- 3 months ago
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Short filmTranscript
00:00THE END
00:02THE END
00:04THE END
00:06THE END
00:08THE END
00:10THE END
00:12THE END
00:14Mind me again why it's my job to paint the windowsills?
00:16We've got a business to run.
00:18Because you've got to paint the rents somehow?
00:20Oh, don't worry. These pants it'll run out.
00:22Oh, mother, please. It's bad enough watching you two mooning over your cornflakes.
00:24No, no, Harvey, you can't just slap it on willingly.
00:26You've got to wash the paintwork down first with soapy water.
00:28Yeah, I've done this before, Ian.
00:30Can you call me?
00:32Yeah, look, I know I can't just talk to him.
00:34Yes, I know it's a detention centre.
00:38I just want you to get a message to him, that's all.
00:40Just tell him that I'm sorting out a place for when he gets out.
00:44And that I love him.
00:46That's in a bad way.
00:48Not as bad as Vicky looks after what his son did to her.
00:52Well, exactly.
00:54He was told to attack Vicky, not Ross.
00:56He was just, you know, protecting his son.
00:58Well, he failed, didn't he, Harvey?
01:00Because if he had a done, Vicky wouldn't have had seven bells beaten out of her.
01:02It's never that simple, is it?
01:04Doesn't it?
01:06Right, he looks pretty simple to me.
01:08Well, hey.
01:10How's it?
01:12Well, hey.
01:14How's it?
01:16It's a shame we can't get no ventilation in here.
01:18Ugh.
01:26I've been treating you well.
01:28You're a man.
01:30Yeah, then.
01:32What, you've forgotten already?
01:34It's like, yeah, it's going to your brain that may give you an amen.
01:38I've been treating you well.
01:41Yeah, man.
01:43Yeah?
01:44What, you forgotten already?
01:46I was like, yeah, you're going to your brain and make you weak.
01:49Ravi's gone.
01:51I'm in charge, yeah?
01:53You're a junk.
01:55Gina don't seem to think so.
01:58Yeah, she's been out all night texting me.
02:02What is it?
02:03I meet you at the Vic at 1.
02:06She loves putting them heart and mortgages as well, don't you?
02:09Stay away from her white uncle.
02:12Oh.
02:13The strong survive and the weak waste away to...
02:18Something like that.
02:20Natural selection though, isn't it?
02:23Anyways.
02:26Got a sprint.
02:28Don't want to keep her waiting.
02:30Oh, I know.
02:32You don't worry about Gina, yeah?
02:35You leave her to me.
02:37Get dirty and so verdunig.
02:39Shh.
02:40Shh.
02:41Shh.
02:42Shh.
02:43Shh.
02:44Shh.
02:45Shh.
02:46Shh.
03:00Shh.
03:01Shh.
03:02Shh.
03:03Shh.
03:04Shh.
03:05Shh.
03:06Shh.
03:07Shh.
03:08Shh.
03:09Shh.
03:10Shh.
03:11Shh.
03:12No, no.
03:13It needs to be in Walford.
03:14I need to be near my boy.
03:15Yeah.
03:16Yeah, thanks for nothing.
03:18Hey.
03:19Hey, don't stop on my account.
03:21I'm gonna watch Kathy don't catch you talking to me.
03:30I remember when Aaron was a kid.
03:31I used to take my watch Spurs play.
03:32I remember when Aaron was a kid, I used to take my watch Spurs play.
03:37And his face when they scored.
03:38No.
03:39That joy.
03:40It's like he was low in, you know.
03:41I wish I could have bowled it.
03:42I wish I could have bowled it.
03:43And then...
03:44He was gone.
03:45And I tried to remember the exact moment I lost it.
03:46I played it over and over in my head.
03:47What did I do?
03:48It made me so angry.
03:49So hateful.
03:50It made me so angry.
03:51So hateful.
03:52Anyway, mate.
03:53You, er...
03:54You, er...
03:55It made me so angry.
04:00Anyway, mate.
04:06I play it over and over in my head.
04:09What do I do?
04:12You make me so angry, so hateful.
04:21Anyway, mate, you, uh, you must be exhausted.
04:25You don't know what way's happened right now,
04:27but once the dust has settled and you've found your feet,
04:33there's a fat chance of that.
