Jenaro, el de los 14 1973 HD 1080 Completa Alfredo Landa, María Luisa San José

Destape Movies

Reparto: Alfredo Landa, María Luisa San José, Mari Carmen Prendes, Josele Román, Juanjo Menéndez  Director: Mariano Ozores

Transcript

00:00:00By order of the mayor, it is hereby made known that...

00:00:17But who am I going to let know if everyone is taking a nap?

00:00:20Genaro, don't upset me, what you want is to hear the games on the radio,

00:00:24that you are obsessed with the pools.

00:00:27Well, if I get one out of fourteen right, I won't bring the water for him anymore.

00:00:30If you get one out of fourteen right, I'll become a singer.

00:00:46Go on, start blowing, and then go thresh in the threshing floor, where you can take your transistor radio.

00:00:57By order of the mayor, it is hereby made known that due to the motivation of the zurrío,

00:01:08that the transformer was hit last week and the respective one of not harming the industrial interests of this town,

00:01:19That is, I know of Migracia, the Mill, the jug factory and the sawmill,

00:01:27everything from the mayor, the damaged transformer will be repaired the aforementioned afternoon.

00:01:36So around ten o'clock, so to speak, the power will be cut off for about half an hour.

00:01:43Also, as they say, to prevent Eleuterio, a municipal electrician by correspondence,

00:01:51he died from an electric shock.

00:01:53No, no, no, no, no.

00:02:23Goal!

00:02:26Oh my God!

00:02:28You see, oh, I didn't tell you, it hasn't been seen.

00:02:32Calm down, you haven't seen it, honey, wait, wait a moment.

00:02:36Calm down, why don't you go listen to the games somewhere else, you bastard?

00:02:39You didn't know, wait, by the million, you bastard.

00:02:45Don't move, wait.

00:02:50He always does the same thing, he never wants to accompany us.

00:02:55Let's see if next Sunday...

00:02:56There is no one who is going to cross from the left.

00:02:59Mass!

00:02:59Hand, it was a hand!

00:03:01What are you telling me!

00:03:02Peelable!

00:03:02There is no fool, it is bad that is done by hand.

00:03:10Clarita Fermín, leave me alone, if my husband sees us...

00:03:14She's a fool.

00:03:34Corner!

00:03:38José Fermín. Where did he come from? Where was he?

00:03:40Gathering ears, you bastard.

00:03:42Catching oígos here.

00:03:45Cow! Cow!

00:03:49Cow! Mother! Mother!

00:03:53What's happening?

00:03:54Thirteen, mother. I've got thirteen right.

00:03:56I only have the one from Madrid left.

00:03:58I'm going to see it.

00:04:00Wait! Wait! I'll come with you!

00:04:04How she can get a fourteener, mother! How she can get it!

00:04:07And to catch her? What has to happen?

00:04:09Hey...

00:04:11Let Madrid lose at home.

00:04:12With a good one?

00:04:13Well yes it is, but...

00:04:14It comes with eight injured.

00:04:16Jobá, Genaro!

00:04:17If you get that two, I'll stand guard at the baton.

00:04:20Club.

00:04:30What a scare!

00:04:32Come on!

00:04:33Which must have already started.

00:04:34Okay!

00:04:35Come on!

00:04:36Oh!

00:04:37Okay!

00:04:38But...

00:04:39Move it, man! Move it!

00:04:40Okay! Let's go!

00:04:41Okay!

00:04:42Oh, but what a fool!

00:04:43Incredible, gentlemen.

00:04:44Almost forty minutes into the second half, Real Madrid, despite their strong play and intense dominance, have yet to break the scoreless tie.

00:04:54They're putting a lot of pressure on the Real Madrid players now, but without any luck in their options, the one who's been shooting has been more.

00:05:03You should have put an X.

00:05:04If Mr. Lorenzo did pass by.

00:05:06That?

00:05:07When a woman passed by on the street, she would put a 1 and when a man passed by, a 2.

00:05:11And the three Xs you put?

00:05:13That Felipito was going to pass by his house.

00:05:16And you're not going to tell me that Felipito isn't an X like Copompino.

00:05:20Felipe.

00:05:21Yeah?

00:05:22Six whites.

00:05:23Mayor.

00:05:24Do I bend?

00:05:25One of little birds.

00:05:26Flying.

00:05:27A little bird for the Mayor.

00:05:29Antoñita.

00:05:30Yes, aunt.

00:05:31It's Néccher.

00:05:33It was a cross from Néccher and a formidable performance from the Murcia goalkeeper.

00:05:37However, right-back Ponce headed the ball back over his goalkeeper.

00:05:41There has been luck on this occasion.

00:05:43Real Madrid continues to insist.

00:05:45Attack, harass again and again.

00:05:47Now it's Amancio and the Murcia goalkeeper comes out.

00:05:50For us it was a penalty but the referee didn't consider it that way.

00:05:53And once again Ponce has cleared up a truly dangerous situation.

00:05:57As you can see, Real Madrid is trying hard, but Murcia's counterattacks are dangerous.

00:06:01This is one of the dangerous counterattacks.

00:06:03However...

00:06:04Throw it out.

00:06:05And let him go.

00:06:06Genaro.

00:06:07What did my aunt say?

00:06:08That with a glass of milk and a cake you can't last the whole afternoon, and even if you share it.

00:06:11Get out of the way!

00:06:12Well, let's go with football.

00:06:13You better do something to make money, rich man.

00:06:15Penalty.

00:06:16Penalty.

00:06:17Yes, there are doubts but it was a penalty.

00:06:19The referee is indicating precisely the point of maximum punishment.

00:06:23This move occurred with only twenty remaining...

00:06:26Don't be nervous.

00:06:27I'm not nervous, mother.

00:06:28No?

00:06:29And instead of eating the cake, you've already taken three bites of the beret.

00:06:32Good, good.

00:06:33Tell the Murcia players to prepare to deliver the maximum punishment.

00:06:37It's Vera Palmes.

00:06:38Mother.

00:06:39What if Palmes scores that one.

00:06:40Trínco the fourteenth.

00:06:41Oh, Jesus.

00:06:42Vera Palmes takes his position, advances towards the ball and shoots.

00:06:46The transformer!

00:06:48It's my fault for having made the proclamation.

00:06:52Son, where are you?

00:06:56My son.

00:06:59Well, if instead of taking a penalty they threw a bomb, what would have happened?

00:07:02Maybe nothing.

00:07:04What has it been?

00:07:05It's that when you fell you hit the onzipo.

00:07:08If I say the penalty, he has scored a goal.

00:07:09We don't know.

00:07:10The power has gone out.

00:07:11Mother.

00:07:12Thing to the transformer.

00:07:13And tell Eleuterio to turn on the current even if he burns.

00:07:15But why such a hurry?

00:07:16It's that Palmes has scored a goal.

00:07:18I have a pool of fourteen.

00:07:21Poor.

00:07:22The blow has made him a little silly.

00:07:25Yes, Jose.

00:07:26You have one of fourteen.

00:07:27And I am the cizcampeador.

00:07:37He is delirious.

00:07:42Oh the light!

00:07:43The light has arrived.

00:07:44Mother, now they'll say it.

00:07:45Well.

00:07:46Let's continue the game.

00:07:47What did we know there?

00:07:48But it doesn't happen to this one.

00:07:49What's wrong with this one?

00:07:50But to you.

00:07:51But to you.

00:07:52Look what to say what to do all fourteen.

00:07:54It's like I suddenly became a general.

00:07:57That?

00:07:58That?

00:08:07Genaro, that's not going to work.

00:08:08Today's league round ends with this result that you are seeing.

00:08:18Our broadcast from the Santiago Bernabéu stadium, returning the connection to our central studios in Prado de...

00:08:24Don't give anything back, we haven't found out!

00:08:26Aunt, that brute is going to destroy the TV and we'll be left without watching the chiripiti flauticos.

00:08:29It's coming out.

00:08:30It's coming out.

00:08:31Neither the flute chiripiti nor the crazy sun.

00:08:33I got her!

00:08:34I got her!

00:08:35I got her!

00:08:36I got her!

00:08:37Thanks, Felpito!

00:08:38Thank you!

00:08:39You're a guy with a full beard.

00:08:40Come on, mother, come on!

00:08:41Get out of the way, crazy!

00:08:42Here in front of everyone!

00:08:43Oh, what a prick!

00:08:44Don't touch it, don't stain it, or we might not get paid later!

00:08:48Have you seen if the fourteen are there?

00:08:49They are, they will be!

00:08:50Seven twelves and three xs!

00:08:51Three passes from that macho Felipito!

00:08:53What if it doesn't happen three times!

00:08:54God knows why!

00:08:55We'd be ruined by now!

00:08:56The one about Run!

00:08:57Come on, come on!

00:08:58Come on, get out of here, crazy!

00:08:59Here in front of everyone!

00:09:00Oh, what a prick!

00:09:01Oh, what a bore!

00:09:02Don't touch it, or you might get it dirty!

00:09:03Maybe they won't pay us later!

00:09:04Have you seen if the fourteen are there?

00:09:05They are, they are!

00:09:06Seven twelves and three xs!

00:09:07Three passes from that macho Felipito!

00:09:10What if it doesn't happen three times!

00:09:12God knows why!

00:09:14We'd be ruined by now!

00:09:16Oh, the things we're going to do with that much money!

00:09:19We'll buy a small car!

00:09:20Because?

00:09:21For not knowing how to drive!

00:09:22Clear!

00:09:23And suits!

00:09:24And for you, a sheepskin coat!

00:09:26No, no, not here!

00:09:27And shoes!

00:09:28With a thick sole!

00:09:29Here, here, here!

00:09:31What are you looking for?

00:09:32A place to hide the lottery!

00:09:34There's a lot of chorizo in this town!

00:09:35How much will we be paid?

00:09:38Don't know.

00:09:39Maybe a million.

00:09:43One million!

00:09:44Or two!

00:09:45Because you never know when it comes to pools.

00:09:47But have you seen the ticket?

00:09:49What I have seen is that if I win more than a million,

00:09:52I'll beat you to death.

00:09:54But what's my fault?

00:09:55The good encalabrinao, who was with you.

00:09:57And you, that if he was short, that if he was hairy,

00:10:00and flirt with the egg-man.

00:10:02Well, father, you're not going to compare.

00:10:04I don't compare anything.

00:10:06Short, hairy, but a millionaire.

00:10:08So tomorrow morning early,

00:10:10You go to Genaro's house and tell him yes,

00:10:12that you marry him.

00:10:13What if he doesn't like me?

00:10:15Well, you have to like him.

00:10:16We women know a lot about that.

00:10:18You go with him to a dark place.

00:10:19The two of us alone.

00:10:20And I show up with the shotgun,

00:10:22I say that about honor,

00:10:23and you get married in articulo mortis.

00:10:25Are you going to kill him?

00:10:26Well, in urgent article.

00:10:27Paba!

00:10:28How do you think I married your uncle?

00:10:32The ticket.

00:10:37The beret.

00:10:39So, the knot is tied tight.

00:10:50Now to steal your ticket,

00:10:52they'll have to cut off your head.

00:10:54Well, you do give me some encouragement.

00:10:57And I'm staying here all night in case a thief breaks in.

