Tggrt. 17. Violent Delights.

deaddogsdam

First broadcast 1st January 1992.   Sixth former, Philip Dempster, has a crush on his French teacher and sees what looks like a murder when he spies on her through a telescope.  Mark McManus - DCI Jim Taggart James MacPherson - DS Mike Jardine Florence Guérin - Francoise Campbell Tom Smith - Philip Dempster Blythe Duff - DC Jackie Reid Iain Anders - Supt. Jack McVitie Ronald Fraser - Angus Collins John Dougall - Andy Collins Paul Thomas Hickey - Tony Jacovelli Natalie J. Robb - Sheila MacIntosh (as Natalie Robb) Robert McBain - Keith Dempster Harriet Buchan - Jean Taggart Robert Robertson - Dr. Stephen Andrews Jason Hetherington - Ian McLaughlin Alastair Cording - Mick Dawson Gordon Cameron - Billy Kavan Sheila Donald - Aunt Hettie Sandy Neilson - Headmaster Victoria Nairn - Marilyn Telfer Anna Hepburn - Mary Meiklejohn Graham McGregor - Funeral Driver (as Graham MacGregor) Simon Sharkey - Funeral Singer Ronald Aitken - Peter Campbell Hugh Larkin - Alec Telfer Nicola Auld - Hospital Sister Leonard McLure - Taxi Driver James A. Tennant - Minister

Transcript

00:00:00The End

00:00:30I don't know.

00:01:00I don't know.

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00:05:29I don't know.

00:05:31You're going out again?

00:05:32There's going to be a clear sky.

00:05:34I'm going to be late, so don't bother waiting up for men.

00:05:36I don't know.

00:05:37I don't know.

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00:06:00I don't know.

00:06:01Exactly.

00:06:02Siehla, I will come and open the door for you.

00:06:02Professor Dempster?

00:06:04Sheila, on your way up. I'll come and open the door for you.

00:06:06Do what Philip's like.

00:06:32Philip says he's finding a new comet. I don't believe him.

00:06:36I don't believe him either, but good luck.

00:06:38Are you going somewhere nice?

00:06:40No, there's going to be some students doing some work on variable stars. I'll be back late.

00:06:44But remember, comets are supposed to signal disaster.

00:06:48Philip!

00:07:06Hi.

00:07:08Good evening.

00:07:09Just met your dad going out.

00:07:11Wish I had a dad like that.

00:07:13Thinks nothing of me and you being in the house on our own all evening.

00:07:18Camera on already?

00:07:21For the comet.

00:07:23Go and make us some hot chocolate.

00:07:26Do you think I'm your mother or something?

00:07:29Hmm.

00:07:48Oh!

00:07:49Oh!

00:07:50Oh!

00:07:51Oh!

00:07:54Oh!

00:07:55Oh!

00:07:57Philip, Philip, help!

00:08:27Oh, my God.

00:08:30Spill it!

00:08:57¶¶

00:09:28Hi, how are you sleeping?

00:09:30How are you enjoying herself?

00:09:33How can she be enjoying herself when she's sleeping?

00:09:37Heittä, you're missing a dancing.

00:09:41Are you doing yet?

00:09:43I thought he wanted to watch the dancing, Reddy.

00:09:46I miss most of it.

00:09:48I think I've... stretched my legs.

00:09:52I'm worried about you, Jim. She's been falling asleep a lot lately.

00:10:00Jim, here we have to sit and watch this.

00:10:03And when it's pouring with rain, we only came for her benefit.

00:10:19Sorry.

00:10:22That's fine.

00:10:23Well, they've not been able to find her too.

00:10:25I was so embarrassed.

00:10:26I've been able to find her.

00:10:27Oh, no.

00:10:28No, no, no.

00:10:31The R.I.'s Simpelian.

00:10:39I haven't seen her leave, Jim.

00:10:41Oh, my God.

00:11:11Oh, my God.

00:11:41Oh, my God.

00:12:11Oh, my God.

00:12:41Oh, my God.

00:12:43Oh, my God.

00:12:45Did you get any useful fights?

00:12:50He wasn't belted in.

00:12:51Probably wouldn't have saved him if it burst into flame on impact.

00:12:56Assuming it did.

00:12:58Well, they're the experts on that, not me.

00:13:01Did you get any answers?

00:13:03Nothing that you can't work out for yourself.

00:13:07Whether he was dead or unconscious when the fire started, I won't be able to tell you until I get the body back.

00:13:12Did I hear something about him just becoming a father?

00:13:18And a kid becoming an orphan.

00:13:19This has got French writing on it.

00:13:40Can you translate?

00:13:45New Psalms, we are...

00:13:47I know that.

00:13:48Shh.

00:13:49Don't tool of a tool.

00:13:50In every car.

00:13:51How can it run off the road in neutral?

00:14:05How's she taking it?

00:14:06How's she taking it?

00:14:11As you'd expect.

00:14:13Just wait a second, please.

00:14:16Would you like me to take him?

00:14:18No.

00:14:18I want to keep him.

00:14:23Five minutes.

00:14:24All right.

00:14:33I knew it would happen.

00:14:34One day.

00:14:36I'm DS Michael Jardin and this is Jackie.

00:14:39I knew what would happen, Mrs. Telfer.