04:36There's no flats going and...
04:39and right now, me beds are benched in the sympathy yard.
04:45Well then, come and stay with us.
04:47At least for a few days.
04:50Cathy's not gonna want me anywhere near me.
04:52Yeah.
04:53She's angry, but she's not unreasonable.
04:57I will swear it.
05:04I don't know what to say.
05:06Yeah.
05:07Get your stuff.
05:16Oh.
05:17Hiya.
05:18Oh, hi.
05:19Hi.
05:20How is everything?
05:21Yeah.
05:22He's having a good day today.
05:23Thanks for yesterday.
05:25Um, can I make it up to you?
05:27Oh, it's no need.
05:28I'd like to.
05:29Can I meet you down to Vic later?
05:30Yep.
05:31Okay, lovely.
05:32Great.
05:33Text you.
05:34Okay.
05:35You're a very lucky boy.
05:42Just spoke to Lauren.
05:43She says she can get nine grand for the Morris.
05:47You're kidding.
05:48Well, she said eight, but I know we can get her up.
05:51Result, eh?
05:53Oh, what?
05:54You're joking.
05:55What's happened now?
05:56The end of my career.
05:57That is what has happened.
05:58Yesterday in the Albert, I wrote a draft business proposal telling my clients that I was going
06:03to leave the firm and to come in on my own setup.
06:05Well, when was all this?
06:07When we were three sheets to the wind.
06:09Well, it was just a draft, though, right?
06:11I must have pressed send in to the safe.
06:13It went to all my contacts, including my boss.
06:16He wants me in the office, and I'm already on my phone warning.
06:19I was thinking of asking jazz on a proper date.
06:22Maybe cinema?
06:26Top ten rom-coms of all time.
06:28Which do you think she liked the most?
06:32Hello.
06:33Who are you, maestro?
06:34Sorry.
06:35Hm?
06:36I was just, um, thinking about the old car, you know, freedom, open road.
06:45I won't have that ever again.
06:47Mm-mm.
06:49But, they haven't taken your licence away yet, have they?
06:53What do you reckon?
06:54One last spin.
06:59Look, Ross wouldn't dare show his face round here.
07:01And if he does, he'll get my still letter on his bribe.
07:04There you go.
07:05Thanks, girl.
07:06How'd you get on?
07:07All arranged.
07:10What's arranged?
07:11We're taking him away for a few days.
07:14I know.
07:15Mm-hmm.
07:16Mm-hmm.
07:19Late this street.
07:23You could've asked me.
07:26Look, being in the house where it happened, it's...
07:29It's not gonna help you heal, darling.
07:31Yeah.
07:32A few days away.
07:33Bit of fresh air.
07:34Do us all the world of good.
07:37I wonder where he slept last night.
07:39It's not your problem, darling.
07:43I can't just switch off my feelings.
07:44Vicky, you have been dealing with this for months.
07:48By the time you started looking after number one.
07:50You need this, Vicky.
07:52By the time you get back,
07:53Ross and that son of his will be long gone.
07:56What do you say?
08:02Here, Ned.
08:04Cheers.
08:05Where's Tommy?
08:06It's gonna take time, innit?
08:07It's bad to be talk of the square.
08:09He told me that Joe was assaulting women,
08:11filming it and posting it.
08:14Sick.
08:15Yeah, it is sick.
08:16It's a shame it took a woman getting beat into a pulp
08:18for Tommy to speak up.
08:19Put 50p in your slot.
08:21That Ross knew exactly what his son was doing
08:23and he did nothing about it.
08:25My Tommy's no saint,
08:26but he ain't to blame for what that Joe did.
08:28Sure.
08:29If he was to blame,
08:30the old Bill would have arrested him.
08:32So before you open your gob again,
08:34make sure you get your facts right.
08:39Oh, where's your action man?
08:40You're usually joined at the Ips.
08:42Oh, well, he's gone AWOMO, hasn't he?
08:43Not that he's missed.
08:45Takes after his granddad.
08:46Stevie had his wicked way with me.
08:48And then run to the hills.
08:50Well, that's not my problem anymore.
08:52Cheers, though.
08:53I was married to a Mitchell and taken from me.