00:11:00But now that I'm rich,

00:11:02I won't be able to sleep peacefully anywhere.

00:11:07Man, maybe there.

00:11:13I'm sorry, Genaro, but it can't be.

00:11:16My corporal, I have read it in the mark,

00:11:18that when one wins the lottery,

00:11:20put the ticket in a bank for peace of mind.

00:11:23But as in the village,

00:11:24There are no benches other than those made of stone,

00:11:26I have the ticket here.

00:11:28In memory?

00:11:30No, in the beret.

00:11:32I'm sorry, Genaro, it can't be.

00:11:34The case is not provided for in the ordinances.

00:11:36If it's just for one night.

00:11:37You put me in the dungeon

00:11:39And there, who's going to come and rob me?

00:11:43If you don't understand it.

00:11:44To find out about the dungeon,

00:11:46you had to have committed a crime.

00:11:51What if I slap you?

00:11:52Well, I'll laugh at you two if you sleep at home,

00:11:55but with two fewer teeth.

00:11:56Well, if they kill me to rob me,

00:11:59you will be the one to blame.

00:12:01I?

00:12:04Okay, go on.

00:12:05But don't tell anyone,

00:12:07that this is not a hotel.

00:12:09Thank you, corporal.

00:12:16I'm finally going to be able to sleep soundly.

00:12:19Call me at seven thirty, okay?

00:12:24Yes, man, yes.

00:12:25And how do you want breakfast?

00:12:26With orange juice or bleach?

00:12:28No, no, no, no.

00:12:29Sorry, I didn't mean to bother you.

00:12:30It's just that I have to go to Madrid to collect...

00:12:32Come on, come on.

00:12:34Do you give your permission, my corporal?

00:12:35Man!

00:12:36The crack.

00:12:37We caught him in the act at Don Juan's farm.

00:12:39Look where you're going to sleep,

00:12:42accompanied tonight.

00:12:43Another one of fourteen and...?

00:12:44No, this one is forty-six.

00:12:46Forty-six?

00:12:47Will it be from the English league?

00:12:48No, of the keys, of the wrenches.

00:12:50Planchets, lock picks.

00:12:52This was a mistake, Corporal, you know?

00:12:54I didn't want to.

00:12:55Come in, come in, come in.

00:12:56Forty-six mistakes with escalo,

00:12:58nocturnality and open space.

00:12:59If he sets his mind to it,

00:13:01It takes off your beret even if you screw it on your skull.

00:13:04Don't exaggerate, my corporal.

00:13:06One is nothing more than a professional.

00:13:09Listen,

00:13:11and we have to spend the whole night together,

00:13:12me and here and him.

00:13:14Don't worry, I don't snore.

00:13:16Ah, well that's why.

00:13:17I like people to snore well.

00:13:20Thank you, my corporal.

00:13:21I'll come back another day.

00:13:22Excuse me, excuse me!

00:13:29And to close our sports information space,

00:13:39the pools.

00:13:40So far only one ticket out of fourteen results has appeared.

00:13:44Its owner is a resident of the small town of El Rollo.

00:13:47If no other ticket appears on the day of counting this afternoon,

00:13:51will receive approximately sixty-five million pesetas.

00:13:55But whether it comes or not, we're going to miss the Rapid.

00:14:02The bus has been chartered especially for Genaro.

00:14:04And if the Fast has to wait, let him wait!

00:14:10Mother, how many people, eh!

00:14:12Have you visaed Juliana's mother?

00:14:14Yeah.

00:14:15Did he tell you to bring that?

00:14:16Genaro, son, I can manage with an electric sewing machine.

00:14:19My feet are sore from pedaling so much.

00:14:21I seem crazy, don't forget that.

00:14:23Ah!

00:14:24Ah!

00:14:25Remember the tractor for my son.

00:14:26A tractor?

00:14:27Wow!

00:14:28Man, one of the small ones, of course.

00:14:29Give it to me in writing, man!

00:14:30Yeah.

00:14:31That the poor man doesn't have the brains for so many things.

00:14:32Come on, come on.

00:14:33Well that's an abuse.

00:14:35The sixty million are yours.

00:14:37And when he gets married, from his wife.

00:14:39Which woman?

00:14:40What kind of woman is it going to be?

00:14:42Of...

00:14:43If you could see the joy that this one has brought,

00:14:45and he likes you, he can't hide it.

00:14:48Go on, kiss him goodbye.

00:14:51Come on!

00:14:52Come on!

00:14:53Come on!

00:14:54Come on!

00:14:55Come on!

00:14:56Come on!

00:14:57Are you watching it?

00:14:58That shameless woman has already gotten ahead of us.

00:15:00Go on, give her your other kiss, because he who doesn't run flies.

00:15:02Thank you!

00:15:03Thank you!

00:15:08Come on, Genaro, here it is, we're going to the wedding soon.

00:15:10Antoñita is getting married.

00:15:11And what do you think?

00:15:12Oh!

00:15:13Oh!

00:15:14Oh!

00:15:15Boring!

00:15:16Come on!

00:15:17Oh!

00:15:18Oh!

00:15:19Oh!

00:15:20Come on, come on!

00:15:21The Fast One must be arriving!

00:15:22Wait.

00:15:23Who weighs in on Rapido?

00:15:24What a boy for once he kisses!

00:15:25Shut up!

00:15:26Give the Fast guy the neck!

00:15:28Come on!

00:15:29Come on, Genaro!

00:15:30Please!

00:15:31Come on!

00:15:32No, you son of a bitch!

00:15:33Let them all go!

00:15:34Leave!

00:15:35Come on!

00:15:36Thank you!

00:15:37Thank you!

00:15:38Thank you!

00:15:39Thank you!

00:15:40A hug!

00:15:41So!

00:15:42Strong!

00:15:43Thank you!

00:15:44Yeah!

00:15:45There!

00:15:46Yeah!

00:15:47Yeah!

00:15:48Yeah!

00:15:49A hug!

00:15:50Thank you!

00:15:51Hey?

00:15:52Hey?

00:15:53Are you wearing the one that snows?

00:15:55Ah!

00:15:56Ah!

00:15:57Ah!

00:15:58Yeah!

00:15:59Yeah!

00:16:00Yeah!

00:16:01Yeah!

00:16:02Ah!

00:16:03Ah!

00:16:04Ah!

00:16:05Mrs. Remedios, have you brought Juliana's address?

00:16:08Yeah!

00:16:09Here you have them!

00:16:10Ah!

00:16:11Valverde Pension!

00:16:12He says the food is good and it's cheap.

00:16:15Ah!

00:16:16Because even though you already know that my Juliana works as a typist at the Ministry...

00:16:19Yeah, yeah, yeah!

00:16:20Since he has to dress and send me something every month, you know?

00:16:23Yes, yes!

00:16:24Ah!

00:16:25Ah!

00:16:26You'll see how happy she'll be about that!

00:16:27Me too...

00:16:28Hmm...

00:16:29Well, I mean, since he's the only person I know in Madrid...

00:16:30Of course, that, of course...

00:16:31Take this to them!

00:16:32Want?

00:16:33Yeah!

00:16:34It's a bit of sausage!

00:16:35From the ambatanza, you know!

00:16:36Oh, yeah!

00:16:37Come on, son!

00:16:38It's too late!

00:16:39Yes, yes, yes!

00:16:40Goodbye, Mrs.

00:16:42Goodbye, son!

00:16:43Very good!

00:16:44Goodbye, Mommy!

00:16:45Lecture! Wait a minute!

00:16:47Yeah, electric.

00:16:49Wait.

00:16:50Dear and illustrious countryman, you are a source of pride for us.

00:16:55that a son of this people, a son of this land,

00:17:00a son of Balbina, here present, who are...

00:17:04have achieved with their effort, with their intelligence, with their work...

00:17:09Come on, Mr. Mayor, with all that you're going to miss the boat.

00:17:12Would you like to do me the favor I told you about?

00:17:14Man, I just want to tell you, this is your town and these are your friends, this one too.

00:17:20And thank you for offering us the sewer system, the football field,

00:17:25the water supply and the paving of my street.

00:17:28Man, not that.

00:17:29No, it was their fault, not me... what did I care?

00:17:32And the church organ.

00:17:34Get going, Pepe, we're going to be short of money.

00:17:36Yes, yes.

00:17:37Goodbye, son.

00:17:38Goodbye, son.

00:17:39Goodbye, son.

00:17:40Bye bye.

00:17:41Don't let anyone get you down, Godfather.

00:17:44Yeah, yeah, yeah.

00:17:45I already knew that your son would give us a surprise.

00:17:48Here, and me.

00:17:49And all of us, no one has been surprised that we got all fourteen right, eh?

00:17:53Bye bye.

00:18:07Goodbye, goodbye everyone.

00:18:12Give him another kiss, damn it, so he can leave well kissed.

00:18:14Bye bye.

00:18:15We'll have to get our act together because these people don't beat around the bush.

00:18:19Goodbye, goodbye, goodbye.

00:18:21Go, listen, Zacal.

00:18:34Where is this pool board going?

00:18:38You've won one out of fourteen.

00:18:40Hey?

00:18:41It shows.

00:18:42Wow, just by saying that, this guy is a millionaire.

00:18:45Oh yeah?

00:18:46Well, look, it's very easy.

00:18:47Go up that bridge and all the way.

00:18:49Over there?

00:18:50If I haven't lost you.

00:18:51Where does it say Cybele?

00:18:52To the left.

00:18:53Ah, ah.

00:18:55Thanks, guys, thanks.

00:18:58I returned to the jebo.

00:18:59Do you want to get out of there, you bastard?

00:19:09Unfortunate for walking on the street?

00:19:10The street belongs to everyone, right?

00:19:12Come on, man.

00:19:13Get out of the way, yokel.

00:19:14Cateto is your father.

00:19:15If they said it's this way, then it's this way, empty.

00:19:27Two, two and X.

00:19:29Yes sir.

00:19:31Correct.

00:19:31If no other winner appears, you will be paid...

00:19:3464,993,689.15 cents.

00:19:39I'll take them here.

00:19:42Start throwing the change into the pot.

00:19:44But we can't pay him here.

00:19:46Oh, oh, oh, oh, here we go with trouble.

00:19:49He doesn't understand.

00:19:50Prizes are never awarded before 15 days.

00:19:5315 days?

00:19:54Of course, this is the deadline for filing potential claims.

00:19:57And what am I doing for 15 days in Madrid with 40 duros?

00:20:01Because I only brought 40 duros and the bag.

00:20:03Don't worry.

00:20:04You can deposit the ticket at any bank and they will give you whatever you need on account.

00:20:08Yeah?

00:20:08Don Antonio, the journalists.

00:20:10So.

00:20:10Let them come in, let them come in.

00:20:13Go ahead, gentlemen.

00:20:15I present to you the lucky winner, Mr. Genaro Castrillo.

00:20:18Come on, the extra peseta is for you.

00:20:46Thank you, Rockefeller.

00:21:08Hello good.

00:21:10The Valverde pension?

00:21:11It may be green, but without the Valdelante.

00:21:14Doesn't Juliana Seseña live here?

00:21:17Seseña?

00:21:18Ah, yes.

00:21:19Miss Yuli.

00:21:20Third right.

00:21:24You've looked in the kitchen.

00:21:26Because yesterday they were in the sink.