00:14:41He'd kill himself.

00:14:44Driving.

00:14:44Oh, he would drink, always saying it wouldn't happen to him.

00:14:49There, uh, there is a matter of identification.

00:14:53If you could tell us who his dentist was, we could get the records.

00:14:57Are you trying to tell me that...

00:14:59There was a fire.

00:15:01You don't know it was him?

00:15:03Did he have any reason to be on the Coatbridge Road last night?

00:15:07No.

00:15:07Why?

00:15:09That isn't even on his way home.

00:15:12It's where his car was found.

00:15:15What was he doing there?

00:15:17He knew our baby was due any day.

00:15:22Where did he work?

00:15:25Collins and son in Maryhill.

00:15:27He was an undertaker.

00:15:31Better wait till this is over, eh?

00:15:34Chief Inspector Tiger, isn't it?

00:15:36Can I help?

00:15:37I believe you've got a young guy called Alec Telfer working here.

00:15:42Aye.

00:15:42He hasn't shown up today.

00:15:44He's not going to show up.

00:15:45He was found dead this morning.

00:15:48Oh, my God.

00:15:48Is your old man in?

00:15:50Aye.

00:15:51Aye, see the back.

00:15:52How'd it happen?

00:15:54Was it a car accident?

00:15:56What makes you say that?

00:15:58Look, uh, I better go.

00:16:00My father will explain.

00:16:01He was a silly boy, Mr. Tiger.

00:16:04Oh, hello, Jim.

00:16:30What brings you here?

00:16:32I thought you were retiring.

00:16:34No, no.

00:16:36Still keep my hand in.

00:16:38And, uh, keeping an eye on Andy.

00:16:41You know what these young ones are like?

00:16:43They want to change everything for the sake of change.

00:16:48Who do you change in undertakers?

00:16:50Funeral directors, if you don't mind, son.

00:16:53That's quite easy.

00:16:54You just move to bigger, more comfortable premises,

00:16:58and people forget you're the same firm.

00:17:01Andy went to the States.

00:17:03Saw a lot of funeral parlours there.

00:17:07Funfares, I call.

00:17:08Now, what can I do for you?

00:17:14Your trainee, Alec Telfer, was found dead.

00:17:20Alec?

00:17:21But how?

00:17:24Uh, can we talk somewhere a bit more, uh, conducive?

00:17:30One of the drivers just told me he was a nice boy.

00:17:34A really nice boy.

00:17:36Ah, thanks, Mary.

00:17:37Thanks.

00:17:38So was he?

00:17:42Well, he'd been with us for two weeks.

00:17:45And I doubt if he'd still have been with us after another two.

00:17:48Why is that?

00:17:50Well, he wasn't cut out for the job.

00:17:53See, what happens sometimes is

00:17:55they've no problem driving the car

00:17:57or dealing with the bereaved,

00:17:58but, uh, they just can't handle the remains.

00:18:03When you say handle...

00:18:05Deal with touch the dead.

00:18:07You know I dislike Jim.

00:18:11We put up a shield.

00:18:12We have to as part of the job.

00:18:14But Alec...

00:18:17Alec just wasn't getting used to it at all.

00:18:20Did it drive him to drink?

00:18:21No, no, no.

00:18:22Not on the job.

00:18:23We'd have been out the same day.

00:18:24But, uh, I hear he was in the habit of taking a few before he drove home.

00:18:32Have you ever seen that key or the ring?

00:18:35I know every key in this building, and this is not one of them.

00:18:41That's just...

00:18:42That's just French, isn't it?

00:18:44Yeah.

00:18:45It means we're in every car.

00:18:49I'd better get on to his wife and offer to handle the funeral.

00:18:54Would you like a wee cup of tea?

00:18:56How are you?

00:18:57That's just in person.

00:19:07Hello.

00:19:08How are you?

00:19:11Come on.

00:19:12Do with you well?

00:19:13Yeah.

00:19:14Jen, it's okay.

00:19:25Sheila, very good, but trancellement is spelled E-I-G.

00:19:29Enter, excellent.

00:19:32Jacovelli, comme ci, comme ça.

00:19:34Brush up your regular verbs.

00:19:38Okay, now, for homework, I want you to write a French essay.

00:19:42Or 500 words.

00:19:46Your subject, a French phrase which is in common English usage.

00:19:51For example, fait accompli.

00:19:58Any other?

00:20:01Déjà vu.

00:20:03Déjà vu.

00:20:04Savoir faire, something Jacovelli doesn't have.

00:20:16Yes, Philippe?

00:20:19Queen Páschanel, Queen Páschanel, Queen Páschanel.

00:20:22Queen Páschanel, Queen Páschanel.

00:20:23Queen Páschanel.

00:20:24Oh, my God.

00:20:54Please, madame, is it true that in France, if a woman murders her husband, she can be found not guilty?

00:21:16Go quietly, please.

00:21:24Shock from burns.

00:21:32That's what it says.

00:21:33And that's the cause of death?

00:21:35If it wasn't, I wouldn't have written it.

00:21:37Do you know the blood alcohol level?

00:21:41390 milligrams.

00:21:42That's equivalent to nearly 11 pints of beer or two-thirds of a bottle of whiskey.

