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00:00Celebrate the magic of Bola Next presents Kashmir 10th Hum Awards powered by Leather Galleria Luxury Leather Furniture at NRG Arena, Houston, Texas.
00:17Featuring Ali Zafar, Yasir Hussain, Ramshah Khan, Hamza Suhail,
00:30Dhananir Mubin, Shujah Asad, Harim Farooq, Ahmed Ali Akbar, Mewish Hayat, Aasim Azhar, Humayun Saeed and more.
00:58Saturday, 11th October, 2025 at the NRG Arena, Houston, Texas.
01:07Book your tickets now.
01:08Log on to www.hum.tv or www.ticketmaster.com.
01:16For sponsorships, contact Mr. Naveed Aadam, Hum Network Limited.
01:20I'm a kid.
01:21I was thinking about it.
01:23It's going to happen.
01:26Shali Bhaiya.
01:28Shali Bhaiya.
01:29Shali Bhaiya.
01:30Shali Bhaiya.
01:31Shali Bhaiya.
01:32I'm shaking.
01:33Shali Bhaiya.
01:34Shali Bhaiya.
01:35Your love Von
01:38We will go to the honeymoon tomorrow.
01:40If it's so easy to marry brothers and sisters,
01:43Mrs. Khan and Habeep Sahib have to marry them.
01:46But today, you have to give them a kiss from your acting.
01:50You have to give them a kiss from your face.
01:53But what have you done?
02:05Father, I will tell you.
02:07I was so embarrassed.
02:09But you have done it.
02:12We are old artists.
02:15We have left the work for you.
02:18Even in our country, there is no power of art in our country.
02:21And these people who are young people,
02:25I can handle them like this.
02:27You were so embarrassed.
02:31You were so embarrassed.
02:33You are so embarrassed.
02:35My daughter is just 19-20s.
02:37It's me like that.
02:39Why did you feel good for that?
02:42These young people are harassing these years
02:45and they are harassing these years.
02:48If we had to marry our Bushra,
02:51we would have to marry them.
02:53We would have to marry my daughter.
02:56My daughter, I would like to pray
02:59that the Bushra's drama will be hit.
03:02And we would have to leave us
03:06forever.
03:07Amen.
03:08Amen.
03:09Amen.
03:14Sorry.
03:15You know,
03:17who did you put them in the marbles in there?
03:24I don't need to see them.
03:26The marbles were mine,
03:27but two days ago,
03:28they were caught up.
03:29And as you saw them,
03:31we would also know that
03:33we would also know
03:35who came to our camera.
03:37Who came to our camera?
03:39Okay.
03:40Listen here,
03:41let me tell you.
03:42When the camera is not done,
03:44there is a black hole in the ground.
03:46There is a black hole in the ground.
03:47So,
03:48I have seen
03:49the signs of the Habeib Sahib's
03:50of my mind.
03:52I have seen it.
03:53I have seen it.
03:54Yes.
03:56I have seen it in detective movies.
03:59I have seen it in detective movies.
04:04When there is a crime,
04:05there is the crime which is key to me.
04:10And the crime.
04:11That has become confusing.
04:14So,
04:15I have seen it on my mind.
04:16Who could have seen it?
04:17You know what?
04:18You know what?
04:20The situation is that
04:21that was my son.
04:23I have seen it on the call.
04:25You know what?
04:26Imagine that.
04:27I have seen it.
04:28You are so big, how did you get into this situation?
04:35That was the person who ran away.
04:42You don't have any chance.
04:45I'm sorry.
04:50Sorry.
04:57It's good that you've got to get Farid from Farid.
05:00I always have to say Nathra always.
05:04Why did Mama say that Nathra is getting to meet our aunt?
05:09No aunt that she didn't get to meet,
05:11because she had to cross double-cross with her.
05:14Farid took all the reports from Farid.
05:16I'll take it, but...
05:18it feels like she's hungry.
05:20Do you have to take it?
05:23Well, she has to take it for little girls.
05:25Why?
05:26They call us when they go out and get out of the park
05:29and get out of the park and get out of the park.
05:32Listen to me.
05:33You've never thought about how strange they are.
05:35When are kids like this?
05:37They call such girls.
05:41Where are you from?
05:42I'm going to take it.
05:44I'm going to take our little machine.