00:21:28Of course, Yuli, pretty girl.

00:21:30Because contact lenses need to be washed from time to time.

00:21:33But with detergent.

00:21:35Less jokes and help me find them.

00:21:38It's the one on the left, because I'm already wearing the one on the right.

00:21:41Oh.

00:21:42Where did you drop it?

00:21:43It's this way.

00:21:44But look carefully, I've already made a mistake and put a blouse button in my eye.

00:21:49But you are still unfixed.

00:21:51You're not going out.

00:21:52No.

00:21:53I'm fed up.

00:21:54So let's see, what do we say to Ricardo?

00:21:56You've been standing him up for a week.

00:21:58I don't want to go out with that pimp.

00:21:59I wish I had never met him.

00:22:02Shut up, he's capable of coming here and making a scene.

00:22:04No, no scandals, we can end up in the newspapers.

00:22:07Come on, babe, let's go, I don't want any trouble.

00:22:10But don't wait for my Ramón and the four of us will go together.

00:22:13I don't trust him.

00:22:13Come on, let's go, babe.

00:22:15Well, see you later, girls.

00:22:16Bye bye.

00:22:17Bye bye.

00:22:18What time is it?

00:22:19Let's see.

00:22:21Gosh, I can't even see with contact lenses anymore.

00:22:23But you didn't have it on the other eye.

00:22:26Oh, that's true, what a scare.

00:22:27Because if a league is short, imagine yourself with a white cane and a dog.

00:22:32Oh, it's gotten so late!

00:22:34Keep looking, beautiful.

00:22:39Today will be my Ramón.

00:22:40Open up and make room for him, you know how he comes in every month.

00:22:47Juliana.

00:22:57But, but don't you remember me?

00:23:00I'm Genaro, the one with the balbina, the whole thing.

00:23:04Genaro?

00:23:04Yeah.

00:23:06Ah, yes, yes, yes.

00:23:07Well, how have you been with me?

00:23:10Your mother gave me the directions.

00:23:12And this package of blood sausage.

00:23:13Take.

00:23:14Although he says that the food is very good here.

00:23:16Yes, you look the same.

00:23:19Equal.

00:23:21Well, prettier.

00:23:23Further...

00:23:23More woman.

00:23:25Further...

00:23:26Well, if you want, bring out two chairs and at least we can talk sitting down.

00:23:31Sorry.

00:23:33Come on, come in.

00:23:34This must be more expensive than a hotel, huh?

00:23:47What are you saying?

00:23:48No, this pension must cost an arm and a leg.

00:23:52Hey.

00:23:52Hey?

00:23:53But what did my mother tell you?

00:23:56Nothing, he should come to the Valverde pension.

00:23:58That you were very well here.

00:23:59And even though the ministry salary wasn't much, you still had money left over.

00:24:04Won't there be a room for me?

00:24:05No.

00:24:07Come on, I don't think so.

00:24:09Julie!

00:24:09Ricardo!

00:24:10Ricardo!

00:24:11You have entered the portal.

00:24:13And it comes with the crooked grape.

00:24:14I know, because I've seen it with my good eye.

00:24:17Hey?

00:24:18Hey?

00:24:19Hey?

00:24:20And what's wrong with this one?

00:24:21He has abandoned his deodorant.

00:24:22Did I send?

00:24:23He is a countryman.

00:24:25He just arrived from the village.

00:24:26Yes, it shows, it shows.

00:24:28Nice to meet you.

00:24:29Ah, yes, yes.

00:24:30What's wrong with your eye?

00:24:31Instead of continuous gaze, is it alternating gaze?

00:24:33No, it's Catalina.

00:24:35A roommate, huh?

00:24:37Oh, pension!

00:24:38Don't pay attention to him.

00:24:39We have no pension, no retirement, nothing at all.

00:24:42Yeah, yeah.

00:24:43If we were to suggest, which is what I say, diverse activities, we would do well.

00:24:48Clear.

00:24:49Catalina, beautiful.

00:24:50Look, my countryman has come to see me, but he's leaving soon.

00:24:53Well, that depends.

00:24:54If there's a free bed...

00:24:55Oh, don't count on me.

00:24:57Today it's my turn, Don Ramón.

00:24:58Hey?

00:24:58Hello, doll.

00:25:00How are you still like this?

00:25:02We had agreed to meet at nine.

00:25:03Well, I'm going to finish getting ready.

00:25:06Be careful, don't step on my contact lens.

00:25:07Excuse me.

00:25:11It's that I have a migraine.

00:25:13I'm not going out with you tonight.

00:25:14So, ally.

00:25:15Just a minute, doll.

00:25:16I leave whenever I want.

00:25:18Man.

00:25:20If a lady says she has a migraine, eh?

00:25:24Who is this little guy?

00:25:25Ricardo, please.

00:25:27Ah, come on.

00:25:29Now I understand why Miss Yuli didn't want to go out with me.

00:25:34Apparently I have a substitute.

00:25:36I don't...

00:25:37Ricardo, go away for God's sake.

00:25:40Look, tomorrow or later, whatever you want.

00:25:46But now go get your mother.

00:25:50That's how I like it.

00:25:52Respectful, as it should be.

00:25:54After all, it's you, doll.

00:25:56Nothing.

00:25:58Without your Ricardo you are nothing.

00:26:07Hey, quiet.

00:26:09Yeah?

00:26:10You know what I don't like...

00:26:11...your nose?

00:26:15Not even me.

00:26:16But my mom was craving potatoes and I came out with this sweet potato.

00:26:19Already.

00:26:19And I say, sweet potato.

00:26:21Yes, yes, yes.

00:26:22Why don't you give yourself the boot?

00:26:25Ricardo, he's from my town.

00:26:28Meet my mother.

00:26:30He knows I work as a typist at the ministry and...

00:26:33...and I live in this boarding house.

00:26:36Yes, yes, yes.

00:26:37Oh, yeah.

00:26:39Yes, yes.

00:26:40The tale of Little Red Riding Hood.

00:26:43What's up, Caperu?

00:26:44Sweet potato.

00:26:46Handsome.

00:26:47And you believed that pension and typing thing?

00:26:52Well, I'm going to tell you the end of the story.

00:26:55Asshole.

00:26:56Here, Yuli.

00:26:58Just a moment, just a moment, just a moment.

00:26:59I'll be an idiot.

00:27:01But you are a son of a bitch.

00:27:06Genaro.

00:27:06Leave him alone, doll.

00:27:08I'm going to cut out his tongue to throw it to the cat.

00:27:11La, la, la, la, la, la.

00:27:13You don't even cut your hair because you don't cut it.

00:27:16And if a lady says she's a typist, you say yes.

00:27:19And that makes 500 letters per second.

00:27:21And if he says this is a pension, you swallow it.

00:27:24I swear I'd crack his head open even if we filled the boarding house with sawdust.

00:27:28Hey, be careful, fellow countryman, he has a knife.

00:27:30Yes, sweet potato.

00:27:32Look at her.

00:27:33And that's a knife?

00:27:35In my town, kids use that to cut off the tails of flies.

00:27:38We men use this.

00:27:42If you prick, I prick.

00:27:45Go on, click, you first.

00:27:47Yes, to me.

00:27:48You can call me short.

00:27:50And sweet potato.

00:27:52And assholes.

00:27:53Well, not an idiot either.

00:27:55But you don't treat a fellow countrywoman of mine like she's a slut.

00:27:59Man, there's no need to be so upset.

00:28:00No, right?

00:28:01Well now you're going to tell me...

00:28:04Who is this young lady?

00:28:07Genaro, leave him.

00:28:09Who is it?

00:28:10Julie.

00:28:11Your father!

00:28:12It's Miss Juliana.

00:28:15Well, man, yes.

00:28:16And this?

00:28:18What is it?

00:28:20A pension, right?

00:28:22Very well, you're right, sweet potato.

00:28:24No, and the lady...

00:28:28What do you work on?

00:28:30Hey, Julie, typist is a big deal.

00:28:33Leave it, woman.

00:28:34She is a typist.

00:28:35Very good.

00:28:37Now get lost, sweet potato.

00:28:40Do you hear it?

00:28:41And don't let me see you again.

00:28:44Long!

00:28:44Well, I don't want any trouble tonight.

00:28:49Sure, sure.

00:28:50I'll leave.

00:28:52Although maybe we'll see each other again.

00:28:53No!

00:28:54I don't think so, I don't think so, because I don't go for the potilgas anymore.

00:28:57Long!

00:28:57In your town everyone is so forward-thinking.

00:28:59Oh, mother!

00:29:00What's the matter?

00:29:02Hey, it's turning yellow.

00:29:04Bring a glass of coña.

00:29:07What do you have?

00:29:08What's the matter?

00:29:09What trembling legs!

00:29:10What a time, mother!

00:29:11What a time!

00:29:12If you prick me with that criminal face you have, I'll be a disgrace.

00:29:14Here, take this one.

00:29:15It's Mariloli's boyfriend's.

00:29:16Yes, yes, yes.

00:29:17No, no, no.

00:29:18No, no, no.

00:29:18Not this one, it has a button inside.

00:29:19Let's see.

00:29:22My contact lens!

00:29:23If you're not careful, Don Rosendo will swallow it.

00:29:2565 million.

00:29:32What a barbarity!

00:29:35And have you received payment?

00:29:36No, but at a bank they gave me a wad of bills this big.

00:29:39Here I have it, look.

00:29:42And what are you going to do?

00:29:43Not even taking off my pants...

00:29:45Come on, not at all.

00:29:47Because with that pile of bills I'm afraid they'll kidnap me for ransom.

00:29:50Do you understand?

00:29:52I can't stay here.

00:29:53Even if it's on the couch, I don't take up much space.

00:29:59No.

00:30:00No?

00:30:03No.

00:30:04This is not a pension.

00:30:07And I'm not a typist.

00:30:10You already know.

00:30:14I could tell you a very long story, but you wouldn't believe it.

00:30:19I believe whatever you want.

00:30:23When we were kids, in the village, I always did what you wanted.

00:30:33It's been so long that I don't remember.

00:30:36Always.

00:30:36You really don't want some?

00:30:45It's delicious.

00:30:47No, thanks.

00:30:48I have no appetite.

00:30:51Well, listen...

00:30:53You're fuller than in the village.

00:30:57Did you already have those legs there?

00:31:00Clear.

00:31:00Both?

00:31:05I say this because here they look like four.

00:31:11Hey, you won't tell my mom anything, right?

00:31:15About what?

00:31:17What was I going to say to him?

00:31:18I'm going, ....

00:31:23That's my Don Ramón.

00:31:24Be very careful, you know how it comes in.

00:31:30Where is my Cati?

00:31:32Matarile, rile, rile.

00:31:33Where is my Cati?

00:31:35Here is your Don Ramón.

00:31:36Chip, boom.

00:31:37He will be in bed.

00:31:38Matarile, rile, rile.

00:31:40He will be in bed.

00:31:41Taking off her nightgown.

00:31:43Chip, boom.

00:31:44Be quiet, sweetheart, there's a visitor.

00:31:55Hello good.

00:31:58Hello good.

00:32:00So there is no erotic frenzy?

00:32:03No, nothing tonight.

00:32:04Come on, let's go.

00:32:05But woman, I have a board meeting at six in the evening.

