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00:00:00Thank you all
00:00:30Thank you all
00:01:00But this is the Moroccan embassy
00:01:01Oh, yes, yes
00:01:03I'm sorry, that was a regrettable misunderstanding.
00:01:05I beg your pardon
00:01:06Bye
00:01:07Bye
00:01:11That's it
00:01:12Bye
00:01:14Bye
00:01:16Bye
00:01:18Bye
00:01:19Bye
00:01:20Bye
00:01:21Bye
00:01:22Bye
00:01:24Bye
00:01:26Bye
00:01:27Bye
00:01:28Bye
00:01:29Bye
00:01:30Bye
00:01:31Bye
00:01:32Bye
00:01:34Bye
00:01:36Bye
00:01:37Bye
00:01:38Bye
00:01:39Bye
00:01:40Bye
00:01:41Bye
00:01:42Bye
00:01:50Bye
00:01:51Bye
00:01:54Bye
00:01:56Dry, on the four o'clock sharp, explain a little
00:02:26Oh, here it is, just a moment
00:02:39Oh well, thank goodness
00:02:40Excellence
00:02:47Oh, my dear Countess, you must forgive me, I was absolutely unable to telephone
00:02:52Oh, but the appointment was at four o'clock sharp.
00:02:54Oh, I know, he's right, right, but diplomats know, we are exposed to all the unexpected.
00:02:59Actually, I'll give you some confidential news.
00:03:01Looks like I found a secret agent in a trunk at our embassy
00:03:05Another?
00:03:06Another?
00:03:07You know, I wanted to introduce you to a friend of mine, a financier from Milan, His Excellency Sanvei
00:03:11Nice to meet you, gallants
00:03:12Nice to meet you, but I have to go now, would you excuse me?
00:03:18Oh, how it's already going away
00:03:19When can we see each other again?
00:03:22Ah, well, I can't tell you, so let's see, tomorrow I'll leave for the ground, then I'll go back to the office
00:03:27So, this evening
00:03:28But really
00:03:29Dinner at my house, okay?
00:03:31I don't know if it will be possible for me
00:03:32At nine o'clock, please, I'll wait for you with my friend
00:03:35At nine o'clock
00:03:36How can you say no to the countess?
00:03:40Yes
00:03:40Go, go
00:03:41To all of you
00:03:46And that one doesn't have to be Arab, he has to be Milanese.
00:03:55What?
00:03:56Yes, I say, such an active and dynamic man deserves to have been born under the Madonnina, right?
00:04:01Please
00:04:02You'll see that we'll close the deal
00:04:07Certainly
00:04:08But what is he doing?
00:04:34It can always be useful
00:04:36And all our oaths then?
00:04:40Huh?
00:04:41We have not decided to give up dishonest living
00:04:43Remember our new motto
00:04:45Yes
00:04:45There's a light bulb in our future
00:04:47No, there is a job in our future
00:04:49Ciccio, there is hunger in our future
00:04:51And we've always been very unlucky.
00:04:54And then we started working when the economic situation is right.
00:04:57Excuse me, I allowed you
00:05:08Good morning, gentleman
00:05:10Is there anything for us?
00:05:11Ah, but I've been telling you for three days that there's nothing
00:05:14And you always want to stay here
00:05:15Mr. Speaker, we are needy people.
00:05:17Help us
00:05:18If you are looking for models for a fashion house
00:05:20But, Sir, what are two men looking for?
00:05:23Eh, here we are
00:05:23My brother is a great model
00:05:26I was to see how it is style
00:05:27He is a great stylist
00:05:28Parisian model
00:05:30Knight, knight, look at that style, eh
00:05:33What style?
00:05:34Model Eiffel Tower
00:05:38Eiffel, knight, Eiffel
00:05:39If he looked
00:05:42The chatons
00:05:45The chatons, knight
00:05:48Here
00:05:48Here
00:05:49But what are you doing?
00:05:50You didn't say leave
00:05:52Les chatons, les chatons
00:05:54Excuse me, sir, this is not good for you.
00:05:55Please
00:05:58Please
00:05:59Is it allowed?
00:06:00It is allowed
00:06:01Good morning, gentleman
00:06:02Is there anything for us?