05:47I don't have to do anything.
05:48No, I didn't.
05:49The truth was,
05:50the fact that the Farid didn't reach a young man
05:51at the time,
05:52so what happened?
05:53What happened?
05:54Sherry went to the bomb and killed her.
05:55Yes, but how did we take the bomb?
05:57You take it.
05:58To the bomb outside?
05:59Really?
06:01You were given the idea,
06:02you're just getting sick here.
06:04What will happen?
06:06No, what will happen?
06:07But if we haven't done anything,
06:09then we'll give them all to kill us
06:10and we'll kill them
06:11because we'll be at home.
06:12We'll be at home.
06:14No, leave.
06:18Second entry, yeah?
06:19Yes, I know.
06:21I was a little overconfident
06:22but
06:23I'll do better from before.
06:30Okay.
06:42I'll do better.
06:43One minute, please.
06:44Ah, Habib Sahib,
06:45come inside.
06:46Come inside.
06:47Oh,
06:48Safiyah Bibi is a problem.
06:49If you have a big kicker,
06:50then you can understand.
06:51It's a team of tennis.
06:52If you have a big kicker,
06:53then you're a team of tennis.
06:54If you have a big kicker,
06:55then you're a big kicker.
06:56You're a big kicker.
06:57Ah, Habib Sahib,
06:58go inside.
07:00Where?
07:01Oh,
07:02Safiyah Bibi
07:03is a problem.
07:04If you have a big kicker,
07:05then you'll understand.
07:06It's a team of tennis.
07:07If you have a big kicker,
07:08then the system is chopped.
07:09Yeah,
07:10what I'm saying,
07:11let's go.
07:12What are you talking about?
07:13It's a booby trap.
07:14What's that?
07:15What is the problem?
07:16The door is so easy.
07:18You can't go.
07:19It's a problem.
07:20What are you saying?
07:22Tobik Sahib,
07:23why are you crying?
07:24I told you to go inside.
07:26Go and go.
07:27Let's think.
07:28Let's see.
07:29Allah is a good one.
07:30Oh, Safiyah Bibi.
07:31Oh,
07:32Allah is a good one.
07:33Allah is a good one.
07:34Allah is a good one.
07:35Allah is a good one.
07:36Allah is a good one.
07:37Allah is a good one.
07:38Allah is a good one.
07:45Oh,
07:48Jeeving Sahib,
07:49come.
07:51Come,
07:52Come.
08:02Brother…
08:03Oh,
08:04my feelings.
08:11Brother.
08:12I'll give you a happy birthday in Hashmat Vila.
08:15You've already done this.
08:18Come here.
08:32It's wonderful, you guys.
08:34You guys, we're...
08:35We're going to have a dream.
08:37Give me my ID card.
08:39You'll see.
08:41Here.
08:43And this is Hashmat.
08:46This is Hashmat's daughter.
08:54You've got a set for your house.
08:59So I'm also saying that you're so proud of us.
09:04You're so proud of us.
09:06You're so proud of us.
09:08But why are you wearing these shoes?
09:11We were making TikToks.
09:14Yeah.
09:15TikToks.
09:16We're wearing these shoes.
09:17Yeah.
09:18TikToks.
09:19I'm sorry.
09:20I'm sorry, madam.
09:21I'm sorry.
09:22I'm sorry, madam.
09:23I'm sorry, madam.
09:24I'm sorry, madam.
09:25I'm sorry, madam.
09:26But I'm sorry, madam.
09:27I'm sorry.
09:28I'm sorry, madam.
09:29I am sorry madam.
09:33Asal may,
09:33he waiter abhi neya hai.
09:35Warna,
09:36aam toor pa too samaj jate hai ye logu.
09:38Aap too neye nahi thai na.
09:40Kanun ka vakt zaayah kar diya.
09:43Chalye.
09:45Nashita ka bando bas kar hai.
09:47Do nafri bhi aam verza.
09:50Chalye dana.
09:59Chalye.
10:09Meri hummeh fukita hotate thai thas wak wujja husbandu lege ki jate hai.
10:14Appendix.
10:15Appendix peet me hi hodha hai.
10:16Nain, peet me dard ho raha hai. Appendix hi hoga na.
10:19Ho ho.
10:20Kisii baut maksoost shaks ka pao pada hai is ghar mein.