00:32:09It's the only time I have to come see you.

00:32:10That's all very well, but today we have a hick.

00:32:12What do you want me to do, huh?

00:32:13Flat, flat.

00:32:13Don't let him hear you, he scares you.

00:32:15I love you.

00:32:17Does he always come in like this?

00:32:19Always.

00:32:20This is a very fun house.

00:32:22Ah, then I can stay, even if it's just for tonight.

00:32:28No, you can't.

00:32:30Imagine if they find out in the village.

00:32:32I wasn't going to tell anyone.

00:32:34I mean no...

00:32:37Come on, nothing was going to happen.

00:32:38That to me you are the same Juliana as always.

00:32:43And before you were already a lot.

00:32:44Thanks, man.

00:32:46But I'm going to bed.

00:32:48I'm a little tired.

00:32:50Well, this thing of being rich is off to a good start.

00:32:53Where am I going to go?

00:32:54Because I don't know anyone here.

00:32:55With 65 million you won't have any problems.

00:32:58You can choose the hotel you like best.

00:32:59Have you seen?

00:33:19Have you seen?

00:33:24This is okay.

00:33:28Hello good.

00:33:34Where is the manager?

00:33:37I guess there.

00:33:37No, if the invoice is initially correct.

00:33:48But I have to give it to my manager to check.

00:33:50Yes, Don Carlos.

00:33:51But the director says that since he's been under examination for three weeks now...

00:33:54What do you want?

00:33:57Do you have rooms?

00:33:58Sorry, we don't have any.

00:34:00No?

00:34:00No, sir.

00:34:01And if you don't mind, go out through that little door that says service.

00:34:04No, I already went to the bathroom today, thank you.

00:34:06Any problems, Fernandez?

00:34:08No, Mr. Director.

00:34:09Here is the gentleman who wanted a room.

00:34:10But I've already told you that we're complete.

00:34:12Well, but there will always be a suite.

00:34:13One of those?

00:34:14Give it the 4H.

00:34:15Mr. Director, I think you have not understood me.

00:34:18You're the one who doesn't understand me, Fernandez.

00:34:21Give the gentleman his key and let's not waste his time.

00:34:23Okay.

00:34:23Now you understand why suite 4H is available for this gentleman.

00:34:31Excuse me, Mr. Director, it slipped my mind, but right now...

00:34:33Take the gentleman's suitcase and take it up to his rooms.

00:34:36Come with him, Fernandez.

00:34:37Yes sir.

00:34:38Be careful, there is a nail in one corner that sticks into your calf.

00:34:41Goes.

00:34:42Oh!

00:34:43He sees it.

00:34:44Go ahead, sir, go ahead.

00:34:46He has lost half of his glasses.

00:34:47Thank you so much.

00:34:51Miss, get me public relations.

00:34:54Listen, Hernandez.

00:34:55A peak as high as a pine tree has just arrived.

00:34:58Genaro, the 14-year-old.

00:35:00Move the press, radio, television.

00:35:03It is an exceptional advertisement for the hotel.

00:35:09Hey, it hurts, huh?

00:35:10If I made it, do I know where the nails are?

00:35:12Of course, sir.

00:35:17Go ahead, sir, go ahead.

00:35:21Go back to the elevator we went up.

00:35:23But weren't we going to the embassy?

00:35:24There is another, more important diplomatic mission.

00:35:26Come on.

00:35:27Up, please.

00:35:28This button is to call the waitress.

00:35:31This other one to call the waiter.

00:35:32And this other one to call the governor.

00:35:33No, yeah, yeah.

00:35:34Many little buttons are for me.

00:35:35I just had to look out into the hallway and clap a couple of times.

00:35:38Yepa!

00:35:39Dispatch!

00:35:40It'll go away, won't it?

00:35:41You can also use the telephone if you have any questions.

00:35:44No, look, no robberies, okay?

00:35:47This way, please.

00:35:49Happens.

00:35:52This is the bathroom.

00:35:54Ah, very nice.

00:35:56Oh, the sink's a little low, isn't it?

00:35:59I'll have to wash my face on my knees.

00:36:01Goes.

00:36:01If you don't want anything else, sir.

00:36:05Here you go.

00:36:06A hard one and share it.

00:36:07They come out at two fifty.

00:36:08Thank you very much, sir.

00:36:09We know how to divide.

00:36:10Okay, let's go, out it goes.

00:36:14Listen, I think you guys made a mistake.

00:36:16This guy came here to fix the bathroom faucets.

00:36:19Come on, come on, come on.

00:36:20Go, go!

00:36:50There you go, there you go!

00:36:57Good night.

00:36:59Very good, yes.

00:37:01You may be wondering, who is this woman?

00:37:04No, no, no, ma'am, me.

00:37:07Who are you?

00:37:09I occupied this suite until a few hours ago.

00:37:12Of course you will say, what do I have to do with that?

00:37:15No, no, ma'am, I'm incapable.

00:37:18Do I have anything to do with it?

00:37:20I'm terrible at packing, you know?

00:37:23And I've probably forgotten, I don't know where, some emerald earrings.

00:37:28Hey, well, search me, okay?

00:37:32I think I left them on the nightstand.

00:37:33May I?

00:37:37Yes, yes, yes, come in, come in.

00:37:38They match the dress and I had a party tonight, but they're not there.

00:37:48Do you want us to look for them inside the bed?

00:37:50Come on, come on, review, we're looking for them.

00:37:52Don't worry, they'll appear where you least expect them.

00:37:56Oh yeah?

00:37:57Do you know that I didn't imagine it like that?

00:38:00Ah, but he knows me.

00:38:01Of course, who doesn't know Genaro, the fourteen-year-old?

00:38:05But he hasn't come out looking very good in the newspaper photos.

00:38:08Oh no?

00:38:09Naturally, it wins.

00:38:11It has a very Spanish something.

00:38:14Well, he hasn't seen me in a beret yet.

00:38:17It's hot in here, isn't it?

00:38:18Yeah.

00:38:19Can you help me?

00:38:19Clear.

00:38:21Sit down, sit down.

00:38:22And take off whatever you want, because we'll continue looking for the earrings later.

00:38:28No, they won't have fallen for him.

00:38:33Formality, Genaro.

00:38:34Can I call you that?

00:38:36You can even call me by whistling.

00:38:39Are you waiting for someone?

00:38:41No, more are coming.

00:38:44And this gentleman?

00:38:46What is this man doing here?

00:38:47But, no, no, he was wrong.

00:38:49We haven't even gone on a spree yet.

00:38:51A gift from the hotel manager.

00:38:53Ah, if that's the case, if it's a gift, then okay.

00:38:56Here, here, come on, good man, here.

00:38:58And give the director a little bit, go on, go on.

00:39:00Oh, you spend a fortune on tips here.

00:39:03If you don't mind, I'm thirsty.

00:39:05No, I'm also getting heartburn.

00:39:12Do you know what that is true?

00:39:13What's hot about?

00:39:14Clear.

00:39:14For you, who from now on will have everything you want.

00:39:21All?

00:39:21Hold on, baby.

00:39:23We play to see who can remove the most things in the least amount of time.

00:39:27Please, Genaro, I'm a lady.

00:39:29That's why, that's why.

00:39:30I'm not halfway to Logroño.

00:39:39Hey?

00:39:41As?

00:39:43Who?

00:39:43Hello, I'm José María Íñigo.

00:39:45Ah, the mustache.

00:39:47Yes, yes, that one, that one.

00:39:48I'm so glad I still found you in time.

00:39:51Genaro, I would like you to come to the open studio tonight.

00:39:53To interview him.

00:39:55Yes, of course, because of the pools.

00:39:57But, man, now.

00:39:59It's five duros.

00:40:03Five duros?

00:40:04Yeah.

00:40:04Entitled to a drink?

00:40:05With the right to noses.

00:40:06See Genaro on TV, he's worth that money.

00:40:07Bah, nothing now.

00:40:09Oh no, that's reserved for the authorities.

00:40:11What do I know, you know that.

00:40:12Go on.

00:40:14Come on, that...

00:40:14They're here, they're here.

00:40:16Come in, Mr. Mayor.

00:40:17Let it pass.

00:40:18Or come in, Mrs. Balbina.

00:40:22You don't pay, which has always been considered in this house.

00:40:26Hello, Balbina.

00:40:27Hello, remedy.

00:40:29Has it come out yet?

00:40:30Not yet.

00:40:31The Argentinians have sung and now there are the ads.

00:40:33Please come in.

00:40:34Here I am.

00:40:35Sit down.

00:40:37Sit down.

00:40:38Hello.

00:40:39Do you know what I thought?

00:40:41Make Genaro an adopted son of the people.

00:40:45How to adopt?

00:40:46Yeah.

00:40:46But he was born here.

00:40:48Well, you better put it on me.

00:40:51Hello.

00:40:54He is accompanied by the pure pleasure of L.M.

00:40:57Rich in flavor.

00:41:05We continue with you in Open Studio.

00:41:07As always, live from Studio 1 in Prado del Rey, Madrid.

00:41:12We are now going to introduce you to a terribly popular character.

00:41:15Someone that you, like me, surely envy.

00:41:18His name is Genaro.

00:41:20He is Spanish from a small town in Extremadura.

00:41:23His name is Genaro, he said.

00:41:24But everyone knows him by his nickname, Genaro, the 14-year-old.

00:41:28Genaro, the 14-year-old.

00:41:34Why that, why that nickname?

00:41:36Well, because, uh, I can...

00:41:39How, how?

00:41:40What, what, what if I can talk now.

00:41:41Yes, yes, speak.

00:41:42I know.

00:41:43Why does one of 14 fuck?

00:41:44But, but what?

00:41:46A pool.

00:41:47If I had said a 20-year-old, it could be a girl.

00:41:49But a 14-year-old, come on, I say, right?

00:41:53Hey?

00:41:54It is not possible.

00:41:55Yes, yes, sir.

00:41:57Six weeks.

00:41:59So if you don't pay me, you'll be sleeping in retirement tomorrow.

00:42:04In retirement.

00:42:06Look, do you see that man on TV?

00:42:09The one with the mustache, no, the other one, the tough one.

00:42:11Well, that one, as if he were my brother.

00:42:13So how do you want me to pay you?

00:42:15I had to get the... right

00:42:16In Swiss francs or dollars?

00:42:18Genaro.

00:42:19Genaro!

00:42:20And tell me, Genaro, how, how did you make the lottery?

00:42:24Here, with a pen.

00:42:26Man, yeah, sure, with a pen.

00:42:28But what I wanted to ask you is if you did it thinking,

00:42:31studying very carefully what I was going to put or...

00:42:32Or did he do it, did he do it haphazardly?

00:42:34No, no, no, no, no, no, no.

00:42:35I made it with my theory.

00:42:37Ah, so you have a theory.

00:42:38Oh, sure, sure.

00:42:40And what does that theory consist of?

00:42:42You see, I stand in front of the window in my house.

00:42:45I look outside.

00:42:46If a woman passes by, I give a one.

00:42:47If a man passes, I put a two.

00:42:49And the X's?

00:42:50What has to happen for you to put an X on your pool?

00:42:53Felipe.

00:42:55That's for me, how nice!

00:42:57Felipe.

00:42:58Hey, Felipe.