00:06:04Venetian wet nurses wanted
00:06:05Nurses?
00:06:06But we are the nannies, gentleman
00:06:08I don't like puttei that much
00:06:10I have
00:06:11Ninna
00:06:13And I'm from Venice
00:06:17Venice yes
00:06:18And do you have milk?
00:06:20But you buy the milk, gentleman.
00:06:22Who is?
00:06:22Who is?
00:06:23Who is?
00:06:25Thank you
00:06:25Thank you
00:06:26Please
00:06:27Permit
00:06:28Permit
00:06:28Good morning, gentleman
00:06:30Is there anything for us?
00:06:32Well, there would be room for two waiters
00:06:34Waiters?
00:06:35And it's us
00:06:35The waiter didn't do it, the gentleman wants
00:06:37He wants a Flaminia coupé
00:06:39He wants a nice plate of pasta with sardines
00:06:41He wants an artichoke
00:06:43And as long as it's a continuous job, sir.
00:06:46One day on
00:06:47Just one day
00:06:48It's going well
00:06:49All right, we accept everything.
00:06:50Just let's work, gentleman.
00:06:51Very kind
00:06:52Oh, enough
00:06:53Out, out
00:06:54Out, out
00:06:55Go away
00:06:56Thank you, knight.
00:06:57There's nothing left for anyone
00:06:58It's gone out
00:06:58Emigrate if you want to work
00:07:00He emigrated
00:07:01Thank you
00:07:27Thank you
00:07:27Wonderful city, Berlin
00:07:29I've been there once before in 48
00:07:32And do you know what struck me most about that city?
00:07:37What?
00:07:38His women
00:07:39The beautiful ones
00:07:40Mr. Ambassador
00:07:41Mr. Ambassador
00:07:42Excuse me, Mr. Ambassador.
00:07:44Miss, a word in private.
00:07:46Yes
00:07:46Please
00:07:47Please
00:07:47I am from Milan, Mr. Ambassador.
00:07:50Milanese people are good people
00:07:51Action dynamics
00:07:52So let's get straight to the point
00:07:54I understand that your government has called
00:07:56An auction for an international contract
00:07:58For the construction of the dam on the Nile
00:08:00This is confidential news
00:08:01Well, you know how these things are.
00:08:03And then, my dear, there's nothing to do
00:08:04The tender for the contract is now closed
00:08:06Yes, yes, yes, exactly
00:08:07But allow me
00:08:07Our company is able to provide
00:08:10A contract, let's say, at reasonable prices
00:08:13Here, and the support of a personality like her
00:08:16It might make it possible for us to still get the contract.
00:08:18Look, to make a long story short
00:08:19I brought here 50,000 dollars
00:08:21What security deposit?
00:08:24And then I'm not the ambassador at this moment.
00:08:26How is he not the ambassador?
00:08:27I am not the ambassador at this time.
00:08:29At this moment
00:08:30I'm a guest
00:08:32Guest and admirer of the kind Countess Floriana
00:08:37If you need to talk to me about business, I'll meet you at the embassy.
00:08:39If tomorrow it goes ashore
00:08:41Exactly, in two months, three months, when will it be?
00:08:44Oh but, it will be too late Countess
00:08:47See, you ruined everything.
00:08:49I told you, it takes a lot of diplomacy.
00:08:52He's a personality
00:08:53And but I...
00:08:55Come on, let's go, don't make that face.
00:08:58I'll take care of it now
00:09:00I'm a woman, right?
00:09:03Thank you, thank you
00:09:05She'll take care of it
00:09:09She'll take care of it
00:09:10Here, I lose
00:09:12I had done it
00:09:27We fell into the trap
00:09:28But the soul of...
00:09:30Allai the Great and Muhammad his prophet
00:09:32And think
00:09:33Here you go, $50,000 for the security deposit.
00:09:45But how did you resist not taking me?
00:09:47But the troop is an art
00:09:48Wait
00:09:50Yes
00:09:51Let me do some math again.
00:09:52So, 50,000 dollars
00:09:55Out of approximately 32 million
00:09:575 million per hour
00:09:58And the rest is all ours
00:10:00Let's go
00:10:01We'll even make a nice little cross for ourselves
00:10:04Yes, go to me legally
00:10:05Good
00:10:06Eh, I promised it to those two
00:10:08I have to convince you, don't I?