10:24Bakra ka hai.
10:25Mera sadhka dalwa.
10:27Par hua kya hai?
10:28Ka hai na, peet me dard ho raha hai.
10:30Do doctor ko bilaate hai na phir?
10:32Do doctor hai ya.
10:32Nain, doctor ki zhurot nahi hai.
10:35Tawajjo aur mohobbat ki hai.
10:37Jiska waadha aapne emi ya buzhe ki aata.
10:39Warna.
10:40Rhehne do, Bindiya.
10:42Meri teklif hai.
10:43Tum behen ho, tum samaj sakti ho.
10:45Lekin bhai jaan.
10:48Bar gai.
10:50Bar gai.
10:51Ushra, bushra, hoosh me aau.
10:53Yeh sab bhoat savartas actin kar raha hai.
10:56Kuch to bolou, kuch karo.
10:58Oh.
11:01Meri baat sunen?
11:02Hum sun sakti hai.
11:04Sunanne ke liha matvajja kirni ki zhurot nahi hai.
11:07Tart, kahan ho raha hai aapko?
11:10Hat mat lagana meri bhehen ko.
11:15Hat mat lagana.
11:16Meera, meera, meera, woi loo ghar pao honungi, isfakti kishi restaurant mein nashita kar rhae thay.
11:32So you guys are just going to be a social artist.
11:34Why are you doing this?
11:37If I or I or I just want to marry my mother, then what do you do?
11:45Do you know?
11:45I know.
11:47They don't give up to me.
11:53But it's a gay person.
11:56It's a gay person.
11:57Is this a logic?
11:58The idea is that a gay person is like that.
12:03A gay person is like that?
12:05If they are like that, then they will be like that?
12:09No.
12:11No.
12:12They shouldn't do that.
12:15So we are saying that they shouldn't do that.
12:19We are on their own.
12:21This showroom is all their work.
12:23They are making a marriage.
12:25But they had a marriage for you.
12:27Wow.
12:28Wow, wow, wow.
12:29We are all the same.
12:31We are all the same.
12:32We are all the same.
12:33We are all the same.
12:33We are all the same.
12:34We are all the same.
12:35We are all the same.
12:36We are all the same.
12:36We are all the same.
12:37We are all the same.
12:37We are all the same.
12:38We are all the same.
12:39We are all the same.
12:39We are all the same.
12:40We are all the same.
12:41We are all the same.
12:42We are all the same.
12:43We are all the same.
12:43We are all the same.
12:44We are all the same.
12:44We are all the same.
12:45We are all the same.
12:45We are all the same.
12:46We are all the same.
12:46We are all the same.
12:47We are all the same.
12:48We are all the same.
12:48And the so that you are all the same.
12:49Are you.
12:53Yes.
12:58Myles.
12:58He was all a говорят.
12:59I don't have to say anymore.
13:00There is a drama.
13:03Yeah.
13:04It's just drama.
13:08And we understand how funny.
13:09Let's have some delivery
13:10And we will not.
13:16Okay, continue
13:18You don't know who's going to be ill, right?
13:20That's it.
13:21What do I say?
13:23He's going to take a lot seriously.
13:26What's he going to do?
13:28If you put your hand, you'll know what's going on.
13:30You'll know what's going on.
13:32You'll know what's going on.
13:34You don't know what's going on.
13:36Why?
13:37Please, shut up.
13:39Why?
13:40Because he's our mother-in-law.
13:43That's a good idea.
13:45If you put your hand, you'll know what's going on.
13:48What's going on?
13:49Tell me.
13:50Where are you crying?
13:52Did you eat at the morning?
13:54You're a doctor.
13:58Everyone knows such things, right?
14:00Just tell us.
14:02You go.
14:10I haven't come to go.
14:15I don't know.
14:18I know.
14:19He's going to fight.
14:20Our problem is no one.
14:22Let's go here.
14:23I'm going to get you.
14:24What are you doing?
14:25What are you saying?
14:26You're hurting.
14:27Yes.
14:28So, this is your mother.
14:29Is it a surgeon?
14:30She's going to do an operation here.
14:31Brother, take us to the hospital.
14:33We'll go together.
14:34Yes, let's go.
14:35Madam.
14:36It's going to be here.
14:37Let's go.
14:38Someone is watching the house.