00:21:48Almost total stupor.

00:21:50It says here the vault of the skull's broken.

00:21:52Hmm.

00:21:53Due to bursting and splintering from the effects of the heat.

00:21:56Carbon monoxide in the body fluids indicate that life became extinct after the fire started.

00:22:02So you still get body fluids after a fire?

00:22:05The human body consists mainly of water.

00:22:08It's not easy to consume.

00:22:10Could he have been knocked unconscious?

00:22:12Oh, no evidence of it.

00:22:14Damn.

00:22:17What's your theory?

00:22:18Well, somebody got him drunk and pushed his car off the road, forgetting that cars don't crash in neutral.

00:22:32Well?

00:22:34It wasn't his.

00:22:36Never seen it before.

00:22:38Have you any idea why he would have a French key ring in his car?

00:22:43I've no idea.

00:22:44Are you saying there was somebody else with him?

00:22:51Marilyn, we don't believe your husband died in an accident.

00:22:56We think he was murdered.

00:23:07Nobody would have wanted to murder Alec.

00:23:10We found a whiskey bottle in the car.

00:23:12Was he in the habit of carrying him?

00:23:15You mean to drink out of?

00:23:18No, he wasn't like that.

00:23:21He liked to drink, but not at the wheel.

00:23:24Do you know of anybody that might have wanted to harm him?

00:23:29Alec hadn't an enemy in the world, Mr. Taggart.

00:23:31Do you believe in reincarnation?

00:23:41And...

00:23:42Maybe he died.

00:23:47Just as his son was being born.

00:23:49I'm sorry.

00:24:07No! No, you're supposed to be star-crossed lovers!

00:24:28Look, watch me do it with Madame Cam.

00:24:33Try and give the impression that you're going together.

00:24:37Can we do it in English, please?

00:24:40I must be gone and live, or stay and die.

00:24:45Yon light is not daylight. I know it.

00:24:48It is, so matter all that the sun excels,

00:24:51to be to thee this night a torch-barer,

00:24:54and lies this on the way to Montour.

00:24:58Therefore stay yet. Soon it is not to be gone.

00:25:07Okay, from the top. And remember, this is an intense love.

00:25:14Fire and powder.

00:25:16Violent delights have violent ends.

00:25:18Hello. There's nobody home for now.

00:25:22But if you want to leave a message,

00:25:24we'll call you back as soon as possible.

00:25:26Thank you. Bye-bye.

00:25:27Hello. There's nobody home for now.

00:25:31But if you want to leave a message,

00:25:32we'll call you back as soon as possible.

00:25:34Thank you. Bye-bye.

00:25:36So, hi.

00:25:38I've met Lila at the moment.

00:25:39I've got a meeting with a client

00:25:40in the corner of an hour.

00:25:41So, I thought it was great.

00:25:43I'm in Lila at the moment, and I've got a meeting with a client at the quarter of an hour, so I thought it is right.

00:25:49Get down.

00:25:51I'm fine.

00:25:52Pity it wasn't like this the day we came for the island dancing. We got slightly damp.

00:26:14Still, it was very worthwhile coming, and Jim enjoyed his day too, didn't he?

00:26:19Goodness, do you remember when I used to be able to go highland dancing?

00:26:24That was some time ago, eh?

00:26:27Oh, look, there's the ice cream van. You fancy an ice cream, Hetty?

00:26:33I said, would you like an ice cream, Auntie?

00:26:37Hetty?

00:26:39Hetty, what's wrong?

00:26:41It was just a stroke.

00:26:44She didn't feel anything.

00:26:46She was just sitting there.

00:26:50I didn't even realize what was going on.

00:26:54I was going to get her an ice cream.

00:27:00Everyone gathered around, they were so kind.

00:27:03I'm sorry, Jean.

00:27:09She was the last of the aunties.

00:27:15The police were very kind too.

00:27:21Have you been in touch with the undertaker?

00:27:25Yes.

00:27:29Which one?

00:27:31Collins.

00:27:33Oh.

00:27:35I'm dealing with them in connection with the murder.

00:27:38That's just typical of you, Jim.

00:27:42I never really got to know him that well.

00:27:47He was only here a couple of weeks.

00:27:50He never made an embalmer, though.

00:27:52Why is that?

00:27:53Hadn't a stomach for it.

00:27:55Me, it's my favorite part of the job.

00:27:57Making them look beautiful.

00:27:59Like this one.

00:28:00This old lady just died yesterday.

00:28:04It's not just about preservation, you know.

00:28:09Did, er...

00:28:11Did you see him leave?

00:28:13No, he just left without saying goodnight.

00:28:15He was like that.

00:28:17And he never said anything about meeting anyone that night?

00:28:20No, he only ever talked about his wife.

00:28:22She was expecting a baby.

00:28:24I know she's had it.

00:28:25I know he was murdered.

00:28:28And that's all you do?

00:28:30And bam?

00:28:31Oh, no.

00:28:32Like I said, it was only part of the job.

00:28:34There's no demarcation lines here.

00:28:36I drive, dress coffins, and I deal with the bereaved.

00:28:43That's the worst part.

00:28:45Dealing with the bereaved.

00:28:53When I left, his car was gone.

00:28:55I just thought he came back from the pub and collected it.