00:10:10And you're a very difficult guy to convince.
00:10:13Yes
00:10:14Yes
00:10:15Yes
00:10:16Yes
00:10:17Yes
00:10:18Well
00:10:20At this time we arrive
00:10:22Listen, the agency gave us the address
00:10:24But we are not very familiar with the area
00:10:26Well, we walked to the faraway villa.
00:10:29Oh, sorry, I'm thirsty
00:10:31But what are you doing?
00:10:35Ah, how good
00:10:36Stand still
00:10:39And what's moving?
00:10:40Do your duty
00:10:41Yes
00:10:41Work
00:10:42Yes
00:10:44Yes, we tasted, didn't we?
00:10:46What a mess
00:10:47At the
00:10:49Salam
00:10:50Brochure
00:10:52A cognac or a bourbon?
00:10:54The Argentine said he wants a dog and a bourbon
00:10:56Excuse me, this dog must be a bourbon.
00:10:58Oh, no
00:10:59A cognac or a bourbon
00:11:01Cognac or bourbon
00:11:02Cognac?
00:11:03Cognac
00:11:04Ah, excuse me, a poor idiot
00:11:06Here you are
00:11:07Take
00:11:08Let our health drink it
00:11:11Take it easy
00:11:12But we don't know that.
00:11:17And I was just thinking about this
00:11:19Where did we meet him?
00:11:22But who are these two here?
00:11:26Well, how do I know?
00:11:27The agency sent it to me
00:11:28Here's who he is
00:11:30Eureka
00:11:31I don't know him
00:11:33Who?
00:11:33Eureka
00:11:33No, no, what eureka?
00:11:34Why do you appreciate me in Paris?
00:11:35And the baron
00:11:37The one in the fifth arm
00:11:39Sexta mare
00:11:39The one who was in jail with us a year ago
00:11:41Have you seen what you get for being honest?
00:11:45He became rich in one year
00:11:46It went black for me
00:11:47Black
00:11:48Black
00:11:49Yes but rich
00:11:50With carbon
00:11:51And do you hear what you say?
00:11:52Will we get a recommendation for a place?
00:11:54I think so.
00:11:55Let's go
00:11:55And we are friends anyway
00:11:57Let's go
00:11:58A tomato sandwich
00:12:00A tomato sandwich
00:12:02A tomato sandwich
00:12:03Malciuga
00:12:05Detachment
00:12:07Dried ham
00:12:09With tomato
00:12:10Stewed peppers
00:12:13But there is no tomato sauce
00:12:16Tomato
00:12:17That she was offended
00:12:20I don't know
00:12:20Well
00:12:22I have some good news for you.
00:12:24My friend the ambassador
00:12:25He decided to take an interest in your case
00:12:27And to include you in the tender
00:12:30Thank you
00:12:31Oh thanks
00:12:34Thank you
00:12:34We are moved
00:12:36Truly moved
00:12:37Listen, Your Excellency
00:12:38The fifty thousand dollars
00:12:40See you at the library later.
00:12:42Dad
00:12:44Listen
00:12:45But what do you want?
00:12:46But what do you want?
00:12:47I don't know you
00:12:49How is it?
00:12:49How we don't know each other
00:12:51What do we want?
00:12:51We met
00:12:53Vodarsi in the African embassy
00:12:56But what an African embassy?
00:12:58We met in the fifth
00:13:00In the fifth arm
00:13:03Brazzoville in the Congo
00:13:05Maybe Brazzoville
00:13:07But what Congo are you talking about?
00:13:09We met in Ga
00:13:11In Ga
00:13:13Gana
00:13:14Gana
00:13:14Yes this is where we met
00:13:15Gana
00:13:16Yes, I'm very happy to hear that.
00:13:17To have seen you again
00:13:17Well
00:13:18Until we meet again
00:13:19My loved ones
00:13:19So as I was saying earlier
00:13:21Gana
00:13:22But
00:13:22Tell me something
00:13:23Where did you meet him?
