12:10I don't need that.
12:11We also don't need this.
12:12We also need this.
12:14We also need this.
12:15We are saying that our man should not do this.
12:19We are the ones who are the ones who are the ones who are doing this.
12:24But, we have this marriage for you.
12:27Wow, wow, wow.
12:29Our sinner has a new bathroom at home.
12:35I got the house to the house.
12:36Then I got the house to my husband and I got the house to my husband.
12:41I learned something from this house.
12:42I was thinking about this house.
12:43I have to understand what the house was.
12:48I can't understand what the house was.
12:53It's a very high connection.
12:58I've never heard of this house.
13:01I'm thinking about this house.
13:04This is a drama.
13:08It's a drama, right?
13:09That's okay.
13:10Let's do it.
13:12We don't have a little drama.
13:16If you don't put your hands, you don't know how to do it.
13:18You're a disease, right?
13:20I'm just saying it.
13:23It's going to be very serious.
13:26What's this?
13:28If you put your hands, you don't know what happened.
13:30You're telling me that you don't have to do it.
13:34You don't have to name your mother.
13:36Why?
13:37Please, shut up.
13:39Why?
13:40Because she was our mother-in-law.
13:43That's a good story.
13:45If you put your hands, you'll know what happened.
13:48Tell me.
13:50Where did you get hurt?
13:52Did you eat at the morning?
13:54You're a doctor.
13:58Everyone knows all this stuff, right?
14:00Just tell us.
14:02Go.
14:03Go.
14:04Go.
14:10I didn't have to go.
14:11I didn't have to go.
14:12Go.
14:13Go.
14:14Go.
14:15Go.
14:16Go.
14:17Go.
14:18Go.
14:19Go.
14:20See you up again next day.
14:22Leave me at the hospital here.
14:23We have backup.
14:25You told her appendix again.
14:26See.
14:27This is your sister.
14:28Is she adequately operated?
14:30Should she apply thisgeon?
14:31Another.
14:32Take the hospital quickly.
14:33We'll get together.
14:34Take it away, go, girl.
14:35Maybe you will stay here.
14:37Someone's watching her.
14:39She's pretty curious.
14:40Put the jewels on the chest.
14:42Take it.
14:44I had no idea why the victim came from the house and I had been left behind all of the
14:50doors.
14:51I had no idea.
14:52I had no idea if I got a car.
14:52I had no idea how many cars were sitting at the house.
14:55I had no idea when I got a car that was sitting in my house.
15:00There was a scene where I could break my bar on my house, which is a decent episode.
15:06I was just so busy because I was united.
15:07I was just into a car.
15:09And if I was like one of my family, you should proceed throughout the car, you should
15:12be around myself.
15:13Don't fight like this, the car will get hurt.
15:17Where the car was hit, it was hit.
15:19Bushra had to do an accident, it was done.
15:21They don't take their names, it's silly.
15:24We all take their names.
15:26Nassara's heart wants to say Nassi.
15:28I'm saying it's silly.
15:30Why don't you tell me, brother?
15:32Why don't you tell the children to come here?
15:34Let's drive the car.
15:35Look at your face.
15:36I don't know how many people are.
15:38I'm going to go.
15:39This is just the hospital.
15:41Two minutes.
15:43I'm going to go to the hospital.
15:45What are we going to do?
15:53Look, this is also good.
15:55You've also gone here.
15:57Now we've got three.
15:59How are we?
16:03This is a very long story.
16:05It was a long story.
16:07It was a long story.
16:09It was a long story.
16:11It was a long story.
16:12It was a long story.
16:13It was a long story.
16:14You've been gone, Mr. Vah.
16:15And with this,
16:17I'm going to go.
16:18And I have to do that.
16:19Of I'm sorry.
16:20I'm sorry.
16:21I was going to go out.
16:22I'm sorry.
16:23Yes.
16:31After that, the marriage of this house and the girls' treatment of this house
16:36has been forced to divorce the marriage of Irfan.
16:40Okay.
16:43Then it happened like that.
16:47They came together.
16:48And these boys had so much action in the front of their friends
16:55that they would run away from their friends.
16:58But they didn't.
17:00They would have to run away.
17:02They would have to reach their family.
17:05Then they would have to tell their family,
17:10that they would have lost their family.
17:13How was it?
17:15It's a good way to go.
17:20It's hard to go.
17:22It's hard to go.
17:24It's hard to go.
17:28So how are we going?
17:30Tell us.
17:32Let's do it.
17:34We left all together and left the college.
17:39We were sitting at home.
17:41There was no way to meet someone.
17:44If someone came,
17:45then they would be so happy that they would not come again.
17:53It wasn't just that.
17:58After that,
17:59we started to do it.
18:01The chef was gone.
18:03He was gone.
18:04He was gone.
18:05He was gone.