08:55You could do better.
08:56Thanks.
08:58Oh, man, you look amazing.
09:01Thanks.
09:04Right, I'll have your finest bottle of shampoers
09:07and a lemonade.
09:09Ooh, big spender.
09:10I like your style.
09:11Yeah, I'll just have a bottle of beer, though.
09:12Thanks, Kat.
09:13All right.
09:14OK, I'll have your finest beer in a minute.
09:16All right.
09:18I'm gonna go grab us a table.
09:19I'll come over, yeah?
09:24Now, this silt is made of stone.
09:26This silt is made of wood.
09:28Yeah, I'm not blinding it.
09:29And because it is made of wood,
09:30right, you need to sand out any imperfections, OK?
09:33Then you apply the primer,
09:35and then you apply two coats of paint.
09:37In the time it's taken to explain it,
09:39I could have done it.
09:41Here.
09:43I, um...
09:44I had a chat with Ross earlier.
09:46Yeah, well, I'm surprised he's still around.
09:48Yeah, well, he's vulnerable.
09:49You know, he needs support.
09:51Support?
09:53I'll see Vicky's face.
09:55Look, Joel's not the first kid to get off the rails.
09:57Are you?
09:58Ooh.
09:59Still hard at it.
10:00Oh, I thought he was, uh, out for the day.
10:02No, change of plan.
10:03We're taking Vicky to the lakes for a few days,
10:05you know,
10:06for a breather.
10:08Sharon's out getting bits.
10:10Right, well,
10:11can't you get bits of the lakes?
10:13I mean,
10:14we'll get a move on that.
10:15Slow down, Harvey.
10:16What, you trying to get rid of us?
10:21What the hell are you doing here?
10:25What are you doing?
10:26Oh, no, no, no, no.
10:27Say you didn't.
10:28Well, I just thought...
10:29I mean, especially as he's gonna be away for a few days...
10:30Well, you thought wrong, okay?
10:31I don't want you anywhere near my family.
10:32All right?
10:33So, just...
10:34So take your rubbish
10:35and get lost, all right?
10:36Oh, Ian, there's no need for that.
10:37I don't need you or your son anywhere near Wolford.
10:39You wanna watch him out.
10:40You only make it worse.
10:41And this has got nothing to do with you.
10:45Hey, please.
10:46Don't even think about it.
10:47I don't even think about it.
10:48How many of you are dads?
10:49How are parents?
10:50How are parents?
10:51Only make it worse.
10:52And this has got nothing to do with you.
11:01Please.
11:03Don't even think about it.
11:13How many of you are dads?
11:16Our parents.
11:21And how many of your sons have got a mobile?
11:24Or a laptop?
11:29Do you know what they're watching right now?
11:32Do ya?
11:37Only one minute, you're teaching them how to ride a bike,
11:40and that's scary enough, but, you know,
11:42you can't wrap them in cotton wool forever, can ya?
11:46And then the next thing,
11:48you've got this twisted freak in their ear,
11:52filling their head with all this crap
11:53about what it takes to be a real man.
12:00Now my boy did some terrible things,
12:03and I wanna get my hands round his neck,
12:04and I wanna throttle him.
12:06And I wanna ask him,
12:07how could you have been so stupid?
12:12But I turned him in.
12:16I shot my home son to the police.
12:21I handed him his laptop with all that vile stuff on it.
12:23But apparently that ain't enough of you lot.
12:28You know, you can...
12:30light him off, turn your back on him.
12:34Nah, I can't blame you for that.
12:36I can't blame you for that.
12:43But what would you do?
12:45Eh?
12:47What would you do if this was happening to your family?
12:56I did everything I could.
12:58I can't give up on Joe.
13:07Yeah, you alright, Ross?
13:09You did everything you could.
13:11For him.
13:12Okay. For your mum.
13:13No, no.
13:15But you did nothing to protect the women he abused.
13:18And you knew what your son was up to for months.
13:21You knew it.
13:24And you kept it to yourself.
13:26And now...
13:28All those women, they...
13:29They have to live with what your son did to them.
13:33So whatever you did, Ross...
13:36It weren't enough.
13:37Come on, Kath. That's enough now.
13:38Let's go. Let's go.