00:28:58What time was that?

00:29:00About half past seven.

00:29:02That's from no going straight home.

00:29:04I mean...

00:29:06I just can't help you at all.

00:29:08Were you the last to leave?

00:29:10I was.

00:29:12My calls get russied through that's in my father's house or mine.

00:29:15I get the impression you don't see eye to eye.

00:29:19Look, you know how it is.

00:29:21I mean, Dad started in the business 40 years ago.

00:29:23He thinks interior design's gone down the American way.

00:29:27I went there.

00:29:29They're not afraid to make it.

00:29:31A gateway to paradise.

00:29:33Instead of a pokey wee office.

00:29:34All I want is just to make us more comforting for the bereaved to visit.

00:29:44More like your wife.

00:29:46Jean was close to her auntie.

00:29:49I never was.

00:29:50Listen, what kind of coffin did Jean choose?

00:29:56Come and I'll show you.

00:29:57Come and I'll show you.

00:29:58That's the one your wife ordered.

00:30:01The Elmone with pink lining.

00:30:04Expensive.

00:30:05Aye.

00:30:06Nice solid oak.

00:30:07Superior wood.

00:30:08That's a nice coffin.

00:30:09I'll take that one.

00:30:10Are you sure you don't want to talk to your wife?

00:30:11It'll be a nice surprise for her.

00:30:12It'll be a nice surprise for her.

00:30:13It'll be a nice surprise for her.

00:30:15I'll take that.

00:30:16And I'll show you.

00:30:17It's that's the one your wife ordered.

00:30:18The Elmone with pink lining.

00:30:22Expensive.

00:30:23Aye.

00:30:24Nice solid oak.

00:30:25Superior wood.

00:30:27It's a nice coffin.

00:30:28I'll take that one.

00:30:30Are you sure you don't want to talk to your wife?

00:30:33It'll be a nice surprise for her.

00:30:44Anything?

00:31:08There's a few drivers not around.

00:31:10The racemation.

00:31:11Oh, well, we'll cut you off from later on.

00:31:16Come on.

00:31:17I'll buy you both lunch.

00:31:21Do you think moaning's affected him?

00:31:23Mourning?

00:31:24Couldn't stand the sight of her.

00:31:41Right, sir, that was £7.54.

00:31:45Well done.

00:31:46Eh, you owe me the 54.

00:31:48Right.

00:31:49Did you get that fax off the French police?

00:31:51Yeah.

00:31:53The keyring's produced by company Renard, S.A. in Lille.

00:31:58Renard's French for Fox.

00:31:59Right, who ordered a cheeseburger?

00:32:00Me.

00:32:01Hence the Fox and the keyring.

00:32:03Produced car accessories.

00:32:05Is it on sale here?

00:32:06Nah.

00:32:07Chips, they?

00:32:07Yeah, it's a promotional item.

00:32:10Any links with Glasgow?

00:32:12None.

00:32:13Quote, sir.

00:32:14We cater for a domestic market.

00:32:17Oh, well, that narrow's down in the list of suspects.

00:32:19He's a straw.

00:32:19Right, ah.

00:32:21Wasn't aware we had a list, sir.

00:32:23Have you got a cheeseburger in the front now, sir?

00:32:25No, no.

00:32:25Oh, here we go.

00:32:26Here.

00:32:26Sorry.

00:32:27Well, whoever dropped that key on a car floor had some connection with this company.

00:32:32Now, it didn't belong to Telfer.

00:32:33It must have belonged to his killer.

00:32:35Michael, we need a drink.

00:32:36Oh, well.

00:32:37Bon appétit.

00:32:46Dad.

00:32:50Dad, what would you do if you witnessed a murder?

00:32:54Go to the police, of course.

00:32:56Well, suppose you liked the person who committed the murder.

00:32:59What do you mean, exactly?

00:33:00You just didn't want that person to get caught.

00:33:06Ah, well, then you have a moral dilemma.

00:33:08Who's this for?

00:33:10It's an essay from Adam Campbell.

00:33:12Oh, come on.

00:33:15Attractive woman.

00:33:17I met her once at a PTA meeting.

00:33:21Dad, that was pre-set.

00:33:23Suppose it was a crime of passion.

00:33:32Well, then I should want to know if it was premeditated and who the victim was.

00:33:38That lady was in here not thinking straight.

00:33:50We have to give her confidence.

00:33:52Do the thinking for her.

00:33:53You forget one little thing.

00:33:55A newspaper notice her giving an estimate.

00:33:57She loses confidence.

00:33:58Especially if she just lost her kid in a road accident.

00:34:04Women are very vulnerable at this time.

00:34:07First hit and run in two years.

00:34:09That was a child, too.

00:34:11You know, we're burying a relative of one of the policemen this afternoon.

00:34:14I know.

00:34:16Funny, isn't it?

00:34:17Remember that flash car salesman who came in to sell us a new range of limousines?

00:34:22A week later, he was back in here in six pieces.

00:34:26A week later, he was back in six pieces.

00:34:56I'll leave you alone with her.

00:35:09This isn't the coffin I asked for.

00:35:13No, I asked for one better.

00:35:16She never wanted any fuss made about her funeral.

00:35:19A plain elm would have done it.