00:42:59A dog.

00:43:01Your father!

00:43:02Look at that parme, dog!

00:43:03Mustaches!

00:43:04No, no, it's a...

00:43:08I say it.

00:43:09No, no, no.

00:43:11He's just really fat, huh?

00:43:12Very fat, very fat.

00:43:13Let them put three or four diamonds, let it be.

00:43:15Genaro, leave him.

00:43:16Ladies and gentlemen, this is Genaro, the fourteen-year-old.

00:43:19Yeah.

00:43:20He will collect sixty-five million in the lottery this week.

00:43:23Sixty-five million?

00:43:25But how did you let him get away?

00:43:27Oh, shut up, there you go with your words.

00:43:29But, girl, you're stupid.

00:43:31Once you get to know a real millionaire.

00:43:35Because I'm not saying it's a joke.

00:43:37But look, like that without a beret.

00:43:40It's less disgusting.

00:43:41Genaro, what do you plan to do with so much money?

00:43:44I don't know, I haven't thought about it yet.

00:43:46As soon as I go over three thousand duros I get into trouble.

00:43:49We'll think about that.

00:43:51Do you think he will come?

00:43:52Yes, yes.

00:43:53As soon as I get off TV.

00:43:54I invited him to dinner.

00:43:55Single?

00:43:56Yes, yes, yes, yes, for many years, huh?

00:43:58Do you have a girlfriend?

00:44:00Well, girlfriend, girlfriend.

00:44:02I have a fling.

00:44:04Just when you called me on the phone, I was about to go to bed.

00:44:07With the flu?

00:44:08No, no, no.

00:44:10What happened?

00:44:15Don't know.

00:44:16It has been cut off for some reason.

00:44:17Surely.

00:44:18It must have been a breakdown.

00:44:19Have you seen?

00:44:20A slut has already messed things up.

00:44:21You're going to Madrid tomorrow.

00:44:22Alone?

00:44:23I can't leave the bar.

00:44:25I'll call Benito.

00:44:26That guy, for a commission, fixes anything.

00:44:28I think the war is going to start.

00:44:30We have to go to Madrid.

00:44:32Genaro, the 14-year-old.

00:44:3365 million pesetas.

00:44:35Less 6,311 pesetas, because I left the rest for the pot.

00:44:38Congratulations and thank you very much, Genaro, for being with us on the program tonight.

00:44:42We continue moving forward in Open Studio.

00:44:44Now introducing you to...

00:44:45Just a moment, just a moment, just a moment.

00:44:47Tell me, tell me.

00:44:47May I say hello?

00:44:48Yes, yes, of course.

00:44:49Say hello.

00:44:50Yeah.

00:44:50Say hello.

00:44:51Father!

00:44:51I'm Genaro!

00:44:53Here I am, son!

00:44:54Long live Genaro!

00:44:59And long live here too...

00:45:01the...

00:45:02the mother who gave birth to him.

00:45:04No, man, you know me, Mrs. Rafaela, the owner of the bar, with all the sandwiches I have on loan for you.

00:45:12Ah, yes, yes, ma'am.

00:45:14Is something wrong?

00:45:16Yes, yes, I've already seen it on TV.

00:45:18What a lucky guy this is.

00:45:20What he has is a face.

00:45:23He's my niece's boyfriend, Antoñita's, but since he became a millionaire, he doesn't want to marry her.

00:45:28And what do you want me to do?

00:45:30Force him to comply.

00:45:31That's why I'm sending you the girl.

00:45:33You already know she's very cute, but a bit of a fool.

00:45:36Well, look, you can manage it however you can, but you have to compromise Genaro.

00:45:41Okay.

00:45:42No, no, don't worry, Mrs. Rafa.

00:45:45He's not going near a woman while I'm here.

00:45:48No, Genaro, please.

00:45:50Oh, this is crazy.

00:45:52I don't know how I got here.

00:45:54Take it then, because I brought you in my arms.

00:45:55Don't you remember that the wine went to your head?

00:45:57Come here, girl.

00:45:59Yes, I'm afraid my husband might come.

00:46:01Your husband?

00:46:02Are you married?

00:46:03Leave?

00:46:03No, no, but it's outside.

00:46:05He comes by car.

00:46:06Ah, thank goodness, because with Iberia it would have arrived already.

00:46:09Damn, what is this?

00:46:12Carlos, he's my husband.

00:46:14Nice to meet you.

00:46:15Your husband?

00:46:16I, I, I, I, I will explain.

00:46:19When you see us you'll say, wow, they're putting me on the... again.

00:46:22No, but no, no, no.

00:46:23Cover yourself, daughter, cover yourself.

00:46:24But no, no, cover yourself.

00:46:25No!

00:46:26No, no, no, no.

00:46:27Don't shoot him and cause a disaster.

00:46:28Don't worry, dear.

00:46:30In a moment it will all be over for you.

00:46:33Because deep down you are the only one to blame.

00:46:35And this ruffian is only a victim of your pity.

00:46:38I told him so.

00:46:39You are very pitiful.

00:46:41There, there, there, there, there.

00:46:42I was telling you before I got to you.

00:46:44Don't hurt me, ma'am.

00:46:45Don't hurt me.

00:46:47Come on, cover yourself, there's a draft.

00:46:49Yes, yes.

00:46:50Well, I'm leaving because you'll have to fight.

00:46:53And of course, one no longer has any role to play here.

00:46:54And I also have to do something in Logroño.

00:46:56Still!

00:46:56Hey?

00:46:57Carlos, please listen to me.

00:46:59Carlos, son, listen to her, man.

00:47:00What do you care?

00:47:01You have put a stain on my honor and that stain can only be washed away with blood.

00:47:04Exaggerated.

00:47:05With blood.

00:47:06With the amount of detergents they advertise.

00:47:08And if not, we'll take his honor to the cleaners.

00:47:11Carlitos, he has fallen badly.

00:47:13Get lost.

00:47:13No, please.

00:47:14I'm going to kill him.

00:47:15Hey, no.

00:47:16We could fix it another way.

00:47:17Oh, yeah.

00:47:18Apparently he thinks he can buy everything with his money.

00:47:20Even the dignity of a husband.

00:47:21No, Carlos, but accept it.

00:47:23We could go anywhere else.

00:47:25Yes, where no one knew us.

00:47:26That.

00:47:27Tomorrow I'll get you two tickets to Cuenca.

00:47:30I love you too much.

00:47:31I'm going to humble myself before this scoundrel.

00:47:33Humble yourself, Carlos.

00:47:34Humble yourself.

00:47:35A million and that's it.

00:47:39Give him a million?

00:47:40And let's not talk about it anymore.

00:47:41Let's not talk about it anymore.

00:47:42Shoot.

00:47:45I am the boyfriend of death.

00:47:46But Carlos accepts 40,000.

00:47:48My more of Alpesetas.

00:47:49Hard.

00:47:49Hard, hard, hard.

00:47:51But, man, for a tiny speck of nothing.

00:47:53What a shame, man.

00:47:55If anything, I don't know if I'll have any change.

00:47:57It's the best place around.

00:48:00Abundant water, trees, in short.

00:48:01No, look, no, no, no.

00:48:02I'm into buying a little plot...

00:48:04Please, Mr. Castrillo.

00:48:06This is the project to build the entire development.

00:48:09It will be called Sierra Genaro.

00:48:11With the 10 million you put in...

00:48:13What a great time!

00:48:16What a great time!

00:48:18Look how tears came to my eyes.

00:48:20But what do you sell?

00:48:21I am Mr. Castrillo's best friend.

00:48:23and for the moment we do not plan to make investments.

00:48:25But wait.

00:48:26Ale.

00:48:28Hey.

00:48:29You haven't invested, have you?

00:48:31Inverted me.

00:48:32I am very macho.

00:48:32Come on, I'll buy you a drink.

00:48:35What joy you have given me, Genaro!

00:48:36What a joy!

00:48:36Yes, Mr. Castrillo.

00:48:37Yes, a patent from me.

00:48:38Inverted, inverted.

00:48:40Door, door, door.

00:48:42Give each other some liquid.

00:48:42I'm going to touch you good people.

00:48:43He treats me very well.

00:48:44I thought you were still in Germany.

00:48:46No, you don't know what it's like to work there.

00:48:48Slavery.

00:48:49It's not like here, where you put a brick,

00:48:51you smoke a cigarette,

00:48:53then you put another brick.

00:48:55Sorry.

00:48:56What if Madrid scored the goal in Orsa and...?

00:48:58No, they went down on the beast.

00:49:01And I came.

00:49:01And you don't work anymore?

00:49:02I do business.

00:49:06What comes out.

00:49:07And speaking of going out,

00:49:08Where are you going to have dinner tonight?

00:49:09How are you with the girls, huh?

00:49:11Bad, bad, bad.

00:49:12Bad girls.

00:49:13Lack of experience.

00:49:15You have to come with me.

00:49:16You have to know your cattle here.

00:49:18What a selection I have.

00:49:19How do you prefer it?

00:49:19Brunette, blonde, brown-haired, chubby, thin,

00:49:22national genre, import, eh?

00:49:24Ask for it with that mouth.

00:49:25Mos!

00:49:26The note.

00:49:28No, no, no, leave me.

00:49:30Let me, let me, invite you, man.

00:49:32But, but, but, but, leave it to me, I have...

00:49:34If I have a lot of money now, man, let me treat you, man.

00:49:37I have a pen too.

00:49:39What room do you have?

00:49:41The 4H.

00:49:42Well, that's it, of course, man.

00:49:45I'm going to put the number here in a little signature and that's it.

00:49:48That's it?

00:49:50It's already in your account.

00:49:52I'm going to put you into orbit, quince, eh, genarillo?

00:49:54Muah!

00:50:06Check it out, Benito, what are we doing in Madrid?

00:50:08Without tasting the melon.

00:50:09It seems that flirting is very difficult here.

00:50:14But what are you saying?

00:50:15Man, I'm going to the bar right now, I'll talk to Pepe and you'll see what I'm doing.

00:50:18You wait for me here, okay?

00:50:19Yes, yes, yes, yes, yes, yes, yes, yes, of course, the one with the alternate look, right?

00:50:40Is she here?

00:50:41Yes, at that table.

00:50:45Come on, I'll go with you.

00:50:46Yuli is going to be very happy.

00:50:49And you add Celta whisky and we split the cost.

00:50:54And the flamenco group, 50% commission, for me.

00:50:57And the ugliest girls on the market come to me.

00:51:00If there is one lame, all the better.

00:51:01And cross-eyed.

00:51:02And pockmarked.

00:51:05No, but, man, yes, yes, they are for a party.

00:51:09Don't think they're meant to be put on health insurance.

00:51:11But what have you given him, uncle?

00:51:13Look who's here.

00:51:14The Onassis.

00:51:16Sit down, sweetheart.

00:51:17I'm not bothering you, am I?

00:51:18No, I was already leaving.

00:51:20Ah, well, I'll go with you.

00:51:21No, stay, you'll have a good time.

00:51:24See you later.

00:51:25No, I'm going with you because I want to talk to you, excuse me, okay?

00:51:28Let's see.

00:51:30But what's wrong with this one?

00:51:31Are you afraid that if we take it away?

00:51:32What he's afraid of is that Ricardo will show up and start a scene.