14:39You can't do it.
14:40Let's put a towel.
14:42Yes, let's go.
14:45stop all the stats.
14:47Don't cut the truth from my husband.
14:49Look at my husband
14:52I like.
14:53Leave me to the husband.
14:54And don't you.
14:55Don't mess around with me.
14:56Let me keep my parents.
14:58You're just sitting on me.
14:59Don't put my parents in the house.
15:00Don't take away your parents.
15:01Don't kill them, girl.
15:02Don't leave me.
15:03Don't lie.
15:04Don't leave me alone.
15:05Don't you be alone.
15:06Don't take away your parents.
15:07And then, please take me home.
15:08Leave me alone.
15:09Don't keep away my parents.
15:10Don't fight like this, the car will get out of me.
15:13Don't fight like this, the car will get out of me.
15:16The car was getting out of me.
15:19Bushra had to do an accident.
15:21We don't take the names of the kids, it's a mess.
15:24We all take the names of the kids.
15:26If you don't want to, it's a mess.
15:28I'm saying it's a mess.
15:30Why are you talking to the kids?
15:33Why don't you go to the car?
15:35Look at your face.
15:36How many people are sick?
15:38I'm going to go.
15:39I'm going to the hospital.
15:41Two minutes.
15:43It's all right.
15:45What will we do to the hospital?
15:53Look, this is also good.
15:55You've also been here.
15:57Now we've got three.
15:59How are we?
16:03This is a very long story.
16:05How the people are in this soo.:
16:07Did God deserve the death of these children?
16:08This is all?
16:09How are we talking to them?
16:10As a woman who died from the hospital.
16:12How are we talking to them?
16:13How are we talking to them?
16:14These are the problems.
16:15Are we talking about the disasters of these children?
16:16You've got to be taken with your friends.
16:17How are we talking to them?
16:18How are we talking to them?
16:19Yes.
16:23Yes.
16:31Then, for the sake of this house,
16:33and for the girls' treatment,
16:36Irfan Sahib made a decision for the marriage of Irfan.
16:40Okay.
16:43Then, it happened like that.
16:45They came.
16:47They came.
16:50And the girls,
16:52they had so much action in their lives
16:56that they were running away.
16:58But they didn't.
17:01They had to go.
17:03They had to reach their lives.
17:06Then, they had to tell them,
17:09they told them that they had to be finished.
17:13They had to go.
17:14They had to go.
17:15They had to be finished and you had to go.
17:17Nice.
17:18Yes.
17:19It was a good one.
17:20Right.
17:21Yeah.
17:22It was a good one.
17:23Yes.
17:24We had to go.
17:25It was a good one.
17:27We didn't have to come out.
17:28How are we going to do three?
17:30Don't worry.
17:32Have a good time.
17:34We left each other and left the college.
17:39Sit down at home.
17:41There was no one to meet.
17:43And if someone comes,
17:45they take so much money that they won't come again.
17:54It wasn't just this.
17:58After that, they started to make a decision.
18:02Shef went,
18:03and she was the one who had to do it.
18:06She was the one who had to do it.
18:08She was the one who had to do it.
18:11She was the one who had to do it.
18:14She was the one who had to do it.
18:16Yes.
18:17I know that the house is so expensive and expensive.
18:21Yes.
18:22That's why I had to do it.
18:24Well, the men have to do it.
18:26I've given this wedding.
18:27I've given this wedding.
18:29It will be one from two.
18:34But the men have also broken the money.
18:37You're the one who has been doing it.
18:38That's how you're doing.
18:39No.
18:40Don't you go and see that.
18:42After you are going to see it later.
18:45Tawab?
18:50Tawab.
18:55Oi.
18:58Hamrogettin.
19:01Men.
19:04Ab.
19:06Safiya.
19:15Tawab.
19:31Let's go.
19:33Let's go.
19:34I'm fine.
19:36I don't have anything.
19:45I'm fine.
19:52I'm fine.
19:55I'm fine.
20:00I'm fine.
20:04I'm fine.
20:10I'm fine.
20:11Yes.
20:12Why didn't you ask me for that?
20:15That?
20:16That's our new wife.
20:19My wife.
20:20That's who we met.
20:23That's who we met.
20:25That's who we met.
20:27That's who we met.
20:29Okay.
20:30This is our kitchen garden.