00:35:20This is solid oak.

00:35:22But she doesn't have to know.

00:35:26I did it for you.

00:35:27It's the last thing she would want, Jim.

00:35:32She looks so peaceful.

00:35:34It's all right, Billy.

00:35:50I'll do that.

00:35:51All right.

00:35:51And a limousine, too.

00:36:12My own car would have been good enough.

00:36:14I just wish you hadn't interfered.

00:36:17That's all.

00:36:18I'm sorry, Jean.

00:36:20You never did anything for her when she was alive.

00:36:22Now you suddenly do this?

00:36:23I'll never understand you, Jim.

00:36:26Well, maybe I'm just bloody minded.

00:36:28Maybe I just want to upset you.

00:36:30Stop the car.

00:36:40What?

00:36:42Where'd you get that key ring?

00:36:44Jim!

00:36:46Jean, do you mind?

00:36:48This is important.

00:36:50Mick Dawson gave it to me.

00:36:52He's with the hearse.

00:36:53Did you really want me to stop?

00:36:55Jim, if you hold up and he hit his funeral,

00:36:57is the last thing you will ever do.

00:37:05All right.

00:37:06Drive on.

00:37:08Man that is born of a woman

00:37:10hath but a short time to live

00:37:12and is full of misery.

00:37:14He cometh up and is cut down like a flower.

00:37:17In the midst of life we are in death.

00:37:21Of whom may we seek for succour

00:37:23but of thee, O Lord,

00:37:25who for our sins are justly displeased.

00:37:27Yet, O Lord, God most holy,

00:37:31O Lord most mighty,

00:37:33O holy and most merciful saviour,

00:37:36deliver us not into the bitterest pains

00:37:37of eternal death.

00:37:38O Lord, for our sins are justly displeased.

00:37:41O Lord, for our sins are justly displeased.

00:37:45We are just suffering from him.

00:37:48We are the ones who will decide.

00:37:51We are the ones who will decide.

00:37:54Sir Cammy does play in English?

00:37:55It's good enough for Shakespeare.

00:37:57Do Hamlet in Icelandic if you prefer.

00:37:59Yeah. Right, everybody, that's enough. Thank you very much.

00:38:02See you tomorrow.

00:38:08Philip Debser seems keen to be here.

00:38:11Sure he doesn't want to part?

00:38:12How would I know?

00:38:14Hey, Phil, you don't fancy doing my French essay for me, do you?

00:38:18Ta composition française.

00:38:20Mais pourquoi?

00:38:21Come on, I'll give you a fiver.

00:38:23No, thanks.

00:38:24You know I hate doing French essays.

00:38:29I'll tell you something you can do.

00:38:31Name it.

00:38:36Not here.

00:38:41You're joking.

00:38:43I saw it through my telescope.

00:38:44She's murdered her husband.

00:38:46And who were you looking at?

00:38:47Well, what do you think?

00:38:49You're a pervert, Dempster.

00:38:53These convince you?

00:38:59How do you know that's her husband?

00:39:04Well, I don't know.

00:39:05But you could find out by entering her flat and looking.

00:39:09Why me?

00:39:11Because you're braver than me.

00:39:13Do it and I'll get you through the French exam.

00:39:16That's breaking and entering.

00:39:18Don't worry.

00:39:19I'll help you.

00:39:20How'd you get a hold of that?

00:39:24Took it out of her handbag and had a copy made at lunchtime.

00:39:27I just haven't had a chance to put it back yet.

00:39:30Don't worry.

00:39:33I'll do that.

00:39:33Yeah.

00:39:45Okay.

00:39:46I thought you were in the middle of a funeral, sir.

00:39:49Yeah, that's why it's a bit difficult for me to get away at the moment.

00:39:53Just find out how Mike Dawson got hold of that key ring.

00:39:56He should be back by the way.

00:39:58It was in that drawer there.

00:40:11I was just hunting about for a spare key ring and I came across that one.

00:40:15It's been in there for at least a year.

00:40:17One of these things you keep seeing and stop noticing.

00:40:20A year?

00:40:21Could be two.

00:40:22Look, when we showed you that key ring, nobody recognised it.

00:40:26That one was burnt.

00:40:28Naturally it was burnt.

00:40:29It'd been in a fire.

00:40:31Do neither of you know where it came from?

00:40:35Does anyone be on holiday to France?

00:40:37Holidays in France and the wages old Mr. Collins pays us?

00:40:41Did you notice it had French writing on it?

00:40:44It was just a key ring.

00:40:46You don't read a key ring, do you?

00:40:48Don't watch theos.

00:41:15You didn't listen to me.

00:41:15...

00:41:23...

00:41:27...

00:41:33...

00:41:37...

00:41:41...

00:41:43...

00:46:45Sir, that schoolboy that's been missing for two days, body's just turned up.

00:46:52Who's gone out?

00:46:53I think we should see.

00:46:54It was in his lining, he was in his lining, killer probably didn't even know it was there.

00:47:03He was obligingly careless.

00:47:04He was obligingly careless.

00:47:05The question is, what's the connection between him and Telfer?

00:47:09Apart from the fact, apart from the fact, apart from the fact they both need an undertaker.