00:51:35Is Ricardo that interested?

00:51:36Yes, Marilola and Guapa, you see less than I do without contact lenses, huh?

00:51:39She is the one who is interested in the hick.

00:51:40Oh no!

00:51:42Genaru!

00:51:43Genaru!

00:51:45Where has this idiot gone?

00:51:47The truth is, since I became a multimillionaire, everyone comes here for the same thing: to steal.

00:51:57Well, everyone except you.

00:51:59You still haven't let me buy you even a Coke.

00:52:01And what do you plan to do with so much money?

00:52:05Well, that's what everyone asks me.

00:52:08But I've already done the math.

00:52:10I, well cared for, plan to live 50 more years.

00:52:15At a million a year I have 15 million left.

00:52:19With 8 or 10 I'm going to start a business.

00:52:22And you still have 5 million left?

00:52:24No, those are for getting married.

00:52:26It's not right that, being so rich, the one who marries me comes with nothing.

00:52:32Well, the wedding night, yes, of course.

00:52:37So you already have a girlfriend?

00:52:39No, no, no, no, no, no.

00:52:41I have to take it.

00:52:43In a good way.

00:52:46Will you have them like this?

00:52:48With so many millions?

00:52:49To get money from me, yes, but to get married it has to be something else.

00:52:54A village girl who knows how to make beans with blood sausage.

00:53:02You, you know, right?

00:53:05Well, I must have forgotten.

00:53:08Now, how about in coffee shops?

00:53:10Well, it's that, as I will also have a lot of correspondence,

00:53:16I would like him to be a typist.

00:53:21Genaro.

00:53:24Are you stupid or what?

00:53:26Why do you say that?

00:53:29No reason.

00:53:31Taxi!

00:53:33What happens now?

00:53:36Where are we going?

00:53:37You don't know, I'm going home.

00:53:39But, but...

00:53:40Start.

00:53:42Juliana.

00:53:43Juliana!

00:53:44Juliana!

00:53:44I don't know where I am!

00:53:49At first I didn't know how to confuse Genaro,

00:53:51But since your aunt said that he had to be engaged,

00:53:54I invented this, which is a trick that never fails.

00:53:56It is no longer there.

00:53:58I'll be right out.

00:54:01I suppose the nightgown will be light,

00:54:03because you are capable of having bought a jacket.

00:54:05How am I?

00:54:21Are?

00:54:23What if all the girls in town are like you,

00:54:25I don't know why, I went to Germany.

00:54:27It's that I bought a wig.

00:54:29Daughter of my life.

00:54:31It's already a desire to spend money.

00:54:32If the thing he's going to notice the least is the wig.

00:54:35Come on, come on, cover yourself with something, woman.

00:54:38That you go out into the hallway like that.

00:54:41You don't make it to Genaro's room alive.

00:54:44It is exiting the stairs on the right, the fifth door.

00:54:47The fifth gate.

00:54:48Come on, take it.

00:54:49Take the key, teacher.

00:54:50Go on.

00:54:51Teacher?

00:54:52Yes, they open all the doors of the hotel.

00:54:54Two thousand pesetas your aunt owes me.

00:54:56Did you understand everything correctly?

00:54:57I exit the stairs to the right.

00:55:00To the right.

00:55:00I count five doors and get in.

00:55:02And you get in while Genaro is already in bed.

00:55:05Oh, sir.

00:55:06Wait, grace, where are you going?

00:55:08Then I go, take the photos and that's it.

00:55:11Yes, but don't be late.

00:55:13Go on.

00:55:15It's like throwing daisies to swine.

00:55:18One, two, three.

00:55:25Four.

00:55:27And five.

00:55:28Genaro, but how?

00:55:53How is it possible that you, one of the people like me, that dishonor, what does this mean?

00:55:59That you are here, that you are here so... that you are here...

00:56:02There is no one here.

00:56:07If Genaro isn't there.

00:56:08But then, is this idiot Antoñita?

00:56:13Where did it go to me?

00:56:18Good morning.

00:56:19I am the guest of the 4G suite.

00:56:21Listen, very good, a very complete service at this hotel.

00:56:24For tomorrow I would like a brunette.

00:56:26You understand me.

00:56:28Genaro.

00:56:29Genaro.

00:56:31Genaro.

00:56:32Genaro.

00:56:32Wake up, wake up, man.

00:56:35Look at the mess they've done to us.

00:56:37Thank goodness I'm here to defend your money.

00:56:39And by the way, where did you go last night?

00:56:42I got lost.

00:56:43What did you miss?

00:56:44Well, you don't know what you missed.

00:56:47I'll tell you.

00:56:48Lele.

00:56:50And what do you want, for me to put them on?

00:56:51The fact that?

00:56:52Man, one hundred million pesetas would be enough to finish the Almudena Cathedral.

00:56:56No, no, no, there, there, there.

00:57:00Another ticket appears with 14 correct answers.

00:57:02The supposed winners belong to a lottery club

00:57:04formed by 52 elderly people from a nursing home in Madrid.

00:57:07My mother!

00:57:09Do you realize?

00:57:10If you can't live in this country.

00:57:12They are all envious.

00:57:13Even in a nursing home.

00:57:14Look.

00:57:15Well, if they take half of my money, I won't be able to live more than 20 years.

00:57:18We'll see about that.

00:57:19We'll see, of course, always.

00:57:22Unmask those criminals.

00:57:23Actually, all the credit goes to here, to Leandro, who is my fiancé.

00:57:28No, of all, of all.

00:57:30Everyone's fiancé?

00:57:31No, the credit is entirely yours.

00:57:33Of all.

00:57:33Go on, don't pay attention to him.

00:57:35Isn't that right, Don Dimas?

00:57:36He is the brain.

00:57:38What do you mean he's the one who has the most football?

00:57:39Because it is from the irrigation season.

00:57:42Not a watering can, woman.

00:57:44From regueiro.

00:57:45Well, it's the same.

00:57:46Very good, very good.

00:57:47The gentleman is Pedro Escartín, from the asylum.

00:57:50Hey, no asylum?

00:57:51Hey?

00:57:53Residence.

00:57:54Well, residency, but the ticket is good.

00:57:56It's off!

00:57:58How dare you doubt our honorability?

00:58:01Nobody doubts.

00:58:02What happens is that the ticket has not appeared in the count.

00:58:05Ah!

00:58:06He hasn't shown up, huh?

00:58:08I already knew there were a lot of tomatoes here.

00:58:10Not tomato or anything.

00:58:13It will appear, my lord.

00:58:14We are very serious.

00:58:16Well, Agustina, maybe those gentlemen have lost it.

00:58:19Idiot.

00:58:20No ticket is lost here.

00:58:22They are microfilmed for later verification.

00:58:25Clear.

00:58:26Like in the FBI.

00:58:28Of course it may still appear.

00:58:30Oh!

00:58:32Have you heard?

00:58:34Don't worry, darling.

00:58:37We will charge you.

00:58:38Hey, can more of them appear?

00:58:43Father, don't you think this is too much?

00:58:45You shut up!

00:58:46Genaro has always been an idiot.

00:58:48It won't have changed in a few days.

00:58:49But do you think he's going to swallow this cushion thing?

00:58:51Either swallow this, or swallow your teeth.

00:58:54You don't play with a woman's honor.

00:58:55Come on!

00:58:56Oh, don't make me run, Father!

00:58:57That I'm going to lose the child.

00:58:59Oh, how awful!

00:59:01I think she's going to have at least triplets.

00:59:03You make it worse for me!

00:59:05Because you might say, what do we do with this?

00:59:07Well, when the time comes, notify the midwife.

00:59:09Come on!

00:59:09Hey!

00:59:09That?

00:59:10No messing around, Genaro, I'll break your head.

00:59:12But hey, what do I have to do with it?

00:59:13And you still ask me, worn out.

00:59:16Who's going to be the father, if not you?

00:59:18I.

00:59:19I.

00:59:20What about you and me?

00:59:22When?

00:59:23Where?

00:59:23I don't remember, Genaro.

00:59:25These things are not written down in an agenda.

00:59:27In an agenda?

00:59:28But it's not!

00:59:30No!

00:59:32And how did you gain weight so quickly?

00:59:34Because the poor girl, to hide her shame, wore such a tight girdle that the other day she said, "I can't take it anymore."

00:59:42He let go of it and shook the sideboard so that it moved.

00:59:46Listen, no, they won't give me that package.

00:59:48No no.

00:59:49Or do you perform like a man?

00:59:51No, apparently as a man I have already fulfilled my duty, because if not...

00:59:54I say like a gentleman, or we'll take you to juvenile court.

00:59:59You're not going to tell me that Forinder is a minor, are you?

01:00:00Not her, but the child does, or are you going to deny me that too?

01:00:04Man...

01:00:05What's happening?

01:00:07Who?

01:00:08Well, let them wait, I'll come down now.

01:00:10Do you have visitors?

01:00:11Don't worry, we'll stay at the hotel, and you'll pay, of course. That's why we're going to be family.

01:00:17And so you will both leave here together for the church.

01:00:22My boyfriend, being so shy, didn't want to come.

01:00:26But I told him, you'll see how that man will take our side.

01:00:29I?

01:00:30Of course, with the money from the lottery we were planning to take a bus trip to Paris.

01:00:35With a stop in Perpian, because some people want to see that latest scam.

01:00:40Tango Agustín?

01:00:41Let's see, it's the same.

01:00:43So we took advantage of the trip for our honeymoon.

01:00:48Do you understand?

01:00:49But look, look carefully, this is very important.

01:01:00What were we talking about?

01:01:01From the pools.

01:01:03Oh yes!

01:01:04If there are two 14-dollar tickets, you only charge half, right?

01:01:08Clear.

01:01:08Well, we've come up with something else.

01:01:13We do not charge.

01:01:14You take it all and give two million to my friend and me.

01:01:19We had agreed on two or three million.

01:01:21Three.

01:01:22But you, why aren't you going to collect the lottery?

01:01:24Very simple, a little bit.

01:01:27Because it's fake.

01:01:28False.

01:01:29More than Judas.

01:01:30You explain it to him, Leandrito.

01:01:33You see, we've been doing pools for a few years now.

01:01:35I fill them out and post the most absurd results.

01:01:38That's why we never get more than three or four right.

01:01:41Then, Leandrito, the poor guy, collects everyone's money, says he's going to deposit the ticket, and doesn't.

01:01:51So we were left with 50 duros all week.

01:01:53But why do they do that?

01:01:55But I haven't told him we're getting married.

01:01:57That nothing is understood.

01:01:58He doesn't understand anything.

01:01:59It's a bump.

01:02:00But he doesn't understand me at all.

01:02:01I need to make my trousseau.

01:02:04You don't know how much women's underwear has gone up in price.

01:02:06So now in the nursing home, I mean, sorry, in the residence, everyone thinks they've deposited the ticket and that they're rich.

01:02:13I didn't say something to myself!

01:02:15He didn't understand.

01:02:16I already told you.

01:02:18He's not stupid, no.

01:02:19He's just a little bit of a hick.

01:02:22And what do they want those two million for?

01:02:24For the trip to Paris.

01:02:25The only way we won't be lynched is if we all make that trip.

01:02:29And they want me to pay for it?

01:02:31Yeah.