13:46You're not sitting one foot inside my house.
13:48Just...
13:49Just leave.
13:51What's the point?
13:54Joe was right.
13:57I am perfect.
14:12Jasmine.
14:13Okay, hear me out.
14:14I was thinking we could do a day.
14:16Like, old school.
14:18I'm listening.
14:19They have a season of old classic rom-coms at the picture house.
14:21I was thinking pretty woman.
14:24Richard Gere.
14:25God broke the mould when he made that man.
14:27What, the one about the sex worker and the millionaire?
14:29Yeah, it's romantic.
14:30I could watch it on repeat.
14:32It ain't ginger ruining it.
14:33Well, it looks like you've got yourself a date.
14:36I wish you had.
14:37No, I grew up in Marbella.
14:41My mum and dad ran a bar, so we helped out.
14:43It's been a while, didn't it?
14:44I've got tattoos to prove it.
14:45Oh, yeah.
14:46Where?
14:47Oh, come on.
14:48You've got to show me now.
14:49No, no.
14:50This is a family-friendly pub.
14:52All right.
14:53No, yeah.
14:54I get that vibe.
14:55And listen, next day I'm taking you out west.
14:56What, the next day?
14:57Yeah.
14:58Dinner, rooftop bar, members club, you know, the finest.
15:02All right.
15:03Well, I've shown you mine, so now you've got to show me yours.
15:06You ain't show me nothing yet.
15:07I met my family.
15:08Ain't nothing to sell.
15:09Oh, mum.
15:10Dad, brothers, sisters.
15:11I don't know.
15:12I don't know.
15:13I don't know.
15:14I don't know.
15:15I don't know.
15:16I don't know.
15:17I don't know.
15:18I don't know.
15:19I don't know.
15:20I don't know.
15:21I don't know.
15:22I don't know.
15:23I don't know.
15:24My sisters.
15:27OK, so this is just a one way thing, is it?
15:29Where I'm kind of, I'm kind of done with the silent moody type.
15:33So.
15:37Well, I did really know my pops until I was nine, so.
15:44Mum says he was never any good, but when I did meet him,
15:49that guy demanded respect, you know?
15:52Huh.
15:53He showed me off to everyone.
15:56Spoiled me as well.
15:57But me trainers, clothes, you know.
15:59Treat me like a king.
16:07He died when I was 14.
16:12Well done roadies.
16:13He got stabbed with his own knife in some petty scuffle.
16:15And after that, Mum just, erm...
16:24She just snapped.
16:29Got missing for days on end.
16:33Left me and my brother to take care of our little sister,
16:36mother's right about ourselves.
16:41No love.
16:43No help.
16:48I'm really sorry that happened to you.
16:51Sorry.
16:52I got out, though.
16:57Survived.
17:02The sun's blazing down on me now, though, right?
17:05Yep.
17:07Yeah, it is.
17:09Come on!
17:11Come on, please!
17:12Come on, please!
17:13Come on!
17:15Come on!
17:16Come on, everybody!
17:17Hey, how's Vicky?
17:42You care about Vicky now, do you?
17:44Of course I do.
17:45Don't be like that.
17:47Oh, is that why you invite that man into our house?
17:50Look, I can care about Vicky and Ross at the same time, can't I?
17:53And did you really have to call him out like that in front of everyone?
17:56Do you know what?
17:57I think it's a good job I'm going away.
17:59Before me and you fall out.
18:02You're, uh...
18:03You're staying in my house, aren't you?
18:05Don't forget that.
18:06Oh, wind it in, will you?
18:07Ross ain't the one that's banged up, is he?
18:09Well, Joe ought to get it from somewhere.
18:11I mean, it's bad gene pool if you ask me.
18:13I mean, Vicky is well shot.
18:14Didn't you protect Bobby?
18:15I mean, despite everything he'd done, you hid the truth from everyone.
18:19Right?
18:19Because deep down inside, you knew there was good in him.
18:22I've done the same with Aaron, but here we are, and we get to argue about painting a window,
18:28so we get to have a pint with our community while Ross is in the gutter.
18:32Aren't we lucky?
18:34Yeah, I'm going to the VIG.
18:35You can do the last comb.