00:47:39equivalent, aquí, batting the police and the man's others, but from the encourage, then, he wrote the same room and the rest of the man takes place.

00:47:49Tony Giacovelli, one of our boys, is dead.

00:47:54He was found murdered this morning.

00:47:58I know that you will all join with me

00:48:01in thinking of Tony's family at this time

00:48:04and in praying for our dear friend.

00:48:08The police are here and they'll want to talk to all of you,

00:48:13especially Tony's closest friends.

00:48:15But I know that they won't object

00:48:18if we all observe a minute's silence.

00:48:33Excuse me. Excuse me.

00:48:37Come on, move back. Move back. Give us some air.

00:48:39All right.

00:48:45He was playing opposite me in the school play.

00:48:52Did you like him?

00:48:54He was a show-off.

00:48:56Seems wrong to say you don't like someone when they're dead.

00:49:00Do you know where he went to when you left school?

00:49:02No.

00:49:04Did you see him leave?

00:49:07I saw him talking to Philip Dempster.

00:49:11Where?

00:49:11In the boys' gym.

00:49:15No, it was a school playground.

00:49:17Sorry, it was a playground.

00:49:25Oh, sir.

00:49:26Um, do you mind if I stay with her?

00:49:29Ian McLaughlin, head of English.

00:49:31Tony Giacovelli was in the school play I was directing.

00:49:33Which play?

00:49:34Uh, he was Romeo.

00:49:36Romeo and Juliet.

00:49:37I'll just get her some water.

00:49:38I've got something.

00:49:39Were you Giacovelli's French teacher?

00:49:44Yes.

00:49:46You wouldn't recognise this, would you?

00:49:50We found it on Giacovelli's here.

00:49:52The reason I'm asking is because it comes from France.

00:49:56No, I've never seen it before.

00:49:59You have?

00:49:59Merci.

00:50:01How did he die?

00:50:02Can you tell us?

00:50:03He was stabbed.

00:50:06A bit like Romeo.

00:50:06No, actually Romeo took poison.

00:50:08It was Juliet who fell on the dagger.

00:50:13Sheila McIntosh says she saw the two of you talking together.

00:50:16That's right.

00:50:17And what were you talking about?

00:50:18Just talking.

00:50:20I can't remember what about.

00:50:22It wasn't very long ago.

00:50:24Did you see him leave school?

00:50:31No.

00:50:33Did he see where he was going?

00:50:35No.

00:50:38I just remembered what we were talking about.

00:50:41He wanted me to write his French essay for him.

00:50:44His French essay?

00:50:47No way.

00:50:48No way.

00:51:11ORCHESTRA PLAYS

00:51:41What's going to happen about the play?

00:52:04I don't know. Why?

00:52:05I've sat in on all the rehearsals.

00:52:07I could play Romeo now.

00:52:08Well, I don't even know if there's going to be a play,

00:52:10but thanks for offering anyway.

00:52:12We've spoken to everybody who knew him, sir.

00:52:23Teachers, family, friends out of school, nothing.

00:52:29No connection would tell for, sir.

00:52:31Except a French key ring.

00:52:32But we don't know who it belongs to or what the key opens.

00:52:35Two French key rings and one key, sir.

00:52:42There is a French connection.

00:52:44A teacher of the school happens to be French.

00:52:46A bit tenuous, isn't it?

00:52:48Well, one of the boys I spoke to might be worth a second look, sir.

00:52:52A Philip Dempster.

00:52:54A girl said she saw him talking to Jacobelli on the day he disappeared.

00:52:57He said they were talking about French homework,

00:52:59but there's just something about him.

00:53:01I thought he was lying.

00:53:04It's an impressive instrument.

00:53:05Would you like to look through it?

00:53:07Thanks.

00:53:09What are these?

00:53:11Star coordinates.

00:53:12You set them up on the computer

00:53:14and then the object appears in the eyepiece.

00:53:17Keeps you out of trouble, doesn't it, Philip?

00:53:20You were seen speaking to Jacobelli

00:53:22on the afternoon he disappeared.

00:53:24What were you talking about?

00:53:25Just French homework.

00:53:26Can you be more specific?

00:53:29We have to hand in French essays tomorrow.

00:53:32Jacobelli asked me if I'd write his for him.

00:53:35He said I wouldn't.

00:53:37Done yours?

00:53:38Of course.

00:53:40I'm not going to see you.

00:53:52I'm sure this can't be of any significance.

00:53:56Crème passionnel.

00:54:01Hello, Mrs. Campbell.

00:54:16Hello.

00:54:17Do you mind if I come in?

00:54:18No, of course not.

00:54:26You know, in my day, French teachers were the...

00:54:29...fomitable old dragons.

00:54:36At least mine was.

00:54:38Can I make you some coffee?

00:54:41No.

00:54:43No, thanks.

00:54:45You feeling better?

00:54:47Yes, thank you.

00:54:49It was just a shock.

00:54:52Of course.

00:54:54Would you take another look at that key ring?

00:54:56I told you, I've never seen it before.

00:55:00Well, it wouldn't hurt you to look at it once again, would it?

00:55:07We heard from Giacovelli's parents that he went on a school trip to France last year.

00:55:13With you and Mr. McLaughlin in charge.

00:55:16I thought we might have picked up here.