18:06He was gone.
18:08He was gone.
18:09He was gone.
18:10He was gone.
18:11He was gone.
18:12He was gone.
18:13He was gone.
18:14Yes.
18:15I know.
18:16You're going to tell me that the house is so bad and bad.
18:20Yes.
18:21That's why.
18:23I've been doing this for the work.
18:26I've been doing this for the wedding.
18:29We'll get two people.
18:31But they've also got the girls.
18:34They've also got the girls.
18:36They're doing it.
18:37Yes.
18:38You're doing it.
18:39No.
18:40You're going to go and see.
18:42After they're going to go.
18:44They're going to go.
18:48What?
18:50So now...
18:54We've been three.
18:59メ.
19:00Up...
19:01generator.
19:06Sofiel.
19:20We've also lost a couple of podcasts.
19:24Okay?
19:25Let's go, bruh, we've come.
19:31Let's go.
19:33Are you okay?
19:35I don't have anything.
19:55Why did you ask for her?
19:57What did you ask for your husband?
19:59What?
20:01That was our new dress.
20:03I think that our husband,
20:05who had found us,
20:07we've found her.
20:09He was able to find her.
20:11What did you ask for that?
20:13What did we ask for that?
20:15That's it?
20:17That's it?
20:19Our new bride,
20:21who got a friend of mine.
20:23either we had to find ourselves, or we had to find ourselves.
20:25They asked you to stay away from your love.
20:28Okay.
20:29This is our kitchen garden.
20:32I'll show you in the rest of the house.
20:34One minute.
20:35Before seeing the rest of the house,
20:37what can I do with your grandmother?
20:40I'll go to her house.
20:43Because...
20:44Because the girls broke their tongue.
20:46The tongue gave you the same way.
20:48But it was our grandmother's fault.
20:50Why?
20:51Our little grandmother, Mirab,
20:54she didn't understand the tongue of the tongue.
20:58The tongue gave her the tongue in the main door.
21:01Our grandmother didn't fall asleep at home.
21:04One minute.
21:06Why did your grandmother fall asleep at home?
21:10She asked her to ask her.
21:21What was it?
21:24What was it?
21:25What was it?
21:26It was an appendix.
21:28It was a joke.
21:31It was a joke.
21:33But why?
21:36Why?
21:38Because we were going to go to the picnic with you today.
21:44Okay.
21:45And with me, a picnic and a joke?
21:47No joke.
21:48No joke.
21:49No joke.
21:50No joke.
21:51No joke.
21:52No joke.
21:53You know how much of a joke.
21:54No joke.
21:55No joke.
21:56No joke.
21:57No joke.
21:58No joke.
21:59It's not but a joke.
22:01You've seen the joke out.
22:03If you've seen the joke out,
22:05all of your children 오 no confused.
22:07Your childhood doesn't confuse you.
22:09This is a wrong thing. What are you thinking about? She's alone at home.
22:14She's not thinking about anything. And she's not alone at home.
22:18Naspi and Fareed will be able to give her company.
22:25So, brother, it's final. We're going to take a picnic, right?
22:28Please. Please. Please. Please. Please. Please.
22:31We're not going anywhere. We're going to go home.
22:39Okay. I'll give ice cream. Let's go.
22:51Lunch?
22:52No. Lunch?
22:54Lunch?
22:55No.
22:56No.
22:58Okay. I'll give lunch. Please. Don't do a restaurant.
23:02And we'll do everything quickly.
23:04Whatever we'll do, we'll go home. We'll never do anything in the restaurant.
23:08Meerab?
23:09I mean, I don't do anything. We'll do anything.
23:12It's fun.
23:13It's fun.
23:15We're going to go home.
23:16Just shut up.
23:17Just shut up.
23:18Who is this?
23:27Put it down?
23:29The tongue is broken.
23:32I've also put it down.
23:34You're saying that.
23:35You're going to die.
23:36You're going to die.
23:37What are you saying?
23:38All of this?
23:39Come on.
23:40What is this?
23:41I remember when I was telling you.
23:44I was married to my daughter.
23:45I was married to my daughter.
23:46Yes.
23:47I was going to die.
23:48I've been married to my daughter.
23:49How did I die?
23:50How did she die?
23:51That was wrong?
23:52You had the problem of aどう?
23:53How did I get my daughter?
23:54Because I obey my daughter.
23:55How did she leave?
23:57The beauty of her and the good result was so Imran.
23:58This spoke to her.
24:01True.
24:02I don't know.
24:04This shame.
24:05This didn't make a perfect villain.
24:07My son of visa is Sonata Haup.
24:07How did she leave at Exeter?
24:09It's not three yet, it's a shame.
24:11But what do I believe in this situation?
24:15No one can't go.
24:17This is true, but what are we going to do now?
24:21If you come here, we're going to be three.