20:32I'll show you in the rest of the house.
20:34One minute.
20:35Before seeing the rest of the house,
20:38I'm fine.
20:39What can I do with your wife?
20:40I'll go to her house.
20:43Because...
20:44Because the boys have broken their tongue.
20:46Yes.
20:47The tongue gave you the same way.
20:48But it wasn't our wife's fault.
20:50Why?
20:51That's our little wife.
20:53My wife.
20:54Yes.
20:55My wife.
20:56My wife.
20:57My wife.
20:58My wife.
20:59My wife.
21:00My wife.
21:01My wife.
21:02My wife.
21:03My wife.
21:04My wife.
21:05One minute.
21:06My wife.
21:07Your wife.
21:08Why didn't she be frustrated at home?
21:10She?
21:11She?
21:12She asked her.
21:13She was there.
21:14She was there.
21:15She was there.
21:24What was she?
21:25What was she?
21:26What was she?
21:27A appendix.
21:28A joke.
21:31A joke.
21:33She was a joke.
21:34She was a joke.
21:35She was a joke.
21:36But why?
21:37Because we were going to go to a picnic today.
21:43Ha ha ha ha.
21:45Okay.
21:46And that's the picnic for me and a joke.
21:48No joke.
21:49No joke.
21:50No joke.
21:51No joke.
21:52You know how much of a joke you are?
21:54Some of us are not a joke.
21:55There is no joke.
21:57But this is a joke.
21:58So, it's just...
21:59It wasn't a joke?
22:01You've also seen the clowns.
22:04If you've seen the clowns, you don't confuse the clowns with the clowns.
22:11This is a wrong thing.
22:13What are you thinking about Bouchra? He's alone at home.
22:15He's not thinking about anything.
22:17And he's alone at home.
22:19Naspi and Fareed will have reached their company.
22:26So brother, we're going to go to the picnic.
22:29Please.
22:30Please please please.
22:32We're not going to go.
22:34We're going to the house.
22:48I'll give you ice cream.
22:52Lunch?
22:53No.
22:54Lunch?
22:55Lunch?
22:56No.
22:57No.
22:59No.
23:00No.
23:01Lunch.
23:02Don't go to the restaurant.
23:03Don't go to the restaurant.
23:04We'll do everything quickly.
23:05Right.
23:06Whatever we do, go to the restaurant.
23:07We won't do anything in the restaurant.
23:08Yes.
23:09Meera?
23:10We're going to go to the restaurant.
23:12No.
23:13You're not doing anything.
23:14No.
23:15You're a idiot.
23:16Where are you going?
23:17Zombies.
23:18No.
23:19Let's go.
23:49It was my hero and villain left me.
23:52I had to take advantage of my marriage.
23:55And I had to take advantage of my marriage.
23:57And I had to run away.
24:00What did they do?
24:02The girl is the only villain.
24:04The real villain is the only villain.
24:06Are we going to be a villain?
24:09I'm not sure.
24:11I'm not sure.
24:12But I'm not sure.
24:14What can I do?
24:16I'm not sure.
24:18But what are we going to do?
24:21If you come here, we're going to be three.
24:25Who was saying that we're going to be three?
24:27How did you get three?
24:29The girls are five.
24:32We're three.
24:33So, in this way,
24:35we're going to be 1.6 girls.
24:37We were two.
24:39So, what's the number of girls?
24:41What's the number of girls?
24:43What's the number of girls?
24:45What's the number of girls?
24:47We were two.
24:48And they were two big.
24:50And one is one small.
24:52So, that's the number of girls.
24:54Now, it's less.
24:57This is not a bad place.
24:58You're crazy.
24:59People, now you're crazy.
25:00You're calling your sister's location?
25:02You're calling your sister's location.
25:04Ah, sister's.
25:06I'm sorry.
25:08I'm sorry.
25:09I'm sorry.
25:10I'm sorry.
25:11I'm sorry.
25:12I'm sorry.
25:13I'm sorry.
25:14I'm sorry.
25:15I'm sorry.
25:16I'm sorry.
25:17I'm sorry.
25:18It's only a number of girls,
25:19I'm going to be there.
25:20I'm sorry.
25:21I'm not sorry.
25:22I'm sorry.
25:23I'm sorry.
25:24Oh my god, now you go.