01:02:32So they can make so much money, what do you care?

01:02:36Well, you guys are scoundrels.

01:02:40But nice.

01:02:42Here yes.

01:02:48But you didn't like beans with blood sausage that much.

01:02:50Yes, but I've lost my appetite.

01:02:52Could it be because of that Florinda mess?

01:02:54No, of course not.

01:02:55It's for everything.

01:02:57I thought being a millionaire was something else.

01:03:00But they don't let you live.

01:03:01Some because they want to take a trip to Paris.

01:03:03Others because they have already returned from their trip to Paris.

01:03:06This is because he wants to place the Sierra Genaro on you.

01:03:09That is a bare mountain.

01:03:11Then, then you think you're going to hook up with a great lady

01:03:15and the guy with the beard comes and you don't get anything.

01:03:18And on top of that it costs you an arm and a leg.

01:03:23You know what I'm telling you?

01:03:24That he was happier in the village when he didn't have a penny.

01:03:26and dreamed that he was going to be a millionaire.

01:03:29Oh, the things you can do by dreaming.

01:03:35Yuri, pretty girl, are you going out today?

01:03:36No.

01:03:36No, then you can lend me some of your panties.

01:03:39Mine have a race on the Jarama circuit.

01:03:42Take whichever ones you want, they're in my closet.

01:03:43Well, that will be my Ramón.

01:03:49Hello?

01:03:50Ah, Ricardo!

01:03:51Well, he's not nice, he's gone out.

01:03:57Have I ever lied to you?

01:03:59He hung up on me.

01:04:00He didn't seem very happy.

01:04:04Genaro, let's go.

01:04:05Where to?

01:04:06I don't know.

01:04:07Wherever you want.

01:04:09Where we can be alone.

01:04:11I'll be ready in a minute, okay?

01:04:12Oh, how tiresome this Ricardo is.

01:04:16Leave it to me.

01:04:17Oh, well.

01:04:19They told you it's not sweet potato, son.

01:04:21Why don't you call your mother?

01:04:23Mother!

01:04:23It's my mother.

01:04:25But what are you doing with Ricardo?

01:04:26But what, Ricardo?

01:04:28We haven't heard from you since you left.

01:04:31Clear.

01:04:32But what do you call me here?

01:04:33Because Juliana's mother gave me the phone number.

01:04:37Isn't that the Valverde pension?

01:04:39Yes, yes, yes, yes, yes.

01:04:40This is the Valverde pension.

01:04:43Clear.

01:04:44Of course I live here.

01:04:45Have you received your payment yet?

01:04:48They're preparing a surprise for you.

01:04:50Listen, come on, that's my turn to say.

01:04:52Let's see, let's see.

01:04:53Genaro, son.

01:04:55The city council that I so worthily preside over

01:04:57has agreed to name a street after you.

01:05:00And in memory of your time as a town crier

01:05:02We are going to give you the golden trumpet.

01:05:05Well, well done, but it's a piece of cake, eh?

01:05:07And we have chartered a special bus

01:05:10to go see you in Madrid.

01:05:13Yes, son.

01:05:14We're all going to see you.

01:05:16All?

01:05:17Juliana's mother too?

01:05:18Yeah.

01:05:20He's here by my side.

01:05:20Oh, yeah, yeah.

01:05:21Hey, but don't tell my daughter anything,

01:05:24which is a surprise.

01:05:25I believe it will be a surprise.

01:05:26No, no, no, no, it's in the ministry.

01:05:31Everyone is coming, your mother too.

01:05:33No, no, no, Mrs. Remedio.

01:05:35Ah, it's you, Mr. Mayor.

01:05:37We're leaving tomorrow.

01:05:38Yes, we will be there at dusk.

01:05:42Nothing, nothing, you deserve it all.

01:05:45See you tomorrow.

01:05:48Come on, let's pack all our bags.

01:05:50Yes, yes.

01:05:50But where are you going to go?

01:05:56I don't know, it's all the same to me.

01:05:58Hey, why don't we tell them you can't be seen?

01:06:00because you caught smallpox?

01:06:02But you don't understand.

01:06:04Everyone will find out.

01:06:06And my mother will die of grief.

01:06:07This happy life is so sad.

01:06:11Look, I'm not crying because my contact lenses are falling out.

01:06:13There has to be a solution.

01:06:14I have millions.

01:06:16Money is of no use for this.

01:06:17And why else?

01:06:18The bill metal, you know.

01:06:23One moment.

01:06:25I think I've found it.

01:06:26What have you found?

01:06:27They will come to the Valverde pension.

01:06:30And there is no Valverde pension.

01:06:33There will be.

01:06:37Don't forget it.

01:06:56The pension already belonged to his parents, who are these.

01:06:58Mine or my boyfriend's?

01:06:59From you.

01:07:00And don't call him my boyfriend.

01:07:01They have been married for 30 years.

01:07:02Oh, impossible!

01:07:03I would remember that.

01:07:04But oh well, oh well.

01:07:06Do you want to take that trip to Paris?

01:07:07Yes or no?

01:07:08Don't say it!

01:07:09We're married!

01:07:10That's it!

01:07:11Are these numbers correct?

01:07:13Numbers for what?

01:07:14Because a pension with three rooms is a very small pension.

01:07:17And what are those doors?

01:07:18Two wardrobes.

01:07:19But nobody is going to gossip.

01:07:20Two closets, huh?

01:07:21Well, that's fine.

01:07:22Let's see, what do we do?

01:07:25Because my boyfriend says that man sleeps with him.

01:07:27But the lady wakes up to me.

01:07:30What if we say she is my mother and the guy with the mustache is her father?

01:07:33Mr. Car?

01:07:33Ah, there they are!

01:07:35It's not possible, it's too early.

01:07:36Come on, come on, come on!

01:07:37Come on, come on!

01:07:38They are three old people!

01:07:40Oh yeah?

01:07:40They will be the roommates.

01:07:43We told them to come and fill in the gaps.

01:07:45We are the bulk!

01:07:46Oh, very well, come in!

01:07:47Come in, come in, come this way!

01:07:49Now I will explain to you, Morberán.

01:07:51Look, come towards me.

01:07:52I will explain now.

01:07:53He told us that this was a boarding house.

01:07:55Lifetime?

01:07:56No, the other one, the soup, the other one, the...

01:07:59There, there.

01:07:59Who was he?

01:08:00These gentlemen, the bulk.

01:08:02Oh, this is crazy!

01:08:03They'll realize it right away and it will be worse.

01:08:04Everything will be fine, you'll see.

01:08:06Don't worry.

01:08:07What is this?

01:08:07My luggage.

01:08:08I left the hotel.

01:08:09They think I live here.

01:08:10Well, how are you?

01:08:12Am I cute?

01:08:13Perfect.

01:08:14Look at this point.

01:08:15I, maiden.

01:08:27What are they there?

01:08:28Oh, I'm scared!

01:08:30It would have been better to tell them the truth.

01:08:32So that?

01:08:33Wouldn't they have believed it either?

01:08:34Hey, hey, my general.

01:08:35That?

01:08:35We thought that like those two gentlemen in the portraits

01:08:37They are younger than us,

01:08:39we would say that they are our children.

01:08:40His father!

01:08:41Genaro!

01:08:42His father and his mother.

01:08:43That's what they have to say.

01:08:44There, okay!

01:08:44They are already there.

01:08:45Each one to his place.

01:08:46Okay, over!

01:08:47No nerves, eh!

01:08:48No nerves!

01:08:49Hang on a minute.

01:08:50Already!

01:08:50Well, what?

01:08:51I open!

01:08:51Open, open!

01:08:54Please, Mr. Castrillo.

01:08:56Would you like to give me your card?

01:08:57Mother!

01:08:58Father!

01:09:00Genaro!

01:09:00Son!

01:09:01Son!

01:09:02Son!

01:09:05Son!

01:09:05It's in!

01:09:06Come in, come in!

01:09:07Come in, come in!

01:09:10Valverde Pension, huh?

01:09:11Hail Mary Most Pure.

01:09:13Thank you.

01:09:13Juliana!

01:09:14Look who's come!

01:09:15My daughter!

01:09:16Daughter!

01:09:18How are you, Mrs. Remedios?

01:09:20Very good.

01:09:20Daughter!

01:09:23Hello!

01:09:23And we are not greeted!

01:09:25Yes sir to the man!

01:09:26Hello, Mr. Mayor!

01:09:26What a day it is, eh!

01:09:27Hello!

01:09:29Genaro, nephew!

01:09:31Well, you can guess why I call you nephew.

01:09:33Well no, ma'am, but you can call me whatever you want.

01:09:36You're not going to tell me you haven't seen Antoñita.

01:09:38No, ma'am, is she coming with you?

01:09:39With us.

01:09:40Hey?

01:09:41Benedict.

01:09:41Hey?

01:09:41Where is Benito?

01:09:42I, what do I know, what do I know.

01:09:45Wait a minute, I'm going to introduce you.

01:09:49The owners of the boarding house.

01:09:51And are they already the parents?

01:09:52Oh, oh, oh!

01:09:52May you both get plenty of rest!

01:09:54Oh, oh, oh, that's it!

01:09:55My mother, Juliana's mother, Don Silvino, the mayor, the corporal of the Civil Guard, as you can see...

01:10:03Don Julián, the doctor, and here a student, yes, a gynecology student.

01:10:11To serve you.

01:10:13I don't believe us.

01:10:16And these gentlemen are other guests.

01:10:19Yes, we are the bulk.

01:10:21Oh, the lump, the lump, the lump!

01:10:24Sit down, sit down.

01:10:25They'll have a drink before heading back to the village, eh?

01:10:27If you hurry tonight, you can sleep at home now.

01:10:30No, nothing like that.

01:10:31We plan to stay here for a few days.

01:10:33Oh yeah?

01:10:34Yeah.

01:10:35I think we can fix it.

01:10:37Here is a room.

01:10:38Hey?

01:10:38But what are you saying?

01:10:40Doña Agustina, this is Don Gaspar's room.

01:10:44Right, Don Gaspar?

01:10:45He was just about to take a nap.

01:10:47But I'm not Gaspar.

01:10:47Like every day.

01:10:48I am Dimas!

01:10:49Don Gaspar!

01:10:49I'm Dimas!

01:10:51The siesta.

01:10:52But it's dinner time.

01:10:54He's just a big sitter.

01:10:55Stop being sober.

01:10:56Let's go out for dinner, I'm paying.

01:10:57Very good, very good.

01:10:59That's it, that's it.

01:11:00Okay, but let us take a break, okay?

01:11:02Yes, the trip has been tremendous.

01:11:04Three punctures.

01:11:06Well, what about that little drink?

01:11:07Of course, of course!

01:11:10Can I go out now?

01:11:11Stay there, Don Gaspar, it's time for a nap!

01:11:12Here's to a drink, eh?

01:11:15Well, wait a minute, we have some bottles in the kitchen.

01:11:18Will you help me, Catalina?

01:11:19Nice to meet you, Mr. Genaro.

01:11:24How pretty you look!

01:11:26Madrid suits you.

01:11:27Do you work a lot?

01:11:28No, I don't really work at all.

01:11:30I believe it.

01:11:31As if they were going to give you your salary.

01:11:32What is your room?

01:11:34There, at that door.