00:13:25In jail
00:13:25In jail
00:13:26In jail
00:13:27They sent me
00:13:28These sons of the good woman
00:13:29You understood Dora
00:13:30Due to two minor wastes
00:13:31Everything up in the air
00:13:32Thirty million gone up in smoke
00:13:34And I got at least two years in prison
00:13:35From three to five
00:13:37Article 276
00:13:38Abbarò
00:13:41Do you know how much I spent?
00:13:42For the preparation of this coup?
00:13:43A round million
00:13:44Did you understand?
00:13:45Oh bunch
00:13:46Well, but if the coup went badly
00:13:49The law of megas applies here
00:13:51And I'll kill you
00:13:53Stand still, gorilla
00:13:54Good good good is good
00:13:56Because you know that for much less
00:13:57He killed bastards like you
00:13:59But be good
00:14:01We want to talk instead
00:14:02A little more of my million?
00:14:04But always like you
00:14:04And who do I have to go with?
00:14:06With those two pigs who made me lose my mind
00:14:08I have the honor to tell you
00:14:09I don't know those two pigs.
00:14:10Did you understand?
00:14:10But I know them
00:14:11They are two Sicilian brothers
00:14:13The brothers in Trolia
00:14:14Two criminals by four deaf people
00:14:17Mark this name in your brain
00:14:18In characters of fog
00:14:19Did you understand?
00:14:19Score, score
00:14:20Marked
00:14:21But you pray to the Madonna that I find them again
00:14:23Because if not
00:14:24Well, but if you look carefully
00:14:25Gentlemen, the interview is over.
00:14:28Oh well
00:14:29HI
00:14:29Oh listen
00:14:30How did Floriana cope?
00:14:32Floriana?
00:14:33Well Floriana when the police came to take me away
00:14:36She entered the library and then
00:14:38The police
00:14:40Well document
00:14:57Fam or ease
00:14:59You want?
00:15:00You want?
00:15:00You want?
00:15:01You want?
00:15:01You want?
00:15:01You want?
00:15:01You want?
00:15:02You want?
00:15:02You want?
00:15:02You want?
00:15:03You want?
00:15:03Leave me alone, I have nothing to do with it
00:15:33Nice stuff, these are your usual parties, nice environments that you make me frequent
00:15:46Awful service, horrible waiters and then to top it all off the police
00:15:50You're right, dear.
00:15:52It's a shame, and now hurry up, come on
00:15:54Let me get started
00:15:55But what are you doing, are we going home or to Porto Longone?
00:16:11Go, go, madam.
00:16:12And from now on we will only go where I say.
00:16:24But yes, dear
00:16:26Dad
00:16:26What are you still doing up?
00:16:28I'm waiting for your gift
00:16:29Yes, imagine if this unfortunate father of yours bought you the present.
00:16:34And yes, I bought it.
00:16:36I open the trunk, take the gift and I carry the gift to your room
00:16:49Thanks dad, it's really a fabulous gift
00:16:52You also corrupt your son
00:17:04Park
00:17:05Looking for laborers
00:17:09Excuse me, please let me pass.
00:17:12Permit?
00:17:12Wide
00:17:12Knight, knight
00:17:14Here, we are the laborers
00:17:16Here, we have oval hands
00:17:18Very oval
00:17:20We have worked everywhere
00:17:21Eh, we are workers
00:17:22And then, yes, do you remember when I was building that villa?
00:17:25Which then collapsed because we start from the sixth floor
00:17:28Calm down, calm down
00:17:29I have a job for you two.
00:17:31Oh, thank you
00:17:32We kiss her hands
00:17:33Oh, sorry, sorry
00:17:35I meant the hand
00:17:36Excuse me, what is this about?
00:17:38Where should we go?
00:17:39From a mutual friend
00:17:41From a lawyer
00:17:42I go
00:17:43Wait a minute, it's not just one day
00:17:45No, it's a permanent job
00:17:49The boy is cheerful
00:17:53Thank you, Sir.
00:17:55Good morning everyone
00:17:56Please
00:17:57After her
00:17:58I'm going out
00:18:15Beautiful, tastefully furnished
00:18:17It's truly a stately home
00:18:19Oh, oh, oh, what are these jokes?
00:18:28In fact we are lucky
00:18:29He only has one hand
00:18:33Calm down, calm down
00:18:35We're all friends, right?