18:36Oh, I've got your text.
18:42You ready?
18:43Uh, ready for what?
18:45We were going to...
18:46Oh, mate!
18:48You've been turned over?
18:50No.
18:51I'm looking for something.
18:52Looking for what?
18:55Could it be the car keys?
18:57One last spin, remember?
18:58The car keys.
18:59Yes.
19:00Yeah.
19:01Oh.
19:02Look at this mess.
19:04It's okay?
19:05No, it's not, oh, is it?
19:06What's Julie going to think?
19:08Okay, well, you, uh...
19:10Sit there.
19:20Julie always wanted to go to India, see the Taj Mahal.
19:25We've been saving for years, but then...
19:28Nigel, you told me this yesterday, remember?
19:31Right.
19:34I'm back!
19:36Oh, God, I'm exhausted.
19:38I've got you those brandies that you like.
19:45Oh, my...
19:46It's okay.
19:47Nigel was looking for something and got a bit carried away.
19:50Car keys?
19:51I was going to take the car for one last spin.
19:53No, no, he was just going to show me the engine.
19:56Nigel.
19:57Nigel.
19:58You can't drive.
19:59You know that.
20:04I keep hold of them.
20:07See?
20:07I've told you that.
20:08Yeah, I'm sorry.
20:13Right.
20:14Never mind.
20:16Let's get this place tied it up, then, shall we?
20:18No.
20:19We'll sort it.
20:20Right, Nigel?
20:21Yeah.
20:22You sit...
20:23Goodness.
20:28I'm supposed to be meeting Jean.
20:30So, go.
20:34Okay.
20:35Okay.
20:37What was I supposed to do?
20:48Mate, no, I've been raising him on my own.
20:51Yeah, no, I know exactly what you meant.
20:53Yeah, cheers for the support.
20:54Means a lot.
20:55Are you okay?
20:56Oh, well, you're concerned now, are you?
21:00Yeah, I saw you gawping earlier.
21:03Enjoy the shows, yeah?
21:04Of course not.
21:05I'm just concerned.
21:06Oh, just do one, mate.
21:08Sorry.
21:09Don't hurt your feelings.
21:09So, where are you now?
21:16Oh, do you know what?
21:17I'm actually, I'm kind of beat.
21:20Well, like I said, Harry's a fool.
21:24I've had a girl like you, I'll never let her go.
21:25Johnny, you heard me think.
21:35Oh, he's heard all right.
21:36Yep, sacked.
21:37With immediate effect, gross misconduct, and zero chance of a reference.
21:42You're joking.
21:43I am so sorry.
21:44Yeah, all those years of graft down the drain.
21:46Don't worry, darling.
21:47Some people turn up.
21:47And in the meantime, you can help with the boutique hotel.
21:51Fantastic.
21:54Yeah, I mean, he's a nice guy.
21:57But?
21:59But he said Harry's a fool.
22:01I mean, I know, he ain't.
22:03He chased me for months, and...
22:06In Brighton, like, we got really close.
22:08It wasn't just like a fling.
22:11Gina.
22:12I'm sorry, but this is textbook ghosting.
22:16No, no, it ain't.
22:17I know ghosting, and this isn't it.
22:20Something's off.
22:24Okay.
22:26Right.
22:28Ready?
22:31Watch this.
22:34Julie.
22:36Um...
22:37My way of apology for earlier.
22:41Indian takeaway.
22:43Well, I'm...
22:45Just going back to the beginning.
22:46Yeah, no.
22:46It's, um...
22:49It's a taster for our trip to India.
22:55And what?
22:57You've had to put up with a lot from me.
23:00So, um...
23:02I wanted you to have something to look forward to.
23:05Um...
23:07Because I love you.
23:10And you deserve it.
23:12So I'm selling a car,
23:14and it's time to turn our dream into reality.
23:19Delhi, Jaipur, Agra.
23:23The Gordon track.
23:25But really?
23:26Really.
23:27And before our real trip to India,
23:30I thought I'd give you a taste of India.
23:34Oh, God.
23:35Oh, you big softy.
23:39So you're both going to India?
23:41Of course we're both going to India.
23:45You're so thoughtful.
23:47It all gets cold.