00:55:24I'm sorry.

00:55:26I don't know.

00:55:27You see, um, it comes from a company near Lille.

00:55:36And the school trip never went near there, did it?

00:55:40No.

00:55:40Well, not at all.

00:55:44We went to the Dardan.

00:55:48They're part of the country, I believe.

00:55:51Yes.

00:55:51I was born there.

00:55:55When I was three, my parents moved to Paris.

00:55:57Is your husband at home?

00:56:03No.

00:56:04He's away on business.

00:56:06He travels.

00:56:08In fact, I just had a telephone call from him in France.

00:56:11He's always ringing up, leaving messages.

00:56:15What is he doing?

00:56:17He's a consultant.

00:56:18Surveillance and security systems.

00:56:21He advises companies what to install.

00:56:26Really?

00:56:27All over Europe.

00:56:30Where is he one from?

00:56:32Here.

00:56:33It's self-employed.

00:56:34Oh, well, I'm going to keep you back.

00:56:43Five years?

00:56:45Antoine.

00:56:47He was killed in an accident.

00:56:50He ran out between two cars.

00:56:53Two years ago now.

00:56:56Trevor didn't stop.

00:56:59I'm sorry.

00:57:04Goodbye, Mr. Targat.

00:57:07Goodbye, Mrs. Campbell.

00:57:13I thank you.

00:57:29And what evidence?

00:57:31The fact that she's friend?

00:57:32Sir, she knows something.

00:57:35I am convinced of it.

00:57:36Bring her in.

00:57:38Sir, I've put the wind up her.

00:57:40I don't want it to blow her away.

00:57:43As your evidence, it's likely to blow her away.

00:57:47A French essay written on crimes of passion.

00:57:49Murder.

00:57:50By a 17-year-old boy.

00:57:52The last one seen speaking to Giacovelli.

00:57:55Anything else?

00:57:55Well, I don't know if this is important,

00:58:01but from her windows,

00:58:02you can see Philip Dempster's house.

00:58:05Will of the wasps, Jim.

00:58:06Will of the wasps.

00:58:15Michael?

00:58:17You fancy taking up astronomy?

00:58:19Hello?

00:58:26Madam?

00:58:28I'm watching you.

00:58:30Your secret's safe with me.

00:58:33Who's talking?

00:58:36Hello?

00:58:37Hello?

00:58:41Hello?

00:58:42Hello?

00:58:43Hello?

00:58:44Hello?

00:58:45Hello?

00:58:46Hello?

00:58:47Hello?

00:58:48Hello?

00:58:49So what time's your train?

00:58:57Nine o'clock.

00:59:00Well, looks like she's running away, sir.

00:59:04You take my car and follow her.

00:59:07I'll do this a moment.

00:59:09How will you get in?

00:59:13It's just a hunch.

00:59:19I'll do this a little bit.

00:59:50Who says?

00:59:53I'm a minor.

00:59:56Yeah, not exactly immature, eh?

00:59:59What's it like having a French teacher like Mrs Campbell?

01:00:03Okay.

01:00:05Find her attractive?

01:00:07Maybe.

01:00:13I bet you must get pretty tempted sometimes

01:00:15to look in other people's windows.

01:00:16I really have to go to school now.

01:00:21It's Giacovelli's funeral today.

01:00:23You ever looked in her bedroom window?

01:00:25No.

01:00:26Oh, come on.

01:00:27I wouldn't.

01:00:29You wouldn't be right.

01:00:30Oh, so you know what it is, then?

01:00:31I don't.

01:00:32Philip, you just said you wouldn't, so you know, don't you?

01:00:40You try to protect her for some reason.

01:00:45Have you got a crush on her?

01:00:46What is that?

01:00:48ennis

01:00:51Oh,

01:00:52my God.

01:00:56Oh, my God.

01:00:58I've got a crush on her.

01:01:03Oh, my God.

01:01:04I do not work on her.

01:01:06I do not work on her.

01:01:08No, friend of mine.

01:01:10Not exactly a heavenly body.

01:01:40Hello, there's nobody home for now, but if you want to leave a message, I'll call you

01:01:54back as soon as possible.

01:01:57Bye-bye.

01:01:58Hello.

01:01:59Morning, boy.

01:02:00Do you know where I am today?

01:02:02I'm your own.

01:02:03Good to see you.

01:02:05I wish you could be here with me.

01:02:08After today, I'm due to Leo.

01:02:10You're not in.

01:02:11So call again tonight.

01:02:13Au revoir.

01:02:38Police.

01:02:39They say you just dropped.

01:02:40Did you say what train she was catching?

01:02:41Aye, the London train.

01:02:42Right, thanks.

01:02:43Hey, you cannae leave your car there.

01:02:48842.

01:02:49842.

01:02:50742.

01:02:51842.

01:02:52842.

01:02:53842.

01:02:54842.

01:02:55842.

01:02:56Really?

01:02:57842.

01:02:58842.

01:02:591247.

01:03:001217.

01:03:011217.

01:03:021217.

01:03:031217.

01:03:041318.

01:03:051318.

01:03:061318.

01:03:071318.

01:03:081417.

01:03:111418.

01:03:121420.

01:03:131415.

01:03:13One ps1.