00:18:36But what friend, this is an enemy
00:18:39Oh, come on, come on guys
00:18:41There is no reason to fight between us
00:18:43He was the one who started it
00:18:45He, he, he
00:18:46Oh, just agree first
00:18:48But the left-handed person is very nice, if he wants to be.
00:18:51Just don't make him angry.
00:18:54Come, come with me.
00:18:55Where is it taking us?
00:18:56I'll show you something beautiful.
00:18:59Look at this gentleman, do you know him?
00:19:01No, never seen it.
00:19:02It's the Pannocchia.
00:19:03The Cob?
00:19:04One who was in my service, yes.
00:19:06He stole one hundred thousand lire and...
00:19:08I thought about it.
00:19:10He did well, didn't he?
00:19:12Very good, madam.
00:19:13When someone makes a mistake, they must be corrected immediately.
00:19:16And what was he?
00:19:18He was a scoundrel, a rascal, he deserved it.
00:19:21Well done, well done.
00:19:22And do you know who this guy was?
00:19:24No.
00:19:25It was the bald one.
00:19:27The one who washed his hands, Pontius Bald.
00:19:30I entrusted you with a stolen car, he kept it,
00:19:33but you know how it is, cars are dangerous.
00:19:37I thought about it.
00:19:40No.
00:19:40Oh, no.
00:19:41And his engine blew up.
00:19:45He did well, didn't he?
00:19:46Very good, madam, very good.
00:19:49And what was it?
00:19:50A scoundrel and a thisorest.
00:19:52A thysorest.
00:19:53Well done, well done, well said.
00:19:56And what do you think I should do to someone?
00:19:58what made me lose a whole million?
00:20:00Ah, we would take it in his place,
00:20:02we would kill him, we would break him up,
00:20:04we would put it in a bag,
00:20:06we would throw him into a deep ravine,
00:20:08wave, wave, wave, wave, wave.
00:20:11Where of course there is quicksand.
00:20:14And we'd even give him a couple of slaps.
00:20:16And do you know who played this trick on me?
00:20:19Ninth.
00:20:20You two, it was you two, scoundrels,
00:20:24criminals, murderers.
00:20:25You two recognized the baron,
00:20:29you had him arrested,
00:20:30you made me lose a million,
00:20:32a million, you understand, scoundrels.
00:20:34But we didn't know that, we apologize.
00:20:37Mrs. Muzio, stop, step aside.
00:20:41We could refund you.
00:20:43Oh, yes, and how much do you have?
00:20:46I have two hundred lire, and you?
00:20:48I have 26 points in quality.
00:20:51So, are we joking?
00:20:52But what do we do?
00:20:53But we could work for her,
00:20:55for life.
00:20:58Take his measurements.
00:20:59No.
00:21:00No.
00:21:02No.
00:21:04Ciccio, the coffin measurements are accurate.
00:21:08No, it's for the robes.
00:21:17Ciccio, are you sure the dead man lives here?
00:21:20Didn't you see the half-closed door and the funeral wreaths?
00:21:23Brother, is the dead man on this floor?
00:21:27Yes, it's on this floor.
00:21:28Thank you.
00:21:29Fiat voluntas dei.
00:21:31Fiat Alfa Romeo.
00:21:33Peace and good, this is where the deceased is.
00:21:45Yes, he was my husband.
00:21:46That's better.
00:21:47How bad?
00:21:48No, the brother wanted to say thank goodness we found it.
00:21:51Is it allowed?
00:21:54You see, madam, we are from Operapia, you do good to the brothers.
00:21:57Do you mean you're doing well, brothers?
00:21:59Yes, yes, he explained himself well, you do well for the brothers.
00:22:05We are Father Ciccio and Father Francesco of the Carmelites.
00:22:08Barefoot?
00:22:09No, no, with shoes.
00:22:12Come on, ma'am, crying doesn't solve anything, let's talk about other things.
00:22:17The presence of two religious people does me great good.
00:22:21I'm exhausted.
00:22:22Who said that?
00:22:24Courage, madam, you are not defeated, in fact you are well made.
00:22:30Father Francesco, let her vent.
00:22:34Madam, we came here to speak to the dead man.