25:37I need to tell you.
25:40Okay, I'll come here.
25:42I work as a human being.
25:44Yes, thank you very much.
25:46Why didn't you leave the office today?
25:48There was a message from Meeraab.
25:50They went to Abushal Dhappiya.
25:53Oh, okay.
25:55Let's go.
25:57Okay.
25:58Lafiz.
26:23Wait.
26:24Wait.
26:25Wait.
26:26Wait.
26:27Wait.
26:28Wait.
26:29Wait.
26:30Wait.
26:31Wait.
26:32Wait.
26:33Wait.
26:34Wait.
26:35Don't stop.
26:48These are the people's cameras.
26:52They are the people who want to go here.
26:55Oh, oh, sorry.
26:59I was watching how you were going to go to a museum, like you were going to go to a museum.
27:11You will have this house quite big, isn't it?
27:18Yes.
27:23How did you cry to your brother?
27:25I didn't cry.
27:28That's...
27:30That's...
27:32Come on, come on.
27:34It's a good dialogue.
27:36It's true.
27:37You won't do it in front of me.
27:40But you can accept it.
27:43I won't tell you.
27:45They didn't cry.
27:50They loved me.
27:55To your brother?
27:58How?
27:59Where?
28:00What did you tell me?
28:02That's true.
28:04It was like that.
28:06They say,
28:08The path of the human's heart is going through his veins.
28:12It was like something happened to us.
28:18You, brother, went down to the veins?
28:21I don't know.
28:22I don't know that I went down to the veins or the heart.
28:26But...
28:27Yes.
28:28It was like that.
28:29And they loved me.
28:31In the first glance.
28:39Are you okay?
28:40Yes.
28:44Where are you?
28:45I don't know.
28:48It's too bad.
28:49You're too bad.
28:50You're too bad.
28:51You're always laughing and understanding your heart.
28:53You're right.
28:55Yes.
28:56What are you talking about?
28:58How are you speaking about?
28:59I think it's an opening thing.
29:01I need to tell you what happened.
29:02What happened.
29:03There's a bad habit.
29:05Let's go.
29:07Okay.
29:08My name is Nassar.
29:10My four children are very strong and strong.
29:14There will be a lot of time in this house.
29:18If you want to live in this house,
29:22then I will be able to live in this house.
29:25This house,
29:27this house,
29:28this house,
29:29this house,
29:31this house,
29:32this house,
29:33I am Nassar.
29:36The rest are all fillers.
29:39I understand.
29:49Pakhra, son,
29:51I am thinking of myself a little bit.
29:54What kind of thing, Abba?
29:56The only thing is that
29:58the child of Ghande.
30:00He has to take care of him.
30:02If you see,
30:03one day,
30:04this house will fall.
30:05We have to think about it.
30:07We are going to think about it.
30:08We will think about it, Abba.
30:09Yes,
30:10you can imagine.
30:11Yes,
30:12you can imagine.
30:13And then,
30:14let us go.
30:15We go.
30:16These people are like,
30:18they are like,
30:20they are like,
30:21they are like,
30:22they are like,
30:23you are like,
30:24oh.
30:25Yes,
30:26yes.
30:27Now,
30:28we are all going to do it.
30:29foreign
30:59Bushra has started this new time.
31:02What was the other thing?
31:03The other thing is that Bushra is working on where he is working.
31:06He's coming to his heart.
31:09He's going to see him.
31:11No, this can be possible.
31:14Why not?
31:16No, we don't want to meet him for a set.
31:19Why not?
31:21Our time was the heroine's nanny every time.
31:25But there were other times.
31:29No, there was no one.
31:32Don't tell me about Bushra.
31:35Tomorrow we'll go.
31:37Tomorrow?
31:38Tomorrow.
31:39I'll do it.
31:40Tell me.
31:46This is our kitchen.
31:48It was the last one.
31:50It was because we had a demo for some of them.
31:53Is that the kitchen is empty?
31:58Are you still there?
32:02This is not a cook, Mr. Habib.
32:08You've seen so many big houses in TV.
32:11And you'll think that you'll also have a big house.
32:16But you've seen the kitchen in the kitchen?
32:19Yes.
32:20All the kitchen is in the kitchen.
32:23Yes.
32:24Here you are only here.
32:25Here you are only here.