24:24Who is saying that we're going to be three?
24:26How are three going to be three?
24:28We're five girls.
24:31Yes.
24:32We're three.
24:33We're going to be one more than six girls.
24:37We were two.
24:38We're going to be one more than six girls.
24:40What's the number of girls?
24:42What's the number of girls?
24:43What's the number of girls?
24:44What's the number of girls?
24:45Oh, Baba.
24:46We were two.
24:48And they were two big.
24:50And they were one small.
24:52So it was less.
24:53Now it's less.
24:56This is not a bad place.
24:58Now you're crazy too.
25:00You're saying the location of your sister.
25:04Oh, sister.
25:07Aslan had another one.
25:10She was missing one.
25:12Now you should find a way to run.
25:13And if you get the girl,
25:14you take me too.
25:15Otherwise,
25:16I'll run around yourself.
25:18Oh, my God, I'm going to go and tell you what I need to do with you.
25:39Okay, I'll come here.
25:40I'm going to work as human beings.
25:43Yes, thank you very much.
25:45Why didn't you go to the office today?
25:47Oh, Mirab's message came out.
25:49They came out with Abushar Dhappiya.
25:52Oh, okay.
25:54Okay, I'll take care of you.
25:57Okay.
25:58Lafiz.
26:15I'm going to go.
26:17I'm going to go.
26:20I'm going to go.
26:22I don't know.
26:52Do you want to go here?
26:55Oh, oh, sorry.
27:01I was looking for you,
27:04how you were going to go.
27:06Like in a museum.
27:09Well,
27:11this house will be so big, right?
27:17Yes.
27:22How did you get angry, brother?
27:25I didn't get angry.
27:27That's...
27:29That's...
27:31Come on, come on.
27:33There's no good dialogue.
27:35It's obvious.
27:37You won't do it in front of me.
27:39But you can trust me.
27:42I won't tell you.
27:44Ha, ha, ha.
27:47They didn't get angry.
27:49It was love for me.
27:55What?
27:57Where?
27:59Where?
28:00What did you tell me?
28:02That's true.
28:04That's how it happened.
28:06They say,
28:07the way of a woman's heart is
28:09going through his mind.
28:11It was like our own past.
28:17You, brother,
28:18went into the mind of the mind?
28:20I don't know.
28:21I don't know
28:22that I went into the mind of the mind
28:24or the heart.
28:26But...
28:27Yes.
28:28It was like that.
28:29And they loved me.
28:31In the first sight.
28:32In the first sight.
28:38Are you okay?
28:39Yes.
28:44Where are you?
28:48You're too low.
28:49You're too low.
28:50You're too low.
28:51You're too low.
28:52You're too low.
28:53You're too low.
28:54You're too low.
28:55You're too low.
28:56How do you say it?
28:57I thought...
28:58I was too low.
28:59I was too low.
29:00I was too low.
29:01I was too low.
29:02You're too low.
29:03You're too low.
29:04Yes.
29:05Let's go.
29:06Okay.
29:07I'm not.
29:08I'm not.
29:09I'm too low.
29:10My four children are very strong and strong.
29:14I'll give you a lot of time.
29:16You won't give me a lot of time.
29:18If you want to live in this house,
29:20I'll keep myself.
29:22I'll keep myself.
29:24A Sumona like.
29:25The house isn't a couple of fellas.
29:27The house is below one.
29:28The kids are below one.
29:29And this family is beneath me as big as 15 sorta.
29:31So I'm Nacerah Ashmat Ali.
29:35It's all the viewers.
29:39I can't understand.
29:50Look, I am a little concerned,
29:53What about you, Abba?
29:55One thing is that...
29:57...the baby, Sherry...
29:59...move is running away...
30:01...and one day...
30:03...and one day...
30:05...and one day...
30:07...we think...
30:09...we think...
30:11...we think...
30:13...and leave it...
30:15...we think...
30:17...we think...
30:19...we think...
30:21... disturbingly...
30:27...we think...
30:29...we think we just like...
30:31...we think...
30:33...we think we must pay...
30:35...we think we should pay...
30:37...we think...
30:39...and...
30:41...we think we should pay...
30:43...and we can pay...
30:45...that's what we should artists...
30:47...and, come to me...
30:49And you know what?
30:50Without your past friends, you didn't have fun.
30:52We didn't have fun.
30:53Then you came to a party.
30:54And now, Buchra has been this new treatment.
30:59That's the next one.
31:02That's the other one?
31:03Another one is that Buchra is working.
31:06You know who the person is doing?
31:07In the heart, you have to go and see them.
31:10No, how can this be possible?
31:13Why is it possible?
31:15No, we don't want to go for a set.
31:19Why don't we go?
31:21In our time, the heroine was always in a set.
31:26But there were other times.
31:29There was no time to go.