00:22:37Oh, what do you say?
00:22:38Father Francesco, show off.
00:22:41Show off.
00:22:41Father Francesco, sorry.
00:22:44Madam, what did your husband die of?
00:22:47Of pneumonia.
00:22:48Of pneumonia.
00:22:49Double?
00:22:50Double.
00:22:51No, simple.
00:22:52Well, then if he'll be saved, if he'll be saved.
00:22:54What are you saying?
00:22:55If you show off, lady, if you show off.
00:22:58Mom.
00:22:59Who is?
00:23:00If you show off with him.
00:23:02Come on, daughter, let it all out.
00:23:05Father Francesco.
00:23:06Get naked.
00:23:06Father Francesco.
00:23:09Let us think of the deceased.
00:23:10Exactly, I'm thinking about him.
00:23:13Antoinette.
00:23:13Yes, Mom.
00:23:14This is Father Francesco and this is Father Ciccio who came.
00:23:17Yes, by the way, what did you come to do?
00:23:20Here, madam, we have come to...
00:23:24You see, madam, and your husband, before giving up his soul, had promised us a donation of the liquid.
00:23:32Yes, two flasks of wine, a nice ham, a nice salami.
00:23:35After Father Francesco.
00:23:37Some cash to buy the bell tower...
00:23:40Of San Giusto.
00:23:41Of the convent.
00:23:42Of the convent of San Giusto which is on the right.
00:23:45But did you know him?
00:23:48Madam, what are you saying?
00:23:50Who didn't know her husband, but who didn't know him?
00:23:54Me for example.
00:23:55Yes, in fact I was more intimate.
00:23:57More intimate.
00:23:58A holy soul, a pure soul, a clean, candid soul.
00:24:02We even shot window salutes.
00:24:04Candida.
00:24:06But I'm surprised.
00:24:08But it's really him.
00:24:09Oh, oh, oh, oh.
00:24:11You see.
00:24:13Please.
00:24:15That's why I'm surprised.
00:24:31Given his beliefs, how could he have promised a legacy to the church?
00:24:36You see, madam, your husband was playing a double game.
00:24:40So, so.
00:24:42As?
00:24:42So, word, counterintelligence.
00:24:47Miracle, miracle.
00:24:49Her husband converted before he died.
00:24:51And he promised you money.
00:24:53Certain.
00:24:54He won't want to doubt the word of two...
00:24:56Conventists.
00:24:57What?
00:24:59Conventists.
00:24:59Of two of the convent.
00:25:01Etto.
00:25:02We are brothers of great faith.
00:25:04We are two great believers.
00:25:06But yes, Mom, there's no need to object to poor Dad's wishes.
00:25:11Right, said the little girl.
00:25:13Betto.
00:25:13Father Francesco.
00:25:14Beggia.
00:25:15Father Francesco.
00:25:16Father Francesco.
00:25:18That?
00:25:18Let us recite a great psalm to the deceased.
00:25:21A nice salbone.
00:25:22A beautiful psalm.
00:25:52Forward the people, to the rescue, red flag, red flag.
00:26:01You will be the center-left.
00:26:02And the redemption that is the mother.
00:26:06I know it.
00:26:10We okay.
00:26:13You continue the psalm.
00:26:14If I can get the money we'll leave.
00:26:16But what do I do with the dead alone?
00:26:17Better a dead man today than a left-handed man tomorrow.
00:26:19But always sinister.
00:26:20Do what I tell you.
00:26:21I'm scared.
00:26:22Shut up.
00:26:23Sorry but I'll continue.
00:26:25But hush, hush, zin, zin, zin.
00:26:30Oh, me...
00:26:31Father Francesco allows, my sister.
00:26:44My brother-in-law.
00:26:48Excuse me, ma'am, but if we want to adjust our slope, the bell is right?
00:26:53Let's go over there and discuss.
00:26:54Shall we fulfill the deceased's last wish, madam?
00:27:01The bell.
00:27:02The bell of the bell tower.
00:27:04Do we want to tighten?
00:27:05And how much is needed?
00:27:07Ten million.
00:27:08Ten million.
00:27:09For what bronze costs.
00:27:11The bell, the evil deed.