32:28And this is the kitchen.
32:30We'll put our menu here in the kitchen.
32:34We'll put the menu here.
32:35We'll put it on the menu.
32:36We'll put it on the menu.
32:37Okay.
32:39And?
32:40You won't have water.
32:45You won't have water.
32:46You won't have water.
32:47Yes.
32:49You've got a water.
32:50You won't have water.
32:51All the people fall in this place.
32:56So you're going to run.
32:58So what are you going to do?
33:00I'm not running away.
33:05I'm my baby.
33:08I'm my baby.
33:10My baby.
33:13My baby.
33:15I'm a baby.
33:18Let's see.
33:29Mac and cheese.
33:31This is also a cheese.
33:37Then, mac and cheese.
33:41Alu kima.
33:44Chicken biryani.
33:47But?
33:52These are only three dishes.
33:55Why do people run away from this?
33:59I don't know.
34:00The TV is still in the kitchen.
34:07This is more than one.
34:12But I'm not laughing.
34:15Rulane ayun.
34:18Aaf kya basan'd karengi?
34:19Mhm.
34:25How many others do me?
34:27dlatego
34:30Aaf krյ
34:41You are scared of your dialogue?
34:51I was telling you yesterday, I gave you the answer.
34:54I gave you the answer, you won't get it.
34:57Let's see.
34:59One thing is, when you get upset, you don't call them back again.
35:04I've called it thousands of times.
35:06It doesn't matter.
35:07That's why?
35:09That's why you married us.
35:11To make it a new life?
35:13No, no.
35:15They asked me if I had a problem in jail.
35:17I said yes, it's true to me.
35:19Let's go and marry.
35:21And you won't say anything?
35:23We won't give up.
35:25It's a very big house.
35:27You'll be king, you'll be king.
35:29It's not like that.
35:31You'll come back with me.
35:33Why did you run away?
35:35Don't you run away from that?
35:37Who's the king, who's the king?
35:39Who's the king?
35:41Whose king?
35:43Whose king?
35:44The king.
35:45The king.
35:46The king.
35:47The king.
35:48Oh...
35:49Oh!
35:51Habib Sahib,
35:53I'm getting a little bit of a story now.
35:57But I'll tell you one thing.
36:00I'm not going to run from here.
36:03Remember this story.
36:05Hmm.
36:10Now the match will be.
36:12She's a girl who's a girl,
36:16and she's five men in the village.
36:20Hmm.
36:22Let's see here first.
36:24No camera.
36:25No, no, no camera here.
36:27I've seen it.
36:28Now you can talk about it.
36:29Okay, listen.
36:30First, listen to my story.
36:32I can't tell you what happened today.
36:34Today, I told the dialogue,
36:36I told the lines.
36:38This is a girl named Nasra.
36:40If you're a girl named Nasra,
36:42you're a girl named Nasra.
36:43So,
36:44she spoke with me.
36:45And she was saying
36:46a little,
36:47a little dialogue.
36:48I asked the question.
36:50I asked the question.
36:51The question is,
36:52the question is,
36:53the question is,
36:54the question is,
36:55the question is,
36:56the question is,
36:57the question is.
36:58It's a question.
36:59You've never said anything.
37:01Now, I'm thinking
37:02what happened to her.
37:04And the rest of the people
37:05took care of the hospital.
37:06It's the same situation
37:08that she's looking at her
37:10and she's crying in her mouth.
37:11Wow.
37:12Wow, wow.
37:13It's fun.
37:14Yes.
37:15It's fun.
37:16It's fun.
37:17I have to understand the situation
37:18right now.
37:19And I feel like
37:20that she's doing dialogue
37:21and improvising
37:22and doing it.
37:23But,
37:25but,
37:26it's a problem here.
37:27I feel like
37:29it's gone.
37:30I'm talking about it.
37:31Okay.
37:32Bye.
37:33fries.
37:36This is Miiiriانko.
37:38Here they talk.
37:40They take a moment.
37:41I think they've got the contact
37:42right now.
37:43No�,
37:44I think of you all,
37:45not too soft.
37:46No, no.
37:47No, no.
37:48No.
37:49No.
37:50No.
37:51Sorry.
37:52No.
37:53No, no.
37:54What?
37:56No.
37:57No.
37:58No.
38:00Helsing.
38:01No.
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