23:48He can't really find his way to Stratford on the one I hate.
23:59How's he going to get to bleed in India?
24:05Watson, is that your side hustle, yeah?
24:07Reconnecting pensions.
24:08You don't fool me, Jasmine.
24:09I see you.
24:10I knew you were a sucker for romance, Rhea.
24:12I don't have to prove myself much more to get to you.
24:14Oh, is that right?
24:15Yeah.
24:16Maybe.
24:16Anyway, I guess asking you to see a film about a hooker...
24:22Sex worker.
24:22Sex worker wasn't a great move, but...
24:26How come?
24:27Really?
24:28Yeah, sure.
24:30Pretty women.
24:31But I'm paying.
24:33I'm a modern man.
24:34I've absolutely no issues with that.
24:35I...
24:35I don't have to see you anymore.
24:38Oh, my God.
24:40A pound and a seafood...
24:41..or a pound to taste...
24:42..a pound to taste...
24:44...a pound to taste...
24:45...a pound to taste.
24:46Ah.
24:47What?
24:49Come on, mate.
24:50No, no, no, I'm all right.
24:52Come on, please.
24:53He's wasting.
24:54It's fine, it's fine.
24:55Come on.
24:56That cat looks nasty, I don't feel like it.
24:58Come on, let's have you up.
24:58Come on, mate.
24:59Nice.
24:59Come on.
25:00Nice.
25:01What's going on?
25:02Yeah, I'm up.
25:03I'm up.
25:04I'm up.
25:19You never told me how funny Gina is.
25:23Oh man.
25:25Got pretty wild.
25:26Yeah.
25:29She can handle abuse as well.
25:32But you know, my favourite bit of the date was tracing my finger along her tattoo.
25:43Oh man, she was quivering.
25:47I think that's her sweet spot.
25:49Yeah.
25:57I swear.
25:59I'm gonna kill you.
26:00I'm gonna kill you.
26:07Nah.
26:10Nah, I don't think you.
26:16Look at me.
26:18No one's coming for you.
26:23Hmm?
26:25Not your family.
26:27Not Gina.
26:31No one's gonna miss you when you're gone.
26:32No one's gonna miss you when you're gone.
26:33No one's gonna miss you when you're gone.
26:35I don't know if you're gonna miss you.
26:36Oh man.
26:37I don't know if you're going to miss you.
26:43Yeah.
26:44Can you get up with me?
26:45Sharon's just dropping Albie at Zach, she won't, you know.
26:52Yeah, he likes looking after Albie. He's a good bloke.
26:56Listen, I'm sorry about earlier, all right?
26:58But you've got to stop feeling guilty about Ross.
27:01He can look after himself.
27:02Yeah, let's just get going, eh?
27:05In you go.
27:11Er, just give me a minute, all right?
27:15Oh, no, you have got to be joking.
27:23I've done it, Paul Stark.
27:24He's covered in all sorts.
27:25Yeah, well, I can see that.
27:27He's taken care of, Kath.
27:29If anything happens to him, what's that going to do at Lincoln?
27:32Oh, nice try, Harvey.
27:33But he ain't staying here, him.
27:34Yeah, Mum, he is.
27:36What? What, after everything he's done?
27:38He's hit rock bottom, OK?
27:41Look, I know what that's like. I've been there.
27:42You both have.
27:49Come on, Kath.
27:51We missed the train.
27:53You better pray that Sharon and Vicky don't find out.
27:56You better pray that Sharon and Vicky don't find out.
27:57You better pray that Sharon and Vicky don't find out.
27:57You better pray that Sharon and Vicky don't find out.
27:58You better pray that Sharon and Vicky don't find out.
27:59You better pray that Sharon and Vicky don't find out.
28:00You better pray that Sharon and Vicky don't find out.
28:01You better pray that Sharon and Vicky don't find out.
28:02You better pray that Sharon and Vicky don't find out.
28:03You better pray that Sharon and Vicky don't find out.
28:04You better pray that Sharon and Vicky don't find out.
28:05You better pray that Sharon and Vicky don't find out.
28:06You better pray that Sharon and Vicky don't find out.
28:07You better pray that Sharon and Vicky don't find out.
28:08You better pray that Sharon and Vicky don't find out.
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