00:27:13Well, ten million is the first question.
00:27:15I'm sure we'll come to an agreement.
00:27:18I'm going down to a million.
00:27:19No, no, no.
00:27:21Nine hundred thousand.
00:27:22Ninth.
00:27:23No.
00:27:23Eight hundred thousand.
00:27:25No.
00:27:26But okay, I get it, I want to ruin myself.
00:27:29A bronze bell of massacre, I will not give it to you for seven hundred thousand, nor for
00:27:34six hundred thousand.
00:27:35Gentlemen, within everyone's reach, I'll give it to you for five hundred thousand lire.
00:27:40Five thousand.
00:27:41It's fine, it's fine.
00:27:43Judging by, Francesco.
00:27:44That's fine, instead of making a bell, we'll make a bell.
00:27:51But...
00:27:51But what's happening?
00:27:54And the phone?
00:27:55But no, it's not in this room.
00:27:56It must be a long distance train, it's coming from out of town.
00:28:00Keep playing.
00:28:01But is the sound coming from this hood?
00:28:03Oh yeah, I had an alarm installed, you know, with all these thieves around,
00:28:07hoods are expensive.
00:28:08Do it for a while.
00:28:09And what?
00:28:10But is this my alarm clock?
00:28:11Ah, yes, I had fought it, it wasn't right, I wanted to fix it.
00:28:16And is this the radio there?
00:28:16Ah, yes, to listen to Vatican Radio.
00:28:19Father Mariano.
00:28:20I get it, you're both thieves, but then...
00:28:23You're welcome, scammers.
00:28:25Go.
00:28:26You can't get through here.
00:28:28And the head.
00:28:29And the head.
00:28:33Stop everyone.
00:28:35The first one who moves, I kill this man.
00:28:37You are in trouble, brothers.
00:28:53That's right, we're in trouble.
00:28:55Thank you.
00:28:55Come in, come in.
00:29:02We did it.
00:29:04Thank His Eminence.
00:29:05Thank you, Your Eminence.
00:29:12Good, good.
00:29:13Now I'm taking you to the sun, eh.
00:29:15Chip, chip, chip, chip, chip.
00:29:18Cute.
00:29:19Oh my goodness.
00:29:31Zenaide, zenaide, zenaide.
00:29:34Who's there?
00:29:35Look, look, a cardinal leading two friars.
00:29:40Strange.
00:29:41Yet the council is over.
00:29:44Have mercy and bless.
00:29:46Compassion.
00:29:47But what is he doing?
00:29:49Help.
00:29:50But what...
00:29:51But what...
00:29:51No.
00:29:52No.
00:29:53Stopped.
00:29:54I said stop.
00:29:54So, I don't kill them anymore?
00:30:02No, not yet.
00:30:04It would be too easy for you two to disappear like this.
00:30:06When the time comes, I'll take you out, slowly.
00:30:09Arrate.
00:30:10But I want to give you one more chance.
00:30:16No.
00:30:16Here's a little job for you that'll give you a bit of rest.
00:30:25But what is he doing?
00:30:26Maybe he makes movies about it.
00:30:29Go, Mancino.
00:30:31What is he doing?
00:30:33Cinema for you.
00:30:35How beautiful cinema is.
00:30:36Ask who the pennciapale actor is.
00:30:38But is Topogigio there?
00:30:40No.
00:30:43This is the facade of the Paul di Brandoli museum.
00:30:46And this is the famous Beato Angelico from the private collection of von Mastain,
00:30:51worth several million.
00:30:52I managed to get it in exact reproduction.
00:30:57You will hide here in the corridor
00:30:59and when everyone has left you will replace them.
00:31:02I don't see.
00:31:03Neither Doppefonda, nor Nascondiglie, nor Walter Clotes.
00:31:06Yes indeed, please forgive my intervention, kind lady.
00:31:10But where are we hiding?
00:31:16Dude, I'm doing the iron treatment.
00:31:24Ah, Ciccio.
00:31:25Ciccio, I'd like to sketch something else.
00:31:27Hold on, hold on.
00:31:29But tell me one thing, where is this painting we have to scratch?
00:31:32At the end of the corridor, near the Parmigianino painting.