31:31Don't tell me about it.
31:35Tomorrow we'll go.
31:36Tomorrow?
31:37Tomorrow.
31:38I'll do it.
31:39Tell me.
31:45This is our kitchen.
31:47The last cook was for us,
31:49because we had a demo for some of them.
31:53Is this kitchen empty?
31:57Do you think they are?
32:01This is not a cook, Mr. Habib.
32:07You've seen so many big houses in TV.
32:11And you'll think that you'll get so big.
32:15But you've seen the kitchen in the kitchen?
32:19Yes.
32:21All the kitchen are in the kitchen.
32:24Yes.
32:26Here you are only here,
32:28and this is the kitchen.
32:30We put the menu here on our day.
32:34We'll have to serve you.
32:36Okay.
32:38And?
32:40You are not a cook.
32:41I'm a cook.
32:42You're not a cook.
32:43You're a cook.
32:44You're a cook.
32:45You're a cook.
32:46I don't know how many people are going to run away from these days.
32:56People are going to run away from these days.
32:59So what are you going to do?
33:03I'm not going to run away.
33:06I'm going to be a baby.
33:08Bushra.
33:10When you open your eyes, thousands of thousands of samosas are cooked.
33:27Mac and cheese.
33:31Is this also something?
33:37Mac and cheese.
33:41Alu kima.
33:44Chicken biryani.
33:47Bush!
33:52These are just three dishes.
33:55Why do people run away from this?
33:59I don't know.
34:00They have to eat in the TV.
34:07This is more than one.
34:09Hmm.
34:12But I'm not going to cry.
34:15I'm going to cry.
34:18What will you like?
34:19Cove and butter.
34:20Good.
34:21Well, they have to fill them together.
34:24I've found more of spaghetti.
34:26My soup size.
34:28That's follow.
34:29I thought they don't do anything.
34:31I thought I came into it soon.
34:33If you're not at a time, you'll be tрев to charge them from this.
34:36Even if you want to drink it.
34:37Ilustrade!
34:38You are scared of your dialogue yesterday?
34:51I was telling you yesterday, and I gave you the answer.
34:54I gave you the answer, but you won't get it.
34:57Let's see, one more thing.
35:01When you get upset, you don't call them back again.
35:04I've called it thousands of times.
35:06It's not okay.
35:07That's why.
35:09That's why you married us.
35:11You have to make it a new life.
35:13No, no.
35:15They asked me if you have a problem in jail.
35:17I said yes.
35:18But it's true.
35:19Let's go and leave.
35:21And you won't say anything.
35:23We won't give you anything.
35:24It's a very big house.
35:26You'll be king and king.
35:28You won't be king.
35:30You won't be king.
35:32You won't come back to me.
35:34Why did you run away?
35:36You won't run away from this.
35:38You won't run away from this.
35:40You won't run away from the clothes.
35:42Who's their tank?
35:44Who's the tank?
35:45The tank.
35:46The tank.
35:47The tank.
35:48Oh.
35:50Oh.
35:51Habib sahab.
35:52The tank.
35:53The tank.
35:54The tank.
35:55The tank.
35:56The tank.
35:57The tank.
35:58The tank.
35:59The tank.
36:00The tank.
36:01The tank.
36:02The tank.
36:03Ah.
36:04Hmm.
36:10Now you'll have a match.
36:12The wife of the Samosas and the wife of the Hushmat villa are five men in the Hushmat villa.
36:21Hmm.
36:22You'll see first here.
36:23No, no.
36:24Why do you have a camera?
36:25No, no.
36:26There's no camera here.
36:27I've seen it.
36:28Now you can talk about it.
36:29Okay.
36:30First, you can hear my story.
36:31I can't tell you what happened to you today.
36:33What happened?
36:34Today, I said that dialogue.
36:36I said that lines.
36:37I said that.
36:38A girl named Nasra.
36:39Okay.
36:40Why don't you give me a big man of the talent?
36:42So, she spoke with me.
36:45And she was talking about a terrible dialogue.
36:48I answered the question.
36:50I answered the question in Pakistan.
36:52I answered the question of the dialogue.
36:54He said that.
36:55He said that.
36:56He said that.
36:57He said that.
36:58He said that.
37:00He said that.
37:01He said that.
37:02He said that.
37:03He said, what happened?
37:04And he says, you're going to take away from the hospital.
37:05He said that.
37:06He said that.
37:07He said that.
37:08He said that.
37:09He said that.
37:11The one that made this up is from the hospital.
37:13It's going to be fun.
37:15Yes, it's going to be fun.
37:17I can understand the situation right now, right?
37:19And how do I make dialogue and improvise?
37:24But...
37:25But...
37:26There's a problem here.
37:28Listen, I think it's gone.
37:30I'll talk later.
37:31Okay, bye.
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