01:11:35Can we see it?

01:11:36Yes of course.

01:11:37I'm going with you.

01:11:38Clear!

01:11:41Is it this way?

01:11:42Very elegant, yes, yes.

01:11:43You have it very well put.

01:11:45Ah!

01:11:46Caseo!

01:11:48Familiar!

01:11:49They are my parents.

01:11:51The one on the left more.

01:11:53Clear!

01:11:54That?

01:11:54And?

01:11:55They settled down a long time ago.

01:11:57Oh, a lot!

01:11:59Come on, I say.

01:12:02Well, the pension belonged to his parents.

01:12:0640 years ago, yes.

01:12:07Oh, but we're not going to reform now!

01:12:11When we return from our honeymoon.

01:12:14No, no, no.

01:12:16Weddings?

01:12:18Whose?

01:12:19Of gold.

01:12:21Golden wedding anniversary.

01:12:22They're going to celebrate it now.

01:12:25Everything's going well, right?

01:12:26Like silk.

01:12:27And once the first blow is stopped, what can happen?

01:12:28Clear!

01:12:31My Ramón!

01:12:32You, Ramón?

01:12:33Well, we have to stop him, because you know how he gets in.

01:12:36Where is my catima tarilerileril?

01:12:39Where is my catima tarilerileron?

01:12:42Chimpón!

01:12:42He will be in bed matariilerilerin.

01:12:45She'll be in bed taking off her nightgown.

01:12:49Chimpón!

01:12:49Hello good.

01:13:04Are these gentlemen guests or people from the town?

01:13:10We've come to the wrong apartment.

01:13:12Oh, oh, yes, sir!

01:13:13You go to the attic.

01:13:14No, no, that's right for Loli!

01:13:15Nobody, there is nobody!

01:13:17You go to the attic.

01:13:17The chache!

01:13:18This is an honorable pension!

01:13:20But give me the copy, it's Cati!

01:13:22And Cati!

01:13:22No, don't you see it's the maid, man!

01:13:24Cati, she left me the copy!

01:13:25Come on, you're van attic!

01:13:26It's crystal clear!

01:13:27They're going to the attic!

01:13:28They're going to the attic!

01:13:29They're going to the attic!

01:13:30They're going to the attic!

01:13:31They're going to the attic!

01:13:33They are drunks who live upstairs.

01:13:36They have been confused before.

01:13:37Relief!

01:13:39Relief!

01:13:41I can't take it anymore!

01:13:41I'll help you!

01:13:43I'm drowning!

01:13:47Give him a glass of coña!

01:13:49That's a joke!

01:13:50Damn!

01:13:51But let it be French!

01:14:03But if this is...

01:14:05Four H.

01:14:23That's Genaro's room, you always get it wrong.

01:14:25Well, I'm the one who's hurt.

01:14:26And why didn't you leave yesterday when you saw Genaro wasn't there?

01:14:28Because the man thought she was a thief and said he was going to call the police.

01:14:31and he had a very deep voice.

01:14:33And men with deep voices, how they scare me,

01:14:35They do with me what they want.

01:14:37Well, go on, go inside and wait for Genaro.

01:14:39Today no photos or anything.

01:14:40Since your aunt has arrived, we'll both come later and make a real scene.

01:14:44Don't be late.

01:14:45You stay calm until we get there, okay?

01:14:47Wow!

01:14:48Wow!

01:14:50And I also have to thank you for the football field,

01:14:53the bringing of water,

01:14:55the fountain of the seven spouts

01:14:56and the sewage system.

01:14:58By the church organ

01:14:59and the paving of my street.

01:15:02Yes, man, yes.

01:15:02And the statue of the mayor's father on horseback.

01:15:05But why don't we leave now?

01:15:08With the money that this poor man will have left,

01:15:10we arrived and to Guadalajara.

01:15:13Is Mrs. Rafaela here?

01:15:14Well, I don't know, because this looks like the subway.

01:15:17What subway?

01:15:18Come on, let's go.

01:15:19Long.

01:15:20Benito, what happened?

01:15:21I didn't say anything until I spoke to you.

01:15:22Well, you can now announce the link in the company notes.

01:15:24At this moment his niece and Genaro are in bed.

01:15:27In which bed?

01:15:30But I didn't want to compromise him.

01:15:32Well, that's it.

01:15:33Now, let's find out.

01:15:34If necessary, we take it to a notary.

01:15:35That's done.

01:15:36Wait, we're going to take Genaro too.

01:15:39Yes, let Genaro come too.

01:15:40How Genaro?

01:15:40It's just that it's in there and unconsummated.

01:15:43That?

01:15:46We can also make a beach on the river.

01:15:49A beach...

01:15:50The coast of the roll.

01:15:53So who has it been hard to be unhappy with this time?

01:15:56You've been lucky, Mr. Ansure.

01:15:58The Swiss one you like, the 4H, has become available.

01:16:01And we've made renovations since the last time you were here.

01:16:04You're in for a surprise.

01:16:06Nothing surprises me anymore, Fernandez.

01:16:09Let's go find that idiot who, if they have messed things up for me,

01:16:12Either Genaro complies, or you do.

01:16:13Hey, why me?

01:16:14You have lost her and you are going to find her.

01:16:16But I don't earn enough to support a family.

01:16:17Don't worry, I'll find you a plug in your body, man.

01:16:20But this is a black pass.

01:16:22But why don't we go out for dinner?

01:16:24To the Escorial, for example.

01:16:26Or to Soria.

01:16:27That we are going to find the restaurants closed.

01:16:30We will go, we will go.

01:16:31But we have to wait for this man to recover from drowning, man.

01:16:33Yes, it's nothing.

01:16:34Because he has nothing to do, he drowns.

01:16:36How is it done?

01:16:36But we can carry him in our arms.

01:16:37Good night.

01:16:41Wow, we have a party.

01:16:45Ricardo, what have you come for?

01:16:48To invite you to dinner.

01:16:51So get ready, we're leaving.

01:16:53It's just that, it's just that I can't.

01:16:58It's my mother.

01:16:59Oh, yeah.

01:17:02Neither there, nor here.

01:17:04Because also, my, my girlfriend, only goes out at night with me.

01:17:11His girlfriend?

01:17:12But what a drawer they had it in.

01:17:13Yeah.

01:17:14But what are you saying?

01:17:15My girlfriend, my girlfriend, is not going to have dinner with the first sweet potato that walks through that door.

01:17:23Well, let's not start.

01:17:24No, sir, we haven't started.

01:17:25What we are going to do is finish.

01:17:28Leave it, Genaro.

01:17:29It's better that you know the truth.

01:17:31Mother.

01:17:31But, but, but, but, what truth do they have to know?

01:17:34Because this gentleman, who is a student of, of, of, of, of computer science.

01:17:39From computer science.

01:17:42He wanted to marry you.

01:17:44Wanted to!

01:17:45But like you, the one you want to marry is me.

01:17:49This gentleman understands.

01:17:53He goes to dinner alone.

01:17:55What peace.

01:17:57Enjoy your meal.

01:18:00Juliana.

01:18:02Juliana.

01:18:04But what's wrong with my daughter?

01:18:06It must be the emotion.

01:18:07Don't show it like that, young man.

01:18:10There are many women who would be eager to marry you.

01:18:13Man, Julie, well, Julie...

01:18:14Look, look.

01:18:15There is a woman in the residence, she is not a little girl, she is 73 years old.

01:18:21But you know that the old hen is the one who makes the best broth.

01:18:25Why did you say such nonsense?

01:18:26It's not nonsense.

01:18:28And I'm glad I said it, because, because, if that scoundrel hadn't gotten in,

01:18:33maybe I don't dare.

01:18:37So you meant it?

01:18:39Clear.

01:18:41You're crazy.

01:18:42How are you and I going to get married?

01:18:44Well, like everyone else.

01:18:45With cake, altar boys, freeloaders and a priest.

01:18:48I can't marry you or anyone else.

01:18:50Because?

01:18:51Because women like me don't get married.

01:18:53No, I'll marry you.

01:18:55Now you just have to find the cake, because the altar boys are on me.

01:19:02And you won't be short of freeloaders.

01:19:05But, Father, you don't know...

01:19:08Cane.

01:19:09I know what you told your mother, that you are a typist, that you work in the ministry

01:19:15and that you live in this boarding house.

01:19:20Father, that's not true.

01:19:22For him yes.

01:19:24And for me too.

01:19:27Now, if you don't love him...

01:19:29Of course I love him.

01:19:31So, shut your mouth.

01:19:33Shut your mouth, lamb, I'm going to give you a kiss.

01:19:38And you, father, turn your back, it's going to be a screw kiss.

01:19:41And those are sin.

01:19:43Let's see who dares to say we're not getting married now.

01:19:48Where is that scoundrel?

01:19:50Let that unnatural father come out.

01:19:52Look, look how this scoundrel Genaro has left it for me.

01:19:56In a very embarrassing situation.

01:19:59Father, marry them right now.

01:20:02And tomorrow he will give them warnings.

01:20:05But how could you do that?

01:20:06Well, you can imagine.

01:20:08Silberio, don't believe it, it's a lie.

01:20:10Oh, what does this guy care?

01:20:12That's enough, Father.

01:20:14I don't like Genaro.

01:20:15Take me.

01:20:16The one I want is Silberio.

01:20:18And you're going to marry an egg-eater?

01:20:21Yes sir.

01:20:21Egg man?

01:20:22But honest.

01:20:23And what do we do with my grandson?

01:20:26With the excitement I had of giving him the bottle.

01:20:29We need to clarify this matter about the grandson, Florinda, why?

01:20:31It's already clear.

01:20:34Here you go, father.

01:20:35And let's see how he manages to bottle-feed that.

01:20:39And what about this?

01:20:41His grandson, who was seven months old.

01:20:43By order of the mayor that the inauguration of the fountain of the Seven Spouts will take place,

01:20:59with water supply included.

01:21:00Long live Don Genaro!

01:21:20Careful, careful with the step.

01:21:23Come down now.

01:21:24Oh, we were just in time, darling!

01:21:26Yes, darling, but be careful not to spoil what's coming.

01:21:30Shut him up!

01:21:37Damn!

01:21:40Bravo, bravo!

01:21:49Menaquí!

01:21:50Can you release the water now?

01:21:51Yes sir.

01:21:52Sure?

01:21:53Sure, I've set it up myself.

01:21:55Well, that's why I say it.

01:21:55No, don't worry.

01:21:57It is underground conduction.

01:21:58Debt to technicians, change.

01:22:00You can hit the bomb now.

01:22:01Short!

01:22:02Good!

01:22:06Good!

01:22:07and

01:22:08and

01:22:10and

01:22:13and

01:22:16and

01:22:20and

01:22:21and

01:22:26and

01:22:28Listen, from Benito to the technicians, from Benito to the technicians, more pressure!

01:22:45Now it goes.

01:22:58What is that?

01:23:28From Benito to technicians, close the key that has the rope with the knot.

01:23:34Look, look!

01:23:36From Benito to technicians, change and cut everything.

01:23:39Cut the fat key, the fat key that you have threaded.

01:23:44Now you understand why I brought the umbrella.

01:23:46I will know Benito.

01:23:49Only materials that do not...

01:23:53This would not have happened in Germany.

01:23:58Thank you!

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