00:31:35So, since we have to grate, why don't we grate the Parmesan?
00:31:39Yes, let's get closer step by step.
00:31:44Now, pass along this way, and here on the right we have a large painting by Caravaggio.
00:31:49Remember, Caravaggio is famous for his lighting coming from the center of the picture,
00:31:53if you look up there.
00:31:54Now, if you'll pass this way, this small portrait is by Rubens.
00:31:58You see, a portrait by Rubens.
00:32:01Now, if you'll pass along this way, there's something else I'd like to.
00:32:04Now, if you'll all come over this side, please.
00:32:05Oh, just a minute.
00:32:06I think my garter's undone.
00:32:07What shall I do?
00:32:08Oh, go over there.
00:32:09Hold there.
00:32:26Do you want to take a photograph of me with this armor?
00:32:28Yes, let's do that.
00:32:38Oh, this armor's so heavy, you'd better hurry up.
00:32:47Have you taken it?
00:32:49Yes, there we have.
00:32:50Now, I'd better put him back.
00:32:51Are you coming?
00:32:51Come on, let's go.
00:33:05Move away, move away
00:33:13Stand still
00:33:35Move away
00:34:05Yes, that makes me gasp
00:34:17Eh, hold on
00:34:19That cold one gave me the secret
00:34:20Where, unconscious
00:34:22We have to steal the cheese
00:34:24Okay, I know, but I can't take it anymore
00:34:27I have to make a pepeca
00:34:28Shut up, shut up
00:34:29And where do I do it?
00:34:30Be careful, immobilize yourself
00:34:32It closes
00:34:34Look, the more you prohibit it
00:34:55And I bring more dogs there
00:34:57Look, what a dirty guy
00:35:00I'll tell you
00:35:02Po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po po
00:35:32Thank you all
00:36:02Thank you all
00:36:32Thank you all
00:37:02Thank you all
00:37:32Thank you all
00:38:02Thank you all
00:38:32Thank you all
00:39:02Thank you all
00:39:31Thank you all
00:40:01Thank you all
00:40:31Thank you all
00:41:01Thank you all
00:41:31Go
00:42:01Thank you all
00:42:31Thank you all
00:43:31Thank you all
00:44:01Thank you all
00:44:31Thank you all
00:45:01Thank you all
00:45:31Thank you all
00:46:01Thank you all
00:46:31Thank you all
00:47:01Thank you all
00:47:31Thank you all
00:48:01Thank you all
00:48:31Thank you all
00:49:01Thank you all
00:49:31Thank you all
00:50:0110
00:50:31Thank you all
00:51:01Thank you all
00:51:31Thank you all
00:52:01Thank you all
00:52:31Thank you all
00:53:01Thank you all
00:53:31Thank you all
00:54:01Thank you all
00:54:31Thank you all
00:55:01Black
00:55:31Thank you all
00:56:01Thank you all
00:56:31Thank you all
00:57:01Thank you all
00:57:31Thank you all
00:58:01Thank you all
00:58:31Thank you all
00:59:01Thank you all
00:59:31Let's smoke
01:00:01A bit'
01:00:31Thank you all
01:01:01Thank you all
01:01:31Thank you all
01:02:01Thank you all
01:02:31Thank you all
01:03:01Thank you all
01:03:31Thank you all
01:04:01Thank you all
01:04:31Thank you all
01:05:31Thank you all
01:06:01Thank you all
01:06:31Thank you all
01:07:01Thank you all
01:07:31Thank you all
01:08:31Ciccio
01:09:01Thank you all
01:09:31Thank you all
01:10:01Thank you all
01:10:31George
01:11:31Thank you all
01:12:01Thank you all
01:12:31Thank you all
01:13:31Thank you all
01:14:01The children
01:14:31Thank you all
01:15:01Thank you all
01:15:31Thank you all
01:16:01Thank you all
01:17:01Thank you all
01:17:31Thank you all
01:18:01Thank you all
01:18:30Thank you all
01:19:00Thank you all
01:19:30Thank you all
01:20:00Thank you all
01:20:30Thank you all
01:21:00Thank you all
01:21:30Thank you all
01:22:00Ciccio
01:22:30Thank you all
01:23:00Thank you all
01:23:30Thank you all