01:03:15Ladies, this one is exactly 40.

01:03:18All this boat on the planet, you have used to be on this boat.

01:03:22Why couldn't he come straight away with these instead of playing detective?

01:03:35He is a bit strange, sir.

01:03:37He's a schoolboy with a crush.

01:03:39No clear picture of the other man, sir.

01:03:42Dempster saw him clearly, though.

01:03:44I'm going to bring him back after Jacobelli's funeral to do a photo of him.

01:03:47And how does one of these key rings wind up at Collins, the Undertaker's?

01:03:51Nice present, sir.

01:03:53It's my guess that these came to Glasgow via Mrs. Campbell's husband after a business trip to France.

01:04:00Are you sure the body on the floor is that of Mr. Campbell?

01:04:04Oh, yes, sir. I saw the photos in the flats.

01:04:08And yet he phoned his wife this morning.

01:04:12Somebody phoned her.

01:04:21Of course, if we had a sight of these earlier, we might have been able to do something about him.

01:04:33Jack McVitie?

01:04:37That's a DC rate.

01:04:40Tiger?

01:04:40Sir, I'm at Carstairs Junction.

01:04:45What are you doing?

01:04:46Well, no, I got on a London train to follow her, but she wasn't on it.

01:04:50You're on a London train with anything. You're a tanker.

01:04:52Well, no, as I left the station, I saw her leave the left luggage office without her case.

01:04:57So you lost her your boy with?

01:04:58The train was moving, sir.

01:05:01What are you doing?

01:05:02This was the first station I could get off.

01:05:04Hey, miss, can we get a refund on our season ticket for last week?

01:05:14She lost Mrs. Campbell at Central Station when she was putting her bag into the left luggage.

01:05:19Is she going to open it?

01:05:20She can't.

01:05:22She's at Carstairs Junction.

01:05:26Oh, women police.

01:05:28I had to move it.

01:05:33The police were becoming suspicious.

01:05:36I didn't know what else to do.

01:05:39Somebody else knows.

01:05:41A boy in my class.

01:05:42I don't know how.

01:05:44Please, I want no more part in this.

01:05:48No, I don't know where I'll go.

01:05:51But don't try to find me.

01:05:58Mr. Campbell, I presume.

01:06:22Mr. Campbell, I presume.

01:06:28Mr. Campbell, I presume.

01:06:58Mr. Campbell, I presume.

01:06:59Mr. Campbell, I presume.

01:07:00Mr. Campbell, I presume.

01:07:01Mr. Campbell, I presume.

01:07:02Mr. Campbell, I presume.

01:07:03Mr. Campbell, I presume.

01:07:04Mr. Campbell, I presume.

01:07:05Mr. Campbell, I presume.

01:07:06Mr. Campbell, I presume.

01:07:07Mr. Campbell, I presume.

01:07:08Mr. Campbell, I presume.

01:07:09Mr. Campbell, I presume.

01:07:10Mr. Campbell, I presume.

01:07:11Mr. Campbell, I presume.

01:07:12Mr. Campbell, I presume.

01:07:13Mr. Campbell, I presume.

01:07:14Mr. Campbell, I presume.

01:07:15Mr. Campbell, I presume.

01:07:16Mr. Campbell, I presume.

01:07:17Mr. Campbell, I presume.

01:07:18Mr. Campbell, I presume.

01:07:19Mr. Campbell, I presume.

01:07:20Mr. Campbell, I presume.

01:07:21It doesn't smell.

01:07:47Probably for one very good reason.

01:07:52It's been embalmed.

01:07:55And where's the rest of them?

01:07:58Resting in pieces, sir.

01:08:00Jacovelli's funeral.

01:08:02It's been held at Collinson's son.

01:08:04And Dempster's gone there.

01:08:07Lord our God, our brother was suddenly and violently taken from us.

01:08:12Have mercy on him and comfort his family and friends

01:08:15by the power and protection of the cross.

01:08:17We ask this through Christ our Lord. Amen.

01:08:21Could we sing hymn 79?

01:08:25Christ be beside me

01:08:29Christ be before me

01:08:33Christ be behind me

01:08:37King of my heart

01:08:40Christ within me

01:08:43Christ be below me

01:08:47Christ be above me

01:08:51Christ be above me

01:08:53Tony Jacovelli?

01:08:54Yes, please.

01:08:56Christ be beside me

01:08:59Christ be above me

01:09:02Christ be above me

01:09:05Christ be above me

01:09:08Christ be above me

01:09:11Christ be above me

01:09:14Oh, my God.

01:09:44Oh, my God.

01:10:14Oh, my God.

01:10:44Oh, my God.

01:11:14Oh, my God.

01:11:44Oh, my God.

01:12:14Oh, my God.

01:12:44Oh, my God.

01:13:14Oh, my God.

01:13:44Oh, my God.

01:14:14Oh, my God.

01:14:44Oh, my God.

01:14:46Oh, my God.

01:15:14Oh, my God.

01:15:16Oh, my God.

01:15:18Oh, my God.

01:15:20Oh, my God.

01:15:30Oh, my God.

01:15:31Oh, my God.

01:15:32Oh, my God.

01:15:34Oh, my God.

01:15:36Oh, my God.

01:15:40Oh, my God.

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